creative writing a program

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Online Courses

Online courses: creative writing.

Stanford Continuing Studies' online creative writing courses make it easy to take courses taught by instructors from Stanford’s writing community. Thanks to the flexibility of the online format, these courses can be taken anywhere, anytime—a plus for students who lead busy lives or for whom regular travel to the Stanford campus is not possible. These courses are open to all adults, and we encourage all levels of writers to enroll.

Creative Writing Program

Linda A. Cicero | Stanford News Service

Cultivating the power of individual expression within a vibrant community of writers

It’s here that I fell deeper and deeper in love with writing, and I can say without a shadow of doubt that I met mentors, peers, and friends for life. The generosity with which the Creative Writing Program has shaped me will sustain—it’s truly been life-changing.

Creative Writing Minor

Discover your writing prowess and push the imaginative bounds of prose, poetry, and screenwriting with our undergraduate minor.

Stegner Fellowship

An opportunity for promising writers to develop their craft in the company of peers and under the guidance of Stanford faculty.

Stanford University

Our Community

Meet the faces of Creative Writing--the faculty, lecturers, staff, and visiting writers who guide and support our students and fellows.

In the Spotlight

Description dances off the page at final Stegner Fellow reading

On Wednesday night, Stegner Fellow in Fiction Nevarez Encinias delivered an evening of movement and description in literary form. A dancer by training, Encinias’s background came through in his writing through his elaborate physical descriptions and seemingly choreographed prose.

Familiar words in novel contexts: Arthur Sze translates the human condition

Mohr Visiting Poet Arthur Sze shared his work alluding to nature, translation, and the human condition at a public reading on Wednesday. The reading, co-sponsored by the Creative Writing Program and the Stanford Humanities Center, was packed with visitors, faculty, and students. 

The beautiful and the terrible: Carmen Maria Machado reads queer horror and sci-fi

On Wednesday evening, audience members initially seemed to pour in gradually to author and essayist Carmen Maria Machado’s Lane Lecture series reading — that is, until suddenly, every seat was taken and the room buzzed with lively conversation. 

Recent News

• Announcements

2024-2026 Stegner Fellows

New Book Release from Nicholas Jenkins

New Book Releases from Madeleine Cravens & Zach Williams

Upcoming events.

New events are coming soon. Please stay tuned!

Until then, browse our past events

Pleasure Principle

Beautiful Days

The Island: War and Belonging in Auden's England

The Fight Journal

When I Waked, I Cried To Dream Again

• Academics /

Creative Writing and Literature Master’s Degree Program

Unlock your creative potential and hone your unique voice.

Online Courses

11 out of 12 total courses

On-Campus Experience

One 1- or 3-week residency in summer

$3,340 per course

Next Start Term: Fall 2024

Registration Open July 22-August 29

Program Overview

Through the master’s degree in creative writing and literature, you’ll hone your skills as a storyteller — crafting publishable original scripts, novels, and stories.

In small, workshop-style classes, you’ll master key elements of narrative craft, including characterization, story and plot structure, point of view, dialogue, and description. And you’ll learn to approach literary works as both a writer and scholar by developing skills in critical analysis.

Program Benefits

Instructors who are published authors of drama, fiction, and nonfiction

A community of writers who support your growth in live online classes

Writer's residency with agent & editor networking opportunities

Personalized academic and career advising

Thesis or capstone options that lead to publishable creative work

Harvard Alumni Association membership upon graduation

Customizable Course Curriculum

As you work through the program’s courses, you’ll enhance your creative writing skills and knowledge of literary concepts and strategies.

You’ll practice the art of revision to hone your voice as a writer in courses like Writing the Short Personal Essay and Writing Flash Fiction.

Within the creative writing and literature program, you will choose between a thesis or capstone track. You’ll also experience the convenience of online learning and the immersive benefits of learning in person.

11 Online Courses

• Primarily synchronous
• Fall, spring, January, and summer options

Writers’ Residency

A 1- or 3-week summer master class taught by a notable instructor, followed by an agents-and-editors weekend

Thesis or Capstone Track

• Thesis: features a 9-month independent creative project with a faculty advisor
• Capstone: includes crafting a fiction or nonfiction manuscript in a classroom community

The path to your degree begins before you apply to the program.

First, you’ll register for and complete 2 required courses, earning at least a B in each. These foundational courses are investments in your studies and count toward your degree, helping ensure success in the program.

Enroll for your first admission course this fall. Course registration is open July 22–August 29.

To get started, explore degree requirements, confirm your initial eligibility, and learn more about our unique “earn your way in” admissions process.

A Faculty of Creative Writing Experts

Studying at Harvard Extension School means learning from the world’s best. Our instructors are renowned academics in literary analysis, storytelling, manuscript writing, and more. They bring a genuine passion for teaching, with students giving our faculty an average rating of 4.7 out of 5.

Bryan Delaney

Playwright and Screenwriter

Talaya Adrienne Delaney

Lecturer in Extension, Harvard University

Elisabeth Sharp McKetta

Our community at a glance.

80% of our creative writing and literature students are enrolled in our master’s degree program for either personal enrichment or to make a career change. Most (74%) are employed full time while pursuing their degree and work across a variety of industries.

Download: Creative Writing & Literature Master's Degree Fact Sheet

Average Age

Course Taken Each Semester

Work Full Time

Would Recommend the Program

Professional Experience in the Field

Pursued for Personal Enrichment

Career Opportunities & Alumni Outcomes

Graduates of our Creative Writing and Literature Master’s Program have writing, research, and communication jobs in the fields of publishing, advertising/marketing, fundraising, secondary and higher education, and more.

Some alumni continue their educational journeys and pursue further studies in other nationally ranked degree programs, including those at Boston University, Brandeis University, University of Pennsylvania, and Cambridge University.

Our alumni hold titles as:

• Marketing Manager
• Director of Publishing
• Senior Research Writer

Our alumni work at a variety of leading organizations, including:

• Little, Brown & Company
• New York University (NYU)
• Bentley Publishers

Career Advising and Mentorship

Whatever your career goals, we’re here to support you. Harvard’s Mignone Center for Career Success offers career advising, employment opportunities, Harvard alumni mentor connections, and career fairs like the annual on-campus Harvard Humanities, Media, Marketing, and Creative Careers Expo.

Your Harvard University Degree

Upon successful completion of the required curriculum, you will earn the Master of Liberal Arts (ALM) in Extension Studies, Field: Creative Writing and Literature.

Expand Your Connections: the Harvard Alumni Network

As a graduate, you’ll become a member of the worldwide Harvard Alumni Association (400,000+ members) and Harvard Extension Alumni Association (29,000+ members).

Harvard is closer than one might think. You can be anywhere and still be part of this world.

Tuition & Financial Aid

Affordability is core to our mission. When compared to our continuing education peers, it’s a fraction of the cost.

After admission, you may qualify for financial aid . Typically, eligible students receive grant funds to cover a portion of tuition costs each term, in addition to federal financial aid options.

Learn more about the cost of attendance .

What can you do with a master’s degree in creative writing and literature?

A master’s degree in creative writing and literature prepares you for a variety of career paths in writing, literature, and communication — it’s up to you to decide where your interests will take you.

You could become a professional writer, editor, literary agent, marketing copywriter, or communications specialist.

You could also go the academic route and bring your knowledge to the classroom to teach creative writing or literature courses.

Is a degree in creative writing and literature worth it?

The value you find in our Creative Writing and Literature Master’s Degree Program will depend on your unique goals, interests, and circumstances.

The curriculum provides a range of courses that allow you to graduate with knowledge and skills transferable to various industries and careers.

How long does completing the creative writing and literature graduate program take?

Program length is ordinarily anywhere between 2 and 5 years. It depends on your preferred pace and the number of courses you want to take each semester.

For an accelerated journey, we offer year round study, where you can take courses in fall, January, spring, and summer.

While we don’t require you to register for a certain number of courses each semester, you cannot take longer than 5 years to complete the degree.

What skills do you need prior to applying for the creative writing and literature degree program?

Harvard Extension School does not require any specific skills prior to applying, but in general, it’s helpful to have solid reading, writing, communication, and critical thinking skills if you are considering a creative writing and literature master’s degree.

Initial eligibility requirements can be found on our creative writing and literature master’s degree requirements page .

Harvard Division of Continuing Education

The Division of Continuing Education (DCE) at Harvard University is dedicated to bringing rigorous academics and innovative teaching capabilities to those seeking to improve their lives through education. We make Harvard education accessible to lifelong learners from high school to retirement.

Creative Writing

One of the nation's most prestigious open-enrollment creative writing programs..

Whether you're looking to improve your writing for personal fulfillment, want to be published, or are preparing to apply to an MFA program, the Writers' Program can help you achieve your goals. You will find a supportive community of instructors, academic counselors and fellow students to help you on your journey.

We offer a wide range of open-enrollment courses, all of which may be taken individually. A guide on where to get started is provided below.

We also offer a fully customizable 21-unit Certificate in Creative Writing  where you can develop professional creative writing skills in the genre of your choice.

What do you want to create?

See All Courses

Creative Writing Certificate

Develop your skills in the genre of your choice, including fiction, creative nonfiction, poetry, and more.

This customizable program culminates in a capstone project where you will make significant progress on a polished collection of work.

Taught by a prestigious roster of instructors who are published writers and active professionals, courses can be taken onsite, online, or a combination of both.

Annual Writers Studio

4-day in-person, intensive workshops in Creative Writing & Screenwriting.

Perfect for both aspiring and experienced writers looking for new inspiration.

August 1-4, 2024 Registration opens Monday, February 5

Writers' Program Consultations

If you have a completed draft of a manuscript and need feedback for your work, you may consider a one-on-one consultation with a Writers’ Program instructor.

Consultations give you a full cover-to-cover read of your work, a written evaluation, and a follow-up conversation in person, via phone, or web chat.

Expect more from your education.

MFA, fiction writer, author of the story collection Once Removed (UGA Press) and winner of the Flannery O’Connor Award for Short Fiction. 

BUILD COMMUNITY

Writers' Program Network of Writers (WP NOW)

Stay immersed in the Writers' Program community. Our optional membership program offers exclusive access to a range of discounts and benefits, including members-only networking, professional development opportunities, and course discounts. 

L earn More

My UCLA Extension coursework, teachers, and colleagues have shaped my writing life, fueled the creation of my novel, and provided continual inspiration.

Corporate Education

Learn how we can help your organization meet its professional development goals and corporate training needs.

Donate to UCLA Extension

Support our many efforts to reach communities in need.

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Online MFA in Creative Writing Programs Focus Your Future in Fiction

Cost per credit $637

Total courses 16

Term length 10 Weeks

Program Overview Why get an MFA online?

Share your story with the world with an online Master of Fine Arts (MFA) in Creative Writing . Throughout the program, you'll learn from talented writers who will help you sharpen your skills. Not only will you graduate from the program with a completed novel, but you'll also learn about the business side of creative writing — so you can feel prepared to market your work.

And while most MFA programs require a residency, Southern New Hampshire University's online MFA in Creative Writing can be completed entirely online, with no travel necessary.

Skills you'll learn:

• The business and technical sides of professional writing
• Navigating the publishing ecosystem, identifying agents and editors, and marketing your work
• Using social media to gain a following and build your brand
• Teaching writing in a classroom setting

Courses & Curriculum Put pen to paper with online MFA Creative Writing courses

Explore genres, develop your writing skills and learn how to market yourself with an MFA in Creative Writing from SNHU. By the end of the program, you'll have written and revised a complete novel in one of four genres: contemporary, young adult, romance and speculative.

And with embedded certificates in either online teaching of writing or professional writing , you'll have the skills to support your writing career – no matter where you're headed next.

MFA Creative Writing course curriculum

In the MFA Creative Writing program, you'll study the craft of writing, selecting novels for close study of the elements of writing, authorial techniques, genre conventions and creative decisions.

And as one of the only programs of its kind that encourages a focus on genre fiction, our online MFA lets you hone your craft in an area specific to your strengths and interests. This culminates as your thesis project – a completed novel in the contemporary, young adult, romance or speculative genre.

At SNHU, we also know there's more to a career in writing than perfecting your craft. That's why the online MFA Creative Writing program puts a strong focus on the practical skills you'll need to succeed in the industry. This includes studying the publication process, helping you make informed decisions to get your work into readers' hands.

Courses may include:

Visit the course catalog to view the full MFA in Creative Writing curriculum .

PC (Windows OS) Technical Requirements

Apple (Mac OS) Technical Requirements

Additional Information:

• Laptop or desktop?   Whichever you choose depends on your personal preference and work style, though laptops tend to offer more flexibility. 
• Note:   Chromebooks (Chrome OS) and iPads (iOS) do not meet the minimum requirements for coursework at SNHU. These offer limited functionality and do not work with some course technologies. They are not acceptable as the only device you use for coursework. While these devices are convenient and may be used for some course functions, they cannot be your primary device. SNHU does, however, have an affordable laptop option that it recommends: Dell Latitude 3301 with Windows 10. 
• Office 365 Pro Plus  is available free of charge to all SNHU students and faculty. The Office suite will remain free while you are a student at SNHU. Upon graduation you may convert to a paid subscription if you wish. Terms subject to change at Microsoft's discretion. Review system requirements for  Microsoft 365 plans  for business, education and government. 
• Antivirus software:  Check with your ISP as they may offer antivirus software free of charge to subscribers. 

Licensure and Certification Disclosures

SNHU has provided additional information for programs that educationally prepare students for professional licensure or certification. Learn more about what that means for your program on our licensure and certification disclosure page .

Earn a career-focused writing certificate before graduating

In addition to a focus on your creative interests, part of our 48-credit online MFA curriculum requires you to choose from 2 certificate offerings. These certificates are included as part of your MFA program and are thoughtfully designed to round out your education and better prepare you for a multitude of writing-related careers.

The Graduate Certificate in Online Teaching of Writing could be the right fit for you if you're interested in teaching in an online classroom setting — a great supplement to a writing career. You'll learn approaches to editing and coaching, as well as how to establish a virtual instructor presence and cultivate methods for supporting and engaging students within online writing communities.

Alternatively, you might be more drawn to the Graduate Certificate in Professional Writing , which highlights the technical and business opportunities available to writers. Students will develop a range of skills, such as copywriting, social media, marketing principles and content generation, learning many of the freelancing skills integral to today’s project-driven economy.

Graduate with a completed and revised novel

Every graduate of Southern New Hampshire University's online MFA program will leave the program with a 50,000-word manuscript for a novel in one of the four genres the program covers – contemporary, young adult, romance or speculative genre.

