are thesis and theme the same

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Theme vs. Thesis: Key Differences and How to Write each

• by Judy Jeni
• January 18, 2024

Many students confuse between these two terms, a theme and a thesis. In practice, they are two distinct aspects.

By reading the content in this write-up, you will appreciate the difference between the two items. A theme is a central message in a text, whereas a thesis is an argument about a text.

Theme vs. Thesis

While it is possible to write items based on a theme or a project based on a thesis, the two are different. While their focus may seem similar, they are different.

A theme is a focus topic that a writer bases his argument on. It is the direction that guides the points that a writer argues. On the other hand, a thesis is a stand that a writer seeks to prove in his or her writing.

In a theme, a writer bases points on a concept, but in a thesis, the writer writes to prove a specific assertion.

A theme and a thesis are two different items that we can elaborate through the following points:  

• A theme is the crucial idea of the piece of literature or any art you are writing about.
• It is the recurrent idea in your work before you identify other elements such as characters, conflict, setting, and plot.
• A thesis is a statement that you will try to prove by backing it with necessary facts. It is a position that the author takes to maintain a particular argument.

Differences between a Theme and a Thesis

• A theme is the general topic of your essay, whereas a thesis is the precise statements that the author tries to prove.
• A theme could be more general as the writer cannot necessarily state it expressly. On the other hand, a thesis is a direct message at the beginning of the paragraph that indicates what the entire paper will be talking about.
• A theme is the motif of the piece or an underlying idea, whereas the thesis is the argument in favor of something that you believe you are presenting to your audience.

How to Write a Theme Based Essay

A theme-based essay writes about something based on a theme that you can derive from a novel, song, or short story. Before you begin to write such an essay, you should identify the underlying theme in your literature work.

Steps When Writing a Theme Based Essay

1. identify the character.

One should locate the characters that you will discuss in the essay. Such should relate to the identified theme in your essay.

For instance, if you locate ‘violence’ in the novel ‘The Shadow of Death,’ it is reasonable to talk about the characters that promote violence in the novel.

2. Maintain the Chosen Theme

As indicated above, suppose violence is the main theme in the novel, then you should maintain the same thing by writing about violence.  Such could include incidences of violence, including blood baths and more.

The point is you should endeavor to remain as close to the theme of violence by highlighting incidences and situations from the novel, drama, or story.

3. Avoid Mixing the Theme with the Key Subject

A theme is not a plot but an idea that binds up the story. It is the message that the author wants to convey to the audience or the readers. It is, therefore, wrong to try to write on the plot or story. Stick to the idea only.

Let your thoughts remain organized and well-knitted in the essay body. In the same vein, the body should relate to the central theme as you refer to the characters and incidents in the source matter.

How to Write a Thesis

One can use the following steps to come up with a strong thesis statement:

Start with a Question

One should come up with a question in case the assignment did not offer the question.

After that, you should state your topic, which is the essential idea of the paper.

This thesis statement is usually a phrase or a few words that summarize the main subject of your paper.

The thesis statement makes the topic to be as precise as possible.

Write an Initial Answer

After performing initial research, it is now time to formulate a tentative answer. At this point, it could be just simple, or you can craft it to guide the process of writing and researching.

In case you are writing an argumentative essay, your answer should take a position on the matter. This is different from a thesis statement. Check more about thesis statements to know the idea of the two.

Develop the Answer

This section should prove why you believe it is your answer and convince the reader to agree with your position.

The more you write about the topic, the more you develop more details for your response. The final essay should summarize your overall arguments.

One should know what they are trying to prove in a topic. While you are expressing your opinion, it is vital to state one major idea. Also, you should name the topic and state something specific about it.

Furthermore, you should take a position and back it up with facts and reasons as an author. It is vital to support your reasons with evidence and logical facts.

Include Opposing Viewpoint

The correct thesis statement should acknowledge that there is another side of the argument. It is excellent to include your opposing viewpoints in your opinion. It is also essential to capture another person’s view who may have a different opinion about your topic.

• Process , Writing

What are Thesis and Theme?

Going Back to the Basics:

Thesis and theme are two words that everyone knows they know but they typically can’t describe these terms succinctly. Chances are, unless you’re in a writing-dominated field, you probably haven’t given these terms much thought since college or high school English classes.  That’s okay, but if you’re embarking on writing a book, you’ll need to brush up on these key terms.

Thesis and theme are the foundations of all writing, professional or informal. They both convey the subject of the text. Despite this similarity, there’s a stark difference between the functions of the thesis and the theme. 

The theme of a piece of writing is less intricate than its thesis. A theme is the main idea of a paper. It can be described in a word or short phrase, and these themes are demonstrated throughout the work by the content. Within a longer piece, such as an article or a book, there can be multiple themes. Oftentimes, these are divided by chapters or headings. Theme offers some room for interpretation—while the overall message should be received the same by each reader, the word(s) they use to describe it has some flexibility.

That’s not the case with the thesis statement. A thesis statement is the argument that a writer constructs throughout the work. It can be described in a phrase, sentence, or even a paragraph. The thesis statement must define the purpose of the paper, mention the points you’ll explore, and serve as an abbreviated summary of the work. There’s the misconception that a thesis statement and a topic sentence are interchangeable terms. While the thesis statement may act as a topic sentence, it usually comes later in the introductory text and it’s more specific than topic sentences are allowed to be.

A strong thesis requires some effort and workshopping. When you’re writing the outline for your book, determine the core ideas that you want to discuss, think about your purpose for writing, and then find a way to piece all of the components together. A key to obtaining a good thesis is to unify your key points and be specific about your intentions for the piece. 

Let’s take a look at an example: 

A paper on traditional vs independent publishing can have themes of diversity, empowerment, change through social media, individual identity, etc. Subheadings would show these themes for each of the sections throughout the paper.

A topic sentence could be: “In the internet age, small independent publishing is growing as an alternative for authors .”  This is a fact that can be proven; it doesn’t show the author’s opinion or intention for the paper.

But a thesis statement would be: “ Small presses use social media as a tool to celebrate the diverse voices that they publish while enacting slow scale social change through challenging identities perpetuated by the media.” Now that thesis encompasses a lot of topics that the reader will expect to have reviewed. It also makes an argument for how small presses operate and what their lasting effects might be. 

Your thesis should be just as specific, though it doesn’t have to be as polished and complete before you start writing your book. However, you should still have a placeholder thesis statement to guide you through your writing. Later, you can refine your thesis to better reflect the content you cover. I suggest having several people review your thesis statement to make sure it’s 1) clear, 2) concise, and 3) accurately describes what your book is about. If your thesis is still giving you trouble, try completing some thesis exercises, available in most writing books and online.

We understand the fundamental importance of crafting a clear and compelling thesis statement to guide your writing journey. Our experienced team is dedicated to helping you articulate your core ideas and intentions effectively, ensuring that your book’s thesis serves as a strong foundation for your narrative. With our comprehensive publishing services, including writing, editing, and promotion, we can support you every step of the way to transform your manuscript into a polished and impactful book.

Schedule a call with us today to discover how BrightRay Publishing can help you bring your book to life and share your message with the world.

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• July 30, 2021

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Thesis Statements

What this handout is about.

This handout describes what a thesis statement is, how thesis statements work in your writing, and how you can craft or refine one for your draft.

