phone call from a stranger movie review

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Phone Call from a Stranger

Phone Call from a Stranger (1952)

While awaiting a delayed flight, a lawyer who has left his unfaithful wife, befriends three fellow passengers. After the plane crashes and he is among the few to survive, he feels compelled ... Read all While awaiting a delayed flight, a lawyer who has left his unfaithful wife, befriends three fellow passengers. After the plane crashes and he is among the few to survive, he feels compelled to contact the families of his dead friends. While awaiting a delayed flight, a lawyer who has left his unfaithful wife, befriends three fellow passengers. After the plane crashes and he is among the few to survive, he feels compelled to contact the families of his dead friends.

  • Jean Negulesco
  • Nunnally Johnson
  • I.A.R. Wylie
  • Bette Davis
  • Shelley Winters
  • Gary Merrill
  • 58 User reviews
  • 9 Critic reviews
  • 1 win & 1 nomination

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Top cast 60

Bette Davis

  • Binky Gay (Mrs. Michael Carr)

Gary Merrill

  • David L. Trask

Michael Rennie

  • Dr. Robert Fortness

Keenan Wynn

  • Marty Nelson

Beatrice Straight

  • Claire Fortness

Ted Donaldson

  • Jerry Fortness

Craig Stevens

  • Dr. Tim Brooks
  • (uncredited)
  • Mrs. Fletcher
  • Restaurant Patron

Douglas Brooks

  • Undetermined Secondary Role
  • Airplane Passenger

Steve Carruthers

  • Mrs. Brooks
  • All cast & crew
  • Production, box office & more at IMDbPro

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  • Trivia The film was the third and final on-screen pairing of real life husband and wife Gary Merrill and Bette Davis. The other two pictures are All About Eve (1950) and Another Man's Poison (1951) .
  • Goofs Behind the opening credits, the taxi that's taking Trask to the airport passes two movie theaters at least three times, as if the rear projection of stock footage was on a continuous loop. The movies playing at these theaters are "Homestretch" and "The Two Mrs. Carrolls," (at the McVickers), both released five years before this film. The McVickers was a well known Chicago theatrical site, but the taxi arrives at the MIDLAND CITY, IOWA airport, and a flight FROM Chicago is among those listed on the arrival schedule.

Marie Hoke : Dull, foolish, vulgar to some but not to me. To me he was a man like a rock. Nothing could shake him. Nothing could shake his love. It was from him that I learned what love really was. Not a frail little fancy to be smashed and broken by pride and vanity and self pity. That's for children. That's for high school kids. But a rock as strong as life itself indestructible and eternal.

  • Connections References The Two Mrs. Carrolls (1947)
  • Soundtracks The Daring Young Man on the Flying Trapeze (uncredited) Music by Gaston Lyle Lyrics by George Leybourne Sung by the passengers on the airplane

User reviews 58

  • planktonrules
  • Oct 16, 2005
  • How long is Phone Call from a Stranger? Powered by Alexa
  • February 15, 1952 (United States)
  • United States
  • Streaming on "Chris T" YouTube Channel
  • Streaming on "K M" YouTube Channel
  • Stranac je telefonirao
  • 5301 Wilshire Boulevard, Los Angeles, California, USA (ambulance races past Tilford's restuarant at the corner with La Brea Ave.)
  • Twentieth Century Fox
  • See more company credits at IMDbPro

Technical specs

  • Runtime 1 hour 45 minutes
  • Black and White

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Phone Call from a Stranger

Phone Call from a Stranger

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Brief Synopsis

Cast & crew, jean negulesco, shelley winters, gary merrill, michael rennie, keenan wynn, evelyn varden, photos & videos, technical specs.