If you'd rather combine elements of the four offered genres, you can do that, too. For example, you might write a YA speculative fiction novel. Throughout your tenure in the program, you can choose to work on a singular idea that you will develop during the three thesis courses, or begin a new project for your thesis.

"My three thesis classes for the MFA degree were the most helpful," said Kathleen Harris '21 . "I was actually writing a book as my thesis, so it was both enjoyable and advantageous for the degree. And it was the end of a very long milestone of accomplishments."

Apply for free in minutes

Our no-commitment application can help you decide if SNHU is the right college for you and your career goals. Apply up until 2 days before the term starts!

Upcoming term starts: October 14, 2024 | January 06, 2024

Next term starts: July 29, 2024

Online student experience what’s it like going to snhu.

Attending college online at SNHU can be a life-changing experience. In fact, 93.2% of online students would recommend SNHU according to a 2023 survey with 21,000+ respondents.

What to expect:

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You’ll take your courses within SNHU’s Brightspace platform. This is where you’ll find your:

• Schedule of weekly assignments
• Discussion boards
• Instructor announcements

What support services are available?

• Chat with your advisors Get hands-on help from dedicated academic and career advisors.
• Drop in for tutoring Work with a tutor, any time of the day or night – no appointment necessary.
• Learn from industry professionals Instructors lead discussions and offer guidance – and they’re just an email away.
• Use the online library Access 600,000+ resources or chat with a librarian 24/7.
• Reach out for accessibility help Receive accommodations as an eligible student with disabilities.
• Focus on your well-being Connect with professionals to improve your health and wellness.

Learn from published authors and award winners

Our online MFA program is taught by a diverse and accomplished faculty  of professional writers, who bring with them decades of experience and exhibit strong leadership both in the classroom and in their professional careers. This experience informs the development of courses and curriculum that can help position MFA graduates for success, wherever they go next.

Featured Faculty

Melissa hart.

Melissa Hart is the author of seven books. Her nonfiction writing has appeared in The New York Times, The Washington Post, Smithsonian, CNN, The Los Angeles Times and more. She was a contributing editor at The Writer Magazine for 15 years and is a frequent contributor at writing conferences across the Northwest.

Position Adjunct Instructor, MFA

Joined SNHU 2017

• BA in Literature from the College of Creative Studies at the University of California-Santa Barbara
• MFA in Creative Writing from Goddard College

"This is a smart, well-crafted program designed for diverse writers who may work full-time and be involved in caregiving, as well. Kind-hearted, talented instructors guide you every step of the way, from a basic study of genre fiction to preparing a polished thesis manuscript for professional publication."

At Southern New Hampshire University, you'll have access to a powerful network of more than 400,000 students, alumni and staff that can help support you long after graduation. Our instructors offer relevant, real-world expertise to help you understand and navigate the field. Plus, with our growing, nationwide alumni network, you'll have the potential to tap into a number of internship and career opportunities.

Recently, SNHU has been nationally recognized for leading the way toward more innovative, affordable and achievable education:

• U.S. News & World Report Named SNHU the 2024 Most Innovative University in the North
• The United States Distance Learning Association (USDLA) Awarded SNHU the 21st Century Distance Learning Award for Excellence in Online Technology
• Google.org Gave SNHU a $1 million grant to explore soft skills assessments for high-need youth

Founded in 1932 , Southern New Hampshire University is a private, nonprofit institution with over 180,000 graduates across the country. SNHU is accredited by the regional accreditor New England Commission of Higher Education (NECHE), which advocates for institutional improvement and public assurance of quality.

Admission Applying to SNHU is fast and free

No application fee. No test scores. And no college essay. Just a simple form with basic information. It’s another way SNHU helps you reach your goals sooner.

All it takes is 3 simple steps

It's easy, fast and free.

You’ll fill out one form to verify your high school completion or GED. Then, if you’ve attended college before, you’ll submit a form for each school so we can request your transcripts for you. (Also for free!)

Additional requirements:

• A personal statement of 200-300 words is required. Students are asked to explain how someone else’s story - such as a novel, movie or personal account - has impacted their life and influenced their drive to become a writer. 
• A creative writing sample of 8-12 pages of fiction is required (either a short story or an excerpt from a longer work). The creative writing sample should include a brief, up to 50-word introductory paragraph that explains the literary genre of the submission, whether the submission is a complete short story or an excerpt from something longer, and, if the latter, any information the writer believes is essential to properly evaluate the submission. 

After reviewing your official evaluation, you can decide if SNHU is right for you! If you choose to enroll, just pick your start date and get ready for classes to begin.

Talk to an admission counselor: 888.327.SNHU  | [email protected]

Accreditations

SNHU is accredited by the regional accreditor the New England Commission of Higher Education (NECHE) , which means we meet certain standards of academic quality, and have the tools and resources necessary for students to be successful. The university also carries specialized accreditations for some programs.

Tuition Cost & Savings College can be more affordable than you think

As a nonprofit university, SNHU offers some of the lowest online tuition rates in the country. And when you work with our Financial Services team, we'll explore ways to help you save even more on your education – and customize a payment plan that works for you.

Online graduate programs

*before previously earned credits are applied

Tuition rates are subject to change and are reviewed annually.

**Note: Students receiving this rate are not eligible for additional discounts.

Additional costs: Course materials vary by course.

Transfer credits and lower your cost by:

If 3 of your prior learning credits ($637/credit) are accepted toward your master’s degree.

Your remaining tuition cost: $17,199

If 9 of your prior learning credits ($637/credit) are accepted toward your master’s degree.

Your remaining tuition cost: $13,377

If 12 of your prior learning credits ($637/credit) are accepted toward your master’s degree.

Your remaining tuition cost: $11,466

How we estimate your tuition cost:

We look at the cost per credit multiplied by the number of credits you need to earn for a master's degree. This master's degree requires 48 credits. SNHU allows you to transfer in up to 12 credits, requiring a minimum of 36 credits to be taken at SNHU. This is only a tuition estimator and doesn't account for other fees that may be associated with your program of choice.

Ways to save on online tuition

Transfer credits toward your master's degree program at SNHU. If you’ve taken one course or many, we’ll evaluate them for you.

Fill out the FAFSA to see if you’re eligible for grants or work-study. (You could also be offered loans, though you’ll have to pay those back later.)

Earn credits in leadership, technology and more – while taking advantage of an online graduate tuition discount for active-duty service members and spouses.

Getting free money for college – from SNHU or an outside organization – could help you save hundreds or even thousands of dollars.

Bring in credits from popular options like CLEP, Sophia Learning, Google and other common credit for prior learning (CPL) experiences.

Receive an online tuition discount if your organization has partnered with SNHU for educational benefits. And consider asking your employer about tuition reimbursement.

Career Outlook What can I do with an online MFA?

If becoming a novelist is your dream, the online MFA in Creative Writing program is a great stepping stone. You'll sharpen your writing skills and apply critique to your work, finishing the program with a complete and publishable novel.

At SNHU, embedded certificates prepare you for even more career opportunities. You’ll graduate with skills needed to make a living as a professional writer in a variety of fields – from marketing, public relations and content writing to grant writing, publishing and teaching.

In addition to careers as authors or editors, MFA graduates can find roles in a wide array of industries, including:

Teach writing courses in higher education at a college or university, either in-person or online.

Influence consumer action through copywriting, from print ads to digital advertising and broadcast commercials.

Create written content such as blog posts, ebooks and podcasts that attract and retain customers.

From movies and plays to comedy and podcasts, writers often find success in the entertainment industry.

Increase in postsecondary teaching positions through 2032, projected by the U.S. Bureau of Labor Statistics. 1

Median annual salary for writers and authors as of May 2023. In the same timeframe, editors made $75,020 and postsecondary teachers made $84,380. 1

Understanding the numbers When reviewing job growth and salary information, it’s important to remember that actual numbers can vary due to many different factors—like years of experience in the role, industry of employment, geographic location, worker skill and economic conditions. Cited projections do not guarantee actual salary or job growth.

What SNHU students are saying

I came out of the MFA program with a whole toolbox of writing skills, a solid idea of how the business side of writing works, a finished manuscript — and the confidence to go forward with publishing.

Tara Lynn Conrad '21G

I was attracted to the program because it was fully online. I work full time and have two small children – I did not have time to attend in-person classes. This program gave me the flexibility that I needed to attend school and live my life.

Felicia Warden '20G

Helping others to put pen to paper is a passion of mine. I am now working as an assistant professor of English/Literature at two universities and loving every minute of my work.

Kathleen Harris '21G

Frequently Asked Questions

A well-designed MFA in Creative Writing will build solid writing skills and a foundation in the business of many writing-related careers. Southern New Hampshire University’s online MFA in Creative Writing is one such practical, business-focused program. It teaches students to revise and reflect on their art while learning the print and digital business models — even digital tools — they need to support their creative endeavors.

Graduates of SNHU’s program come away knowing how to use business tools like project management software and online freelance editing resources.

Publishing industry expert and “Publishers Weekly” columnist Jane Friedman – and a subject-matter expert who helped develop the program at SNHU – points to another important aspect of business-oriented programs: writing in the digital age. Most MFA creative writing programs, she said, “are concerned only with artistic excellence. That's fine up until the point you start thinking about how to build a paying career."

Friedman went on to say, “I have a special interest in how the digital age is transforming writing careers, publishing and storytelling. Rather than taking a dark view of how the Internet era has affected writers’ livelihoods, I'm more interested in how revolutionary change can inspire new business models and how authorship will ultimately evolve.”

Yes. SNHU’s MFA in Creative Writing requires no specific undergraduate background. You could have a degree in accounting, as long as you have a passion for writing and your writing sample shows potential.

Because we understand that people start or change careers at any point across their lifetime, we want to ensure access to all of our programs to any student who wishes to learn more about that area of study and earn a credential in that field.

According to Poets & Writers, there are more than 200 MFA in Creative Writing programs throughout the United States. Of those, the vast majority are either full-residency or low-residency programs. 2

Determining which is the best creative writing program comes down to how you answer this question: Which one is best for you ?

Once you’ve narrowed your options by reviewing rankings, school reputations and course offerings, consider the demands on your life: Can you take time off from work to pursue a traditional MFA with a residency requirement? Do you have responsibilities at home that will limit how much time you can devote to your studies? How quickly do you want to earn your degree? And, last but not least, what’s your budget?

Many elite literary programs require 2-year residency commitments. Some welcome only traditional literary fiction – not a wide range of genres. SNHU’s online MFA in Creative Writing can be completed entirely online with no residency requirement. It’s also one of the only programs that welcomes genre writers, which means you can hone your craft in an area tailored to your strengths and interests.

You'll also have a sense of community – even in an online environment. So if you're looking for the chance to get involved as an online student, SNHU's the place for you. Our opportunities to join the ranks of fellow writers include:

• Submitting to, and being published in, our online literary journal, the Penmen Review
• Joining Word for Word, our bimonthly live-streamed event, to hear published authors read their work aloud and discuss both their creative process and their path to publishing success
• Entering our annual short-story competition (known as the Fall Fiction Contest ) for the chance to win SNHU scholarships, publication in the Penmen Review and other prizes
• Viewing, or participating in, our Student Writers Spotlight, a live-streamed event where our talented creative writing students share their work

Finally, our program gives you the option to pursue one of 2 graduate writing certificates – online teaching of writing and professional writing – making it a pragmatic choice for a wide variety of career directions.

To MA or to MFA? Once you've decided to earn an advanced degree in creative writing, you need to drill down into the specifics to know which option best fits your needs: What do you want to learn? What skills do you want to acquire? What are your career aspirations?

Practically speaking, a Master of Fine Arts differs from a Master of Arts in a few fundamental ways:

• MFAs generally have higher credit requirements and take longer to complete
• MFAs tend to be more “studio-based” or writing-intensive than MAs, culminating in a manuscript-length thesis
• MAs typically have more of an English literature focus, often containing more literary analysis and theory in addition to reading and writing

Kathleen Harris '21G completed both her MA and MFA at SNHU.

"Both programs were wonderful not only because of the capable professors and instructors, but mainly because I felt I was working toward a goal of both writing and teaching in the field," said the graduate, who finished her MFA in 2021.

Read more about  MA vs MFA .

Yes. The MFA is considered a terminal degree, which is similar to professional degrees granted in other fields, such as the PhD or the EdD, according to guidelines established by the College Art Association of America. 3 For that reason, most universities view it as a qualification to teach creative writing at both the undergraduate and graduate levels.

In fact, the curriculum for the online MFA degree at Southern New Hampshire University may set you up for success in this area. Students in the program are required to choose one of two embedded certificate offerings – one of them being a Graduate Certificate in Online Teaching of Writing.

The certificate requires 4 courses:

• Storytelling
• Editing and Coaching
• Engaging Online Writing Students
• Seminar in Writing Instruction or Online Teaching Experience

Throughout your courses, you'll learn how to develop your own approach to teaching the craft. You'll explore tools for web-based courses and writing workshops, and you'll practice effective approaches to editing and coaching.

Once completed, you should be able to create a positive and influential virtual instructor presence and methods for supporting and engaging students within online communities.

Yes, you can earn your MFA online, but many schools require a face-to-face residency component – meaning time away from your current job and busy schedule. Many, but not all.

In fact, SNHU’s program is one of the few 100% online MFAs available. The university assembled a who's-who from the world of professional writing to build the program, bringing together authors from a diverse range of genres in the process. The result is an online MFA program that embraces the perspectives of many different writers and students.

For many students, earning an MFA online is the only way they'd be able to make it happen. Learning online certainly doesn't mean you'll be isolated – especially at SNHU. No matter the type of fiction they want to write, MFA students will find teachers and fellow students who share their interests.

It depends on how you define “worth it.” Whether it's an undergraduate creative writing degree  or a master's, a degree in the subject is worth pursuing if your goals include becoming a better writer and increasing your chances of successfully publishing your work.

SNHU’s online creative writing MFA is designed to teach students how to adapt to an evolving literary and publishing landscape. In their courses, students embrace the digital tools that will help them forge successful writing careers.

Our curriculum creators and faculty also know the road to becoming a successful author is not always easy. That's why our creative writing program has a dual focus:

• To help you develop your writing skills while finishing your studies with a novel that's ready to be published.
• To give you the tools you need for professional success – no matter where your writing career takes you.

Related Programs

Related articles.