Introduction

Writing in college often takes the form of persuasion—convincing others that you have an interesting, logical point of view on the subject you are studying. Persuasion is a skill you practice regularly in your daily life. You persuade your roommate to clean up, your parents to let you borrow the car, your friend to vote for your favorite candidate or policy. In college, course assignments often ask you to make a persuasive case in writing. You are asked to convince your reader of your point of view. This form of persuasion, often called academic argument, follows a predictable pattern in writing. After a brief introduction of your topic, you state your point of view on the topic directly and often in one sentence. This sentence is the thesis statement, and it serves as a summary of the argument you’ll make in the rest of your paper.

What is a thesis statement?

A thesis statement:

• tells the reader how you will interpret the significance of the subject matter under discussion.
• is a road map for the paper; in other words, it tells the reader what to expect from the rest of the paper.
• directly answers the question asked of you. A thesis is an interpretation of a question or subject, not the subject itself. The subject, or topic, of an essay might be World War II or Moby Dick; a thesis must then offer a way to understand the war or the novel.
• makes a claim that others might dispute.
• is usually a single sentence near the beginning of your paper (most often, at the end of the first paragraph) that presents your argument to the reader. The rest of the paper, the body of the essay, gathers and organizes evidence that will persuade the reader of the logic of your interpretation.

If your assignment asks you to take a position or develop a claim about a subject, you may need to convey that position or claim in a thesis statement near the beginning of your draft. The assignment may not explicitly state that you need a thesis statement because your instructor may assume you will include one. When in doubt, ask your instructor if the assignment requires a thesis statement. When an assignment asks you to analyze, to interpret, to compare and contrast, to demonstrate cause and effect, or to take a stand on an issue, it is likely that you are being asked to develop a thesis and to support it persuasively. (Check out our handout on understanding assignments for more information.)

How do I create a thesis?

A thesis is the result of a lengthy thinking process. Formulating a thesis is not the first thing you do after reading an essay assignment. Before you develop an argument on any topic, you have to collect and organize evidence, look for possible relationships between known facts (such as surprising contrasts or similarities), and think about the significance of these relationships. Once you do this thinking, you will probably have a “working thesis” that presents a basic or main idea and an argument that you think you can support with evidence. Both the argument and your thesis are likely to need adjustment along the way.

Writers use all kinds of techniques to stimulate their thinking and to help them clarify relationships or comprehend the broader significance of a topic and arrive at a thesis statement. For more ideas on how to get started, see our handout on brainstorming .

How do I know if my thesis is strong?

If there’s time, run it by your instructor or make an appointment at the Writing Center to get some feedback. Even if you do not have time to get advice elsewhere, you can do some thesis evaluation of your own. When reviewing your first draft and its working thesis, ask yourself the following :

• Do I answer the question? Re-reading the question prompt after constructing a working thesis can help you fix an argument that misses the focus of the question. If the prompt isn’t phrased as a question, try to rephrase it. For example, “Discuss the effect of X on Y” can be rephrased as “What is the effect of X on Y?”
• Have I taken a position that others might challenge or oppose? If your thesis simply states facts that no one would, or even could, disagree with, it’s possible that you are simply providing a summary, rather than making an argument.
• Is my thesis statement specific enough? Thesis statements that are too vague often do not have a strong argument. If your thesis contains words like “good” or “successful,” see if you could be more specific: why is something “good”; what specifically makes something “successful”?
• Does my thesis pass the “So what?” test? If a reader’s first response is likely to  be “So what?” then you need to clarify, to forge a relationship, or to connect to a larger issue.
• Does my essay support my thesis specifically and without wandering? If your thesis and the body of your essay do not seem to go together, one of them has to change. It’s okay to change your working thesis to reflect things you have figured out in the course of writing your paper. Remember, always reassess and revise your writing as necessary.
• Does my thesis pass the “how and why?” test? If a reader’s first response is “how?” or “why?” your thesis may be too open-ended and lack guidance for the reader. See what you can add to give the reader a better take on your position right from the beginning.

Suppose you are taking a course on contemporary communication, and the instructor hands out the following essay assignment: “Discuss the impact of social media on public awareness.” Looking back at your notes, you might start with this working thesis:

Social media impacts public awareness in both positive and negative ways.

You can use the questions above to help you revise this general statement into a stronger thesis.

• Do I answer the question? You can analyze this if you rephrase “discuss the impact” as “what is the impact?” This way, you can see that you’ve answered the question only very generally with the vague “positive and negative ways.”
• Have I taken a position that others might challenge or oppose? Not likely. Only people who maintain that social media has a solely positive or solely negative impact could disagree.
• Is my thesis statement specific enough? No. What are the positive effects? What are the negative effects?
• Does my thesis pass the “how and why?” test? No. Why are they positive? How are they positive? What are their causes? Why are they negative? How are they negative? What are their causes?
• Does my thesis pass the “So what?” test? No. Why should anyone care about the positive and/or negative impact of social media?

After thinking about your answers to these questions, you decide to focus on the one impact you feel strongly about and have strong evidence for:

Because not every voice on social media is reliable, people have become much more critical consumers of information, and thus, more informed voters.

This version is a much stronger thesis! It answers the question, takes a specific position that others can challenge, and it gives a sense of why it matters.

Let’s try another. Suppose your literature professor hands out the following assignment in a class on the American novel: Write an analysis of some aspect of Mark Twain’s novel Huckleberry Finn. “This will be easy,” you think. “I loved Huckleberry Finn!” You grab a pad of paper and write:

Mark Twain’s Huckleberry Finn is a great American novel.

You begin to analyze your thesis:

• Do I answer the question? No. The prompt asks you to analyze some aspect of the novel. Your working thesis is a statement of general appreciation for the entire novel.

Think about aspects of the novel that are important to its structure or meaning—for example, the role of storytelling, the contrasting scenes between the shore and the river, or the relationships between adults and children. Now you write:

In Huckleberry Finn, Mark Twain develops a contrast between life on the river and life on the shore.

• Do I answer the question? Yes!
• Have I taken a position that others might challenge or oppose? Not really. This contrast is well-known and accepted.
• Is my thesis statement specific enough? It’s getting there–you have highlighted an important aspect of the novel for investigation. However, it’s still not clear what your analysis will reveal.
• Does my thesis pass the “how and why?” test? Not yet. Compare scenes from the book and see what you discover. Free write, make lists, jot down Huck’s actions and reactions and anything else that seems interesting.
• Does my thesis pass the “So what?” test? What’s the point of this contrast? What does it signify?”

After examining the evidence and considering your own insights, you write:

Through its contrasting river and shore scenes, Twain’s Huckleberry Finn suggests that to find the true expression of American democratic ideals, one must leave “civilized” society and go back to nature.

This final thesis statement presents an interpretation of a literary work based on an analysis of its content. Of course, for the essay itself to be successful, you must now present evidence from the novel that will convince the reader of your interpretation.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Anson, Chris M., and Robert A. Schwegler. 2010. The Longman Handbook for Writers and Readers , 6th ed. New York: Longman.

Lunsford, Andrea A. 2015. The St. Martin’s Handbook , 8th ed. Boston: Bedford/St Martin’s.

