why is it a sin to kill a mockingbird essay

Is It Really So Wrong to Kill a Mockingbird?

When Harper Lee’s Go Set a Watchman was published last summer, fans were disturbed at its depiction of Atticus Finch, which seemed to warp an iconic hero of American fiction beyond recognition. Go Set a Watchman shows Atticus as a hidebound defender of Southern tradition who mingles with white supremacists — a far cry, many felt, from the lawyer and family man who took a courageous stand against racism in To Kill a Mockingbird .

We might have been less surprised by the unsavory aspects of Atticus’s character, however, if we paid closer attention to the birds in Lee’s work. Animals are central to the novel’s message; this is, after all, the story of a family of Finches whose protracted battle against Jim Crow is captured in a metaphor about mockingbirds. A better understanding of the cultural significance of the birds in the book suggests what so many readers otherwise miss: that Atticus’s noble actions are inseparable from his investment in the romantic glory of the American South.

The phrase “to kill a mockingbird” comes from a bit of fatherly advice that Atticus delivers to his children, Scout and Jem. When they receive a pair of air rifles as a gift, Atticus lays down some strange rules about how to use their weapons responsibly: “Shoot all the blue jays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird.” Why it is acceptable to shoot blue jays, but not mockingbirds? Miss Maudie, a neighbor, tries to clarify:

‘Your father’s right,’ [Miss Maudie] said. ‘Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.’

Miss Maudie’s explanation helps direct Scout’s developing moral understanding. For Scout and for the novel’s many young adult readers, killing mockingbirds becomes shorthand for any gratuitous violence directed at innocent, unassuming individuals like Tom Robinson.

Yet there is something off about Miss Maudie’s explanation. As any amateur birder could tell you, mockingbirds are neither innocent nor unassuming. Although it’s true that they don’t destroy seed crops the way a jay might, mockingbirds are hardly models of civility themselves. Like jays, they have a variety of abrasive, grating calls. Their songs can be melodious, but they can also be infuriating; they consist of snippets of other sounds repeated multiple times at high volume. These snippets may include borrowed birdsongs, door hinges, car alarms, or any other ambient noise. They perform these soliloquies all day and often deep into the night.

They are well known for fiercely defending their nests and young from all comers including humans, but also from birds of prey, cats, raccoons and snakes. Sometimes the species extends these violent assaults to almost any small bird straying into its territory…Mockingbirds are sometimes so aggressive they can even kill snakes by pecking out their eyes.

In short, the mockingbird is a remarkable animal, but not exactly an ideal neighbor. Nevertheless, Atticus’s preference for it is so pronounced that it leads him afoul of the law.

Atticus’s advice to his children actually condones what an accomplished lawyer should have recognized as a federal offense. Since the passage of The Migratory Bird Treaty Act of 1918, it has been illegal “to pursue, hunt, take, capture, kill, attempt to take, capture, or kill…any migratory bird” in the United States. Under this statue, both the Blue Jay and the Northern Mockingbird qualify as migratory birds; shooting either one is punishable by fines of up to $500 or up to six months imprisonment. Yet Atticus takes the trouble to draw nice distinctions between species to clarify what sorts of crimes his children can commit with a clear conscience. If the law does not discriminate between blue jays and mockingbirds, why does Atticus Finch?

The answer lies in the Northern Mockingbird’s unusual place in American cultural history. The mockingbird has an elaborate literary pedigree, one that stretches across the Atlantic through the bird’s longstanding association with the European nightingale. That relationship helped enshrine the mockingbird as a symbol of the faded magnificence of the American South — a meaning it retains to this day.

The mockingbird’s rise to prominence began with the Romantic movement. In the late-1700s, a number of writers, artists, and intellectuals sought to escape the corruption of European society through a return to nature. In the process, they founded what is now known as the Romantic movement. As they praised nature in poetry, painting, and music, the Romantics sometimes singled out particular species for special symbolic significance. One species beloved by the Romantics was the Common Nightingale.

Although they were separated from the main currents of Romanticism by the Atlantic, American writers welcomed the new cult of nature worship. After all, the Romantic fondness for wild places promised to redeem America’s sprawling tracts of uninhabited land, recasting the new country’s wastes and deserts as sources of cultural pride. There was only one problem: the iconic species featured in so many Romantic poems — nightingales, song thrushes, skylarks — were Old World species, confined to Eurasia and Africa. In order to adapt Romantic nature worship to their national landscape, American writers needed to find native species that could stand in for their more storied European cousins. They needed creatures that would tap into the glories of Old World traditions, but that remained distinct enough to symbolize the natural purity and power unique to the American continent.

When they sought to construct their own natural iconography, then, American writers like Walt Whitman had such associations ready-to-hand. Oceans may have divided Whitman’s Long Island from Keats’s Hampstead and Homer’s Greece, but Whitman could still frame his poetic engagement with nature in familiar terms, because he, too, found inspiration in solitary encounters with birdsong at night. Whitman’s “Out of the Cradle Endlessly Rocking” depicts the poet as a boy, wandering the shore and listening to a bird sing mournfully in the darkness. The experience moves Whitman as it moved Keats and the Greeks before him. In Whitman’s case, though, the conventional nightingale is replaced by the American mockingbird, which sets the young boy on his path to develop a uniquely American literary voice.

The mockingbird’s range has expanded northward in the intervening years, obscuring the bird’s deep regional associations. But a glance at the list of U.S. state birds shows how strongly those associations persist. Indeed, the Northern Mockingbird’s name is something of a misnomer; all of the states that have declared it their official bird (Mississippi, Tennessee, Texas, Florida, Arkansas, and — formerly — South Carolina) lie well below the Mason-Dixon Line. The seemingly pointless practice of selecting state animals turns out, then, to provide a useful index of this bird’s ongoing importance to a certain kind of regional pride — an affection that persists long after most Southerners could rationally explain it.

Despite Miss Maudie’s claims, then, the mockingbird is no innocent entertainer. It has long served as a rallying point for a very specific vision of American communal identity — one intertwined with the romantic glories of the Old South. Its associations with the nightingale allow the mockingbird to suggest a vision of the South as a lost idyll, the mythic location of a golden age we can no longer inhabit. At the same time, the contrast between the mockingbird’s symbolic traits and its real-world behavior remind us of just how misleading that vision can be.

Like the Old South itself, Atticus’s beloved mockingbird has been sanitized of all its obnoxious traits and associations. The song of his mockingbird is pure, joyous entertainment; in reality, the mockingbird’s song weaves borrowed sounds together into a patchwork melody both beautiful and jarring, an assertive boast the disturbing elements of which keep conscientious listeners awake at night. Atticus’s mockingbird behaves with pure courtesy; in reality, the mockingbird combines charming bluster with surprising violence in defense of its self-proclaimed territory. Neither Atticus nor Miss Maudie bothers to mention the bird’s unimpressive plumage. If they did, though, they might praise it as a staid Confederate gray — a sharp contrast to the jay’s flashier Union blues.