phone call from a stranger movie review

Late one night, Iowa lawyer David Trask leaves his wife Jane, who has recently confessed to having a brief affair, and buys an airplane ticket for Los Angeles. When the plane is delayed, Trask sits in the airport restaurant, where he is joined by three strangers: actress Binky Gay, whose real name is Bianca Carr; Dr. Bob Fortness; and traveling salesman Eddie Hoke. Trask and Fortness attempt to calm Binky, who is nervous about her first flight, and all three are irritated by Eddie's loud, crude behavior. The plane finally takes off, but a heavy storm forces them to land at a small airport in Vega. Four hours later, the foursome have become friendly, and Eddie, who has dubbed them "The Four Musketeers," suggests that they have a reunion someday. Trask, who does not know where he will be staying, takes down the addresses of the others and promises to get in touch. After Eddie shows them a photograph of his wife, a beautiful, young woman in a bathing suit, Trask and Fortness go outside, where Fortness hires Trask as his attorney and reveals that he is returning to Los Angeles to confess to his part in a five-year-old crime. Fortness describes how he and a fellow doctor were summoned from dinner to the hospital, and during the drive, the drunken Fortness collided with another automobile. Everyone except Fortness was killed, and when the police questioned him, he claimed that his friend was driving. Fortness' wife Claire lied to protect him, but their marriage has foundered ever since. Hoping to restore Claire's respect for him, Fortness plans to tell all to the district attorney. The passengers then re-board the plane, and during the journey, Binky tells Trask that her mother-in-law, vaudevillian Sally Carr, was so demanding and judgmental that Binky left her husband Mike, even though she loved him, to establish her own career in New York. Binky states that after a year of failure and loneliness, during which she worked as a stripper, she has now decided to return to Mike and learn to ignore Sally's jibes. The plane suddenly crashes, however, and Trask is one of the few survivors. In his Los Angeles hotel room, Trask decides to contact the family members of his three companions, and begins with Claire. Claire is at first happy to see Trask, but soon breaks down and admits that her teenage son Jerry, who idolized his father, blames her for his death and has run away. Remembering Fortness' musings about traveling with Jerry, Trask locates the boy at a pier and returns him to his mother. Despite Claire's objections, Trask tells Jerry the truth about his father, and that he was a good man because he wanted to right the wrong he had committed. Having forgiven his mother, Jerry sobs in her arms as Trask leaves. Trask next visits the seedy nightclub run by Sally Carr, where both she and Mike perform. When Trask meets the caustic Sally, who announces that Mike had just filed for divorce from Binky, Trask lies, telling her that Binky has been cast as Mary Martin's replacement in the Broadway production of South Pacific , and that she recommended Sally for an important role. Sally is suitably ashamed of her harsh treatment of Binky, and Mike, who has received a telegram about his wife's death, is relieved to learn from Trask that Binky did not know about the divorce. Later, Trask visits Eddie's wife Marie, and is startled to find that she is an invalid, paralyzed from the waist down. Marie laughs, knowing that Eddie must have shown Trask the old bathing beauty photograph of her, then shocks him by describing her late husband as vulgar and tiresome. Marie relates how, early in her marriage, she grew tired of Eddie and left him for another man, Marty Nelson. Marie and Marty drove cross-country to Chicago, and during their journey, Marie hit her head on a floating dock when they stopped to go swimming. Several days after her accident, Marie became paralyzed and Marty deserted her. In the hospital, Marie was confined to an iron lung and was despairing about her future when the still-loving Eddie arrived and greeted her with a heartfelt "Hi, Beautiful." Marie then tells Trask that despite how he appeared to others, Eddie was the most generous, decent man she had ever known, and that he taught her the true nature of love. When Marie questions Trask about his wife's infidelity, and the fact that they still love each other, Trask realizes that he should forgive his wife. Trask then calls Jane from Marie's room, and she eagerly tells him to come home immediately.

phone call from a stranger movie review

Warren Stevens

phone call from a stranger movie review

Beatrice Straight

Ted donaldson.

phone call from a stranger movie review

Craig Stevens

phone call from a stranger movie review

Helen Westcott

phone call from a stranger movie review

Bette Davis

Sidney perkins, hugh beaumont, thomas jackson, harry cheshire.

phone call from a stranger movie review

Freeman Lusk

George eldredge, nester paiva, elizabeth flournoy, john hedloe.

phone call from a stranger movie review

George Nader

William neff, robert a. davis.

phone call from a stranger movie review

John Doucette

Cliff clark, ken christy, betty jane howarth, lillian hamilton, ruth robinson, billy mclean, keith hetherington, perdita chandler, genevieve bell, hugh fowler, eugene grossman, roger heman, elois jenssen, nunnally johnson, ray kellogg, milton krasner, charles lemaire, thomas little, bruce macdonald, dick mayberry, bernard mayers, leonid raab, j. russell spencer, franz waxman, lyle wheeler.

phone call from a stranger movie review

Hosted Intro

phone call from a stranger movie review

Much of this film takes place in flashbacks, which occur when the characters tell their stories to Gary Merrill's character, "David Trask." According to a modern source, producer-screenwriter Nunnally Johnson originally wanted to cast Lauren Bacall as "Binky Gay," but she was unavailable. Although Hollywood Reporter news items include Bob Adler, Robert B. Williams and Guy Zannette in the cast, their appearance in the released picture has not been confirmed. Keenan Wynn was borrowed from M-G-M for the production, and Shelley Winters was borrowed from Universal. Broadway actress Beatrice Straight made her screen debut in the picture, which received an award for Best Scenario at the 1952 Venice Film Festival.        Merrill and Winters reprised their roles for a Lux Radio Theatre presentation of the story on January 5, 1953. Portions of Phone Call from a Stranger were included in an hour-long television remake of the story, entitled Crack Up , which was broadcast on the 20th Century-Fox Hour in February 1956. The show, directed by Ted Post, included footage from the film, featuring Bette Davis as "Marie Hoke" and Merrill as David Trask, as well as new material performed by Merrill and co-star Virginia Grey.

Miscellaneous Notes

Released in United States 1952

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How Bette Davis Turned 18 Minutes into a Whole Movie

Written by silver screenings.

phone call from a stranger movie review

Bette Davis: Scene Stealer Extraordinaire. Image: John Grant, Noirish

*Spoiler Alert*

We found a  Bette Davis film that made us cry.