Sources & Citations

1 Bureau of Labor Statistics, U.S. Department of Labor, Occupational Outlook Handbook, on the internet, at:

• https://www.bls.gov/ooh/media-and-communication/writers-and-authors.htm (viewed June 20, 2024)
• https://www.bls.gov/ooh/media-and-communication/editors.htm (viewed June 20, 2024)
• https://www.bls.gov/ooh/education-training-and-library/postsecondary-teachers.htm (viewed June 20, 2024)

Cited projections may not reflect local and/or short-term economic or job conditions and do not guarantee actual job growth.

2 Poets & Writers, MFA Programs Database, on the internet, at https://www.pw.org/mfa (viewed June 20, 2024).

3 College Art Association of America, Guidelines for the MFA Degree in Art and Design, on the internet, at https://www.collegeart.org/standards-and-guidelines/guidelines/mfa (viewed June 20, 2024).

• College of Arts & Sciences
• Graduate Division
• College of Liberal and Professional Studies

Honors Program

English majors with a concentration in Creative Writing are invited to apply to complete a capstone project during senior year to earn Honors in English.

Declaring a major or minor

Declare your major in Creative Writing, your minor in Creative Writing, or your minor in Journalistic Writing in just a few steps.

Fall 2024 courses

Highlights of our Fall 2024 courses include Writing Real Science, Poetry Lab, Writing and Politics, Nontraditional Writing for Young Adults, and Writing and Witnessing.

We are home to a faculty of award-winning writers who teach more than sixty workshops each year in fiction, poetry, creative nonfiction, journalism, playwriting, screenwriting, and writing for children and young adults, as well as innovative workshops in cross-genre, experimental, and hybrid writing, including writing that engages with community organizing, multimedia and visual arts, and performance.

Creative Writing and Literature

Undergraduate Program

The Bachelor of Liberal Arts degree is designed for industry professionals with years of work experience who wish to complete their degrees part time, both on campus and online, without disruption to their employment. Our typical student is over 30, has previously completed one or two years of college, and works full time.

Students enrolled in the Master of Liberal Arts program in Creative Writing & Literature will develop skills in creative writing and literary analysis through literature courses and writing workshops in fiction, screenwriting, poetry, and nonfiction. Through online group courses and one-on-one tutorials, as well as a week on campus, students hone their craft and find their voice.

The Writing Seminars

Where words matter.

Founded in 1947, the Writing Seminars is the second-oldest creative writing program in the United States and has always been ranked highly in the field. The department is celebrated for the quality of its faculty and its small classes. No course is lecture-sized; all are seminars.

• Degrees Offered BA, MFA
• Major Writing Seminars

Explore the Program

Major in Writing

Study at one of the first major academic institutions to offer a degree for writers.

Master of Fine Arts

Four poets and four fiction writers are admitted annually to this selective two-year program.

The department is celebrated for the quality of its faculty and its small classes. No course is lecture-sized; all are seminars.

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News & Announcements

Taylor Koekkoek, MFA ’15, Wins American Academy of Arts and Letters Sue Kaufman Prize for First Fiction

Writing Seminars graduate Taylor Koekkoek (MFA ’15) has been awarded the 2024 Sue Kaufman Prize for First Fiction by the American Academy of Arts and Letters, for his debut story […]

Shannon Robinson Receives 2023-2024 Krieger School Excellence in Teaching Award

The Writing Seminars is pleased to announce that Shannon Robinson, Senior Lecturer and Director of IFP, was awarded the Excellence in Undergraduate Teaching Honorable Mention for the 2023-2024 academic year. […]

John Barth, towering literary figure and revered mentor, dies at 93

John Barth, groundbreaking and prolific author, revered teacher, and professor emeritus in The Writing Seminars at Johns Hopkins University, died Tuesday. He was 93. Click here to read the full […]

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Creative Writing

About this program.

Have you longed to explore your creative potential?

Embrace the unknown and start your journey here. As part of one of the largest Creative Writing programs in Canada, you can learn the essentials of excellent writing and put them into practice. Whether you aspire to write a novel or short story, explore poetry, pen a script or screenplay, or explore other writing styles, we have the courses you need to improve your skills.

Class sizes and writers workshops are kept small to ensure you receive the individual attention you need to help your writing thrive, whether you take your class in-class or online. 

Courses in the genres listed below can be applied to the Certificate in Creative Writing

• Creative Non-Fiction
• Escritura Creativa en Español
• Literary Fiction
• Multi-genre
• Poetry and Songwriting
• Popular Fiction
• Stage and Screenwriting
• U of T Summer Writing School
• Writing for Children

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2024 Best Creative Writing Schools

Choosing a great creative writing school, creative writing rankings by degree level.

Read more about College Factual's methodology .

Best Schools for Creative Writing in the United States

25 top schools in creative writing.

There were roughly 84 creative writing students who graduated with this degree at Johns Hopkins in the most recent year we have data available.

There were approximately 125 creative writing students who graduated with this degree at Pitt in the most recent year we have data available.

There were roughly 18 creative writing students who graduated with this degree at Carnegie Mellon in the most recent data year.

There were about 36 creative writing students who graduated with this degree at UChicago in the most recent data year.

There were about 134 creative writing students who graduated with this degree at Columbia in the most recent data year.

There were roughly 17 creative writing students who graduated with this degree at Northwestern in the most recent data year.

There were about 35 creative writing students who graduated with this degree at Brown in the most recent year we have data available.

There were about 45 creative writing students who graduated with this degree at USC in the most recent year we have data available.

There were approximately 54 creative writing students who graduated with this degree at Iowa in the most recent data year.

There were about 9 creative writing students who graduated with this degree at UMN Twin Cities in the most recent data year.

There were approximately 55 creative writing students who graduated with this degree at Miami University - Oxford in the most recent year we have data available.

There were roughly 17 creative writing students who graduated with this degree at Harvard in the most recent data year.

There were approximately 43 creative writing students who graduated with this degree at Emory in the most recent year we have data available.

There were approximately 19 creative writing students who graduated with this degree at Purdue in the most recent data year.

There were approximately 58 creative writing students who graduated with this degree at UW Seattle in the most recent data year.

There were roughly 30 creative writing students who graduated with this degree at WUSTL in the most recent data year.

There were about 7 creative writing students who graduated with this degree at Notre Dame in the most recent year we have data available.

There were about 6 creative writing students who graduated with this degree at Vanderbilt in the most recent data year.

There were approximately 12 creative writing students who graduated with this degree at Wellesley in the most recent year we have data available.

There were about 86 creative writing students who graduated with this degree at UT Austin in the most recent data year.

There were roughly 12 creative writing students who graduated with this degree at Iowa State in the most recent data year.

There were approximately 18 creative writing students who graduated with this degree at Boston U in the most recent data year.

There were about 53 creative writing students who graduated with this degree at UC in the most recent year we have data available.

There were roughly 84 creative writing students who graduated with this degree at University of Arizona in the most recent year we have data available.

There were approximately 26 creative writing students who graduated with this degree at BGSU in the most recent data year.

Rest of the Top Best Creative Writing Schools

Honorable mentions.

Creative Writing by Region

Other Rankings

Associate degrees in creative writing, master's degrees in creative writing, bachelor's degrees in creative writing, doctor's degrees in creative writing, rankings in majors related to creative writing, majors similar to creative writing.

Notes and References

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In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.

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The 10 Best Creative Writing MFA Programs in the US

The talent is there. 

But the next generation of great American writers needs a collegial place to hone their craft. 

They need a place to explore the writer’s role in a wider community. 

They really need guidance about how and when to publish. 

All these things can be found in a solid Master of Fine Arts in Creative Writing degree program. This degree offers access to mentors, to colleagues, and to a future in the writing world. 

A good MFA program gives new writers a precious few years to focus completely on their work, an ideal space away from the noise and pressure of the fast-paced modern world. 

We’ve found ten of the best ones, all of which provide the support, the creative stimulation, and the tranquility necessary to foster a mature writer.

We looked at graduate departments from all regions, public and private, all sizes, searching for the ten most inspiring Creative Writing MFA programs. 

Each of these ten institutions has assembled stellar faculties, developed student-focused paths of study, and provide robust support for writers accepted into their degree programs. 

To be considered for inclusion in this list, these MFA programs all must be fully-funded degrees, as recognized by Read The Workshop .

Creative Writing education has broadened and expanded over recent years, and no single method or plan fits for all students. 

Today, MFA programs across the country give budding short story writers and poets a variety of options for study. For future novelists, screenwriters – even viral bloggers – the search for the perfect setting for their next phase of development starts with these outstanding institutions, all of which have developed thoughtful and particular approaches to study.

So where will the next Salinger scribble his stories on the steps of the student center, or the next Angelou reading her poems in the local bookstore’s student-run poetry night? At one of these ten programs.

Here are 10 of the best creative writing MFA programs in the US.

University of Oregon (Eugene, OR)

Starting off the list is one of the oldest and most venerated Creative Writing programs in the country, the MFA at the University of Oregon. 

Longtime mentor, teacher, and award-winning poet Garrett Hongo directs the program, modeling its studio-based approach to one-on-one instruction in the English college system. 

Oregon’s MFA embraces its reputation for rigor. Besides attending workshops and tutorials, students take classes in more formal poetics and literature.  

A classic college town, Eugene provides an ideal backdrop for the writers’ community within Oregon’s MFA students and faculty.  

Tsunami Books , a local bookseller with national caché, hosts student-run readings featuring writers from the program. 

Graduates garner an impressive range of critical acclaim; Yale Younger Poet winner Brigit Pegeen Kelly, Cave Canem Prize winner and Guggenheim fellow Major Jackson, and PEN-Hemingway Award winner Chang-Rae Lee are noteworthy alumni. 

With its appealing setting and impressive reputation, Oregon’s MFA program attracts top writers as visiting faculty, including recent guests Elizabeth McCracken, David Mura, and Li-young Lee.

The individual approach defines the Oregon MFA experience; a key feature of the program’s first year is the customized reading list each MFA student creates with their faculty guide. 

Weekly meetings focus not only on the student’s writing, but also on the extended discovery of voice through directed reading. 

Accepting only ten new students a year—five in poetry and five in fiction— the University of Oregon’s MFA ensures a close-knit community with plenty of individual coaching and guidance.

Cornell University (Ithaca, NY)

Cornell University’s MFA program takes the long view on life as a writer, incorporating practical editorial training and teaching experience into its two-year program.

Incoming MFA students choose their own faculty committee of at least two faculty members, providing consistent advice as they move through a mixture of workshop and literature classes. 

Students in the program’s first year benefit from editorial training as readers and editors for Epoch , the program’s prestigious literary journal.

Teaching experience grounds the Cornell program. MFA students design and teach writing-centered undergraduate seminars on a variety of topics, and they remain in Ithaca during the summer to teach in programs for undergraduates. 

Cornell even allows MFA graduates to stay on as lecturers at Cornell for a period of time while they are on the job search. Cornell also offers a joint MFA/Ph.D. program through the Creative Writing and English departments.

Endowments fund several acclaimed reading series, drawing internationally known authors to campus for workshops and work sessions with MFA students. 

Recent visiting readers include Salman Rushdie, Sandra Cisneros, Billy Collins, Margaret Atwood, Ada Limón, and others. 

Arizona State University (Tempe, AZ)

Arizona State’s MFA in Creative Writing spans three years, giving students ample time to practice their craft, develop a voice, and begin to find a place in the post-graduation literary world. 

Coursework balances writing and literature classes equally, with courses in craft and one-on-one mentoring alongside courses in literature, theory, or even electives in topics like fine press printing, bookmaking, or publishing. 

While students follow a path in either poetry or fiction, they are encouraged to take courses across the genres.

Teaching is also a focus in Arizona State’s MFA program, with funding coming from teaching assistantships in the school’s English department. Other exciting teaching opportunities include teaching abroad in locations around the world, funded through grants and internships.

The Virginia C. Piper Center for Creative Writing, affiliated with the program, offers Arizona State MFA students professional development in formal and informal ways. 

The Distinguished Writers Series and Desert Nights, Rising Stars Conference bring world-class writers to campus, allowing students to interact with some of the greatest in the profession. Acclaimed writer and poet Alberto Ríos directs the Piper Center.

Arizona State transitions students to the world after graduation through internships with publishers like Four Way Books. 

Its commitment to the student experience and its history of producing acclaimed writers—recent examples include Tayari Jones (Oprah’s Book Club, 2018; Women’s Prize for Fiction, 2019), Venita Blackburn ( Prairie Schooner Book Prize, 2018), and Hugh Martin ( Iowa Review Jeff Sharlet Award for Veterans)—make Arizona State University’s MFA a consistent leader among degree programs.

University of Texas at Austin (Austin, TX)

The University of Texas at Austin’s MFA program, the Michener Center for Writers, maintains one of the most vibrant, exciting, active literary faculties of any MFA program.

Denis Johnson D.A. Powell, Geoff Dyer, Natasha Trethewey, Margot Livesey, Ben Fountain: the list of recent guest faculty boasts some of the biggest names in current literature.

This three-year program fully funds candidates without teaching fellowships or assistantships; the goal is for students to focus entirely on their writing. 

More genre tracks at the Michener Center mean students can choose two focus areas, a primary and secondary, from Fiction, Poetry, Screenwriting, and Playwriting.

The Michener Center for Writers plays a prominent role in contemporary writing of all kinds. 

The hip, student-edited Bat City Review accepts work of all genres, visual art, cross genres, collaborative, and experimental pieces.  

Recent events for illustrious alumni include New Yorker publications, an Oprah Book Club selection, a screenwriting prize, and a 2021 Pulitzer (for visiting faculty member Mitchell Jackson). 

In this program, students are right in the middle of all the action of contemporary American literature.

Washington University in St. Louis (St. Louis, MO)

The MFA in Creative Writing at Washington University in St. Louis is a program on the move: applicants have almost doubled here in the last five years. 

Maybe this sudden growth of interest comes from recent rising star alumni on the literary scene, like Paul Tran, Miranda Popkey, and National Book Award winner Justin Phillip Reed.

Or maybe it’s the high profile Washington University’s MFA program commands, with its rotating faculty post through the Hurst Visiting Professor program and its active distinguished reader series. 

Superstar figures like Alison Bechdel and George Saunders have recently held visiting professorships, maintaining an energetic atmosphere program-wide.

Washington University’s MFA program sustains a reputation for the quality of the mentorship experience. 

With only five new students in each genre annually, MFA candidates form close cohorts among their peers and enjoy attentive support and mentorship from an engaged and vigorous faculty. 

Three genre tracks are available to students: fiction, poetry, and the increasingly relevant and popular creative nonfiction.