Ramage, John D., John C. Bean, and June Johnson. 2018. The Allyn & Bacon Guide to Writing , 8th ed. New York: Pearson.

Ruszkiewicz, John J., Christy Friend, Daniel Seward, and Maxine Hairston. 2010. The Scott, Foresman Handbook for Writers , 9th ed. Boston: Pearson Education.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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Writing a Paper: Thesis Statements

Basics of thesis statements.

The thesis statement is the brief articulation of your paper's central argument and purpose. You might hear it referred to as simply a "thesis." Every scholarly paper should have a thesis statement, and strong thesis statements are concise, specific, and arguable. Concise means the thesis is short: perhaps one or two sentences for a shorter paper. Specific means the thesis deals with a narrow and focused topic, appropriate to the paper's length. Arguable means that a scholar in your field could disagree (or perhaps already has!).

Strong thesis statements address specific intellectual questions, have clear positions, and use a structure that reflects the overall structure of the paper. Read on to learn more about constructing a strong thesis statement.

Being Specific

This thesis statement has no specific argument:

Needs Improvement: In this essay, I will examine two scholarly articles to find similarities and differences.

This statement is concise, but it is neither specific nor arguable—a reader might wonder, "Which scholarly articles? What is the topic of this paper? What field is the author writing in?" Additionally, the purpose of the paper—to "examine…to find similarities and differences" is not of a scholarly level. Identifying similarities and differences is a good first step, but strong academic argument goes further, analyzing what those similarities and differences might mean or imply.

Better: In this essay, I will argue that Bowler's (2003) autocratic management style, when coupled with Smith's (2007) theory of social cognition, can reduce the expenses associated with employee turnover.

The new revision here is still concise, as well as specific and arguable.  We can see that it is specific because the writer is mentioning (a) concrete ideas and (b) exact authors.  We can also gather the field (business) and the topic (management and employee turnover). The statement is arguable because the student goes beyond merely comparing; he or she draws conclusions from that comparison ("can reduce the expenses associated with employee turnover").

Making a Unique Argument

This thesis draft repeats the language of the writing prompt without making a unique argument:

Needs Improvement: The purpose of this essay is to monitor, assess, and evaluate an educational program for its strengths and weaknesses. Then, I will provide suggestions for improvement.

You can see here that the student has simply stated the paper's assignment, without articulating specifically how he or she will address it. The student can correct this error simply by phrasing the thesis statement as a specific answer to the assignment prompt.

Better: Through a series of student interviews, I found that Kennedy High School's antibullying program was ineffective. In order to address issues of conflict between students, I argue that Kennedy High School should embrace policies outlined by the California Department of Education (2010).

Words like "ineffective" and "argue" show here that the student has clearly thought through the assignment and analyzed the material; he or she is putting forth a specific and debatable position. The concrete information ("student interviews," "antibullying") further prepares the reader for the body of the paper and demonstrates how the student has addressed the assignment prompt without just restating that language.

Creating a Debate

This thesis statement includes only obvious fact or plot summary instead of argument:

Needs Improvement: Leadership is an important quality in nurse educators.

A good strategy to determine if your thesis statement is too broad (and therefore, not arguable) is to ask yourself, "Would a scholar in my field disagree with this point?" Here, we can see easily that no scholar is likely to argue that leadership is an unimportant quality in nurse educators.  The student needs to come up with a more arguable claim, and probably a narrower one; remember that a short paper needs a more focused topic than a dissertation.

Better: Roderick's (2009) theory of participatory leadership  is particularly appropriate to nurse educators working within the emergency medicine field, where students benefit most from collegial and kinesthetic learning.

Here, the student has identified a particular type of leadership ("participatory leadership"), narrowing the topic, and has made an arguable claim (this type of leadership is "appropriate" to a specific type of nurse educator). Conceivably, a scholar in the nursing field might disagree with this approach. The student's paper can now proceed, providing specific pieces of evidence to support the arguable central claim.

Choosing the Right Words

This thesis statement uses large or scholarly-sounding words that have no real substance:

Needs Improvement: Scholars should work to seize metacognitive outcomes by harnessing discipline-based networks to empower collaborative infrastructures.

There are many words in this sentence that may be buzzwords in the student's field or key terms taken from other texts, but together they do not communicate a clear, specific meaning. Sometimes students think scholarly writing means constructing complex sentences using special language, but actually it's usually a stronger choice to write clear, simple sentences. When in doubt, remember that your ideas should be complex, not your sentence structure.

Better: Ecologists should work to educate the U.S. public on conservation methods by making use of local and national green organizations to create a widespread communication plan.

Notice in the revision that the field is now clear (ecology), and the language has been made much more field-specific ("conservation methods," "green organizations"), so the reader is able to see concretely the ideas the student is communicating.

Leaving Room for Discussion

This thesis statement is not capable of development or advancement in the paper:

Needs Improvement: There are always alternatives to illegal drug use.

This sample thesis statement makes a claim, but it is not a claim that will sustain extended discussion. This claim is the type of claim that might be appropriate for the conclusion of a paper, but in the beginning of the paper, the student is left with nowhere to go. What further points can be made? If there are "always alternatives" to the problem the student is identifying, then why bother developing a paper around that claim? Ideally, a thesis statement should be complex enough to explore over the length of the entire paper.

Better: The most effective treatment plan for methamphetamine addiction may be a combination of pharmacological and cognitive therapy, as argued by Baker (2008), Smith (2009), and Xavier (2011).

In the revised thesis, you can see the student make a specific, debatable claim that has the potential to generate several pages' worth of discussion. When drafting a thesis statement, think about the questions your thesis statement will generate: What follow-up inquiries might a reader have? In the first example, there are almost no additional questions implied, but the revised example allows for a good deal more exploration.

Thesis Mad Libs

If you are having trouble getting started, try using the models below to generate a rough model of a thesis statement! These models are intended for drafting purposes only and should not appear in your final work.

• In this essay, I argue ____, using ______ to assert _____.
• While scholars have often argued ______, I argue______, because_______.
• Through an analysis of ______, I argue ______, which is important because_______.

Words to Avoid and to Embrace

When drafting your thesis statement, avoid words like explore, investigate, learn, compile, summarize , and explain to describe the main purpose of your paper. These words imply a paper that summarizes or "reports," rather than synthesizing and analyzing.

Instead of the terms above, try words like argue, critique, question , and interrogate . These more analytical words may help you begin strongly, by articulating a specific, critical, scholarly position.

Read Kayla's blog post for tips on taking a stand in a well-crafted thesis statement.

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AP Literature - Theme Statements and Thesis Statements

september 26, 2019

Candace Moore

Using the collective annotation of a poem, theme was defined and discussed, and a format was given for students to always be able to create a thematic statement. Then, given a prompt, thesis statements were discussed and established for the same poem, highlighting the difference between thematic statements and thesis statements, especially in the AP context.

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What Is Theme? Definition, Examples of Theme in Literature

The theme is the central topic of a narrative. Novels, films, plays, and TV shows all have themes. To identify the theme, you simply need to look at the central conflict of a story and ask yourself what it’s all about. How does the protagonist’s experience relate to the broader human condition?

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Basically, any work of art with a plot and a conflict has a big idea at the heart of the action. When you figure out what the creator is trying to say about the way the world works, you’ve probably identified the theme. 