The mentality of the Old South infiltrates even the apparently positive application of the mockingbird metaphor to Tom Robinson. Although Scout understands the metaphor as an injunction to protect all forms of innocence and goodness, its actual implication is far more specific: Miss Maudie explains that protecting mockingbirds is an exercise in benevolence towards harmless, joyful, music-loving souls.

Tom Robinson is innocent, but this image of him isn’t. It reproduces stereotypes of blackness popularized by the minstrel shows of the antebellum South. The black characters in minstrel performances — really white actors in blackface makeup — were clownish and lazy, but otherwise harmless and musical. The devastating cultural legacy of these characters is visible in the term “Jim Crow” itself. The phrase that now designates the pervasive racism of the post-Reconstruction South originated with Thomas Dartmouth Rice’s “Jump Jim Crow,” a song-and-dance routine that popularized Jim Crow as a stereotypical minstrel figure.

As Miss Maudie explains it, then, the mockingbird metaphor deals in the same oppressive stereotypes that Atticus appears to fight. Readers are free, of course, to reject Miss Maudie’s interpretation in favor of Scout’s more expansive moral understanding. But the heavily symbolic mockingbird retains its deeply entrenched and unsettling associations with the slaveholding South.

Idolizing Atticus as a paragon of moral decency requires passing over these things in silence — as Atticus himself does when he expresses a preference that is, finally, unjustifiable. Reading into his silence reveals the hidden complexity of Atticus’s character, suggesting the tensions between real progress and Romantic regionalism at work in his psyche. For many readers, that tension was imperceptible until the publication of Go Set a Watchman . But if we listened a little closer, we might have heard what a little bird was telling us all along.

John MacNeill Miller is an assistant professor of English at Allegheny College, where he teaches courses on the relationship between literature, animals, and the environment. He is currently writing a book about the Victorian novel and the rise of ecology.

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What Does It Mean “To Kill a Mockingbird”?

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There are phrases you hear so often that they begin to lose their meaning. The words become part of a series, like "bite the dust" or "have a blast." The title of Harper Lee's 1960 classic To Kill a Mockingbird is like that for me, despite its profound impact on the way I think about the world.

The first time I read To Kill a Mockingbird was as a student in the 8th grade. Memories are tricky, but as I recall we never talked about the title, or much else, in the book. The most memorable assignment my teacher gave us was to watch the 1962 film version on one of the local television stations. I suppose my teacher believed that watching someone else's vision of the book was safer than having us talk about the issues of race , class, discrimination, and justice it might raise during the heyday of desegregation battles in neighboring Boston.

Despite my teacher's neglect, To Kill a Mockingbird stuck with me. At first I noticed it in small ways: Walking home from friends’ houses in the gloaming I'd pass a yard filled with junk or overgrown grass, and I'd just know that Boo Radley lived there. I had to speed up.

As I got older and learned more, different scenes stuck. Scout confronting the lynch mob. Scout and Atticus on the porch talking about the upcoming trial. Jem’s outrage after the verdict. As a reader, I came to appreciate the dual narrative of Tom Robinson and Boo Radley, and how it lent itself to reflections on both the universal and the particular ways we think about race and the “other.” One thing, however, continued to elude me: the book’s title.

Transform how you teach Harper Lee's classic novel with Facing History's multimedia collection, "Teaching Mockingbird." Our study guide and lesson plans will help you use Mockingbird's setting as a springboard for engaging students in issues of justice, gender, and race.

I've read that To Kill a Mockingbird wasn't Harper Lee's first choice. Originally she called the book Atticus . I'm happy she didn't stick with that one. I always found the kids in the book far more interesting. SparkNotes, an online study site, explains, "The title of To Kill a Mockingbird has very little literal connection to the plot, but it carries a great deal of symbolic weight in the book. In this story of innocence destroyed by evil, the 'mockingbird' comes to represent the idea of innocence. Thus, to kill a mockingbird is to destroy innocence."

The longest quotation about the book's title appears in Chapter 10, when Scout explains:

"'Remember it's a sin to kill a mockingbird.' That was the only time I ever heard Atticus say it was a sin to do something, and I asked Miss Maudie about it. 'Your father's right,' she said. 'Mockingbirds don't do one thing but make music for us to enjoy…but sing their hearts out for us. That's why it's a sin to kill a mockingbird."

So, who is the symbolic mockingbird? Later in the book, Scout explains to Atticus that hurting their reclusive neighbor Boo Radley would be "sort of like shootin' a mockingbird." Mockingbirds are not the only birds in the book. Finch, the last name of Scout, Jem, and Atticus, is a small bird. Like mockingbirds, they are also songbirds.

Is Tom Robinson, the black man accused of sexually assaulting a white woman, a bird as well? While Tom is innocent, I do not think of him as having the same innocence as the children or Boo. As a black man in depression-era Alabama, I'm sure Tom could teach me quite a bit. Sadly, we don't learn that much about his life beyond the trial. Critics have said Lee did not give the book's black characters enough agency or backstory. I hope Tom wasn't meant to be the mockingbird Miss Maudie describes to Scout because, consciously or subconsciously, her words evoke old black minstrel stereotypes depicting African Americans as happy-go-lucky and singing a song without a care in the world. The Tom I imagine isn't a stereotype. He lives a full life. I wonder what he might tell us that our narrator, young Scout, does not know.

When I think of To Kill a Mockingbird , the bird that comes to mind is not a mockingbird at all. It is the proverbial canary in the coal mine (another one of those phrases we don't think about very much). The treatment of Tom and Boo as they face the spoken and unspoken dictates of Maycomb gives life to the stock image of the canary. These two canaries expose the fragility of democracy when prejudice, myth, and misinformation go unchecked.

In the years since its publication, the title "To Kill a Mockingbird" has developed a meaning that goes beyond its internal logic. For many readers, the book and its characters live with them as intimates. The story offers a reflection point for the moral dilemmas we face in our own lives. As if to prove the point, a colleague recently brought me a bumper sticker that makes me smile every time I think about it. It asks, "What would Scout do?"

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Sat / act prep online guides and tips, 18 critical to kill a mockingbird quotes, explained.

General Education

Not only is Harper Lee’s To Kill a Mockingbird one of the most widely taught books in American high schools, but it's also one of the most popular books in general. In fact, it was just recently voted "America’s favorite novel" ! Its popularity has endured for decades, and it’s still taught in schools across the United States today.

That’s why we’re explaining the top 18 To Kill a Mockingbird quotes for you. In addition to becoming familiar with the stand-out moments of the novel, by the end of this article you’ll have a deeper understanding of the book’s themes, characters, and most important elements .