Now, as much as we adore Ms Davis, we never cry at her films, not even if she’s dying of cancer or preparing to live in a leper colony. These things make us sad, but not tearful.

However, we just watched the drama Phone Call from a Stranger (1952), and she finally got to us.

Phone Call from a Stranger is about four people who meet while flying across the United States to Los Angeles. The four are:

  • A lawyer ( Gary Merrill ) who has just left his wife and children.
  • A showgirl ( Shelley Winters ) who’s given up on Broadway to return to her husband.
  • A doctor ( Michael Rennie ) who’s decided to make a confession to Los Angeles police.
  • A novelty salesman ( Keenan Wynn ) who’s on a business trip.

While en route to Los Angeles, the plane runs into bad weather and crashes. Of the four, only Merrill’s character survives.

Merrill makes it his mission to contact the families of his deceased friends, to bring closure to the Unfinished Business death leaves behind.

Phone Call from a Stranger  is a film about personalities, and the talented cast have created a fascinating group of people. Naturally, this includes Bette Davis’s character, who doesn’t appear until the last 18 minutes of the film.

phone call from a stranger movie review

Courtesy of the Warner Bros. Publicity Dept? Image: John Grant, Noirish

When Phone Call from a Stranger  was made, Davis and Merrill were married in real life. Rumour has it when Merrill showed this script to Davis, she jumped at the opportunity to play the small but crucial role at the end of the film.

Davis’ character is married to Keenan Wynn, the novelty salesman. Wynn’s character is a loud, brash fellow who makes corny and inappropriate jokes.

But he speaks lovingly of his wife, and proudly displays her photo (see above). We recognize the woman as Bette Davis and wonder about Wynn’s sanity. What if he’s one of those people who pretend to have a relationship with a celebrity?

But when Merrill visits Wynn’s widow, we discover she really is Bette Davis, albeit a little older than her photo suggests.

She’s also paralyzed.

This visit is different from the others. In the previous two cases, Merrill brought clarity to the families. But with Davis, he can’t tell her anything she doesn’t already know. However, she has a story to tell Merrill – about her marriage to the novelty salesman.

phone call from a stranger movie review

Keenan Wynn visits Davis. Image: John Grant,  Noirish

Long before the plane crash [Davis tells Merrill], she was married to the larger-than-life salesman but she was unhappy and unfaithful. She ran away with another man but, during the getaway road trip, she suffered a head injury so severe she was hospitalized indefinitely. Her boyfriend deserted her.

We see Davis while she’s recuperating in the hospital after her accident. Her head is bandaged, post-surgery, and she’s laying helpless in the iron lung, staring at her miserable fate. Suddenly Wynn arrives.

We, like Davis, are nervous. Surely he knows how she’s come to be here, in a hospital in a strange city.

Wynn strolls into the room like a man who knows he holds All The Cards. He leans over Davis, pauses slightly, then says, “Hiya, Beautiful.”

The expression on Davis’ face: That this man, after being recklessly abandoned, would greet her so lovingly is astounding. It makes us a little weepy to think of it.

But Davis is clever. She’s the one doing all the acting in this scene, and she frames it around Wynn. In that moment, she transforms him from buffoon to hero. We sense his forgiveness will affect the outcome of this film.

Yet, she’s more clever than that. Because we are conscious of her handing this scene to Wynn, she grabs the entire film. Bette’s character helps solve only one issue in this movie, but she leaves us feeling she’s fixed everything.

Only a legend can do that.

Well played, Bette. Well played.

For a more complete overview of Phone Call from a Stranger , see the Noirish review HERE .

Phone Call from a Stranger:  starring Bette Davis, Shelley Winters, Gary Merrill. Directed by Jean Negulesco. Written by Nunnally Johnson. Twentieth Century-Fox Film Corporation, 1952, B&W, 105 mins.

This is part of the The Second Annual Bette Davis Blogathon  hosted by In the Good Old Days of Classic Hollywood.

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Posted in Drama

  • 1950s Drama
  • Bette Davis
  • Bette Davis Drama
  • Gary Merrill
  • Keenan Wynn
  • Michael Rennie
  • Phone Call from a Stranger
  • Plane Crash
  • Shelley Winters
  • Previous Post Announcing the 2017 Reel Infatuation Blogathon!
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Happily blogging about old movies and using the royal "We".

49 Comment on “ How Bette Davis Turned 18 Minutes into a Whole Movie ”

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Now I’m wondering whose body that is Photoshopped – I mean airbrushed – onto Bette’s face. Shelley Winters, maybe?

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Maybe! You know, I never thought about it, and now you’ve got me wondering, too.

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My first thought was “Whose body is that?” Lol

Like Liked by 1 person

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Bette deserves that lovely tribute. Your writing made me a little weepy.

Like Liked by 2 people

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I second this comment! Well blogged, Ruth! 🙂

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Agreed! Wonderful post.