The definition of theme, according to Merriam-Webster , is “a subject or topic of discourse or of artistic representation.” Music can even have a theme, defined as “a melodic subject of a musical composition or movement.”

For the purposes of this article, we’ll mostly be discussing the way authors, playwrights, and screenwriters communicate theme in a piece of writing. 

What Does Theme Mean in Literature?

In a nonfiction book without a narrative structure, you would call the main argument the thesis. A novel or memoir has a theme instead. Much like a thesis in a paper, the theme of a book often expresses an opinion. In some ways, the entire narrative—with its character arcs and plot twists—serves as an argument in support of the author’s theme.

The theme of a work of fiction is different from the genre of that work. For example, you might know that a novel is about mystery or romance, but that doesn’t give you any indication of the book’s theme. 

The topic of the book is not the same as the theme, either. You might know that a book is about World War I, but the theme could express the author’s opinion about any number of big ideas: courage, religious faith, imagination, etc.

How Do You Identify a Theme in Literature?

To identify the theme, look to the climax of the story. Usually, the climax occurs towards the end of the plot, and it’s the moment where tension builds to the highest level. What issues are at stake in the climax? Ask yourself what the conflict is about in that scene. The abstract ideas that drive the story to its climax will usually give you insight into the major theme.

Beyond the major theme, there may be subplots with their own minor themes. Typically, the minor themes will support and build on the primary theme of the story. 

You can distinguish the minor themes from the major theme in two ways. First, the major theme is likely to preoccupy the protagonist (and the antagonist, if one exists) in some way. If the theme only appears in relation to a minor character, it’s not likely the main theme. Second, the major theme should be relevant to the climax. The most dramatic moment in a work of fiction will touch on the major theme.

You can also keep an eye out for motifs, or recurring images or details, since they may give you a clue about the author’s intentions. Similarly, any symbolism that the author uses can help you to define the theme. For example, the blood in the play MacBeth by William Shakespeare is a symbol that points to one of the major themes: the destructive power of guilt. 

Theme vs. Subject

As mentioned above, the theme of a book or play isn’t the same as its subject matter. In a memoir, this is very clear. The subject of the book would be the author’s own life, but the theme could vary based on what the author chooses to write about. 

Returning to Macbeth , the subject of the play is power struggles in 11th century Scotland. The theme has to do with timeless human concerns, such as loyalty, ambition, guilt, etc. 

In literary fiction, the subject may not be as clear-cut. You can deduce the subject matter of a book from the title and the plot. So, the subject, or the topic, of a book might be family life in the suburbs. The theme may require you to dig a bit deeper. Ask yourself, what are the sources of conflict in this story? What abstract ideas do the characters discuss? What is the author trying to say about this subject? Why did the author select these scenes to tell the story?

Thematic Concept vs. Thematic Statement

Thematic concept describes the reader’s understanding of the theme. So, for example, two readers may argue about the theme of a book. In that case, they would have different thematic concepts. 

In contrast, a thematic statement is a sentence or two summarizing the author’s theme. A writing teacher might assign you to write a paper with a thematic statement as its thesis. Usually, thematic statements are written in abstract language, and they sound almost like short aphorisms. 

Some examples might include:

• Love is blind.
• Success takes sacrifice.
• Pride leads to foolish behavior. 

A thematic statement is longer than a one- or two-word description. If you know that the theme is “love,” and you want to write a thematic statement, think about what perspective the author expresses about human love. You might make a list of possible opinions, drawn from what the author communicates through plot, dialogue, setting, symbolism, and so on. 

Your list might look something like this:

• Without love, we die. 
• Love is what makes a house a home. 
• Friendship is the most important kind of love. 
• Lovers will always betray one another. 
• Unconditional love is possible but rare. 

Next, look through the book for passages that support your argument. If you find ample evidence to support a particular statement, you can feel confident that your thematic statement is workable. On the other hand, if you have trouble locating example sentences that confirm your thematic statement, you may want to revise your thematic concept. 

Examples of Theme in Literature

To better understand theme, let’s take some well-known fictional works and examine their climaxes. 

In Harry Potter and the Deathly Hallows: Part 2, the last film in the series, the climax occurs when Harry chooses to return from the dead to face off with Voldemort. The elder wand recognizes Harry as its master, giving him the power to overcome his rival. This scene underscores the theme of the movie—that love is more powerful than death. 

The climax of Pride and Prejudice by Jane Austen happens when Mr. Darcy proposes to Elizabeth for the second time even after many misunderstandings. This reinforces the novel’s theme. With this story, Austen illustrates how finding romantic love may require you to overcome social prejudices and personal pride. 

Major vs. Minor Themes

Sometimes a work of literature contains subplots that deviate from the main idea. For example, A Tale of Two Cities by Charles Dickens has duality as a major theme. Starting from the first sentence of the book, Dickens sets up contrasting pairs with his settings, characters, and philosophical ideas. 

Meanwhile, a subplot within that work reveals a minor theme, having to do with fate. Madame Defarge stitches the names of her enemies into her knitting, an action that echoes the weaving goddesses (the Fates) of Greek mythology. Yet, fate is not addressed with every character’s subplot, nor does it appear in every chapter of the book. For those reasons, the inevitability of fate acts as a minor theme rather than a major theme. 

To some degree, the categorization of major and minor themes may be a matter of personal opinion. It’s possible that a particular theme resonates more with one reader than it does with another. If that’s the case, two readers may develop different thematic concepts, or they may prioritize the major theme differently. 

Common Themes

Certain themes tend to come up in literature again and again. If you’re stuck trying to identify a theme in a novel, film, or play, ask yourself if any of these common types of themes fit:

• Coming of age
• Greed and betrayal
• Good vs. evil
• Survival and perseverance
• The importance of family
• Order vs. chaos
• https://examples.yourdictionary.com/20-powerful-thematic-statement-examples
• https://writing.colostate.edu/guides/page.cfm
• https://www.merriam-webster.com/dictionary/theme
• https://www.litcharts.com/lit/a-tale-of-two-cities/themes/fate-and-history

Kevin Miller is a growth marketer with an extensive background in Search Engine Optimization, paid acquisition and email marketing. He is also an online editor and writer based out of Los Angeles, CA. He studied at Georgetown University, worked at Google and became infatuated with English Grammar and for years has been diving into the language, demystifying the do's and don'ts for all who share the same passion! He can be found online here.

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Constructing the Thesis and Argument—From the Ground Up

Moving beyond the five-paragraph theme.

As an instructor, I’ve noted that a number of new (and sometimes not-so-new) students are skilled wordsmiths and generally clear thinkers but are nevertheless stuck in a high-school style of writing. They struggle to let go of certain assumptions about how an academic paper should be . Chapter 1 points to the essay portion of the SAT as a representative artifact of the writing skills that K-12 education imparts. Some students who have mastered that form, and enjoyed a lot of success from doing so, assume that college writing is simply more of the same. The skills that go into a very basic kind of essay—often called the five-paragraph theme —are indispensable. If you’re good at the five-paragraph theme, then you’re good at identifying a clear and consistent thesis, arranging cohesive paragraphs, organizing evidence for key points, and situating an argument within a broader context through the intro and conclusion.