A Brief Overview of To Kill a Mockingbird

Before we jump into our picks for the most important To Kill a Mockingbird quotes, here’s a very, very brief overview of To Kill a Mockingbird's plot. (But make sure you read the book yourself— it’s definitely a book you need to know !)

To Kill a Mockingbird is a novel by Harper Lee that was published in 1960. It tells the story of events that take place in Maycomb, Alabama, in the 1930s. The narrator is Scout Finch, a six-year-old girl whose father, Atticus, is a prominent lawyer in the town.

Atticus agrees to defend Tom Robinson, a black man falsely accused of raping a white woman, which makes the Finch family social pariahs. (Remember: this book takes place before the Civil Rights Movement in the United States!) The book follows Scout for three years as she and her brother, Jem, learn to navigate the racism in their community.

No w that you’ve had a quick refresher of the book’s plot, let’s dive into our picks for the best To Kill a Mockingbird quotes to know!

Mockingbirds are common in the American South and are famous for mimicking the calls of other birds ... which is where they get their name! 

18 Critical To Kill a Mockingbird Quotes

We now introduce to you 18 of the most important To Kill a Mockingbird quotes you should know. In this section, you'll find an array of thought-provoking quotes, from To Kill a Mockingbird racism quotes that discuss one of the novel's central themes, to Atticus Finch quotes and more.

Quote #1: It’s a Sin to Kill a Mockingbird

Atticus said to Jem one day, "I’d rather you shot at tin cans in the back yard, but I know you’ll go after birds. Shoot all the bluejays you want, if you can hit ’em, but remember it’s a sin to kill a mockingbird." That was the only time I ever heard Atticus say it was a sin to do something, and I asked Miss Maudie about it. "Your father’s right," she said. "Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird." (p. 88)

This first quote on our list of critical TKAM quotes provides the book with its title, so we know it's important. Whenever you encounter a quote like this and want to analyze it, you should first ask yourself what the author is trying to tell you .

On the surface, this passage seems to have little to do with the novel’s major theme (racism) or any of its minor themes (morality, childhood, and the reality of rural Southern communities), but if we think about it, we find that it actually does .

On the one hand, these lines show that Scout is learning the community shares a set of values . Atticus isn’t the only person who thinks it’s a sin to kill a mockingbird; Miss Maudie, the neighbor across the street, does, too. Ultimately, the mockingbird is a symbol of goodness and hope, so this passage teaches readers about the difference between good and evil. The mockingbird and what it represents is "good," and killing it—or, rather, destroying innocence—is evil.

As Scout learns these values, she grows out of her childhood and into the shared society of Maycomb, her town. One of the many themes of To Kill a Mockingbird is Scout’s coming of age , or her growth out of childhood innocence and into adulthood. The technical name for this type of story is a bildungsroman , which is German for "education novel," but usually we just call them coming-of-age stories.

Quote #2: Atticus on Empathy

"First of all," he said, "if you can learn a simple trick, Scout, you’ll get along a lot better with all kinds of folks. You never really understand a person until you consider things from his point of view ... until you climb into his skin and walk around in it." (p. 32)

This is definitely one of the most important Atticus Finch quotes to know.

Empathy , or the ability to understand another person’s experiences, is another major theme in To Kill a Mockingbird , and Atticus serves as the moral compass of the book. For Scout and many other characters, Atticus is a model of what a good person should be: someone who values others and stands up for what’s right, no matter what society says.

To Kill a Mockingbird explores why racism exists and how we can counteract it. This line of dialogue, which comes early in the book, succinctly sums up Atticus’s opinion of racism: it’s an inability or unwillingness to try to understand the perspective of one who is unlike oneself . Throughout the book, we watch Scout take this lesson to heart as she tries to empathize with the perspectives of a diverse set of people in her community.

Atticus and Tom Robinson in the 1962 film adaptation of TKAM

Quote #3: Atticus on Courage

In a flash Atticus was up and standing over him. Jem buried his face in Atticus’s shirt front.

"Sh-h," he said. "I think that was her way of telling you—everything’s all right now, Jem, everything’s all right. You know, she was a great lady."

"A lady?" Jem raised his head. His face was scarlet. "After all those things she said about you, a lady?"

"She was. She had her own views about things, a lot different from mine, maybe ... son, I told you that if you hadn’t lost your head I’d have made you go read to her. I wanted you to see something about her—I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It’s when you know you’re licked before you begin but you begin anyway and you see it through no matter what. You rarely win, but sometimes you do. Mrs. Dubose won, all ninety-eight pounds of her. According to her views, she died beholden to nothing and nobody. She was the bravest person I ever knew." (p. 107)

Mrs. Dubose was a morphine addict who is able to conquer her addiction with Jem’s help. Initially she is racist and harsh, which terrifies Scout and Jem, but Atticus admires her because she lived "according to her views."

As you read these To Kill a Mockingbird quotes, you’ll notice the Atticus Finch quotes in which he’s speaking to Jem are quite different from those spoken to Scout . Atticus tries throughout the book to give Jem an alternative way of being courageous—and, consequently, an alternative way of being a good man. Atticus tries to show Jem that he can be brave simply by pursuing what he believes is right, even though he might ultimately fail. This quote teaches us that being a moral person can be courageous in itself .

In the first quote, we looked at how the book traces Scout’s growth, but one thing that makes this book so appealing is that the other characters all show growth, too. Jem is a little older than Scout—he’s 12 years old in Part Two—so he’s just about to grow into adulthood. This is a difficult time in a person’s life because they’re trying to find their place in society, so it’s important to Atticus that Jem understands violence isn’t brave at all .

Quote #4: Atticus on Conscience

"Well, most folks seem to think they’re right and you’re wrong ..."

"They’re certainly entitled to think that, and they’re entitled to full respect for their opinions," said Atticus, "but before I can live with other folks I’ve got to live with myself. The one thing that doesn’t abide by majority rule is a person’s conscience." (p. 101)

While Scout and Jem’s growth in the book relates to their increasing knowledge of the adult society of Maycomb, Atticus’s growth relates to his desire to transcend these societal norms . He sees the ways that Maycomb’s ideas about race, manhood, and morality hurt many of its citizens.

What makes Atticus such a moral character is his tendency to follow his own instincts regarding what is right or wrong, rather than following the customs of his community. Because he is a very visible political figure in town, this characteristic sometimes makes him unpopular.