Thanks! Have you seen this film? If you’ve reviewed it already, I’d love to know what you thought.

No I haven’t seen it…I’m a total “newbie” to Bette Davis – the only one I’ve seen is All About Eve for the Blogathon (yes, yes, I know I am terrible – should have seen it long time ago). But, I’m wanting to watch more of her works…so…would this be a good 2nd one to watch?

I’m looking forward to your review on “All About Eve”. As for Bette Davis movies, I think you’d like this one, although any one of her films would be a good 2nd choice. You have a lot of wonderful viewing ahead. 🙂

Like Liked by 3 people

Thanks – I’ll give it a go. Can’t wait!

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Hey! I am excited to read your post on this incredible movie. As Ruth said below, any Bette movie would be a great 2nd film to watch. I have to chime in and say that my favourite is The Little Foxes. She is such a villain in that one!

Ooh…also sounds good. Now I have all these decisions to make 😉 Thanks for your wonderful feedback!

Thanks! I’d been meaning to see this film for a long time, and was glad for the chance to finally see it.

Thanks! Bette really makes an impact in this film, doesn’t she?

Love it! I have not yet seen Phone Call for a Stranger, but it is definitely on my list. So much great Bette to discover!! I am writing about The Whales of August for the blogathon and will post that entry later on today 🙂

The Whales of August is one I’m really keen to see. I’ll look for your post later today.

It is so beautiful with some megastars in their elderly years. Bette Davis and Lillian Gish are two of my favourite actresses ever, and it is such a thrill to see them portray sisters in their elderly years. Vincent Price and Ann Sothern are also in it 🙂

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Sounds like a sad tale handled with excellence!! Your ‘Spoiler Alert’ didn’t stop me from reading on!! I really want to see this movie. THNX for the recommendation!! 🙂

I hope you get the chance to see it. It’s an unusual drama + character study. I think you’d like this one.

  • Pingback: THE SECOND ANNUAL BETTE DAVIS BLOGATHON HAS NOW ARRIVED – In The Good Old Days Of Classic Hollywood.

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Great post. I saw this for the first time recently. I really enjoyed it. Bette is great in her brief scenes. This is a film that is very character focused, and it makes you feel as though you know all these people you’re watching.

That’s an excellent point. You really do feel like you know all these people.

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Excellent review! I’ll have to look for this one.

Oh yes, I hope you get the chance to see it! It’s not your run-of-the-mill drama.

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My grandmother was telling me about this (and Bette Davis was the actor who stood out the most to her, too) and after reading your post, too, I think I really ought to see this. It sounds unusual, but very interesting!

I know what you mean about Bette Davis films – I don’t usually cry during them (not even in Dark Victory). Perhaps because I often have a sense that she is enjoying her sad scenes…like a professional triumph despite the sad story. But this sounds very moving!.

Great point! Yes, a person gets the sense Bette relishes those sad scenes. Sometimes it seems she’s winking at the audience as if to say, “Look how much I’m acting here.”

“Phone Call from a Stranger” is an unusual movie in the way the story is told. I think you’d like it.

Thought I had seen this one but I haven’t (can never keep the title straight with the other one she did with Merril right before this one). It sounds interesting!! I’ve seen a lot of Davis movies but there’s still some crucial performances I have yet to see.

I hope you get the chance to see this one. It’s an unusual film, with so many characters being killed off halfway through. The performances are really good!

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It’s an intriguing film and I agree that Bette gives a fabulous performance in her scene. She was such a big star at the time that she’s featured prominently in the movie’s poster, despite her limited screen time.

Yes, Bette Davis certainly gets a lot of real estate on the movie poster. I wonder how the film might have done if they hadn’t promoted her so much?

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This sounds really fascinating! I’m kind of surprised I haven’t seen it yet. It sounds like it gave the underappreciated Keenan Wynn a great role, too. Much thanks for the recommendation, Ruth!

This is fascinating, and I think you need to see it, Michaela. As for Keenan Wynn – who is fab in nearly everything – it’s amazing how our perception of him changes from the start to the end of the film.

  • Pingback: How Bette Davis Turned 18 Minutes into a Whole Movie – Silver Screenings | Rogues & Vagabonds

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Sound like an amazing scene. And I’m sure Bette Davis is as amazing as you say. For that, alone, I’m loving this but the premise is intriguing. So on my TBW list it goes.

“Sounds like…” Gah!

I think Bette Davis knew EXACTLY what she was doing in taking that role. Of course, I love Bette in everything, so I may not be the most objective source…

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Great post! I have never seen this movie. Will have to watch when I need a good cry. I would love for you to add it to the Classic Movie Marathon link party that launched last night. http://classicmovietreasures.com/classic-movie-marathon-link-party-premiere/

Thanks! I’ll be by to check out the Classic Movie Marathon link party. Sounds like a great idea. 🙂

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A splendid writeup, Ruth — and many thanks for the mention!

Thanks again for the use of your photos. 🙂 They were exactly the ones I wanted to use.