In college you need to build on those essential skills. The five-paragraph theme, as such, is bland and formulaic; it doesn’t compel deep thinking. Your professors are looking for a more ambitious and arguable thesis, a nuanced and compelling argument, and real-life evidence for all key points, all in an organically 1 structured paper.

Figures 3.1 and 3.2 contrast the standard five-paragraph theme and the organic college paper. The five-paragraph theme, outlined in Figure 3.1 is probably what you’re used to: the introductory paragraph starts broad and gradually narrows to a thesis, which readers expect to find at the very end of that paragraph. In this idealized format, the thesis invokes the magic number of three: three reasons why a statement is true. Each of those reasons is explained and justified in the three body paragraphs, and then the final paragraph restates the thesis before gradually getting broader. This format is easy for readers to follow, and it helps writers organize their points and the evidence that goes with them. That’s why you learned this format.

Figure 3.2, in contrast, represents a paper on the same topic that has the more organic form expected in college. The first key difference is the thesis. Rather than simply positing a number of reasons to think that something is true, it puts forward an arguable statement: one with which a reasonable person might disagree. An arguable thesis gives the paper purpose. It surprises readers and draws them in. You hope your reader thinks, “Huh. Why would they come to that conclusion?” and then feels compelled to read on. The body paragraphs, then, build on one another to carry out this ambitious argument. In the classic five-paragraph theme (Figure 3.1) it hardly matters which of the three reasons you explain first or second. In the more organic structure (Figure 3.2) each paragraph specifically leads to the next.

Figure 3.1, The five-paragraph “theme”

The last key difference is seen in the conclusion. Because the organic essay is driven by an ambitious, non-obvious argument, the reader comes to the concluding section thinking “OK, I’m convinced by the argument. What do you, author, make of it? Why does it matter?” The conclusion of an organically structured paper has a real job to do. It doesn’t just reiterate the thesis; it explains why the thesis matters.

Figure 3.2, The organic college paper

The substantial time you spent mastering the five-paragraph form in Figure 3.1 was time well spent; it’s hard to imagine anyone succeeding with the more organic form without the organizational skills and habits of mind inherent in the simpler form. But if you assume that you must adhere rigidly to the simpler form, you’re blunting your intellectual ambition. Your professors will not be impressed by obvious theses, loosely related body paragraphs, and repetitive conclusions. They want you to undertake an ambitious independent analysis, one that will yield a thesis that is somewhat surprising and challenging to explain.

The three-story thesis: from the ground up

You have no doubt been drilled on the need for a thesis statement and its proper location at the end of the introduction. And you also know that all of the key points of the paper should clearly support the central driving thesis. Indeed, the whole model of the five-paragraph theme hinges on a clearly stated and consistent thesis. However, some students are surprised—and dismayed—when some of their early college papers are criticized for not having a good thesis. Their professor might even claim that the paper doesn’t have a thesis when, in the author’s view it clearly does. So, what makes a good thesis in college?

• A good thesis is non-obvious . High school teachers needed to make sure that you and all your classmates mastered the basic form of the academic essay. Thus, they were mostly concerned that you had a clear and consistent thesis, even if it was something obvious like “sustainability is important.” A thesis statement like that has a wide-enough scope to incorporate several supporting points and concurring evidence, enabling the writer to demonstrate his or her mastery of the five-paragraph form. Good enough! When they can, high school teachers nudge students to develop arguments that are less obvious and more engaging. College instructors, though, fully expect you to produce something more developed.
• A good thesis is arguable . In everyday life, “arguable” is often used as a synonym for “doubtful.” For a thesis, though, “arguable” means that it’s worth arguing: it’s something with which a reasonable person might disagree. This arguability criterion dovetails with the non-obvious one: it shows that the author has deeply explored a problem and arrived at an argument that legitimately needs 3, 5, 10, or 20 pages to explain and justify. In that way, a good thesis sets an ambitious agenda for a paper. A thesis like “sustainability is important” isn’t at all difficult to argue for, and the reader would have little intrinsic motivation to read the rest of the paper. However, an arguable thesis like “sustainability policies will inevitably fail if they do not incorporate social justice,” brings up some healthy skepticism. Thus, the arguable thesis makes the reader want to keep reading.
• A good thesis is well specified . Some student writers fear that they’re giving away the game if they specify their thesis up front; they think that a purposefully vague thesis might be more intriguing to the reader. However, consider movie trailers: they always include the most exciting and poignant moments from the film to attract an audience. In academic papers, too, a well specified thesis indicates that the author has thought rigorously about an issue and done thorough research, which makes the reader want to keep reading. Don’t just say that a particular policy is effective or fair; say what makes it is so. If you want to argue that a particular claim is dubious or incomplete, say why in your thesis.
• A good thesis includes implications . Suppose your assignment is to write a paper about some aspect of the history of linen production and trade, a topic that may seem exceedingly arcane. And suppose you have constructed a well supported and creative argument that linen was so widely traded in the ancient Mediterranean that it actually served as a kind of currency. 2 That’s a strong, insightful, arguable, well specified thesis. But which of these thesis statements do you find more engaging?

Linen served as a form of currency in the ancient Mediterranean world, connecting rival empires through circuits of trade.

Linen served as a form of currency in the ancient Mediterranean world, connecting rival empires through circuits of trade. The economic role of linen raises important questions about how shifting environmental conditions can influence economic relationships and, by extension, political conflicts.

Putting your claims in their broader context makes them more interesting to your reader and more impressive to your professors who, after all, assign topics that they think have enduring significance. Finding that significance for yourself makes the most of both your paper and your learning.

How do you produce a good, strong thesis? And how do you know when you’ve gotten there? Many instructors and writers find useful a metaphor based on this passage by Oliver Wendell Holmes Sr.: 3

There are one-story intellects, two-story intellects, and three-story intellects with skylights. All fact collectors who have no aim beyond their facts are one-story men. Two-story men compare, reason, generalize using the labor of fact collectors as their own. Three-story men idealize, imagine, predict—their best illumination comes from above the skylight.

One-story theses state inarguable facts. Two-story theses bring in an arguable (interpretive or analytical) point. Three-story theses nest that point within its larger, compelling implications. 4

The biggest benefit of the three-story metaphor is that it describes a process for building a thesis. To build the first story, you first have to get familiar with the complex, relevant facts surrounding the problem or question. You have to be able to describe the situation thoroughly and accurately. Then, with that first story built, you can layer on the second story by formulating the insightful, arguable point that animates the analysis. That’s often the most effortful part: brainstorming, elaborating and comparing alternative ideas, finalizing your point. With that specified, you can frame up the third story by articulating why the point you make matters beyond its particular topic or case.

Thesis: that’s the word that pops at me whenever I write an essay. Seeing this word in the prompt scared me and made me think to myself, “Oh great, what are they really looking for?” or “How am I going to make a thesis for a college paper?” When rehearing that I would be focusing on theses again in a class, I said to myself, “Here we go again!” But after learning about the three story thesis, I never had a problem with writing another thesis. In fact, I look forward to being asked on a paper to create a thesis.