Another attractive feature of this program: first-year students are fully funded, but not expected to take on a teaching role until their second year. 

A generous stipend, coupled with St. Louis’s low cost of living, gives MFA candidates at Washington University the space to develop in a low-stress but stimulating creative environment.

Indiana University (Bloomington, IN)

It’s one of the first and biggest choices students face when choosing an MFA program: two-year or three-year? 

Indiana University makes a compelling case for its three-year program, in which the third year of support allows students an extended period of time to focus on the thesis, usually a novel or book-length collection.

One of the older programs on the list, Indiana’s MFA dates back to 1948. 

Its past instructors and alumni read like the index to an American Literature textbook. 

How many places can you take classes in the same place Robert Frost once taught, not to mention the program that granted its first creative writing Master’s degree to David Wagoner? Even today, the program’s integrity and reputation draw faculty like Ross Gay and Kevin Young.

Indiana’s Creative Writing program houses two more literary institutions, the Indiana Review, and the Indiana University Writers’ Conference. 

Students make up the editorial staff of this lauded literary magazine, in some cases for course credit or a stipend. An MFA candidate serves each year as assistant director of the much-celebrated and highly attended conference . 

These two facets of Indiana’s program give graduate students access to visiting writers, professional experience, and a taste of the writing life beyond academia.

University of Michigan, Ann Arbor (Ann Arbor, MI)

The University of Michigan’s Helen Zell Writers’ Program cultivates its students with a combination of workshop-driven course work and vigorous programming on and off-campus. Inventive new voices in fiction and poetry consistently emerge from this two-year program.

The campus hosts multiple readings, events, and contests, anchored by the Zell Visiting Writers Series. The Hopgood Awards offer annual prize money to Michigan creative writing students . 

The department cultivates relationships with organizations and events around Detroit, so whether it’s introducing writers at Literati bookstore or organizing writing retreats in conjunction with local arts organizations, MFA candidates find opportunities to cultivate a community role and public persona as a writer.

What happens after graduation tells the big story of this program. Michigan produces heavy hitters in the literary world, like Celeste Ng, Jesmyn Ward, Elizabeth Kostova, Nate Marshall, Paisley Rekdal, and Laura Kasischke. 

Their alumni place their works with venerable houses like Penguin and Harper Collins, longtime literary favorites Graywolf and Copper Canyon, and the new vanguard like McSweeney’s, Fence, and Ugly Duckling Presse.

University of Minnesota (Minneapolis, MN)

Structure combined with personal attention and mentorship characterizes the University of Minnesota’s Creative Writing MFA, starting with its unique program requirements. 

In addition to course work and a final thesis, Minnesota’s MFA candidates assemble a book list of personally significant works on literary craft, compose a long-form essay on their writing process, and defend their thesis works with reading in front of an audience.

Literary journal Great River Review and events like the First Book reading series and Mill City Reading series do their part to expand the student experience beyond the focus on the internal. 

The Edelstein-Keller Visiting Writer Series draws exceptional, culturally relevant writers like Chuck Klosterman and Claudia Rankine for readings and student conversations. 

Writer and retired University of Minnesota instructor Charles Baxter established the program’s Hunger Relief benefit , aiding Minnesota’s Second Harvest Heartland organization. 

Emblematic of the program’s vision of the writer in service to humanity, this annual contest and reading bring together distinguished writers, students, faculty, and community members in favor of a greater goal.

Brown University (Providence, RI)

One of the top institutions on any list, Brown University features an elegantly-constructed Literary Arts Program, with students choosing one workshop and one elective per semester. 

The electives can be taken from any department at Brown; especially popular choices include Studio Art and other coursework through the affiliated Rhode Island School of Design. The final semester consists of thesis construction under the supervision of the candidate’s faculty advisor.

Brown is the only MFA program to feature, in addition to poetry and fiction tracks, the Digital/Cross Disciplinary track . 

This track attracts multidisciplinary writers who need the support offered by Brown’s collaboration among music, visual art, computer science, theater and performance studies, and other departments. 

The interaction with the Rhode Island School of Design also allows those artists interested in new forms of media to explore and develop their practice, inventing new forms of art and communication.

Brown’s Literary Arts Program focuses on creating an atmosphere where students can refine their artistic visions, supported by like-minded faculty who provide the time and materials necessary to innovate. 

Not only has the program produced trailblazing writers like Percival Everett and Otessa Moshfegh, but works composed by alumni incorporating dance, music, media, and theater have been performed around the world, from the stage at Kennedy Center to National Public Radio.

University of Iowa (Iowa City, IA)

When most people hear “MFA in Creative Writing,” it’s the Iowa Writers’ Workshop they imagine. 

The informal name of the University of Iowa’s Program in Creative Writing, the Iowa Writers’ Workshop was the first to offer an MFA, back in 1936. 

One of the first diplomas went to renowned writer Wallace Stegner, who later founded the MFA program at Stanford.

 It’s hard to argue with seventeen Pulitzer Prize winners and six U.S. Poets Laureate. The Iowa Writers’ Workshop is the root system of the MFA tree.

The two-year program balances writing courses with coursework in other graduate departments at the university. In addition to the book-length thesis, a written exam is part of the student’s last semester.

Because the program represents the quintessential idea of a writing program, it attracts its faculty positions, reading series, events, and workshops the brightest lights of the literary world. 

The program’s flagship literary magazine, the Iowa Review , is a lofty goal for writers at all stages of their career. 

At the Writers’ Workshop, tracks include not only fiction, poetry, playwriting, and nonfiction, but also Spanish creative writing and literary translation. Their reading series in association with Prairie Lights bookstore streams online and is heard around the world.

Iowa’s program came into being in answer to the central question posed to each one of these schools: can writing be taught? 

The answer for a group of intrepid, creative souls in 1936 was, actually, “maybe not.” 

But they believed it could be cultivated; each one of these institutions proves it can be, in many ways, for those willing to commit the time and imagination.

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The 12 Best Creative Writing Colleges and Programs

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Finding a dedicated creative writing program at a school you're excited about can be a real challenge, and that's even before you start worrying about getting in. Nonetheless, there are some great options. In order to help you find the best school for you, this list rounds up some of the best colleges for creative writing in the United States .

The Best Creative Writing Programs: Ranking Criteria

You should never take college rankings as absolute truth —not even the very official-seeming US News ones. Instead, use these kinds of lists as a jumping-off place for your own exploration of colleges. Pay attention not just to what the rankings are but to how the rankings are determined.

To help with that, I'll explain how I came up with this highly unscientific list of great creative writing colleges. I started by narrowing my search down to schools that offered a specific creative writing major. (If you don't see a school you were expecting, it's likely because they only have a minor.)

In ranking the schools, I considered five major criteria:

• #1: MFA Ranking —If a school has a great graduate creative writing program, it means you'll be taught by those same professors and the excellent graduate students they attract. Schools with strong MFA programs are also more likely to have solid alumni networks and internship opportunities. However, many schools with great undergrad programs do not offer MFAs, in which case I simply focused on the other four options.
• #2: General School Reputation —The vast majority of your classes won't be in creative writing, so it's important that other parts of the school, especially the English department, are great as well.
• #3: Extracurricular Opportunities —One of the key advantages of majoring in creative writing is that it can provide access to writing opportunities outside the classroom, so I took what kind of internship programs, author readings, and literary magazines the school offers into consideration.
• #4: Diversity of Class Options —I gave extra points to schools with a variety of genre options and specific, interesting classes.
• #5: Alumni/Prestige —This last criterion is a bit more subjective: is the school known for turning out good writers? Certainly it's less important than what kind of education you'll actually get, but having a brand-name degree (so to speak) can be helpful.

The Best Creative Writing Schools

Now, let's get to the good stuff: the list of schools! The exact numbering is always arguable, so look at it as a general trend from absolutely amazing to still super great, rather than fixating on why one school is ranked #3 and another is ranked #4.

#1: Northwestern University

Northwestern's undergrad creative writing program boasts acclaimed professors and an unparalleled track record of turning out successful writers (including Divergent author Veronica Roth and short-story writer Karen Russell).

Outside the classroom, you can work on the student-run literary journal, intern at a publication in nearby Chicago, or submit to the Department of English's yearly writing competition . The university is also home to a top journalism program , so if you want to try your hand at nonfiction as well, you'll have plenty of opportunities to do so.

#2: Columbia University

Like Northwestern, Columbia is home to both a world-class creative writing program and a top journalism school (plus one of the best English departments in the country), so you have a wide range of writing-related course options. Columbia also benefits from its location in New York City, which is bursting at the seams with publishing houses, literary journals, and talented authors.

#3: University of Iowa

The University of Iowa's big draw is the infrastructure of its graduate Writers' Workshop, which is often considered the best MFA program in the country.

As an English and Creative Writing major here, you'll take classes from great young writers and established professors alike, and get to choose from a wide range of topics. This major provides transferable skills important for a liberal arts major with a creative focus. You'll also have access to the university's impressive literary community, including frequent readings, writing prizes and scholarships, and the acclaimed literary journal The Iowa Review .

#4: Emory University

Emory is renowned for its dedicated undergrad creative writing program , which draws the very best visiting scholars and writers. Students here have the chance to attend intimate question-and-answer sessions with award-winning authors, study a range of genres, compete for writing awards and scholarships, and work closely with an adviser to complete an honors project.

#5: Oberlin College

A small liberal arts school in Ohio, Oberlin offers very different advantages than the schools above do. You'll have fewer opportunities to pursue writing in the surrounding city, but the quality of the teachers and the range of courses might make up for that. Moreover, it boasts just as impressive alumni, including actress and writer Lena Dunham.

#6: Hamilton College

Hamilton is another small college, located in upstate New York. It's known for giving students the freedom to pursue their interests and the support to help them explore topics in real depth, both inside and outside the classroom. Hamilton's creative writing program takes full advantage with small classes and lots of opportunities to intern and publish; it also has one of the best writing centers in the country.

#7: Brown University

Brown's Literary Arts program offers one of the top MFAs in the US as well as an undergraduate major . For the major, you must take four creative writing workshops and six reading-intensive courses, which span an array of departments and topics, from music and literature to Middle East studies and Egyptology.

#8: Washington University in St. Louis

Washington University has an excellent creative writing MFA program, lots of super specific class options, and a number of scholarships specifically earmarked for creative writing students. This school’s undergraduate English program also offers a concentration in creative writing that allows students to specialize in a specific genre: poetry, fiction, or creative nonfiction. If you’re interested in exploring your potential in a specific writing genre, Washington University could be a great pick for you.

#9: Massachusetts Institute of Technology

MIT might not be a school you generally associate with writing, but it actually has an excellent program that offers courses in digital media and science writing, as well as creative writing, and provides plenty of guidance on how graduates can navigate the tricky job market.

Not to mention the school is located in Cambridge, a haven for book lovers and writers of all kinds. Though it probably isn’t a good fit for students who hate science, MIT is a great place for aspiring writers who want to build writing skills that are marketable in a wide range of industries.

#10: University of Michigan

University of Michigan is one of the best state universities in the country and has a top-notch MFA program. This school’s undergrad creative writing sub-concentration requires students to submit applications for admittance to advanced creative writing courses. These applications give students crucial practice in both building a writing portfolio and articulating their interest in creative writing to an audience who will evaluate their work. If you're looking to attend a big school with a great creative writing major, this is a fantastic choice.

#11: Johns Hopkins University

Johns Hopkins is another school that's known more for engineering than it is for writing, but, like MIT, it has a dedicated writing program. As a major here, you must take not only courses in prose, poetry, and literature, but also classes on topics such as philosophy and history.

#12: Colorado College

Colorado College is a small liberal arts school known for its block plan , which allows students to focus on one class per three-and-a-half-week block. The creative writing track of the English major includes a sequence of four writing workshops and also requires students to attend every reading of the Visiting Writers Series.

Bonus School: New York University

I didn't include NYU in the main list because it doesn't have a dedicated creative writing major, but it's a great school for aspiring writers nonetheless, offering one of the most impressive creative writing faculties in the country and all the benefits of a Manhattan location.

How To Pick the Best Creative Writing School for You

Just because Northwestern is a great school for creative writing doesn't mean you should set your heart on going there. (The football fans are completely terrifying, for one thing.) So where should you go then?

Here are some questions to ask yourself when looking at creative writing programs to help you determine the best school for you:

Does It Have Courses You're Interested In?

Look at the course offerings and see whether they interest you. While you can't predict exactly what classes you'll love, you want to avoid a mismatch where what you want to study and what the program offers are completely different. For example, if you want to write sonnets but the school focuses more on teaching fiction, it probably won't be a great fit for you.

Also, don't forget to look at the English courses and creative writing workshops! In most programs, you'll be taking a lot of these, too.

What Opportunities Are There To Pursue Writing Outside of Class?

I touched on this idea in the criteria section, but it's important enough that I want to reiterate it here. Some of the best writing experience you can get is found outside the classroom, so see what kind of writing-related extracurriculars a school has before committing to it.

Great options include getting involved with the campus newspaper, working on the school's literary journal, or interning at the university press.

Who Will Be Teaching You?

Who are the professors? What kind of work have they published? Check teacher ratings on Rate My Professors (but make sure to read the actual reviews—and always take them with a grain of salt).

If you're looking at a big school, there's a good chance that a lot of your teachers will be graduate students. But that's not necessarily a bad thing: a lot of the best teachers I had in college were graduate students. Just take into consideration what kind of graduate program the school has. If there's a great creative writing MFA program, then the graduate students are likely to be better writers and more engaged teachers.

What Are the Alumni Doing Now?

If you have a sense of what you want to do after you graduate, see if any alumni of the program are pursuing that type of career. The stronger the alumni network is, the more connections you'll have when it comes time to get a job.

What About the Rest of the School?

Don't pick a school for which you like the creative writing program but dread everything else about it. Most of your time will be spent doing other things, whether hanging out in the dorms, exploring off campus, or fulfilling general education requirements.

Many schools require you to apply to the creative writing major, so make doubly sure you'll be happy with your choice even if you aren't accepted to the program.

What's Next?

Are you sure a creative writing major is the right fit for you? Read our post on the pros and cons of the major to help you decide what path to take in college.

For more general advice about choosing a college, check out our complete guide to finding the right school for you. Some major factors to consider include deciding whether you're interested in a small college or a big university , an in-state or out-of-state institution , and a public or private school .