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Thanks so much for joining in on the blogathon with such a great post. I must admit that this is among the few Bette movies that I have yet to see, but now I’m definitely adding it to my must watch list. I loved your post on it. I’m really sorry for the late reply.

I hope you get the chance to see this. I think you might really like it. Very interesting characters and some food for thought.

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Such a lovely review of this oft-forgotten film.

Eighteen minutes of Bette Davis is worth two hours of any current cinema diva hogging the camera. Plus, you get Shelley Winters! Love your posts!

Thanks! You make a good point about the fab Shelley Winters: She deserves more fan love these days. I’m always excited to see her name in the credits because you know you’re in for a treat.

Indeed–Shelley was quite the fab actress (‘A Patch of Blue’ and ‘Night of the Hunter’ et al.) but sadly most folk remember her as a brash, overweight character actress. She once roomed with Marilyn Monroe so I bet that was a hoot!

No way! She and Marilyn M. were roommates? Now THAT would be an interesting book/film.

I challenge you to write the screenplay. Sort of like The Apartment…only with Shelley as Shirley MacLaine and Marilyn as, well, Jack Lemmon. Or not!

Bahaha! Brilliant idea.

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Phone Call From a Stranger Reviews

phone call from a stranger movie review

With an assist from Jean Negulesco's lucid and well-placed direction it makes an absorbing show.

Full Review | Jul 15, 2021

phone call from a stranger movie review

Despite its complexity, the story line seldom gets confused and is always suspenseful and entertaining.

Full Review | Jul 24, 2019

phone call from a stranger movie review

Strained melodrama.

Full Review | Original Score: C | Feb 9, 2011

Dennis Schwartz Movie Reviews

  • Top Ten Lists

PHONE CALL FROM A STRANGER

  • Post author: eenableadmin
  • Post published: August 5, 2019
  • Post category: Uncategorized

(director: Jean Negulesco ; screenwriters: Nunnally Johnson/from a story by I. A. R. Wylie ; cinematographer: Milton Krasner ; editor: Hugh Fowler ; music: Franz Waxman; cast: Shelley Winters ( Binky Gay ), Bette Davis ( Marie Hoke ), Gary Merrill ( David Trask ), Michael Rennie ( Dr. Fortness ), Keenan Wynn ( Eddie Hoke ), Beatrice Straight ( Mrs. Fortness), Ted Donaldson ( Jerry Fortness), Warren Stevens ( Marty Nelson), Helen Westcott ( Jane Trask), Craig Stevens ( Mike Carr ), Hugh Beaumont ( Dr. Brooks), Evelyn Varden ( Sally Carr) , George Nader (Pilot); Runtime: 96; MPAA Rating: NR; producer: Jean Negulesco ; Fox Home Entertainment ; 1952)

“S trained melodrama. “

Reviewed by Dennis Schwartz

Romanian-born Hollywood filmmaker Jean Negulesco (“Daddy Long Legs”/” How to Marry a Millionaire “/” Boy on a Dolphin “) directs this strained melodrama, that creates characters that don’t seem real. The then husband and wife–Bette Davis and Gary Merrill–see this as an opportunity to work together, while Gary stars Bette chooses to take a minor part–which turns out to be the most memorable female part in the pic (which is actually not saying much). Nunnally Johnson bases the second-rate screenplay on the second-rate story by I. A. R. Wylie.

Lawyer David Trask ( Gary Merrill ) walks out on unfaithful wife Jane ( Helen Westcott) and his two daughters and boards a plane for Los Angeles, without telling wifey his destination. During the flight he becomes close to three strangers who dub themselves “The Four Musketeers,” and when the plane crashes David’s the sole musketeer survivor . When in LA, David dutifully calls on the families of the other three to tell about their flight together.

David first meets Mrs. Fortness ( Beatrice Straight ), she’s the wife of Dr. Bob Fortness ( Michael Rennie ) . He’s become a guilt-ridden drunk after driving while drunk and killing his passenger Dr. Brooks (Hugh Beaumont) and killing two more in the other car he hit head-on while driving in the wrong lane. To escape conviction, Bob lied and said Dr. Brooks was driving. David tells wifey and distraught son (Ted Donaldson), who never knew the truth, that Dr. Fortness retained him as his lawyer and was going to confess to the LA district attorney to clear up the truth of the incident that happened five years ago. Good Samaritan David then meets the overbearing selfish old vaudeville performer Mrs. Sally Carr ( Evelyn Varden ), the mother-in-law of struggling showgal Binky Gay ( Shelley Winters ) , in her LA club, and her singer hubby Michael ( Craig Stevens ) , with whom Binky has a rocky relationship that is about to end in a divorce. The flighty Binky never knew that the divorce papers were filed by hubby. The lawyer tries to talk up Binky’s good points and alleviate the animosity her mother-in-law has for his son’s talentless wife. Lastly the lawyer visits the invalid wife, Marie (Bette Davis), of the obnoxious jokester novelty traveling salesman Eddie Hoke ( Keenan Wynn ). Wifey tells how she ran away from hubby with her lover (Warren Stevens) and became paralyzed over a swimming accident in the lake. Lover boy deserted her, but hubby stood by her side and forgave her indiscretion. Her inspirational story influences David to forgive his wife and return to his family. Thereby by doing a good turn for others, David straightens out his own life.