Quote #5: Atticus on Racism

"The older you grow the more of it you’ll see. The one place where a man ought to get a square deal is in a courtroom, be he any color of the rainbow, but people have a way of carrying their resentments right into a jury box. As you grow older, you’ll see white men cheat black men every day of your life, but let me tell you something and don’t you forget it—whenever a white man does that to a black man, no matter who he is, how rich he is, or how fine a family he comes from, that white man is trash." (p. 207)

This is one of the more interesting To Kill a Mockingbird racism quotes because it’s one in which Atticus's thoughts on race are most clearly presented. Whereas many of the townspeople believe that white people are superior to black people, Atticus believes all people should have equal representation in a court of law . In other words, Atticus takes a bold stance against racism.

Furthermore, he states that a white man who uses his privilege to cheat a black man is, in fact, inferior to that black man. This would’ve been a very unpopular opinion in the community in this time period, and this passage is yet another example of Atticus's learning to transcend the customs of his community in order to live a more moral life.

Maudie and Jem in the 1962 film ( Classic Film /Flickr, used under CC BY-NC 2.0 )

Quote #6: Jem on Family

"What if he was kin to us, Aunty?"

"The fact is that he is not kin to us, but if he were, my answer would be the same."

"Aunty," Jem spoke up, "Atticus says you can choose your friends but you sho’ can’t choose your family, an’ they’re still kin to you no matter whether you acknowledge ’em or not, and it makes you look right silly when you don’t." (p. 210)

One of the most appealing aspects of To Kill a Mockingbird is that it gives us insight into what it means to be a family. Although Scout’s mother is absent—we don’t even learn her first name—we watch Atticus do his best to be a good father to Scout and Jem. Likewise, Scout and Jem are always doing their best to live up to Atticus’s example of decency .

While they aren’t a typical Maycomb family, they’re bonded together by love and respect. Through them, Lee shows readers that family isn’t about having two parents—it’s about the love that binds people together.

Quote #7: Atticus on Equality

"But there is one way in this country in which all men are created equal—there is one human institution that makes a pauper the equal of a Rockefeller, the stupid man the equal of an Einstein, and the ignorant man the equal of any college president. That institution, gentlemen, is a court. It can be the Supreme Court of the United States or the humblest J.P. court in the land, or this honorable court which you serve. Our courts have their faults, as does any human institution, but in this country our courts are the great levelers, and in our courts all men are created equal." (p. 193)

Each character has his or her own conflict in To Kill a Mockingbird , and Atticus’s primary conflict is the clash between what he knows to be morally correct and the expectations of his community .

Here, we have another of the Atticus quotes in which he states that the goals of the courtroom, which are to create a just and equal society, are more important than the limitations of the local community; thus, they should not be subject to the same prejudices. Atticus is bold in these public assertions, which puts him in conflict with some of the other people in Maycomb.

Quote #8: Atticus on Empathy (Again)

"An’ they chased him ’n’ never could catch him ’cause they didn’t know what he looked like, an’ Atticus, when they finally saw him, why he hadn’t done any of those things ... Atticus, he was real nice ..."

His hands were under my chin, pulling up the cover, tucking it around me.

"Most people are, Scout, when you finally see them." (p. 263)

Once again, Atticus is teaching Scout to empathize with other people’s perspectives. Although Atticus is morally in conflict with the culture of Maycomb for much of the book, he is driven by the belief that everyone is, at heart, a decent person .

He understands that his fellow townspeople are sometimes driven by the pressure to conform to social customs rather than their own sense of right and wrong. Atticus seems to believe that if everyone were to follow their ethical instincts, they would choose to behave in a way that is moral, and this is the lesson he consistently tries to instill in Scout.

Quote #9: Scout on Class

"No, everybody’s gotta learn, nobody’s born knowin’. That Walter’s as smart as he can be, he just gets held back sometimes because he has to stay out and help his daddy. Nothin’s wrong with him. Naw, Jem, I think there’s just one kind of folks. Folks." (p. 212)

Walter Cunningham, Jr. is the son of a poor farmer who cannot afford to pay Atticus and instead pays him with things such as stovewood and hickory nuts.

Here, Scout is applying the lessons on empathy she’s learned from Atticus in order to understand the experiences of someone from a lower class. She realizes that though Walter doesn’t have the same advantages she does, he is doing his best to learn nonetheless . Not only does this quote show Scout’s growth as a character, but it also reinforces To Kill a Mockingbird ’s theme of empathy.

Quote #10: Atticus on Nobility

"Scout, simply by the nature of the work, every lawyer gets at least one case in his lifetime that affects him personally. This one’s mine, I guess. You might hear some ugly talk about it at school, but do one thing for me if you will: you just hold your head high and keep those fists down. No matter what anybody says to you, don’t you let ’em get your goat. Try fighting with your head for a change ... it’s a good one, even if it does resist learning."

"Atticus, are we going to win it?"

"No, honey."

"Then, why—"

"Simply because we were licked a hundred years before we started is no reason for us not to try to win," Atticus said. (p. 75)

In this To Kill a Mockingbird quote, Atticus is telling Scout how to behave with honor in the face of adversity . Atticus’s conviction in his own morality puts not only himself in conflict with the townsfolk, but also, as he understands, his family. As someone who cares deeply about his family, Atticus tries to prepare them for the backlash; however, he also teaches them that there is dignity in defeat, so long as one follows their best ethical judgment.

Quote #11: Calpurnia on How to Treat Company

"There’s some folks who don’t eat like us," she whispered fiercely, "but you ain’t called on to contradict ’em at the table when they don’t. That boy’s yo’ comp’ny and if he wants to eat up the table cloth you let him, you hear?"

"He ain’t company, Cal, he’s just a Cunningham—"

"Hush your mouth! Don’t matter who they are, anybody sets foot in this house’s yo’ comp’ny, and don’t you let me catch you remarkin’ on their ways like you was so high and mighty! Yo’ folks might be better’n the Cunninghams but it don’t count for nothin’ the way you’re disgracin’ ’em—if you can’t act fit to eat at the table you can just set here and eat in the kitchen!" (p. 28)

Again, Scout learns a lesson about class differences , and this time it comes from the family’s housekeeper, Calpurnia. The fact that Scout is receiving life lessons from an African American woman who is treated not only as an equal but also as a member of the family is an example of how different the Finches are from most of the other townsfolk.

It also shows readers who might have their own prejudices that people who are different from them are still people —and they deserve to be treated as equals and with kindness.

Quote #12: Atticus on Children

"Jack! When a child asks you something, answer him, for goodness’ sake. But don’t make a production of it. Children are children, but they can spot an evasion quicker than adults, and evasion simply muddles ’em. ..." (p. 85)

This is one of the lesser-known Atticus Finch quotes, but it's still an important one. Here, Atticus is talking to his brother John Hale Finch after Scout is heard cursing. This quote shows how Atticus treats his children as if they are as intelligent as adults (in this case, as if they are perhaps more intelligent than adults).

Atticus always treats everyone with respect and is very insightful in his views of human behavior, and this quote reveals his thoughts on parenting. He never claims authority over his children but rather leads by example, treating them more as peers than as kids. The fact that his children call him by his first name, Atticus, shows that they consider themselves on equal footing with him as well.