Timothée Pizarro

For example, imagine you have been assigned a paper about the impact of online learning in higher education. You would first construct an account of the origins and multiple forms of online learning and assess research findings about its use and effectiveness. If you’ve done that well, you’ll probably come up with a well considered opinion that wouldn’t be obvious to readers who haven’t looked at the issue in depth. Maybe you’ll want to argue that online learning is a threat to the academic community. Or perhaps you’ll want to make the case that online learning opens up pathways to college degrees that traditional campus-based learning does not. In the course of developing your central, argumentative point, you’ll come to recognize its larger context; in this example, you may claim that online learning can serve to better integrate higher education with the rest of society, as online learners bring their educational and career experiences together. To outline this example:

• First story : Online learning is becoming more prevalent and takes many different forms.
• Second story : While most observers see it as a transformation of higher education, online learning is better thought of an extension of higher education in that it reaches learners who aren’t disposed to participate in traditional campus-based education.
• Third story : Online learning appears to be a promising way to better integrate higher education with other institutions in society, as online learners integrate their educational experiences with the other realms of their life, promoting the freer flow of ideas between the academy and the rest of society.

Here’s another example of a three-story thesis: 5

• First story : Edith Wharton did not consider herself a modernist writer, and she didn’t write like her modernist contemporaries.
• Second story : However, in her work we can see her grappling with both the questions and literary forms that fascinated modernist writers of her era. While not an avowed modernist, she did engage with modernist themes and questions.
• Third story : Thus, it is more revealing to think of modernism as a conversation rather than a category or practice.

Here’s one more example:

• First story : Scientists disagree about the likely impact in the U.S. of the light brown apple moth (LBAM) , an agricultural pest native to Australia.
• Second story : Research findings to date suggest that the decision to spray pheromones over the skies of several southern Californian counties to combat the LBAM was poorly thought out.
• Third story : Together, the scientific ambiguities and the controversial response strengthen the claim that industrial-style approaches to pest management are inherently unsustainable.

A thesis statement that stops at the first story isn’t usually considered a thesis. A two-story thesis is usually considered competent, though some two-story theses are more intriguing and ambitious than others. A thoughtfully crafted and well informed three-story thesis puts the author on a smooth path toward an excellent paper.

The concept of a three-story thesis framework was the most helpful piece of information I gained from the writing component of DCC 100. The first time I utilized it in a college paper, my professor included “good thesis” and “excellent introduction” in her notes and graded it significantly higher than my previous papers. You can expect similar results if you dig deeper to form three-story theses. More importantly, doing so will make the actual writing of your paper more straightforward as well. Arguing something specific makes the structure of your paper much easier to design.

Peter Farrell

Three-story theses and the organically structured argument

The three-story thesis is a beautiful thing. For one, it gives a paper authentic momentum. The first paragraph doesn’t just start with some broad, vague statement; every sentence is crucial for setting up the thesis. The body paragraphs build on one another, moving through each step of the logical chain. Each paragraph leads inevitably to the next, making the transitions from paragraph to paragraph feel wholly natural. The conclusion, instead of being a mirror-image paraphrase of the introduction, builds out the third story by explaining the broader implications of the argument. It offers new insight without departing from the flow of the analysis.

I should note here that a paper with this kind of momentum often reads like it was knocked out in one inspired sitting. But in reality, just like accomplished athletes and artists, masterful writers make the difficult thing look easy. As writer Anne Lamott notes, reading a well written piece feels like its author sat down and typed it out, “bounding along like huskies across the snow.” However, she continues,

This is just the fantasy of the uninitiated. I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident. Not one of them writes elegant first drafts. All right, one of them does, but we do not like her very much. 6

Experienced writers don’t figure out what they want to say and then write it. They write in order to figure out what they want to say.

Experienced writers develop theses in dialog with the body of the essay. An initial characterization of the problem leads to a tentative thesis, and then drafting the body of the paper reveals thorny contradictions or critical areas of ambiguity, prompting the writer to revisit or expand the body of evidence and then refine the thesis based on that fresh look. The revised thesis may require that body paragraphs be reordered and reshaped to fit the emerging three-story thesis. Throughout the process, the thesis serves as an anchor point while the author wades through the morass of facts and ideas. The dialogue between thesis and body continues until the author is satisfied or the due date arrives, whatever comes first. It’s an effortful and sometimes tedious process. Novice writers, in contrast, usually oversimplify the writing process. They formulate some first-impression thesis, produce a reasonably organized outline, and then flesh it out with text, never taking the time to reflect or truly revise their work. They assume that revision is a step backward when, in reality, it is a major step forward.

Everyone has a different way that they like to write. For instance, I like to pop my earbuds in, blast dubstep music and write on a white board. I like using the white board because it is a lot easier to revise and edit while you write. After I finish writing a paragraph that I am completely satisfied with on the white board, I sit in front of it with my laptop and just type it up. Kaethe Leonard

Another benefit of the three-story thesis framework is that it demystifies what a “strong” argument is in academic culture. In an era of political polarization, many students may think that a strong argument is based on a simple, bold, combative statement that is promoted it in the most forceful way possible. “Gun control is a travesty!” “Shakespeare is the best writer who ever lived!” When students are encouraged to consider contrasting perspectives in their papers, they fear that doing so will make their own thesis seem mushy and weak. However, in academics a “strong” argument is comprehensive and nuanced, not simple and polemical. The purpose of the argument is to explain to readers why the author—through the course of his or her in-depth study—has arrived at a somewhat surprising point. On that basis, it has to consider plausible counter-arguments and contradictory information. Academic argumentation exemplifies the popular adage about all writing: show, don’t tell. In crafting and carrying out the three-story thesis, you are showing your reader the work you have done.

The model of the organically structured paper and the three-story thesis framework explained here is the very foundation of the paper itself and the process that produces it. The subsequent chapters, focusing on sources, paragraphs, and sentence-level wordsmithing, all follow from the notion that you are writing to think and writing to learn as much as you are writing to communicate. Your professors assume that you have the self-motivation and organizational skills to pursue your analysis with both rigor and flexibility; that is, they envision you developing, testing, refining and sometimes discarding your own ideas based on a clear-eyed and open-minded assessment of the evidence before you.

Other resources

• The Writing Center at the University of North Carolina at Chapel Hill offers an excellent, readable run-down on the five-paragraph theme, why most college writing assignments want you to go beyond it, and those times when the simpler structure is actually a better choice.
• There are many useful websites that describe good thesis statements and provide examples. Those from the writing centers at Hamilton College , Purdue University , and Clarkson University are especially helpful.
• Find a scholarly article or book that is interesting to you. Focusing on the abstract and introduction, outline the first, second, and third stories of its thesis.
• Here is a list of one-story theses. Come up with two-story and three-story versions of each one.A. Television programming includes content that some find objectionable.B. The percent of children and youth who are overweight or obese has risen in recent decades.C. First-year college students must learn how to independently manage their time.D. The things we surround ourselves with symbolize who we are.
• Find an example of a five-paragraph theme (online essay mills, your own high school work), produce an alternative three-story thesis, and outline an organically structured paper to carry that thesis out.
• Go to the SAT website about the essay exam , choose one of the highly rated sample essays. In structure, how does it compare to the five-paragraph theme? How does it compare to the organic college essay? Use the SAT essay example you found to create alternative examples for Figures 3.1 and 3.2.

1 “Organic” here doesn’t mean “pesticide-free” or containing carbon; it means the paper grows and develops, sort of like a living thing.