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Adelphi University

Poetry: Jan-Henry Gray, Maya Marshall Prose: Katherine Hill, René Steinke, Igor Webb

Albertus Magnus College

Poetry: Paul Robichaud Fiction: Sarah Harris Wallman Nonfiction: Eric Schoeck

Alma College

Poetry: Leslie Contreras Schwartz, Jim Daniels, Benjamin Garcia Fiction: Karen E. Bender, Shonda Buchanan, Dhonielle Clayton, S. Kirk Walsh Creative Nonfiction: Anna Clark, Matthew Gavin Frank, Donald Quist, Robert Vivian

American University

Poetry: Kyle Dargan, David Keplinger Fiction: Dolen Perkins-Valdez, Stephanie Grant, Patricia Park Nonfiction: Rachel Louise Snyder

Antioch University

Poetry: Victoria Chang Prose: Lisa Locascio

Arcadia University

Poetry: Genevieve Betts, Michelle Reale Fiction: Stephanie Feldman, Joshua Isard, Tracey Levine, Eric Smith Literature: Matthew Heitzman, Christopher Varlack, Elizabeth Vogel, Jo Ann Weiner

Poetry: Genevieve Betts, Michelle Reale Fiction: Stephanie Feldman, Joshua Isard, Tracey Levine, Eric Smith

Arizona State University

Poetry: Sally Ball, Natalie Diaz, Alberto Álvaro Ríos, Safiya Sinclair Fiction: Matt Bell, Jenny Irish, Tara Ison, Mitchell Jackson, T. M. McNally Creative Nonfiction: Sarah Viren

Ashland University

Poetry: Dexter Booth, Marcelo Hernandez Castillo, Adam Gellings, Tess Taylor, Vanessa Angélica Villareal Fiction: Kirstin Chen, Edan Lepucki, Sarah Monette, Nayomi Munaweera, Vi Khi Nao, Naomi J. Williams, Kyle Winkler Nonfiction: Cass Donish, Kate Hopper, Lauren Markham, Thomas Mira y Lopez, Lisa Nikolidakis, Terese Mailhot

Augsburg University

Poetry: Michael Kleber-Diggs Fiction: Stephan Eirik Clark, Lindsay Starck Nonfiction: Anika Fajardo  Playwriting: Carson Kreitzer, TyLie Shider, Sarah Myers Screenwriting: Stephan Eirik Clark, Andy Froemke

Ball State University

Poetry: Katy Didden, Mark Neely Fiction: Cathy Day, Sean Lovelace Nonfiction: Jill Christman, Silas Hansen Screenwriting: Rani Deighe Crowe, Matt Mullins

Bard College

Jess Arndt, Shiv Kotecha, Mirene Arsanios, Hannah Black, Trisha Low, Christoper Perez, Julian Talamantez Brolaski, Simone White

Bath Spa University

Poetry: Lucy English, Tim Liardet, John Strachan, Samantha Walton, Gerard Woodward Fiction: Gavin James Bower, Celia Brayfield, Alexia Casale, Anne-Marie Crowhurst, Lucy English, Nathan Filer, Aminatta Forna, Samantha Harvey, Philip Hensher, Steve Hollyman, Emma Hooper, Claire Kendal, Natasha Pulley, Kate Pullinger, C.J. Skuse, Gerard Woodward Nonfiction: Celia Brayfield, Lily Dunn, Richard Kerridge Scriptwriting: Robin Mukherjee

Poetry: Lucy English, Tim Liardet, Gerard Woodward Fiction: Gavin James Bower, Celia Brayfield, Anne-Marie Crowhurst, Nathan Filer, Aminatta Forna, Samantha Harvey, Philip Hensher, Claire Kendal, Natasha Pulley, Kate Pullinger, Gerard Woodward Nonfiction: Lily Dunn, Richard Kerridge

Bay Path University

Mel Allen, Leanna James Blackwell, Jennifer Baker, Melanie Brooks, María Luisa Arroyo Cruzado, Shahnaz Habib, Susan Ito, Karol Jackowski, Yi Shun Lai, Anna Mantzaris, Meredith O’Brien, Mick Powell, Suzanne Strempek Shea, Tommy Shea, Kate Whouley

Bennington Writing Seminars at Bennington College

Poetry: Jennifer Chang, Michael Dumanis, Randall Mann, Craig Morgan Teicher, Mark Wunderlich Fiction: Peter Cameron, Jai Chakrabarti, Stacey D’Erasmo, Monica Ferrell, Rebecca Makkai, Stuart Nadler, Téa Obreht, Moriel Rothman-Zecher, Katy Simpson Smith, Taymour Soomro Nonfiction: Garrard Conley, Sabrina Orah Mark, Spencer Reece, Lance Richardson, Shawna Kay Rodenberg, Hugh Ryan, Greg Wrenn

Binghamton University

Poetry: Tina Chang, Joseph Weil Fiction: Amir Ahmdi Arian, Thomas Glave, Leslie L. Heywood, Claire Luchette, Liz Rosenberg, Jaimee Wriston-Colbert, Alexi Zentner Nonfiction: Amir Ahmdi Arian, Leslie L. Heywood

Bluegrass Writers Studio at Eastern Kentucky University

Poetry: Julie Hensley, Young Smith Fiction: Julie Hensley, Robert Dean Johnson Nonfiction: Robert Dean Johnson, Evan J. Massey Playwriting: Young Smith

Boise State University

Poetry: Martin Corless-Smith, Sara Nicholson, Taryn Schwilling Fiction: Mitch Wieland (Director), Anna Caritj Creative Nonfiction: Chris Violet Eaton, Clyde Moneyhun

Boston University

Poetry: Andrea Cohen, Karl Kirchwey, Robert Pinsky Fiction: Leslie Epstein, Jennifer Haigh, Ha Jin

Boston University—MFA in Literary Translation

Odile Cazenave, Yuri Corrigan, Margaret Litvin, Christopher Maurer, Roberta Micaleff, Robert Pinsky (advising), Stephen Scully, Sassan Tabatabai, J. Keith Vincent, William Waters, Dennis Wuerthner, Cathy Yeh, Anna Zielinska-Elliott

Bowling Green State University

Poetry: Abigail Cloud, Amorak Huey, Sharona Muir, F. Dan Rzicznek, Larissa Szporluk, Jessica Zinz-Cheresnick Fiction: Joe Celizic, Lawrence Coates, Reema Rajbanshi, Michael Schulz

Brigham Young University

Poetry: Kimberly Johnson, Lance Larsen, Michael Lavers, John Talbot Fiction: Chris Crowe, Ann Dee Ellis, Spencer Hyde, Stephen Tuttle Nonfiction: Joey Franklin, Patrick Madden

Brooklyn College

Poetry: Julie Agoos, Ben Lerner Fiction: Joshua Henkin, Madeleine Thien Playwriting: Dennis A. Allen II, Elana Greenfield

Earning A Master’s In Creative Writing: What To Know

Updated: Nov 1, 2023, 1:51pm

Do you want to create written work that ignites a reader’s imagination and even changes their worldview? With a master’s in creative writing, you can develop strong storytelling and character development skills, equipping you to achieve your writing goals.

If you’re ready to strengthen your writing chops and you enjoy writing original works to inspire others, tell interesting stories and share valuable information, earning a master’s in creative writing may be the next step on your career journey.

The skills learned in a creative writing master’s program qualify you to write your own literary works, teach others creative writing principles or pursue various other careers.

This article explores master’s degrees in creative writing, including common courses and concentrations, admission requirements and careers that use creative writing skills. Read on to learn more about earning a master’s degree in creative writing.

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What Is a Master’s in Creative Writing?

A master’s in creative writing is an advanced degree that helps you develop the skills to write your own novel, poetry, screenplay or nonfiction book. This degree can also prepare you for a career in business, publishing, education, marketing or communications.

In a creative writing master’s degree program, you can expect to analyze literature, explore historical contexts of literary works, master techniques for revising and editing, engage in class workshops and peer critiques, and write your own original work.

Creative writing master’s programs usually require a thesis project, which should be well-written, polished and ready to publish. Typical examples of thesis projects include poetry collections, memoirs, essay collections, short story collections and novels.

A master’s in creative writing typically requires about 36 credits and takes two years to complete. Credit requirements and timelines vary by program, so you may be able to finish your degree quicker.

Specializations for a Master’s in Creative Writing

Below are a few common concentrations for creative writing master’s programs. These vary by school, so your program’s offerings may look different.

This concentration helps you develop fiction writing skills, such as plot development, character creation and world-building. A fiction concentration is a good option if you plan to write short stories, novels or other types of fiction.

A nonfiction concentration focuses on the mechanics of writing nonfiction narratives. If you plan to write memoirs, travel pieces, magazine articles, technical documents or nonfiction books, this concentration may suit you.

Explore the imagery, tone, rhythm and structure of poetry with a poetry concentration. With this concentration, you can expect to develop your poetry writing skills and learn to curate poetry for journals and magazines.

Screenwriting

Screenwriting is an excellent concentration to explore if you enjoy creating characters and telling stories to make them come alive for television or film. This specialization covers how to write shorts, episodic serials, documentaries and feature-length film scripts.

Admission Requirements for a Master’s in Creative Writing

Below are some typical admission requirements for master’s in creative writing degree programs. These requirements vary, so check with your program to ensure you’ve met the appropriate requirements.

• Application for admission
• Bachelor’s degree from an accredited institution
• Transcripts from previous education
• Writing samples
• Letters of recommendation
• Personal statement or essay

Common Courses in a Master’s in Creative Writing

Story and concept.

This course focuses on conceptualizing, planning and developing stories on a structural level. Learners study how to generate ideas, develop interesting plots, create outlines, draft plot arcs, engage in world-building and create well-rounded characters who move their stories forward.

Graduate Studies in English Literature

Understanding literature is essential to building a career in creative writing. This course prepares you to teach, study literature or write professionally. Expect to discuss topics such as phonology, semantics, dialects, syntax and the history of the English language.

Workshop in Creative Nonfiction

You’ll study classic and contemporary creative nonfiction in this course. Workshops in creative nonfiction explore how different genres have emerged throughout history and how previous works influence new works. In some programs, this course focuses on a specific theme.

Foundations in Fiction

In this course, you’ll explore how the novel has developed throughout literary history and how the short story emerged as an art form. Coursework includes reading classic and contemporary works, writing response essays and crafting critical analyses.

MA in Creative Writing vs. MFA in Creative Writing: What’s the Difference?

While the degrees are similar, a master of arts in creative writing is different from a master of fine arts in creative writing. An MA in creative writing teaches creative writing competencies, building analytical skills through studying literature, literary theory and related topics. This lets you explore storytelling along with a more profound knowledge of literature and literary theory.

If you want your education to take a more academic perspective so you can build a career in one of many fields related to writing, an MA in creative writing may be right for you.

An MFA prepares you to work as a professional writer or novelist. MFA students graduate with a completed manuscript that is ready for publishing. Coursework highlights subjects related to the business of writing, such as digital publishing, the importance of building a platform on social media , marketing, freelancing and teaching. An MA in creative writing also takes less time and requires fewer credits than an MFA.

If you want to understand the business of writing and work as a professional author or novelist, earning an MFA in creative writing might be your best option.

What Can You Do With a Master’s in Creative Writing?

Below are several careers you can pursue with a master’s in creative writing. We sourced salary data from the U.S. Bureau of Labor Statistics.

Postsecondary Creative Writing Teacher

Median Annual Salary: $74,280 Minimum Required Education: Ph.D. or another doctoral degree; master’s degree may be accepted at some schools and community colleges Job Overview: Postsecondary teachers, also known as professors or faculty, teach students at the college level. They plan lessons, advise students, serve on committees, conduct research, publish original research, supervise graduate teaching assistants, apply for grants for their research and teach subjects in their areas of expertise.

Median Annual Salary: $73,080 Minimum Required Education: Bachelor’s degree in English or a related field Job Overview: Editors plan, revise and edit written materials for publication. They work for newspapers, magazines, book publishers, advertising agencies, media networks, and motion picture and video production companies. Editors work closely with writers to ensure their written work is accurate, grammatically correct and written in the appropriate style for the medium.

Median Annual Salary: $55,960 Minimum Required Education: Bachelor’s degree in journalism or a related field Job Overview: Journalists research and write stories about local, regional, national and global current events and other newsworthy subjects. Journalists need strong interviewing, editing, analytical and writing skills. Some journalists specialize in a subject, such as sports or politics, and some are generalists. They work for news organizations, magazines and online publications, and some work as freelancers.

Writer or Author

Median Annual Salary: $73,150 Minimum Required Education: None; bachelor’s degree in creative writing or a related field sometimes preferred Job Overview: Writers and authors write fiction or nonfiction content for magazines, plays, blogs, books, television scripts and other forms of media. Novelists, biographers, copywriters, screenwriters and playwrights all fall into this job classification. Writers may work for advertising agencies, news platforms, book publishers and other organizations; some work as freelancers.

Technical Writer

Median Annual Salary: $79,960 Minimum Required Education: Bachelor’s degree Job Overview: Technical writers craft technical documents, such as training manuals and how-to guides. They are adept at simplifying technical information so lay people can easily understand it. Technical writers may work with technical staff, graphic designers, computer support specialists and software developers to create user-friendly finished pieces.

Frequently Asked Questions (FAQs) About a Master's in Creative Writing

Is a master’s in creative writing useful.

If your goal is to launch a career as a writer, then yes, a master’s in creative writing is useful. An MA in creative writing is a versatile degree that prepares you for various jobs requiring excellent writing skills.

Is an MFA better than an MA for creative writing?

One is not better than the other; you should choose the one that best equips you for the career you want. An MFA prepares you to build a career as a professional writer or novelist. An MA prepares you for various jobs demanding high-level writing skills.

What kind of jobs can you get with a creative writing degree?

A creative writing degree prepares you for many types of writing jobs. It helps you build your skills and gain expertise to work as an editor, writer, author, technical writer or journalist. This degree is also essential if you plan to teach writing classes at the college level.

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15 Best Creative Writing MFA Programs in 2024

May 15, 2024

Whether you studied at a top creative writing university or are a high school dropout who will one day become a bestselling author , you may be considering an MFA in Creative Writing. But is a writing MFA genuinely worth the time and potential costs? How do you know which program will best nurture your writing? If you’re considering an MFA, this article walks you through the best full-time, low residency, and online Creative Writing MFA programs in the United States.

What are the best Creative Writing MFA programs?

Before we get into the meat and potatoes of this article, let’s start with the basics. What is an MFA, anyway?