Quote #13: Atticus on Embellishment

"Atticus told me to delete the adjectives and I’d have the facts." (p. 59)

This quote is Scout’s reply to Jem after he tries to impress her with his knowledge of Ancient Egypt. Although it’s a fairly off-hand comment on Scout’s part, it does help us understand a few things about Atticus.

One is that this is yet another example of his influence over his children. His opinions inform theirs throughout the whole book.

Another, more important, aspect of Atticus that this comment reveals is his straightforward moral sensibility . You can apply this to his decision to defend Tom Robinson. After deleting the adjective "black," Tom Robinson is no longer a "black man" but simply a man, which is the fact that guides the way Atticus treats and represents Tom.

Quote #14: Atticus on Scout’s Behavior

Aunt Alexandra was fanatical on the subject of my attire. I could not possibly hope to be a lady if I wore breeches; when I said I could do nothing in a dress, she said I wasn’t supposed to be doing things that required pants. Aunt Alexandra’s vision of my deportment involved playing with small stoves, tea sets, and wearing the Add-A-Pearl necklace she gave me when I was born; furthermore, I should be a ray of sunshine in my father’s lonely life. I suggested that one could be a ray of sunshine in pants just as well, but Aunty said that one had to behave like a sunbeam, that I was born good but had grown progressively worse every year. She hurt my feelings and set my teeth permanently on edge, but when I asked Atticus about it, he said there were already enough sunbeams in the family and to go on about my business, he didn’t mind me much the way I was. (p. 80)

Aunt Alexandra is Atticus’s older sister and is often more conservative than him. Here, she criticizes Scout’s dress and behavior, which would be described as "tomboyish."

Despite Aunt Alexandra’s criticism, Atticus encourages Scout to act and dress as she wishes. For the place and time period, Atticus is socially progressive, and this quote shows us another aspect in which Atticus trusts his children to be themselves and doesn’t try to force social customs upon them .

Quote #15: Miss Maudie on Religion

"There are just some kind of men who—who’re so busy worrying about the next world they’ve never learned to live in this one, and you can look down the street and see the results."

Miss Maudie stopped rocking, and her voice hardened.

"You are too young to understand it," she said, "but sometimes the Bible in the hand of one man is worse than a whiskey bottle in the hand of—oh, of your father." (p. 46)

Although all the characters in the book are more or less devout Christians, many of them do not behave as such. These people often act with prejudice, malice, and fear. The hypocrisy of being outwardly religious but not compassionate or empathetic is one of the ironies that drives Atticus to act on Tom’s behalf.

In this quotation, Miss Maudie is correct that many of the most dangerous people in the town are the most devout. Atticus is once again held up to a high standard of behavior.

Quote #16: Scout on Reading

I mumbled that I was sorry and retired meditating upon my crime. I never deliberately learned to read, but somehow I had been wallowing illicitly in the daily papers. In the long hours of church—was it then I learned? I could not remember not being able to read hymns. Now that I was compelled to think about it, reading was something that just came to me ... I could not remember when the lines above Atticus’s moving finger separated into words, but I had stared at them all the evenings in my memory, listening to the news of the day, Bills to Be Enacted into Laws, the diaries of Lorenzo Dow—anything Atticus happened to be reading when I crawled into his lap every night. Until I feared I would lose it, I never loved to read. One does not love breathing. (p. 21)

In this passage, Scout has been discouraged from reading by her teacher, Miss Caroline, who disapproves of Atticus having already taught Scout to read. As this quote illustrates, Scout considers reading to not only be a pleasure in itself, but also a major aspect of her relationship with her father and an essential aspect of her identity (as essential as breathing).

Here, we see how Atticus’s nurturing of his daughter’s intelligence has led to her rebellious, questioning identity, and it also reveals his own progressive views . Atticus’s choice of reading matter (the news of the day, Bills to Be Enacted into Laws, the diaries of the eccentric traveling preacher Lorenzo Dow) gives us insight into Atticus’s interests as well.

The fact that Atticus would share with a child as young as Scout such mature reading material reveals the respect he afforded her. He’s not trying to protect Scout from the realities of the world around her—instead, he wants to expose her to ideas so she can become an independent thinker and, hopefully, a kind person. That’s why Scout is upset to have lost not only the privilege of reading but also an important aspect of her friendship with her father .

Quote #17: Scout on Summer

Summer was on the way; Jem and I awaited it with impatience. Summer was our best season: it was sleeping on the back screened porch in cots, or trying to sleep in the treehouse; summer was everything good to eat; it was a thousand colors in a parched landscape; but most of all, summer was Dill. (p. 36)

The book takes place over about a two-year period, and we know this because Scout’s friend Dill, who only visits during the summer, visits three times. Many of the most memorable scenes take place during the summer (such as the incident with the rabid dog, the visits from Dill, the search for Boo Radley, and the hot courtroom of Tom Robinson’s trial), making the heat of summer almost like another character in the book .

Summer is also the time that the rebellious Scout is free from the social pressures of school — is able to pursue her own interests and behave how she wishes . Summer symbolizes freedom and adventure for Scout, as it still does for many American students today!

Many authors think of setting (the time and place in which a story takes place) as one of the most important elements of a book. Setting is one of the ways in which readers most pleasurably engage with a book, because a well-described location can seem like a new world into which we can escape.

Quote #18: Scout on Jem’s Broken Arm

This is the opening paragraph of the book. Interestingly, the book begins with the last event of the entire book, Jem’s broken arm. Actually, the entire book serves as Scout’s explanation of how Jem came to break his arm.

This also tells us that the narrator, Scout, is living long after the events of the novel and is looking back in time in order to tell her story. This gives the book an atmosphere of nostalgia —we know she is recalling a childhood that has long since passed.

Many coming-of-age stories begin with the author long after the time frame of the book looking backward and watching themselves learn the lessons that seem important in retrospect. Why do authors do this? Because recalling the events from some future time period gives the narrator an excuse to understand what's important about the story in a way that someone living through it at the time wouldn’t.

As we go through our lives each day, we don’t know what is going to be important until after the fact — after we’ve learned our lessons and look back on what led us to learn them.    

5 Questions to Consider When Analyzing Book Quotes

Analyzing important quotations isn’t magic, but it does take practice. Whether you're looking at TKAM quotes or quotes from another book, you'll need to know how to analyze them smartly.

Here are the questions you need to ask yourself to be able to pick out the most important quotes in a book and analyze them like a pro.

#1: Why Is the Author Telling Us This?

Think of a work of literature as a series of choices an author has made intentionally in order to communicate something to the reader. So, when you encounter a passage that strikes you as significant in some way, try to place yourself in the author’s perspective and figure out why you think the author made the choices they did.