2 For more see Fabio Lopez-Lazaro “Linen.” In Encyclopedia of World Trade from Ancient Times to the Present . Armonk: M.E. Sharpe, 2005 .

3 Oliver Wendell Holmes Sr., The Poet at the Breakfast Table (New York: Houghton & Mifflin, 1892),

4 The metaphor is extraordinarily useful even though the passage is annoying. Beyond the sexist language of the time, I don’t appreciate the condescension toward “fact-collectors.” which reflects a general modernist tendency to elevate the abstract and denigrate the concrete. In reality, data-collection is a creative and demanding craft, arguably more important than theorizing.

5 Drawn from Jennifer Haytock, Edith Wharton and the Conversations of Literary Modernism (New York: Palgrave-MacMillan, 2008).

6 Anne Lamott, Bird by Bird: Some Instructions on Writing and Life (New York: Pantheon, 1994) , 21.

• Writing in College: From Competence to Excellence. Authored by : Amy Guptill. Provided by : The College of Brockport, SUNY. Located at : http://textbooks.opensuny.org/writing-in-college-from-competence-to-excellence/ . Project : Open SUNY Textbooks. License : CC BY-NC-SA: Attribution-NonCommercial-ShareAlike

Theme vs. Thesis Statement vs. Topic Statement

by Kinglove | Writing

Related article: What is a thesis?

A thesis statement is a statement that says what you are going to argue or prove, not what you’re going to attempt to do. It’s not your plan but your argument.

Identifying a thesis

“The first thing to remember is that a thesis is the  point the author is trying to prove .  That means that a topic, which can be expressed in a phrase, like “alcoholism” or “effect of corruption on poverty,” is  not  a thesis.  A thesis can only be expressed by a complete, declarative sentence  (not a question, either). So be sure to write out a complete sentence when identifying the source’s thesis. (Review “ What is a Thesis ” for more details.)

Often all you need to identify the thesis of an article is the  abstract —the brief summary, usually just a short paragraph, provided with the listing of many articles in most databases. This explains the main idea of the article and states what point it is trying to prove.

However, an abstract is not always provided. In those cases, you may need to read the first few paragraphs to get the gist of the article. This is typically where the author will lay out the argument and, again, state the point that they are trying to prove. In more difficult cases it may be necessary to read the conclusion as well, since this is often where they sum up the argument one last time. Sometimes it’s clearer in the conclusion than in the introduction.

With books, the thesis may be stated on the back, on the jacket flap, in the preface or introduction, or early on in the first chapter. On the back and on the jacket look for phrases like “the author argues that…” In the preface, introduction or first chapter, look for “I argue…” or similar phrases.

Keep in mind:   Reference works do not have theses.  Remember the  definition of a thesis : a point that an essay is trying to prove. Reference works don’t try to prove a point. They simply report information. Usually it’s the more in-depth general interest works, and especially the scholarly sources, that have theses. So those are the ones you’ll want to focus on.” From Shoreline community college .

Merriam Webster’s dictionary:

Definition of thesis:

“a: a proposition to be proved or one advanced without proof:   HYPOTHESIS

“ 5.3 Turn Your Working Hypothesis into a Claim We described the early stages of research as finding a question and imagining a tentative answer. We called that answer your working hypothesis. Now as we discuss building an argument to support that hypothesis, we change our terminology one last time. When you think you can back up your hypothesis with good reasons and evidence, you’ll present that hypothesis as your argument’s claim . A claim is an assertion (which could be one sentence or several) that demands support. Your main claim is the assertion supported by your whole research argument. Some call this assertion your thesis. ” From the Turabian Manual, 9th Edition

Thesis Statements vs. Topic Statements

“ Thesis Statements Every paper must argue an idea and every paper must clearly state that idea in a thesis statement. A thesis statement is different from a topic statement.  A topic statement merely states what the paper is about.  A thesis statement states the argument of that paper. Be sure that you can easily identify your thesis and that the key points of your argument relate directly back to your thesis.

Topic statements: This paper will discuss Harry Truman’s decision to drop the bomb on Hiroshima. The purpose of this paper is to delve into the mindset behind Truman’s decision to drop the bomb on Hiroshima. This paper will explore how Harry Truman came to the decision to drop the bomb on Hiroshima.

Thesis statements: Harry Truman’s decision to drop the bomb on Hiroshima was motivated by racism. The US confrontation with the Soviets was the key factor in Truman’s decision to drop the bomb on Hiroshima. This paper will demonstrate that in his decision to drop the bomb on Hiroshima, Truman was unduly influenced by hawks in his cabinet.” Source: University of Mary Washington .

The theme is the central idea of a piece. It is an implicit  or  recurrent   idea in the work.

“ To identify the central idea or theme, one must also look at the other elements of fiction (plot, characters, setting, conflict, etc.) to explain how the author has tied all of these together. In order to understand the central idea or theme of the story ask yourself the following questions:

• How is the central idea or theme expressed through the characters, setting, point of view, tone, language, or conflict?
• In what way does the resolution of the external conflict indicate the central idea or theme? How does the resolution of the internal conflict express the story’s theme?
• Are symbols, metaphors, or similes used to portray the central idea or theme?
• What are the repeated images, words, or expressions in the story?
• How does the title make sense in terms of the story? Is it significant?
• What the story reveals about society, people in general, the roles of men and women, the time period in which the story takes place?
• Does the central idea make sense in light of the story and the title?

Remember, there is no one way to express the central idea of a story (but some statements are definitely better than others). The best stories have multiple levels of meaning and require MORE THAN ONE READING before the central idea becomes clear. ” http://www.austincc.edu/bvillarr/theme.htm

What is the difference between a thesis statement and a theme?

“Theme is the main idea of the piece of literature, art, film, etc.– whatever it is you are being asked to write about. It is the “lesson” that is being taught. For example, “greed” in an incomplete theme, but “greed is the root of all evil” would be a valid theme of a work.

The thesis is the actual statement in your paper that expresses what the idea behind your essay is. It is what YOUR paper is about, which in turn, is a statement that also conveys what the work being discussed is about. Therefore, a “thesis” normally contains a “theme”. An example might be: In “The Pardoner’s Tale”, Chaucer expresses through both the actions of the Pardoner as well as through the actions of the characters in his tale, the notion that greed is the root of all evil. ” Source: From Yahoo Answers

“There are some very strong parallels between both themes and thesis statements.  I think you will find there will be much in the way of responses to how each will be different.  For my bet, I would like to think of themes as something that can be found in writing that expresses the intent of what the author is trying to show.  Themes can be found in literature and other forms of writing where an idea is explored in a complex and intricate manner.  Examples of themes can be courage, the quest for justice, the collision between equally desirable, but ultimately incompatible courses of action, or the notion of identity formation. These themes are proven from a base that is not purely evidential and argumentative, which differentiates them from a thesis statement.  For example, when Homer explores the theme of equally desirable, but ultimately incompatible courses of action, he does not do so in a strictly linear and evidential manner.  Rather, he shows us a character who must endure such a theme and how it plays out is built within the development of the character.  Hektor’s character evolution is how we, as the reader, see Homer’s theme develop.