A Master of Fine Arts (MFA) is a graduate degree that usually takes from two to three years to complete. Applications typically require a sample portfolio, usually 10-20 pages (and sometimes up to 30-40) of your best writing. Moreover, you can receive an MFA in a particular genre, such as Fiction or Poetry, or more broadly in Creative Writing. However, if you take the latter approach, you often have the opportunity to specialize in a single genre.

Wondering what actually goes on in a creative writing MFA beyond inspiring award-winning books and internet memes ? You enroll in workshops where you get feedback on your creative writing from your peers and a faculty member. You enroll in seminars where you get a foundation of theory and techniques. Then, you finish the degree with a thesis project. Thesis projects are typically a body of polished, publishable-quality creative work in your genre—fiction, nonfiction, or poetry.

Why should I get an MFA in Creative Writing?

You don’t need an MFA to be a writer. Just look at Nobel Prize winner Toni Morrison or bestselling novelist Emily St. John Mandel.

Nonetheless, there are plenty of reasons you might still want to get a creative writing MFA. The first is, unfortunately, prestige. An MFA from a top program can help you stand out in a notoriously competitive industry to be published.

The second reason: time. Many MFA programs give you protected writing time, deadlines, and maybe even a (dainty) salary.

Third, an MFA in Creative Writing is a terminal degree. This means that this degree allows you to teach writing at the university level, especially after you publish a book.

Fourth: resources. MFA programs are often staffed by brilliant, award-winning writers; offer lecture series, volunteer opportunities, and teaching positions; and run their own (usually prestigious) literary magazines. Such resources provide you with the knowledge and insight you’ll need to navigate the literary and publishing world on your own post-graduation.

But above all, the biggest reason to pursue an MFA is the community it brings you. You get to meet other writers—and share feedback, advice, and moral support—in relationships that can last for decades.

Types of Creative Writing MFA Programs

Here are the different types of programs to consider, depending on your needs:

Fully-Funded Full-Time Programs

These programs offer full-tuition scholarships and sweeten the deal by actually paying you to attend them.

• Pros: You’re paid to write (and teach).
• Cons: Uprooting your entire life to move somewhere possibly very cold.

Full-Time MFA Programs

These programs include attending in-person classes and paying tuition (though many offer need-based and merit scholarships).

• Pros: Lots of top-notch non-funded programs have more assets to attract world-class faculty and guests.
• Cons: It’s an investment that might not pay itself back.

Low-Residency MFA Programs

Low-residency programs usually meet biannually for short sessions. They also offer one-on-one support throughout the year. These MFAs are more independent, preparing you for what the writing life is actually like.

• Pros: No major life changes required. Cons: Less time dedicated to writing and less time to build relationships.

Online MFA Programs

Held 100% online. These programs have high acceptance rates and no residency requirement. That means zero travel or moving expenses.

• Pros: No major life changes required.
• Cons: These MFAs have less name recognition.

The Top 15 Creative Writing MFA Programs Ranked by Category

The following programs are selected for their balance of high funding, impressive return on investment, stellar faculty, major journal publications , and impressive alums.

FULLY FUNDED MFA PROGRAMS

1) johns hopkins university , mfa in fiction/poetry.

This two-year program offers an incredibly generous funding package: $39,000 teaching fellowships each year. Not to mention, it offers that sweet, sweet health insurance, mind-boggling faculty, and the option to apply for a lecture position after graduation. Many grads publish their first book within three years (nice). No nonfiction MFA (boo).

• Location: Baltimore, MD
• Incoming class size: 8 students (4 per genre)
• Admissions rate: 4-8%
• Alumni: Chimamanda Adichie, Jeffrey Blitz, Wes Craven, Louise Erdrich, Porochista Khakpour, Phillis Levin, ZZ Packer, Tom Sleigh, Elizabeth Spires, Rosanna Warren

2) University of Texas, James Michener Center

The only MFA that offers full and equal funding for every writer. It’s three years long, offers a generous yearly stipend of $30k, and provides full tuition plus a health insurance stipend. Fiction, poetry, playwriting, and screenwriting concentrations are available. The Michener Center is also unique because you study a primary genre and a secondary genre, and also get $4,000 for the summer.

• Location : Austin, TX
• Incoming class size : 12 students
• Acceptance rate: a bone-chilling less-than-1% in fiction; 2-3% in other genres
• Alumni: Fiona McFarlane, Brian McGreevy, Karan Mahajan, Alix Ohlin, Kevin Powers, Lara Prescott, Roger Reeves, Maria Reva, Domenica Ruta, Sam Sax, Joseph Skibell, Dominic Smith

3) University of Iowa

The Iowa Writers’ Workshop is a 2-year program on a residency model for fiction and poetry. This means there are low requirements, and lots of time to write groundbreaking novels or play pool at the local bar. All students receive full funding, including tuition, a living stipend, and subsidized health insurance. The Translation MFA , co-founded by Gayatri Chakravorti Spivak, is also two years long but with more intensive coursework. The Nonfiction Writing Program is a prestigious three-year MFA program and is also intensive.

• Incoming class size: 25 each for poetry and fiction; 10-12 for nonfiction and translation.
• Acceptance rate: 2.7-3.7%
• Fantastic Alumni: Raymond Carver, Flannery O’Connor, Sandra Cisneros, Joy Harjo, Garth Greenwell, Kiley Reid, Brandon Taylor, Eula Biss, Yiyun Li, Jennifer Croft

Best MFA Creative Writing Programs (Continued) 

4) university of michigan.

Anne Carson famously lives in Ann Arbor, as do the MFA students in UMichigan’s Helen Zell Writers’ Program. This is a big university town, which is less damaging to your social life. Plus, there’s lots to do when you have a $25,000 stipend, summer funding, and health care.

This is a 2-3-year program in either fiction or poetry, with an impressive reputation. They also have a demonstrated commitment to “ push back against the darkness of intolerance and injustice ” and have outreach programs in the community.

• Location: Ann Arbor, MI
• Incoming class size: 18 (9 in each genre)
• Acceptance rate: 2%
• Alumni: Brit Bennett, Vievee Francis, Airea D. Matthews, Celeste Ng, Chigozie Obioma, Jia Tolentino, Jesmyn Ward

5) Brown University

Brown offers an edgy, well-funded program in a place that only occasionally dips into arctic temperatures. All students are fully funded for 2 years, which includes tuition remission and a $32k yearly stipend. Students also get summer funding and—you guessed it—that sweet, sweet health insurance.

In the Brown Literary Arts MFA, students take only one workshop and one elective per semester. It’s also the only program in the country to feature a Digital/Cross Disciplinary Track.  Fiction and Poetry Tracks are offered as well.

• Location: Providence, RI
• Incoming class size: 12-13
• Acceptance rate: “highly selective”
• Alumni: Edwidge Danticat, Jaimy Gordon, Gayl Jones, Ben Lerner, Joanna Scott, Kevin Young, Ottessa Moshfegh

6) University of Arizona

This 3-year program with fiction, poetry, and nonfiction tracks has many attractive qualities. It’s in “ the lushest desert in the world, ” and was recently ranked #4 in creative writing programs, and #2 in Nonfiction. You can take classes in multiple genres, and in fact, are encouraged to do so. Plus, Arizona’s dry heat is good for arthritis.

This notoriously supportive program is fully funded. Moreover, teaching assistantships that provide a salary, health insurance, and tuition waiver are offered to all students. Tucson is home to a hopping literary scene, so it’s also possible to volunteer at multiple literary organizations and even do supported research at the US-Mexico Border.

• Location: Tucson, AZ
• Incoming class size: usually 6
• Acceptance rate: 1.2% (a refreshingly specific number after Brown’s evasiveness)
• Alumni: Francisco Cantú, Jos Charles, Tony Hoagland, Nancy Mairs, Richard Russo, Richard Siken, Aisha Sabatini Sloan, David Foster Wallace

7) Arizona State University 

With concentrations in fiction and poetry, Arizona State is a three-year funded program in arthritis-friendly dry heat. It offers small class sizes, individual mentorships, and one of the most impressive faculty rosters in the game. Moreover, it encourages cross-genre study.

Funding-wise, everyone has the option to take on a teaching assistantship position, which provides a tuition waiver, health insurance, and a yearly stipend of $25k. Other opportunities for financial support exist as well.

• Location: Tempe, AZ
• Incoming class size: 8-10
• Acceptance rate: 3% (sigh)
• Alumni: Tayari Jones, Venita Blackburn, Dorothy Chan, Adrienne Celt, Dana Diehl, Matthew Gavin Frank, Caitlin Horrocks, Allegra Hyde, Hugh Martin, Bonnie Nadzam

FULL-RESIDENCY MFAS (UNFUNDED)

8) new york university.

This two-year program is in New York City, meaning it comes with close access to literary opportunities and hot dogs. NYU also has one of the most accomplished faculty lists anywhere. Students have large cohorts (more potential friends!) and have a penchant for winning top literary prizes. Concentrations in poetry, fiction, and creative nonfiction are available.

• Location: New York, NY
• Incoming class size: ~60; 20-30 students accepted for each genre
• Acceptance rate: 6-9%
• Alumni: Nick Flynn, Nell Freudenberger, Aracelis Girmay, Mitchell S. Jackson, Tyehimba Jess, John Keene, Raven Leilani, Robin Coste Lewis, Ada Limón, Ocean Vuong

9) Columbia University

Another 2-3 year private MFA program with drool-worthy permanent and visiting faculty. Columbia offers courses in fiction, poetry, translation, and nonfiction. Beyond the Ivy League education, Columbia offers close access to agents, and its students have a high record of bestsellers. Finally, teaching positions and fellowships are available to help offset the high tuition.

• Incoming class size: 110
• Acceptance rate: not publicized (boo)
• Alumni: Alexandra Kleeman, Rachel Kushner, Claudia Rankine, Rick Moody, Sigrid Nunez, Tracy K. Smith, Emma Cline, Adam Wilson, Marie Howe, Mary Jo Bang

10) Sarah Lawrence 

Sarah Lawrence offers a concentration in speculative fiction in addition to the average fiction, poetry, and nonfiction choices. Moreover, they encourage cross-genre exploration. With intimate class sizes, this program is unique because it offers biweekly one-on-one conferences with its stunning faculty. It also has a notoriously supportive atmosphere, and many teaching and funding opportunities are available.

• Location: Bronxville, NY
• Incoming class size: 30-40
• Acceptance rate: not publicized
• Alumni: Cynthia Cruz, Melissa Febos, T Kira Madden, Alex Dimitrov, Moncho Alvarado

LOW RESIDENCY

11) bennington college.

This two-year program boasts truly stellar faculty, and meets twice a year for ten days in January and June. It’s like a biannual vacation in beautiful Vermont, plus mentorship by a famous writer. The rest of the time, you’ll be spending approximately 25 hours per week on reading and writing assignments. Students have the option to concentrate in fiction, nonfiction, or poetry. Uniquely, they can also opt for a dual-genre focus.

The tuition is $23,468 per year, with scholarships available. Additionally, Bennington offers full-immersion teaching fellowships to MFA students, which are extremely rare in low-residency programs.

• Location: Bennington, VT
• Acceptance rate: 53%
• Incoming class: 25-35
• Alumni: Larissa Pham, Andrew Reiner, Lisa Johnson Mitchell, and others

12)  Institute for American Indian Arts

This two-year program emphasizes Native American and First Nations writing. With truly amazing faculty and visiting writers, they offer a wide range of genres, including screenwriting, poetry, fiction, and nonfiction. In addition, each student is matched with a faculty mentor who works with them one-on-one throughout the semester.

Students attend two eight-day residencies each year, in January and July, in Santa Fe, New Mexico. At $12,000 in tuition a year, it boasts being “ one of the most affordable MFA programs in the country .”

• Location: Santa Fe, NM
• Incoming class size : 21
• Alumni: Tommy Orange, Dara Yen Elerath, Kathryn Wilder

13) Vermont College of Fine Arts

VCFA is the only graduate school on this list that focuses exclusively on the fine arts. Their MFA in Writing offers concentrations in fiction, poetry, and nonfiction; they also offer an MFA in Literary Translation and one of the few MFAs in Writing for Children and Young Adults . Students meet twice a year for nine days, in January and July, either in-person or online. Here, they receive one-on-one mentorship that continues for the rest of the semester. You can also do many travel residencies in exciting (and warm) places like Cozumel.

VCFA boasts amazing faculty and visiting writers, with individualized study options and plenty of one-on-one time. Tuition for the full two-year program is approximately $54k.

• Location : Various; 2024/25 residencies are in Colorado and California
• Incoming class size: 18-25
• Acceptance rate: 63%
• Alumnx: Lauren Markham, Mary-Kim Arnold, Cassie Beasley, Kate Beasley, Julie Berry, Bridget Birdsall, Gwenda Bond, Pablo Cartaya

ONLINE MFAS

14) university of texas at el paso.

UTEP is considered the best online MFA program, and features award-winning faculty from across the globe. Accordingly, this program is geared toward serious writers who want to pursue teaching and/or publishing. Intensive workshops allow submissions in Spanish and/or English, and genres include poetry and fiction.

No residencies are required, but an optional opportunity to connect in person is available every year. This three-year program costs about $25-30k total, depending on whether you are an in-state or out-of-state resident.

• Location: El Paso, TX
• Acceptance rate: “highly competitive”
• Alumni: Watch alumni testimonies here

15) Bay Path University

This 2-year online, no-residency program is dedicated entirely to nonfiction. Featuring a supportive, diverse community, Bay Path offers small class sizes, close mentorship, and an optional yearly field trip to Ireland.

There are many tracks, including publishing, narrative medicine, and teaching creative writing. Moreover, core courses include memoir, narrative journalism, food/travel writing, and the personal essay. Tuition is approximately $31,000 for the entire program, with scholarships available.

• Location: Longmeadow, MA
• Incoming class size: 20
• Alumni: Read alumni testimonies here

Best MFA Creative Writing Programs — Final Thoughts

Whether you’re aiming for a fully funded, low residency, or completely online MFA program, there are plenty of incredible options available—all of which will sharpen your craft while immersing you in the vibrant literary arts community.

Hoping to prepare for your MFA in advance? You might consider checking out the following:

• Best English Programs
• Best Colleges for Creative Writing
• Writing Summer Programs
• Best Writing Competitions for High School Students

Inspired to start writing? Get your pencil ready:

• 100 Creative Writing Prompts 
• 1 00 Tone Words to Express Mood in Your Writing
• 60 Senior Project Ideas
• Common App Essay Prompts

Best MFA Creative Writing Programs – References:

• https://www.pw.org/mfa
• The Creative Writing MFA Handbook: A Guide for Prospective Graduate Students , by Tom Kealey (A&C Black 2005)
• Graduate School Admissions

Julia Conrad

With a Bachelor of Arts in English and Italian from Wesleyan University as well as MFAs in both Nonfiction Writing and Literary Translation from the University of Iowa, Julia is an experienced writer, editor, educator, and a former Fulbright Fellow. Julia’s work has been featured in  The Millions ,  Asymptote , and  The Massachusetts Review , among other publications. To read more of her work, visit  www.juliaconrad.net

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Creative Writing

Creative writing (poetry), professor/instructor.