#2: What Does This Tell Us About the Character?

Characters are people, and, like people we know in our actual lives, they make decisions and act according to their motivations. Whenever a character does not seem to be realistically motivated, the character fails to move us. So ask yourself what the selection tells us about a character’s motivation and perspective .

#3: How Does the Setting Influence the Story?

A character who lives in a broken-down school bus in a junkyard will have a different perspective and will make different decisions than a character who lives in a 30-story housing complex. Both of these are examples of poverty, but they entail very different experiences —rural versus urban, and isolated versus overcrowded. Likewise, a story that takes place in a junkyard would have a completely different set of pressures.

Think about how the setting influences To Kill a Mockingbird . It’s set in the rural Southern United States, with its hundreds of years of slavery and racism. That creates a set of pressures quite different from, say, those in a major European city. In fact, To Kill a Mockingbird wouldn’t work if it were set anywhere else! Talking about why that is can lead to some really stellar analysis.

#4: What Can This Teach Me About My Own Life?

The reason literature is important is that it gives us insight into other peoples’ lives . As Atticus says, it allows us to "climb into [other people’s] skin and walk around in it." This gives us more understanding for perspectives unlike our own and broadens our sense of experience.

When you come across a passage in a book that hooks you for some reason, ask yourself why this specific passage feels relevant to you. What experiences have you had that are similar or intersect with this quote? This can be an excellent writing prompt if you’re looking for inspiration for a new essay.

#5: How Is This Still Relevant?

When you read the news headlines or current events, do you still see articles about racism? Are people still falsely accused of crimes, and do they sometimes get convicted due to the systemic biases of their communities? Is this still a thing?

Yes, it is. Sadly, it likely always will be, and that is why To Kill a Mockingbird is still so relevant, even 60 years since its publication. Likewise, communities still have common cultures, fathers still love their children, and little girls still chafe against the expectations of feminine dress and behavior.

Every generation finds new aspects of classic literature that inspire them and that they can relate to. When you’re trying to analyze a passage, try to find ways of relating it to the present-day world.

Beyond To Kill a Mockingbird Quotes: Further Reading

Want to learn more about To Kill a Mockingbird ? Here are four articles and books that will give you greater insight into Harper Lee’s famous novel!

"Why Harper Lee Struggled to Write Again After To Kill a Mockingbird " by Casey Cep

This excerpt from Cep’s book Furious Hours: Murder, Fraud, and the Last Trial of Harper Lee describes Lee’s later years, her struggles with fame, and her inability to write a follow-up to her famed To Kill a Mockingbird. This is a great pick for anyone who wants to know more about the reclusive woman behind the book. (And, of course, if you want to read Cep’s book, you can find it here!)

"Who Was Atticus Finch?" by Laura Douglas-Brown

This article explores the differences in how Atticus Finch is portrayed in To Kill a Mockingbird and Harper Lee’s other novel, Go Set a Watchman . It also describes Lee’s relationship with her own father, A. C. Lee, and how he served as an inspiration for the character of Atticus Finch.

The Mockingbird Next Door: Life with Harper Lee by Marja Mills

Marja Mills is a journalist who befriended Harper Lee and her sister, Alice. She lived next door to them for several years and wrote this portrait of Lee in her later years as she lived a life of near-solitude in Monroeville, Alabama — the city that inspired Maycomb in To Kill a Mockingbird.

I Am Scout: The Biography of Harper Lee by Charles J. Shields

This is an adaptation for younger readers of Shields’s earlier biography of Lee titled Mockingbird: A Portrait of Harper Lee from Childhood to Go Set a Watchman. This book will give you a thorough overview of Lee’s entire life in a more accessible style.

What's Next?

Trying to analyze literary quotes without knowing literary elements is ... well, it’s like trying to dig a hole without a shovel! If you’re going to analyze literature, you need to make sure you have the right tools for the job. Here’s a list of the elements you’ll find in every piece of literatur e, and here’s a guide to the 31 literary devices you absolutely need to know .

Did you appreciate our in-depth analysis of To Kill a Mockingbird ? If so, you should check out our complete series on The Great Gatsby . We break down the book chapter by chapter and even have articles on character and theme analysis . By the end of our series, you’ll be an expert in F. Scott Fitzgerald’s most popular work.

Maybe you feel super confident in your ability to tackle a novel, but poetry makes you break out into a cold sweat. Never fear: here are some guides to poetic styles (such as sonnets ) and poetic elements (such as personification and iambic pentameter ) to get you started. Also, we have a complete analysis of "Do not go gentle into that good night" written by a college professor so you can see what a great poetry analysis looks like!

These recommendations are based solely on our knowledge and experience. If you purchase an item through one of our links PrepScholar may receive a commission.

Ashley Sufflé Robinson has a Ph.D. in 19th Century English Literature. As a content writer for PrepScholar, Ashley is passionate about giving college-bound students the in-depth information they need to get into the school of their dreams.

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How the moral lessons of To Kill a Mockingbird endure today

Assoc. Professor, School of Culture and Communication, The University of Melbourne

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In our series, Guide to the classics , experts explain key works of literature.

Harper Lee’s To Kill A Mockingbird is one of the classics of American literature. Never out of print, the novel has sold over 40 million copies since it was first published in 1960. It has been a staple of high school syllabuses, including in Australia, for several decades, and is often deemed the archetypal race and coming-of-age novel . For many of us, it is a formative read of our youth.

Read more: 'Great books', nationhood and teaching English literature

The story is set in the sleepy Alabama town of Maycomb in 1936 - 40 years after the Supreme Court’s notorious declaration of the races as being “separate but equal” , and 28 years before the enactment of the Civil Rights Act . Our narrator is nine-year-old tomboy, Scout Finch, who relays her observations of her family’s struggle to deal with the class and racial prejudice shown towards the local African American community.

At the centre of the family and the novel stands the highly principled lawyer Atticus Finch. A widower, he teaches Scout, her older brother Jem, and their imaginative friend Dill, how to live and behave honourably. In this he is aided by the family’s hardworking and sensible black housekeeper Calpurnia, and their kind and generous neighbour, Miss Maudie.

It is Miss Maudie, for example, who explains to Scout why it is a sin to kill a mockingbird: “Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us.”

Throughout the novel, the children grow more aware of the community’s attitudes. When the book begins they are preoccupied with catching sight of the mysterious and much feared Boo Radley, who in his youth stabbed his father with a pair of scissors and who has never come out of the family house since. And when Atticus agrees to defend Tom Robinson, a black man who is falsely accused of raping a white woman, they too become the target of hatred.

A morality tale for modern America

One might expect a book that dispatches moral lessons to be dull reading. But To Kill a Mockingbird is no sermon. The lessons are presented in a seemingly effortless style, all the while tackling the complexity of race issues with startling clarity and a strong sense of reality.