It’s an inconsequential drama, that has questionable ethics (as far as we know, the name of Dr. Brooks as the accused drunk driver is never cleared) and its story never even makes a plane crash seem like more than a dull affair.

REVIEWED ON 2/9/2011 GRADE: C

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Phone Call from a Stranger (1952)

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Phone Call From a Stranger Reviews

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The sole survivor of a crash contacts the victims' next of kin. Gary Merrill, Shelley Winters, Michael Rennie, Bette Davis, Keenan Wynn, Craig Stevens, Evelyn Varden, Helen Westcott. Marty: Warren Stevens. Mrs. Fortness: Beatrice Straight. Jean Negulesco directed.

This well-made episodic film sustains viewer interest with excellent performances from the entire cast. Merrill leaves his wife, Westcott, when he learns that she is about to desert him and their children for a lover. While flying to Los Angeles to think things out, Merrill meets Winters, an ex-stripper, who is nervous because this is her first plane trip. Returning from New York, where she's failed to land a part in a new musical, Winters has decided to give up her career to devote herself to her beloved husband, Craig Stevens. Varden, Stevens' mother, who runs a Los Angeles night spot, wishes her son would dump Winters, but Winters is determined to make her marriage work. When it encounters turbulence, the plane is forced to land at a small airport in the heartland. Another passenger, Rennie, a doctor, seeks legal advice from lawyer Merrill, explaining that he is on his way to California to admit responsibilty for the deaths of three people he killed while driving drunk five years earlier. Rennie is determined to exorcise the guilt that has gotten in the way of his relationship with his son, Donaldson. Wynn, a traveling salesman given to telling hoary old jokes, suggests he, Merrill, and Rennie get together in California for a drink sometime to talk about their shared "adventure." Neither Merrill nor Rennie really wants to have anything to do with the blustering Wynn, but, for the sake of appearances, they exchange phone numbers with the salesman. In the meantime, Wynn sings the praises of his knockout wife, Davis. Eventually, the plane takes off, but bad weather necessitates another emergency landing, in which Merrill is knocked senseless. When he recovers, Merrill is shocked to discover that he is one of the crashlanding's few survivors; Rennie, Winters, and Wynn are all dead. Airline officials prepare to inform the loved ones of those killed, but Merrill asks to be allowed to carry the news to the families of Rennie, Winters, and Wynn himself. He goes to Rennie's home and tells Donaldson what his father intended to do. Donaldson is about to run away to South America, but Merrill persuades the youth to stay and comfort his mother, Straight. Next, Merrill visits Stevens and Varden. Knowing no harm will come from bending the truth, Merrill tells them that Winters had won the role in the Broadway show and was coming home to celebrate. Finally, Merrill goes to see Davis and discovers that she's a bedridden invalid. Davis (in a terrific performance) explains that she became paralyzed in an accident after she left Wynn for another man, but that her husband took her back and cared for her. Touched by Davis' story, Merrill tells her about his own marital problems, and Davis pleads with him to call his wife, let her know he's alive, and go back to her. Merrill makes that call and plans to return to Westcott.

Phone Call from a Stranger

Phone Call from a Stranger (1952)

Directed by jean negulesco.

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Phone Call from a Stranger is a 1952 American drama film directed by Jean Negulesco, who was nominated for the Golden Lion at the Venice Film Festival. The screenplay by Nunnally Johnson and I.A.R. Wylie, which received the award for Best Scenario at the same festival, centers on the survivor of an aircraft crash who contacts the relatives of three of the victims he came to know on board the flight. The story features via flashbacks that accentuate the character's past lives.

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Phone Call from a Stranger

Review by Filipe Furtado Pro

Phone call from a stranger 1952.

Watched Jul 09 , 2024

Filipe Furtado’s review published on Letterboxd:

Very unusual structured in an uneven episodic way, but directed in an expressive manner by Jean Negulesco who does a very good job at moving around the different tones that Nunnally Johnson script asks for. The interaction between the passengers in which most of the movie drama hangs on is specially well done and I appreciate how this can play things understated and the let the more melodramatic moments hit. Good cast and I even liked Gary Merrill for once. The last scenes when he gets to meet Davis are good although it is obvious that her episode is supposed to tie the reconciliation drama. As a rule, I much prefer Negulesco Warner movies to his Fox ones (save for the first one Road House), but this is one of his better 50s work.

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Phone Call from a Stranger

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A review by CinemaSerf

Written by cinemaserf on september 9, 2022.