Practice in the original composition of poetry supplemented by the reading and analysis of standard works. Each student is expected to prepare a manuscript each week. There will be a weekly workshop meeting and occasional individual conferences.

Creative Writing (Fiction)

Practice in the original composition of fiction supplemented by the reading and analysis of standard works. Each student is expected to prepare a manuscript at least every other week. There will be a weekly workshop meeting and occasional individual conferences.

Creative Writing (Literary Translation)

Practice in the translation of literary works from another language into English supplemented by the reading and analysis of standard works. Each student is expected to prepare a manuscript each week. There will be a weekly workshop meeting and occasional individual conferences.

Introductory Playwriting

This is a workshop in the fundamentals of writing plays. Through writing prompts, exercises, study and reflection, students will be guided in the creation of original dramatic material. Attention will be given to character, structure, dramatic action, monologue, dialogue, language

Creative Nonfiction

This is a workshop in factual writing and what has become known as literary non-fiction, emphasizing writing assignments and including several reading assignments. Students will examine masterpieces about social inequality and to what extent it is possible for authors to know the struggles of their subjects, and to create empathy for them. One three-hour seminar.

Advanced Creative Writing (Poetry)

Advanced practice in the original composition of poetry for discussion in regularly scheduled workshop meetings. Prerequisites: Two 200-level CWR courses.

Advanced Creative Writing (Fiction)

Advanced practice in the original composition of fiction for discussion in regularly scheduled workshop meetings.

Advanced practice in the original composition of fiction for discussion in regularly scheduled workshop meetings. Prerequisites: Two 200-level CWR courses.

Advanced Creative Writing (Literary Translation)

Advanced practice in the translation of literary works from another language into English supplemented by the reading and analysis of standard works. Prerequisites: 205 or 206 and by application.

Advanced practice in the translation of literary works from another language into English supplemented by the reading and analysis of standard works. Prerequisites: 205 or 206 or by Program permission.

Playwriting II: Intermediate Playwriting

A continuation of work begun in Introductory Playwriting, in this class, students will complete either one full-length play or two long one-acts (40-60 pages) to the end of gaining a firmer understanding of characterization, dialogue, structure, and the playwriting process. In addition to questions of craft, an emphasis will be placed on the formation of healthy creative habits and the sharpening of critical and analytical skills through reading and responding to work of both fellow students and contemporary playwrights of note.

Special Topics in Creative Writing

Students gain special access to the critical understanding of literature through their involvement in the creative process. Topics include autobiography, prosody, non-fiction, revision and point of view. Students are expected to prepare a manuscript at least every other week. Specific topics and prerequisites will vary. By application.

Advanced Creative Writing Tutorial

Tutorials in the original composition of fiction, poetry, or translations, open to those who have demonstrated unusual commitment and talent through four terms of creative writing or who provide equivalent evidence of their capacity for advanced work. Open also to qualified graduate students. Individual conferences to be arranged.

Special Topics in Screenwriting

This class will familiarize students with the complex use of metaphorical, emotional, and visual threads in long form screenplay writing. Analyzing examples of international, independent, and classical structures, students will be exposed to the rhythms and demands of the process of conceiving and writing a long form narrative film. Prerequisite: Introduction to Screenwriting and by application.

Advanced Seminar in American Studies

Advanced seminars bring students into spaces of collaborative exploration after pursuing their individual paths of study in American studies, Asian American/diasporic studies, and/or Latino studies. To students culminating programs of study toward one or more of the certificates offered by the Effron Center for the Study of America, advanced seminars offer the important opportunity to integrate their cumulative knowledge.

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The NYU Creative Writing Program

is among the most distinguished programs in the country and is a leading national center for the study of writing and literature.

Graduate Program

The graduate Creative Writing Program at NYU consists of a community of writers working together in a setting that is both challenging and supportive.

Low Residency MFA Workshop in Paris

The low-residency MFA Writers Workshop offers students the opportunity to develop their craft in one of the world's most inspiring literary capitals.

Undergraduate Program

The undergraduate program offers workshops, readings, internships, writing prizes, and events designed to cultivate and inspire.

Spring 2022 Reading Series

The lively public Reading Series hosts a wide array of writers, translators, and editors, and connects our program to the local community.

Creative Writing Program

Low-residency mfa writers workshop in paris, undergraduate, washington square review, literary journal, a sample residency calendar, write in paris, scholarships and grant opportunities, program of study, dates and deadlines, creative writing, recent highlights from the mfa community.

• Alum Bruna Dantas Lobato   won the 2023 National Book Award in translation

• Faculty member Sharon Olds received the Joan Margarit International Poetry Prize from King Felipe VI in July 2023

• Alumni  Tess Gunty  and  John Keene   each won a 2022 National Book Award in fiction and poetry , respectively

• Books by faculty members  Sharon  Olds  and  Meghan O'Rourke;  and alums  Tess Gunty, John Keene ,  and  Jenny Xie  were named finalists for the 2022 National Book Awards; books by alum  Rio Cortez and faculty member Leigh Newman were also longlisted

• Alum  Ada Limón   has been named the nation's 24th Poet Laureate  by the Library of Congress

• Alum  Amanda Larson 's debut poetry collection  GUT  was selected by Mark Bibbins as the winner of the Poetry Society of America Norma Farber Book Award

• Alum  Sasha Burshteyn  was named a 2022 winner of the 92Y Discovery Prize. Alums Jenna Lanzaro and JinJin Xu were also named semi-finalists for the prize.

• Alum Clare Sestanovich was selected as a  2022 5 under 35 Honoree  by the National Book Foundation

• Alum  Maaza Mengiste  was awarded a  2022 Guggenheim Fellowship

• Visiting graduate faculty member  Brandon Taylor 's collection  Filthy Animals  was named a 2021/22  finalist for The Story Prize  and was shortlisted for the  2022 Dylan Thomas Prize

• Alum  Raven Leilani  won the 2021 Clark Fiction Prize, Dylan Thomas prize, the 2020 Kirkus Prize for Fiction and the Center for Fiction 2020 First Novel Prize for her debut novel  Luster,  and was named a finalist for the 2021 VCU Cabell First Novelist Award, the Gotham Book Prize, the 2021 PEN/Hemmingway Award for Debut Novel, the 2021 PEN/Jean Stein Book Award

• Alum Desiree C. Bailey 's debut poetry collection  What Noise Against the Cane  was longlisted for the 2022 Dylan Thomas Prize and was also named a finalist for the 2021 National Book Award in Poetry and the 2022 Kate Tufts Discovery Award, and was published as the winner of the 2020 Yale Series of Younger Poets

• Senior faculty member  Sharon Olds  was named the 2022 recipient of the Poetry Society of America's Frost Medal for distinguished lifetime achievement in poetry

You can read more MFA Community news here and find a list of forthcoming and recently published books by alumni here .   NYU CWP alumni include  Aria Aber, Amir Ahmadi Arian, Julie Buntin, Nick Flynn, Nell Freudenberger, Aracelis Girmay, Isabella Hammad, Ishion Hutchinson, Mitchell S. Jackson, Tyehimba Jess, John Keene, Raven Leilani, Robin Coste Lewis, Ada Limón, Melissa Lozada-Oliva, Maaza Mengiste, John Murillo, Gregory Pardlo, Morgan Parker, Nicole Sealey, Solmaz Sharif, Peng Shepherd, Ocean Vuong, Jenny Xie,  and  Javier Zamora. 

Announcements

Ocean Vuong joins the NYU Creative Writing Program Faculty

Mary Gabriel, Author of “Ninth Street Women”, Receives the NYU/Axinn Foundation Prize

Claudia Rankine joins the NYU Creative Writing Program Faculty

Classic podcasts from the lillian vernon reading series.

Anne Carson

Zadie Smith and Jeffrey Eugenides

Terrance Hayes

Where to find us.

Faculty Spotlight

Terrance Hayes’s most recent publications include American Sonnets for My Past And Future Assassin and To Float In The Space Between.

Ocean Vuong is the author of the bestselling novel, On Earth We're Briefly Gorgeous and the poetry collection, Night Sky with Exit Wounds.

Claudia Rankine is a recipient of the 2016 MacArthur Fellowship, and the author of six collections including Citizen and Don’t Let Me Be Lonely.

Hari Kunzru is the author of six novels, including the most recent Red Pill, and White Tears, a finalist for the PEN Jean Stein Award.

Foer was listed in Rolling Stone's "People of the Year," Esquire's "Best and Brightest," and The New Yorker's "20 Under 40" list.

Katie Kitamura’s most recent novel Intimacies was longlisted for the National Book Award and named a Best Book of 2021 by numerous publications.

Darin Strauss is the author of several acclaimed novels, including the most recent The Queen of Tuesday: A Lucille Ball Story.

Jeffrey Eugenides is the author of acclaimed novels The Virgin Suicides, Middlesex, and The Marriage Plot. His latest collection is Fresh Complaint. 

Sharon Olds is a previous director of the Creative Writing Program. Her 2012 collection Stags Leap was awarded the T.S. Eliot Prize and a Pulitzer.