Read more: William Faulkner diagnosed modern ills in As I Lay Dying

As the Finches return from Robinson’s trial, Miss Maudie says: “as I waited I thought, Atticus Finch won’t win, he can’t win, but he’s the only man in these parts who can keep a jury out so long in a case like that.”

Despite the tragedy of Robinson’s conviction, Atticus succeeds in making the townspeople consider and struggle with their prejudice.

The effortlessness of the writing owes much to the way the story is told. The narrator is a grown Scout, looking back on her childhood. When she begins her story, she seems more interested in telling us about the people and incidents that occupied her six-year-old imagination. Only slowly does she come to the events that changed everything for her and Jem, which were set in motion long before their time. Even then, she tells these events in a way that shows she too young to always grasp their significance.

The lessons Lee sets out are encapsulated in episodes that are as funny as they are serious, much like Aesop’s Fables. A case in point is when the children return home from the school concert with Scout still dressed in her outlandish ham costume. In the dark they are chased and attacked by Bob Ewell the father of the woman whom Robinson allegedly raped. Ewell, armed with a knife, attempts to stab Scout, but the shapeless wire cage of the ham causes her to loose balance and the knife to go astray. In the struggle that ensues someone pulls Ewell off the teetering body of Scout and he falls on the knife. It was Boo Radley who saved her.

Another lesson about what it means to be truly brave is delivered in an enthralling episode where a local farmer’s dog suddenly becomes rabid and threatens to infect all the townsfolk with his deadly drool.

Scout and Jem are surprised when their bespectacled, bookish father turns out to have a “God-given talent” with a rifle; it is he who fires the single shot that will render the townsfolk safe. The children rejoice at what they consider an impressive display of courage. However, he tells them that what he did was not truly brave. The better example of courage, he tells them, is Mrs Dubose (the “mean” old lady who lived down the road), who managed to cure herself of a morphine addiction even as she was dying a horribly painful death from cancer.

He also teaches them the importance of behaving in a civilised manner, even when subjected to insults. Most of all Atticus teaches the children the importance of listening to one’s conscience even when everyone else holds a contrary view: “The one thing that doesn’t abide by majority rule”, he says, “is a person’s conscience.”

The continuing value in Atticus’ belief in the importance of principled thinking in the world of Black Lives Matter and the Australian government’s rhetoric of “African gangs” , is clear.

Atticus’ spiel on “conscience” and the other ethical principles he insists on living by, are key to the enduring influence of the novel. It conjures an ideal of moral standards and human behaviour that many people still aspire to today, even though the novel’s events and the characters belong to the past.

Lee herself was not one to shy away from principled displays: writing to a school that banned her novel, she summed up the source of the morality her book expounds. The novel, she said, “spells out in words of seldom more than two syllables a code of honor and conduct”.

Fame and obscurity

When first published the novel received rave reviews . A year later it won the Pulitzer Prize for Literature, followed by a movie version in 1962 starring Gregory Peck . Indeed, the novel was such a success that Lee, unable to cope with all the attention and publicity, retired into obscurity .

Interviewed late in life, Lee cited two reasons for her continued silence: “I wouldn’t go through the pressure and publicity I went through with To Kill a Mockingbird for any amount of money. Second, I have said what I wanted to say, and I will not say it again.”

The latter statement is doubtless a reference to the autobiographical nature of her book. Lee passed her childhood in the rural town of Monroeville in the deep south, where her attorney father defended two black men accused of killing a shopkeeper. The accused were convicted and hanged.

Undoubtedly influenced by these formative events, the biographical fiction Lee drew out of her family history became yet more complex upon the publication of her only other novel, Go Set a Watchman, in 2016. Critics panned it it for lacking the light touch and humour of the first novel. They also decried the fact that the character of Atticus Finch was this time around a racist bigot , a feature that had the potential to taint the author’s legacy .

Read more: Review/ Has Go Set a Watchman helped topple the notion of the white saviour?

Subsequent biographical research revealed that Go Set A Watchman, was not a sequel, but the first draft of To Kill a Mockingbird. Following initial rejection by the publisher Lippincot, Lee reworked it into the superior novel many of us know and still love today.

Lee gave us the portrait of one small town in the south during the depression years. But it was so filled with lively detail, and unforgettable characters with unforgettable names like Atticus, Scout, Calpurnia and Boo Radley that a universal story emerged, and with it the novel’s continuing popularity.

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Plot summary

• Analysis, adaptations, and Go Set a Watchman

What is To Kill a Mockingbird about?

What inspired harper lee to write to kill a mockingbird , how did people respond to to kill a mockingbird , why is to kill a mockingbird a significant text, is there a sequel to to kill a mockingbird .

To Kill a Mockingbird

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• National Endowment for the Arts - To Kill a Mockingbird
• Encyclopedia of Alabama - To Kill A Mockingbird
• Internet Archive - "To Kill a Mockingbird"
• Academia - To Kill a Mockingbird: Race, Class and Innocence in the Contemporary Society INTRODUCTION
• To Kill a Mockingbird - Student Encyclopedia (Ages 11 and up)
• Table Of Contents

To Kill a Mockingbird is set in the fictional town of Maycomb, Alabama, during the Great Depression (1929–39). The story centres on Jean Louise (“Scout”) Finch, an unusually intelligent girl who ages from six to nine years old during the novel. She and her brother, Jeremy Atticus (“Jem”), are raised by their widowed father, Atticus Finch. Atticus is a well-known and respected lawyer. He teaches his children to be empathetic and just, always leading by example.

When Tom Robinson, one of the town’s Black residents, is falsely accused of raping Mayella Ewell, a young white woman, Atticus agrees to defend him despite threats from the community. Although Atticus presents a defense that gives a more plausible interpretation of the evidence—that Mayella was attacked by her father, Bob Ewell—Tom is convicted. He is later killed while trying to escape custody. The children, meanwhile, play out their own miniaturized drama. Scout and Jem become especially interested in the town recluse, Arthur (“Boo”) Radley, who interacts with them by leaving them small gifts in a tree. On Halloween, when Bob Ewell tries to attack Scout and Jem, Boo intervenes and saves them. Boo ultimately kills Ewell. The sheriff, however, decides to tell the community that Ewell’s death was an accident.

It is widely believed that Harper Lee based the character of Atticus Finch on her father, Amasa Coleman Lee, a compassionate and dedicated lawyer. The plot of To Kill a Mockingbird was reportedly inspired in part by his unsuccessful defense of two African American men—a father and a son—accused of murdering a white storekeeper. The fictional character of Charles Baker (“Dill”) Harris also has a real-life counterpart. Dill is based on the author Truman Capote , Lee’s childhood friend and next-door neighbour in Monroeville, Alabama. (After the spectacular success of To Kill a Mockingbird , some speculated that Capote was the actual author of Lee’s work. This rumour was not put to rest until 2006.) There is some anecdotal evidence that the town recluse, Arthur (“Boo”) Radley, was based on Lee and Capote’s childhood neighbour, Son Boulware. According to Capote, Boo “was a real man, and he lived just down the road from us.…Everything [Lee] wrote about it is absolutely true.”