Gary Merrill is "David Trask", a lawyer on a flight from Chicago that is delayed en route by bad weather. Whilst travelling he befriends three of his companions and they share really quite personal stories to help pass the time. When their flight resumes, it crashes and all but three perish."Trask" sets out to track down the families of his three friends and finds each with a story to tell. The first features Michael Rennie as a doctor with a guilty secret who has turned to drink and compromised his relationship with his family. The second involves aspiring actress Shelley Winters who is return... read the rest.

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Four strangers board a plane and become fast friends, but a catastrophic crash leaves only one survivor. He then sets off on a journey to discover who these people were, but ultimately discovers the devastating truth about himself.

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' Phone Call From a Stranger,' Nunnally Johnson Movie, Opens at Roxy Theatre

By Bosley Crowther

  • Feb. 2, 1952

' Phone Call From a Stranger,' Nunnally Johnson Movie, Opens at Roxy Theatre

Slick is perhaps the best word to describe the quality of Nunnally Johnson's "Phone Call From a Stranger," which came to the Roxy yesterday. The story is slick, in the first place, it being an I. A. R. Wylie affair about a fellow who straightens out his own life by calling upon the bereaved families of three victims of an airplane crash he has survived. The script-writing by Mr. Johnson is mercurially slick, too, and so is the neat and shiny acting of a cast of assorted stars.So slick, indeed, is the whole thing—so smooth and efficiently contrived to fit and run with the precision of a beautifully made machine—that it very soon gives the impression of being wholly mechanical, picked up from a story-teller's blueprints rather than from the scroll of life.This is the line of engineering: Gary Merrill in the gentlemanly role of a fellow abandoning his family meets three people on a westbound plane. In the course of their interrupted journey, he gets to know a lot about each. One is an alcoholic doctor, whom Michael Rennie plays; he is going home to assume responsibility for an automobile accident he previously shirked. Another is a nightclub entertainer—Shelley Winters here; she is going home to try to claim her husband from a vain and selfish mother-in-law. The third is a noisy traveling salesman—of all people, Keenan Wynn; he gives out that he is the husband of a physically delectable wife.What happens after the plane is wrecked in a storm is not quite clear (this is part of the efficient engineering). But the next the audience sees of the gentleman survivor, he is making telephone calls—calls to the families of the parties he got to know on the plane. And before the picture is over, he has paid a visit to each, added a little more to his knowledge and spread a little sunshine on the way. He also has come to the conclusion that he himself would be wise to go home. (Wouldn't it be ironic if, in returning, he were killed in a plane?)Among the people he meets and wisely counsels are Ted Donaldson and Beatrice Straight as the son and wife of the doctor; Evelyn Varden as the selfish mother-in-law, and Bette Davis as the wife of the salesman who is nothing like what she's been described. Each is fictitiously efficient—mechanically intriguing but slick. No one of them is a character that is acceptably real.And that is the nature of the picture—mechanically intriguing but unreal. As the pilot remarks before the plane is wrecked, "We're getting everything this trip."On the stage at the Roxy are Johnny Johnson, Richard and Flora Stuart, Georgie Tapps, Roger Carne and the Gae Foster Roxeyettes.

PHONE CALL FROM A STRANGER, screen play by Nunnally Johnson, from a story by I. A. R. Wylie; directed by Jean Negulesco; produced by Mr. Johnson for Twentieth Century-Fox Pictures. At the Roxy.Binky Gay . . . . . Shelley WintersDavid Trask . . . . . Gary MerrillDr. Fortness . . . . . Michael RennieEddie Hoke . . . . . Keenan WynnSally Carr . . . . . Evelyn VardenMarty Nelson . . . . . Warren StevensMrs. Fortness . . . . . Beatrice StraightJerry Fortness . . . . . Ted DonaldsonMike Carr . . . . . Craig StevensJane Trask . . . . . Helen WestcottMarie Hoke . . . . . Bette DavisStewardess . . . . . Sydney PerkinsDr. Brooks . . . . . Hugh BeaumontMr. Sawyer . . . . . Thomas JacksonDr. Fletcher . . . . . Harry CheshireDr. Fernwood . . . . . Tom Powers

COMMENTS

  1. Phone Call From a Stranger

    After discovering that his wife has been unfaithful, attorney David Trask (Gary Merrill) decides to fly to Los Angeles. He becomes friendly with three other passengers, each with his own story ...

  2. Phone Call from a Stranger

    Phone Call from a Stranger is a 1952 American film noir drama film directed by Jean Negulesco from a screenplay by Nunnally Johnson, based on the 1950 novelette of the same name by I. A. R. Wylie. [ 2] The film centers on the survivor of an aircraft crash who contacts the relatives of three of the victims he came to know on board of the flight.

  3. Phone Call from a Stranger (1952)

    Phone Call From A Stranger will be worth the watch for any Shelley Winters or Bette Davis fans. I watched the old, 1952 black and white movie on a drizzling afternoon and surprisingly, the flick made me feel real good. Why, you ask?

  4. Phone Call from a Stranger (1952)

    Phone Call from a Stranger: Directed by Jean Negulesco. With Shelley Winters, Gary Merrill, Michael Rennie, Bette Davis. While awaiting a delayed flight, a lawyer who has left his unfaithful wife, befriends three fellow passengers. After the plane crashes and he is among the few to survive, he feels compelled to contact the families of his dead friends.