  --> 100 N. University Drive Edmond, Oklahoma 73034
	University of Central Oklahoma
	Jul 21, 2024   2024-2025 Undergraduate Catalog    2024-2025 Undergraduate Catalog University Core (Total Listed 42-44) For full list of courses see University Core (Bachelor’s)   . Major Requirements English - creative writing: 54-62 minimum required hours, creative writing core: 12 credit hours. CSDY 2513 - Introduction to Creative Writing ENG 2303 - English Cornerstone ENG 3263 - Critical and Cultural Theory ENG 4893 - English Capstone Literature Core: 18 Credit Hours ENG 2543 - English Literature To 1800 ENG 2653 - English Literature Since 1800 ENG 2773 - American Literature To 1865 ENG 2883 - American Literature Since 1865 ENG 3193 - World Literature I ENG 3213 - World Literature II Creative Writing Guided Electives: 9 Credit Hours CSDY 3273 - Fiction Writing CSDY 3283 - Creative Nonfiction Writing CSDY 3333 - Writers on Writing CSDY 3353 - Poetry Writing CSDY 3363 - Writing for Movies/TV/Stage Advanced Creative Writing Electives: 6 Credit Hours Any CSDY courses at the 4000 level. English Electives: 9 Credit Hours Any CSDY or ENG courses at the 3000 or 4000 level. Modern Language Requirement: 0-8 Credit Hours All students completing a B.A. in English - Creative Writing shall complete the first two semesters of a second language. Students may alternatively fulfill the language requirement by proof of academic work in the second language (CLEP test through the Elementary II level, for example SPAN 1224), four years of high school language courses, or transfer work from another institution. Electives to bring total to: 124 Minimum Required Hours Minimum grade requirements. Average in (a) all college course work, (b) course work at UCO, and (c) major courses: 2.50 Creative Writing Writers' Retreat International Writer's Retreat & Publishing Seminar 2025 January 2-12, 2025 | paris & arles, france, with author jennifer steil. The MFA in Creative Writing program at Rosemont College will offer its annual International Writers' Retreat in January 2025 . This year we will be traveling to Paris and Arles, France . MFA in Creative Writing and MA in Publishing graduate credit, non-credit, and companion prices are available. Airfare is not included . *STUDENTS WHO WANT TO TAKE THE TRIP FOR CREDIT MUST REGISTER FOR CRW 7185 OR CRW 7186 WINTER WRITING SEMINAR or GPP 7185 International Publishing Seminar ON THE iWAY. This registration form is for non-credit students and companions only! REGISTER TODAY Cost to Attend Graduate Credit Price: $4630 Double Room (includes tuition ) $4950 Single Room Non-Credit Price: $3750 Double Room/$4450 Single Room Companion Price: $3500 Double Room/$4200 Single Room Advanced Reservation $500 Deposit Due: October 1, 2025 Balance Due: November 15, 2024 (After November 15, program fee is not refundable.) Pre-trip Meeting: Friday, Dec. 6, 2024 Main Building Wednesday January 1 : Departure from Philadelphia Transportation: (walking and train transportation in France) Thursday  January 2        Arrive in Paris (transportation to Hotel) Welcome dinner Friday January 3  Morning – Walking tour Literary Paris Afternoon – meeting at publishing house Evening – Louvres Museum Saturday January 4                   Morning – Walking tour Hemingway’s Paris Afternoon – Notre Dame de Paris Evening – Cruise on the Seine Sunday January 5  Morning – Victor Hugo’s House Afternoon – Train travel to Arles Monday January 6 Morning – Workshop Afternoon – Roman Arles (walking tour) Evening - Free Tuesday January 7    Afternoon – Walking tour: Arles and the books Wednesday January 8 Excursion in Camargue Thursday January 9         Afternoon – Actes Sud (Publishing House) Friday January 10 Afternoon – Train Travel to Paris Saturdy January 11                 Morning – Eiffel Tower Afternoon – Free Evening – Farewell Dinner Sunday January 12   Departure from Paris Flight Information Airfare and flight registrations are the responsibility of the attendee. Direct round-trip flights (recommended) are available from most major East Coast airports to Paris. Flights can be cheaper from New York Airports, but you will need to factor in the transportation to and from and or long-term parking. You can also do a multi-leg trip, if you want to, but you need to be at Charles DeGaul Airport in Paris by 10 AM on January 2. Flights to Europe from the East Coast, generally, are overnight. This means to arrive on January 2, you must leave on New Year's Day (January 1, 2025). There is a direct flight from Philadelphia to Paris on American (AA754), which I recommend, that arrives at 8:20 AM. Booking your flight before the fall may give you the best price. Travel Insurance is a MUST! I also HIGHLY recommend that you get a FLU and Covid Shot before the trip. Jennifer Steil is an award-winning author and journalist. Her third book, the novel Exile Music , was released by Viking in May 2020 and won the Grand Prize in the 2020 Eyelands Book Awards and was named a finalist for the 2021 Lambda Literary Lesbian Fiction Award. Her previous novel, The Ambassador’s Wife , published by Doubleday in 2015, won the 2013 William Faulkner-William Wisdom Creative Writing Competition Best Novel award and the 2016 Phillip McMath Post Publication Book Award. It was shortlisted for both the Bisexual Book Award and the Lascaux Novel Award, and has received considerable critical acclaim. Jennifer’s first book, The Woman Who Fell From the Sky (Broadway Books, 2010), a memoir about her tenure as editor of the Yemen Observer newspaper in Sana’a, received praise from The New York Times, Newsweek, and the Sydney Morning Herald. Jennifer earned her PhD in Creative Writing from the University of Birmingham, England, an MS in Journalism from Columbia University, an MFA in Creative Writing/Fiction from Sarah Lawrence College, and a BA in Theatre from Oberlin College. www.jennifersteil.net Request Info Give to SFCC We're Here for You! New Students Returning Student Registration High School Equivalency/GED High School Students International Students Transfer Students Meet with an Advisor Student Wellness Center Technology Help Desk Career Coach Online Learning Resources Transcripts Apply and Register Financial Aid Student Orientation Online Advising Welcome and Advising Center (WAC) Educational Pathways All Programs Degrees & Certificates Look for a Credit Class Adult Education Continuing Education Look up Credit Classes College Catalog Continuing Education Classes Academic Calendar Programs & Departments Adult Education (GRE/HSE) Student Affairs William C. 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Participants only need to register once and will be registered for every event in the series. Register: https://www.surveymonkey.com/r/WriGenFall2024 All sessions will take place online and the URL for each session will be sent out the morning of each event. The events are free and are open to anyone who would like to attend. Kasia Merrill is a fiction writer based in Maryland. She holds a BFA from Pratt Institute and an MFA from the Institute of American Indian Arts. Her work has appeared in Fiction International, Quarter After Eight, Breadcrumbs Mag, The Ekphrasis Review, Salamander Magazine, and The Appalachian Review, and her stories have been finalists for the GRITLit,Cutbank, New Millenium Writings, and Salamander Magazine fiction competitions. She has received support from the Peter Bullough Foundation, Disquiet International, and the Kenyon Writer’s Workshop, for which she was a Peter Taylor fellow. She is currently at work on her first novel. For more information contact Austin Eichelberger ( [email protected] ) or Valerie Nye ( [email protected] ) are the contacts Google Calendar Outlook 365 Outlook Live Related Events Gordon Fluke Memorial Retrospective Therapy Dogs in the Library Information. Making Space for Self-Expression: Creative Writers Thrive at MCPHS Mary Buchinger Bodwell, PhD, Professor of English and Communication Studies and Rudra Patel, BS in Pharmacology & Toxicology '26 A student and a faculty member were recognized for their poetry, exemplifying how healthcare and life sciences studies co-exist with the humanities. “I asked for him to be written in my fate...And drawn in the lines of my hand. I asked not for his body, or his presence, But for his heart, his soul, and his existence…” Featured Connections Mary Buchinger Bodwell More university news. MCPHS Students and Faculty Bring Health and Wellness to Veterans at Worcester Stand Down Bridging Research and Practice: MCPHS Alum Champions Better Pediatric Dental Care MCPHS Produces Top Earners in The Nation From Practice to Innovation: OT Professor Leads the Way in Pediatric Pain Treatment Cookie notice. Watch CBS News Dave Bayley of Glass Animals reflects on struggles that came after "Heat Waves" success, creative journey for new album By Anthony Mason , Analisa Novak July 19, 2024 / 10:12 AM EDT / CBS News Dave Bayley, lead singer of Glass Animals, recently walked down Beck Road in East London, a place filled with memories. It was there, during the peak of the pandemic, that Bayley filmed the music video for the band's hit song "Heat Waves." Neighbors in lockdown participated by filming from their windows, helping to create a video that now boasts over 720 million views on YouTube and more than 3 billion streams on Spotify. "It's a sweet little street," Bayley said. The success of "Heat Waves" catapulted Glass Animals—Bayley, Joe Seaward, Edmund Irwin-Singer and Drew MacFarlane—into mainstream success. "It was bonkers," said Bayley. "You're kind of clinging to the bottom of the rocket and it's taken you right up into space." Fame brought awards, opportunities and a GRAMMY nomination, but Bayley said he struggled with success. "I think I was trying to do so much that I stopped doing a lot of the things that grounded me," he said. "I had a big existential crisis." Last year, Bayley secluded himself in a hilltop Airbnb in Los Angeles. He began to write extensively, letting inspiration take hold. "I started kind of writing my way out of this hole," Bayley said. He described it as "a vomit of information and words and melodies and chords." From this, a new album about love and human connection emerged, set against a space theme. The new album, "I Love You So F***ing Much," is out now. In his London studio, Bayley assembled a wall of synthesizers for the new record. He aimed to create a sound similar to a '70s space movie. In a visit to the Royal Observatory in Greenwich, Bayley's bandmates said there were some nerves about how to follow up the success of "Heat Waves."  But once Bayley showed the rest of the group his galactic songs, Seaward said that fear vanished. "How do you follow something like that? But that question was completely out the window as soon as we started," said Seaward. Glass Animals is set to embark on a massive 44-date world tour called Human Music Group Sensations Glass Animals: TOUR OF EARTH. Starting in August in the U.S., the tour will take the band across North America, Europe, the UK, and Australia. They will be headlining the biggest venues of their career, including iconic locations like Madison Square Garden in New York and The O2 in London. Bayley said the new album is deeply personal, which is something he previously struggled to crack with a cosmic-themed album. "Every time I tried to do a space album, it never felt human," Bayley said. "It felt cold." On the new Glass Animals album, Bayley found a way to bring humanity, connection, love, and heartbreak into a intergalactic setting. Though he finally got his space-themed record, Bayley said the vulnerability of it, especially in the shadow of "Heat Waves," brings some anxiety. "It's like, parts of it are quite scary to me," he said. "It's like walking out naked with all your secrets written on your body, on your skin." The willingness to get personal paid off. Seaward said from the moment he heard the songs for the first time, he could see clearly what was in store for Glass Animals' next chapter. "It's kind of like Christmas Eve when Dave comes in and plays us songs. It's this moment where you're like … the next two or three years of my life is sort of unfolding before my eyes," Seaward said. "Luckily, so far they've always been incredibly exciting. But you kind of get this feeling like, wow." Anthony Mason is a senior culture and senior national correspondent for CBS News. He has been a frequent contributor to "CBS Sunday Morning." More from CBS News Software developers want AI to give medical advice. But how accurate is it? How the rise of AI is straining the U.S. power grid Utah wildfire prompts mandatory evacuations Transcript: Sen. Joe Manchin on "Face the Nation," July 21, 2024 232 IMAGES Creative Non Fiction Writing FCA Creative Writing Course image What is Creative Writing and How to Use it for Specific Academic Level CREATIVE WRITING COURSE at Oakham Enterprise Park Creative Writing Creative writing programs undergraduate Get the Highest Mark VIDEO The Rutgers Alum Cultivating Creative Writing Connections Solstice MFA in Creative Writing Program Info Session MFA in Creative Writing: Michael Heiss 10th Annual Paddlestar Galactia Creative Writing MFA Graduate Reading 2023 Creative Writing Program Honors Thesis Reading COMMENTS Best Online Creative Writing Degree Programs Of 2024 The cost of earning an online creative writing degree can vary significantly by school. The semester-based schools on our list range from $180 to $494 per credit. Over a 120-credit degree, this ... Online Courses: Creative Writing Stanford Continuing Studies' online creative writing courses make it easy to take courses taught by instructors from Stanford's writing community. Thanks to the flexibility of the online format, these courses can be taken anywhere, anytime—a plus for students who lead busy lives or for whom regular travel to the Stanford campus is not possible. Creative Writing Program New Book Release from Nicholas Jenkins. Nicholas Jenkins, Associate Professor of English and Co-Director of the Creative Writing Program, celebrates the release of his new book The Island: War and Belonging in Auden's England. A groundbreaking reassessment of W. H. Auden's early life and poetry, shedding new light on his artistic development ... Creative Writing and Literature Master's Degree Program Through the master's degree in creative writing and literature, you'll hone your skills as a storyteller — crafting publishable original scripts, novels, and stories. In small, workshop-style classes, you'll master key elements of narrative craft, including characterization, story and plot structure, point of view, dialogue, and ... Creative Writing Courses & Certificates Creative Writing Certificate. Develop your skills in the genre of your choice, including fiction, creative nonfiction, poetry, and more. This customizable program culminates in a capstone project where you will make significant progress on a polished collection of work. Taught by a prestigious roster of instructors who are published writers and ... Online MFA in Creative Writing Program Online MFA in Creative Writing Program Overview. Share your story with the world and let the power of storytelling take your career to new heights with an online Master of Fine Arts (MFA) in Creative Writing.As one of the only programs available that encourages a focus on genre fiction, our online MFA lets you hone your craft in an area specific to your strengths and interests. Home Welcome to the Creative Writing Program at Penn. We are home to a faculty of award-winning writers who teach more than sixty workshops each year in fiction, poetry, creative nonfiction, journalism, playwriting, screenwriting, and writing for children and young adults, as well as innovative workshops in cross-genre, experimental, and hybrid ... Creative Writing and Literature Division of Continuing Education. Students enrolled in the Master of Liberal Arts program in Creative Writing & Literature will develop skills in creative writing and literary analysis through literature courses and writing workshops in fiction, screenwriting, poetry, and nonfiction. Through online group courses and one-on-one tutorials, as ... The Writing Seminars Founded in 1947, the Writing Seminars is the second-oldest creative writing program in the United States and has always been ranked highly in the field. The department is celebrated for the quality of its faculty and its small classes. No course is lecture-sized; all are seminars. Creative Writing Embrace the unknown and start your journey here. As part of one of the largest Creative Writing programs in Canada, you can learn the essentials of excellent writing and put them into practice. Whether you aspire to write a novel or short story, explore poetry, pen a script or screenplay, or explore other writing styles, we have the courses you ... MFA in Creative Writing Programs Guide MFA in Creative Writing Program Guide. Whether focusing on poetry, fiction, or nonfiction, a creative writing degree prepares students for a multitude of career options. Spanning two years, a master of fine arts (MFA) program trains you to become a skilled writer, communicator, and editor who can receive and apply feedback effectively. 2024 Best Creative Writing Schools Every student pursuing a degree in creative writing needs to check out Carnegie Mellon University. Carnegie Mellon is a large private not-for-profit university located in the large city of Pittsburgh. A Best Colleges rank of #9 out of 2,217 colleges nationwide means Carnegie Mellon is a great university overall. Novlr: the creative writing workspace designed with your writing goals Add notes, share your work, and focus on your writing, without distraction. Set goals, track your writing streaks, and get success nudges. Write wherever you are on any device with seamless online word syncing. Get access to the Academy, Community, Writer Discounts, The Reading Room and more. The 10 Best Creative Writing MFA Programs in the US University of Oregon (Eugene, OR) Visitor7, Knight Library, CC BY-SA 3.0. Starting off the list is one of the oldest and most venerated Creative Writing programs in the country, the MFA at the University of Oregon. Longtime mentor, teacher, and award-winning poet Garrett Hongo directs the program, modeling its studio-based approach to one-on ... The 12 Best Creative Writing Colleges and Programs University of Michigan is one of the best state universities in the country and has a top-notch MFA program. This school's undergrad creative writing sub-concentration requires students to submit applications for admittance to advanced creative writing courses. These applications give students crucial practice in both building a writing ... MFA Programs Database: 255 Programs for Creative Writers Our list of 255 MFA programs for creative writers includes essential information about low-residency and full-residency graduate creative writing programs in the United States and other English-speaking countries to help you decide where to apply. It also includes MA programs and PhD programs. Earning A Master's In Creative Writing: What To Know Postsecondary Creative Writing Teacher. Median Annual Salary: $74,280. Minimum Required Education: Ph.D. or another doctoral degree; master's degree may be accepted at some schools and community ... 15 Best Creative Writing MFA Programs in 2024 Best MFA Creative Writing Programs (Continued) 6) University of Arizona. This 3-year program with fiction, poetry, and nonfiction tracks has many attractive qualities. It's in "the lushest desert in the world," and was recently ranked #4 in creative writing programs, and #2 in Nonfiction. You can take classes in multiple genres, and in ... Creative Writing The program allows undergraduates to work with practicing writers to develop their writing skills, learn the possibilities of modern poetry, fiction, nonfiction, screenwriting and translation, and gain a special access to the critical understanding of literature through their involvement in the creative process. Creative Writing Program The graduate Creative Writing Program at NYU consists of a community of writers working together in a setting that is both challenging and supportive. Learn More. Low Residency MFA Workshop in Paris. The low-residency MFA Writers Workshop offers students the opportunity to develop their craft in one of the world's most inspiring literary capitals. Creative Writing, M.F.A Program Objective 1: Learn to read literature with a focus on the ways in which form serves content. Program Objective 2: Use close reading effectively to identify literary techniques, styles, and themes. Program Objective 3: Learn to read and comment constructively and critically on the creative writing of peers in the workshop context. Program: English All students completing a B.A. in English - Creative Writing shall complete the first two semesters of a second language. Students may alternatively fulfill the language requirement by proof of academic work in the second language (CLEP test through the Elementary II level, for example SPAN 1224), four years of high school language courses, or transfer work from another institution. Creative Writing Program marks successes of faculty, students and The University of Nebraska-Lincoln's Creative Writing Program is celebrating a run of achievements by students, alumni and faculty. Most recently, alumna Claire Jimenez's debut novel, "What Happened to Ruthy Ramirez," made national headlines and was met with critical acclaim. The book was her creative writing dissertation, which ... International Writer's Retreat & Publishing Seminar 2025 The MFA in Creative Writing program at Rosemont College will offer its annual International Writers' Retreat in January 2025. This year we will be traveling to Paris and Arles, France. MFA in Creative Writing and MA in Publishing graduate credit, non-credit, and companion prices are available. ... The Writing Generation Series: Reading by Kasia Merrill This is an SFCC event jointly sponsored by the SFCC Creative Writing program and the SFCC library. Participants only need to register once and will be registered for every event in the series. Meet the Writers Making Space for Self-Expression Patel started writing as a middle schooler in India. His work was published in his boarding school's annual magazine, and his short stories won awards in competitions. "I never considered pursuing writing as a career because it's just something I enjoy," he explained. "I want to be a doctor." Dave Bayley of Glass Animals reflects on struggles that came after After the success of "Heat Waves," Dave Bayley opens up about his struggles and the creative process behind Glass Animals' new album, "I Love You So F***ing Much." ... 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