Harper Lee began writing To Kill a Mockingbird in the mid-1950s. It was published in 1960, just before the peak of the American civil rights movement . Initial critical responses to the novel were mixed. Many critics praised Lee for her sensitive treatment of a child’s awakening to racism and prejudice. Others, however, criticized the novel’s tendency to sermonize. Some reviewers argued that the narrative voice was unconvincing. The novel was nonetheless enormously popular with contemporary audiences. To Kill a Mockingbird flourished in the racially charged environment of the United States in the early 1960s. In its first year it sold about 500,000 copies. A year after the publication of the novel, Lee was awarded a Pulitzer Prize for fiction.

Harper Lee’s To Kill a Mockingbird is one of the best-known and most widely read books in the United States. Since its publication in 1960, the novel has been translated into some 40 languages and has sold more than 40 million copies worldwide. A staple on American high- school reading lists, the novel has inspired numerous stage and film adaptations, the most notable of which was the 1962 film starring Gregory Peck as Atticus Finch. Lee’s novel continues to resonate with audiences today; in 2018 a stage adaptation of the novel debuted to rave reviews on Broadway.

In 2015 Harper Lee published a second novel titled Go Set a Watchman . Although it was technically written before To Kill a Mockingbird , the novel is essentially a sequel. Go Set a Watchman is set 20 years after the events of To Kill a Mockingbird . In the novel, Jean Louise (”Scout”) Finch—now a grown woman living in New York City—returns to her childhood home in Alabama to visit her aging father, who has embraced racist views. Despite the controversy surrounding its publication (some believe the novel is actually an early draft of To Kill a Mockingbird ), the novel reportedly sold 1.1 million copies in its first week.

To Kill a Mockingbird , novel by American author Harper Lee , published in 1960. Enormously popular, it was translated into some 40 languages, sold more than 40 million copies worldwide , and is one of the most-assigned novels in American schools. In 1961 it won a Pulitzer Prize . The novel was praised for its sensitive treatment of a child’s awakening to racism and prejudice in the American South .

To Kill a Mockingbird takes place in the fictional town of Maycomb, Alabama, during the Great Depression . The protagonist is Jean Louise (“Scout”) Finch, an intelligent though unconventional girl who ages from six to nine years old during the course of the novel. She is raised with her brother, Jeremy Atticus (“Jem”), by their widowed father, Atticus Finch . He is a prominent lawyer who encourages his children to be empathetic and just. He notably tells them that it is “a sin to kill a mockingbird ,” alluding to the fact that the birds are innocent and harmless.

When Tom Robinson, one of the town’s Black residents, is falsely accused of raping Mayella Ewell, a white woman, Atticus agrees to defend him despite threats from the community . At one point he faces a mob intent on lynching his client but refuses to abandon him. Scout unwittingly diffuses the situation. Although Atticus presents a defense that gives a more plausible interpretation of the evidence—that Mayella was attacked by her father, Bob Ewell—Tom is convicted, and he is later killed while trying to escape custody. A character compares his death to “the senseless slaughter of songbirds,” paralleling Atticus’s saying about the mockingbird.

The children, meanwhile, play out their own miniaturized drama of prejudice and superstition as they become interested in Arthur (“Boo”) Radley , a reclusive neighbour who is a local legend . They have their own ideas about him and cannot resist the allure of trespassing on the Radley property. Their speculations thrive on the dehumanization perpetuated by their elders. Atticus, however, reprimands them and tries to encourage a more sensitive attitude. Boo makes his presence felt indirectly through a series of benevolent acts, finally intervening when Bob Ewell attacks Jem and Scout. Boo kills Ewell, but Heck Tate, the sheriff, believes it is better to say that Ewell’s death occurred when he fell on his own knife, sparing the shy Boo from unwanted attention. Scout agrees, noting that to do otherwise would be “sort of like shootin’ a mockingbird.”

To Kill a Mockingbird

Why is it a "sin to kill a mockingbird".

who or what does the mockingbird represent?

The mockingbird represents a sense of innocence. It merely sings and brings joy to people.

You can check out the quote here,

"Atticus said to Jem one day, 'I'd rather you shoot at tin cans in the back yard, but I know you'll go after birds. Shoot all the blue jays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'

That was the only time I ever heard Atticus say it was a sin to do something, and I asked Miss Maudie about it.

'Your father's right,' she said. 'Mockingbirds don't do one thing but make music for us to enjoy. They don't eat up people's gardens, don't nest in corncribs, they don't do one thing but sing their hearts out for us. That's why it's a sin to kill a mockingbird.'"

The mockingbird also comes to represent innocents like Boo Radley and Tom Robinson.

The deeper reason is because mockingbirds are Confederate gray and blue jays are Yankee blue. (BTW, mockingbirds do eat up people's gardens. They peck my tomatoes, ruining them. Mockingbirds also drive bluebirds out of the bluebirds' nests. They are not some sweet, romantic southern thing. They are nasty bullies. Live with a glut of them year 'round, year in and year out and you'll see. You'll also see the bird diversity in your neighorhood go down. Besides singing, they make some nasty fussing sounds over and over and over)

What is Mrs. Dubose’s affliction?

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Why Is It A Sin To Kill A Mockingbird?

It's a sin to kill a mockingbird because it's not just a bird. It's also a metaphor for innocence and goodness in the face of cruelty, bigotry, and ignorance.

The book is about Atticus Finch, a lawyer who defends Tom Robinson in court despite pressure from his community to convict him of rape. Atticus realizes that Tom is innocent and tries to make sure that he gets justice—but even though he wins the case, society still treats him like an animal because he's black.

In this story, we see how even someone who tries to do right by others can be destroyed by the hatefulness of others. It's incredibly sad and painful to watch Atticus' children suffer as they grow up with their father as the only beacon of light in their lives while they are surrounded by darkness: racism, violence, cruelty, hatred… all of these things close around them and try to consume them until they can't breathe anymore.

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Home — Essay Samples — Literature — To Kill a Mockingbird — “to Kill a Mockingbird”: Empathy Quotes

"To Kill a Mockingbird": Empathy Quotes

• Categories: Empathy To Kill a Mockingbird

About this sample

Words: 588 |

Published: Mar 16, 2024

Words: 588 | Page: 1 | 3 min read

Table of contents

Atticus finch's wisdom, miss maudie's metaphor, tom robinson's example.

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