  5. Phone Call from a Stranger

    Brief Synopsis. David Trask, the sole survivor of an airplane crash, takes it upon himself to contact the families of the various victims. He is quite surprised at who he finds: the wife and son of a troubled doctor; a domineering mother-in-law of an aspiring actress; and the invalid wife of an obnoxious traveling salesman.

  6. How Bette Davis Turned 18 Minutes into a Whole Movie

    Note: For a more complete overview of Phone Call from a Stranger, see the Noirish review HERE. Phone Call from a Stranger: starring Bette Davis, Shelley Winters, Gary Merrill. Directed by Jean Negulesco. Written by Nunnally Johnson. Twentieth Century-Fox Film Corporation, 1952, B&W, 105 mins.

  7. Phone Call From a Stranger

    All Audience. Verified Audience. Moira Walsh America Magazine. With an assist from Jean Negulesco's lucid and well-placed direction it makes an absorbing show. Full Review | Jul 15, 2021. Bob ...

  8. Phone Call from a Stranger (1952)

    Four strangers board a plane and become fast friends, but a catastrophic crash leaves only one survivor. He then sets off on a journey to discover who these people were, but ultimately discovers the devastating truth about himself.

  9. Phone Call From a Stranger (1952)

    Find trailers, reviews, synopsis, awards and cast information for Phone Call From a Stranger (1952) - Jean Negulesco on AllMovie - David Trask (Gary Merrill), the sole survivor of…

  10. Phone Call from a Stranger (1952)

    Phone Call from a Stranger is a 1952 American film noir drama film directed by Jean Negulesco from a screenplay by Nunnally Johnson, based on the 1950 novelette of the same name by I. A. R. Wylie ...

  11. PHONE CALL FROM A STRANGER

    LawyerDavid Trask ( Gary Merrill) walks out on unfaithful wife Jane (Helen Westcott) and his two daughters and boards a plane for Los Angeles, without telling wifey his destination. During the flight he becomes close to three strangers who dub themselves "The Four Musketeers," and when the plane crashes David's the sole musketeer survivor . When in LA, David dutifully calls on the ...

  12. Phone Call from a Stranger (1952)

    Visit the movie page for 'Phone Call from a Stranger' on Moviefone. Discover the movie's synopsis, cast details and release date. Watch trailers, exclusive interviews, and movie review.

  13. Phone Call From a Stranger Reviews

    Check out the exclusive TV Guide movie review and see our movie rating for Phone Call From a Stranger

  14. Phone Call From a Stranger (1952)

    Read movie and film review for Phone Call From a Stranger (1952) - Jean Negulesco on AllMovie - Phone Call from a Stranger is the kind of studio…

  15. Phone Call from a Stranger' review by Filipe Furtado

    Phone Call from a Stranger. 1952. Very unusual structured in an uneven episodic way, but directed in an expressive manner by Jean Negulesco who does a very good job at moving around the different tones that Nunnally Johnson script asks for. The interaction between the passengers in which most of the movie drama hangs on is specially well done ...

  16. Phone Call from a Stranger

    Four strangers board a plane and become fast friends, but a catastrophic crash leaves only one survivor. He then sets off on a journey to discover who these people were, but ultimately discovers the devastating truth about himself.

  17. Phone Call from a Stranger (1952)

    Phone Call from a Stranger (1952) Stars Celebs 8.2K subscribers 8.1K views 5 years ago ...more

  18. Review: 'Phone Call From A Stranger' (1952)

    I review "Phone Call From A Stranger" (1952). How is it that something with all the elements of success in it doesn't quite work? I really wanted to like thi...

  19. Phone Call From A Stranger (1952) Bette Davis, Shelley Winters, Gary

    Phone Call from a Stranger is a 1952 American FILM NOlR drama directed by Jean Negulesco, who was nominated for the Golden Lion at the Venice Film Festival. The screenplay by Nunnally Johnson and I.A.R. Wylie, which received the award for Best Scenario at the same festival.

  20. Phone Call from a Stranger streaming: watch online

    Phone Call from a Stranger streaming? Find out where to watch online. 45+ services including Netflix, Hulu, Prime Video.

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    Four strangers board a plane and become fast friends, but a catastrophic crash leaves only one survivor. He then sets off on a journey to discover who these...

  22. ' Phone Call From a Stranger,' Nunnally Johnson Movie, Opens at Roxy

    ' Phone Call From a Stranger,' Nunnally Johnson Movie, Opens at Roxy Theatre Share full article By Bosley Crowther Feb. 2, 1952 The New York Times Archives See the article in its original context ...

  23. "Phone Call from a Stranger" 1952 Movie Review

    1952 Phone Call from a StrangerStarring: Gary Merrill, Shelley Winters, Michael Rennie, Keenan Wynn, Bette DavisDirected by: Jean NegulescoThis movie is sure...