In contrast to this, a thesis statement is something that is built through evidence, analysis, and persuasion.  It seems to me to be more linear and directed than a theme.  For instance, a thesis statement can be analytical, which analyzes an idea and deconstructs it through a paper.  A thesis statement could also be persuasive, and it hopes to do so through evidence and analysis.  The websites below give examples of thesis statements.  I think I differentiate both concepts as a thesis statement trying to prove something, while a theme seeks to explore it.” Source: https://www.enotes.com/homework-help/what-difference-between-thesis-statement-theme-110021

Related posts:

• Modify Table of Contents (Use Style for Table of Contents) to Format Your Table of Content
• What is a thesis?

My name is Kenneth Acha. I am the lead author on this site. Our team writes to help people live as Wise Christians because we believe that's the only way to live life to the fullest--to enjoy the good life. We use both science and Christian theology to help ourselves and others live well.

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Dissertation vs Thesis: Your 2024 Guide

If you’ve been thinking about going to graduate school, you may be familiar with the application requirements, rigorous academic schedule, and thesis or dissertation you’ll be expected to complete. So, what exactly is the difference between a thesis and a dissertation? While there are similarities, there’s a clear difference between the two. In our guide, we compare dissertation vs thesis. Discover more about both – and what you can expect during your graduate program. Let’s get started!

• Table of Contents

What Is a Thesis?

A thesis is an academic paper or project that’s completed towards the end of a master’s degree program . It is typically completed as the capstone project , meaning it’s the final project required for a student to graduate.

Students need to select a narrow, specific topic within – or relating to – their field of study. Once they’ve selected a topic, students must conduct an in-depth review of existing research on their chosen subjects. The next step is to formulate an academic argument, an assertion they’ll need to support or prove with said research.

Therefore, a thesis is akin to an in-depth research paper. It’s comprised of research that essentially proves what a student has learned during their program.

What Is a Typical Thesis Structure?

A thesis generally follows a rigid structure that’s decided by the program, department, or university. Here is an example of a thesis structure:

• The Title Page
• Summary of Thesis Abstract
• Table of Maps and Figures
• The Thesis Body (Sometimes divided into chapters)
• The Results or Conclusion

Who Needs to Complete a Thesis?

Most master’s degree programs require students to complete a thesis. While some undergraduate programs may also require a thesis, these are generally shorter and narrower in scope.

Some programs will also require a master’s student to defend their thesis in front of a panel or committee.

What Is a Dissertation?

What is “the PhD paper” called? Some people refer to it as a PhD thesis, but it’s most commonly known as a dissertation in the US. Dissertations are the capstone project required at the tail end of a PhD program . It is almost always required, except for a select few one-year PhD programs .

Much like a thesis, dissertations are also academic papers that aim to prove a student’s expertise – while adding to the current body of knowledge – in their field. Thus, a student must look at existing research and conduct their own research .

Basically, it’s the magnum opus of a doctoral journey in the United States. A dissertation isn’t just a long research paper; it’s a beast of a project. It demands extensive research, originality, and the ability to make a meaningful contribution to your chosen field. Think of it as a research odyssey guided by a seasoned mentor. Once you’ve conquered this scholarly quest and defended your findings, you’ll proudly emerge with your hard-earned doctoral degree, a testament to your dedication and scholarly prowess.

A dissertation typically comes after a PhD student completes their required courses and passes their qualifying exams. In some programs, the dissertation process is embedded into the coursework. In such cases, students receive a jump start on their work, allowing them to potentially finish their program earlier.

What Does a Dissertation Do?

PhD candidates must present a new theory or hypothesis. Alternatively, they must present their research to question (or disprove) the existing accepted theory on their chosen subject. Students may choose to tackle their topic from a new angle or take their research in a different direction.

Most programs will require students to defend their dissertations. During the defense, candidates must be able to justify the methodology of their research and the results and interpretation of their findings. Defenses are typically oral presentations in front of a dissertation committee , where the students are asked questions or presented with challenges.

Although the defense may seem daunting, PhD students work closely with their advisors to prepare for their dissertations. Students receive feedback and advice to guide their dissertations in their chosen direction.

What Is the Typical Dissertation Structure? 

Dissertations follow a rigid structure typically set by the program, department, or university. Here is an example format:

• The Acknowledgments Page
• The Abstract
• Introduction
• The Literature Review & Theoretical Framework
• The Methodology
• Findings/Results
• Discussions of the Findings, including analysis, interpretation, and applications
• The Conclusion
• List of References
• Any Appendices

What Is a Doctoral Thesis?

A doctoral thesis is a substantial piece of scholarly work that marks the pinnacle of a doctoral degree program, such as a PhD. Think of it as the academic grand finale. Its primary mission? To showcase the candidate’s mastery in their chosen field and their knack for delving deep into research.

In a nutshell, a doctoral thesis is a mammoth project that calls for originality. You’ve got to dig, investigate, gather data, crunch numbers, and present real data-supported findings. All this hard work usually happens under the watchful eye of a knowledgeable mentor. Once you’ve conquered this scholarly mountain and defended your thesis successfully, you’ll be proudly awarded your well-deserved doctoral degree. It’s the hallmark of your expertise and contribution to your field.

And how does a doctoral thesis differ from a dissertation? That’s mainly a geographic explanation. While they’re largely similar in scope and purpose, when comparing a doctoral thesis vs. a dissertation:

• A dissertation is the PhD capstone requirement in the US .
• A doctoral thesis is the PhD capstone requirement in Europe .

Related Reading: The Easiest PhDs

Dissertation vs. Thesis: The Similarities

In the master’s thesis vs dissertation discussion, there are plenty of similarities. Both are lengthy academic papers that require intense research and original writing. They’re also capstone projects which are completed at the tail end of their respective programs.

Students must work closely with their respective committees (e.g., faculty members, advisors, professionals) who provide feedback and guidance on their research, writing, and academic arguments. Both thesis and dissertation committees have a committee chair with whom the students work closely.

In some ways, the requirements for theses and dissertations are quite similar. They require a skillful defense of a student’s academic arguments. What’s more, both papers require critical thinking and good analytical reasoning, as well as in-depth expertise in the chosen field of study.

Students must also invest a significant amount of time into both projects while also being able to accept and action feedback on their work.

Dissertation vs. Thesis: The Differences

What are the differences between a PhD dissertation vs. thesis? The first and most distinct difference is the degree program requiring a PhD dissertation or thesis. A dissertation is typically the capstone project for a doctorate, while a thesis is the capstone project for a master’s degree program (or undergraduate program).

Candidates will have to defend their dissertation during an oral presentation in front of their committee. Only some master’s theses require this.

During a thesis, students typically conduct research by reviewing existing literature and knowledge on their chosen subject. During a dissertation, students must do their own research and prove their theory, concept, or hypothesis. They should also expect to develop a unique concept and defend it based on the practical and theoretical results achieved from their rigorous research.

Theses are also typically shorter (around 40 to 80 pages). Dissertations, however, are much longer (between 100 and 300 pages). Of course, the actual length of the paper may depend on the topic, program, department, or university.

Related Reading : PhD Candidate vs Student: What’s the Difference? 

Dissertations and Theses: US vs. Europe

Whether you’re in the US or Europe, dissertations and theses are similar. However, European requirements and conventions differ slightly:

Doctoral Thesis

To ensure your PhD graduation, a dissertation is generally required. Doctoral theses in Europe are much like a PhD dissertation in the US : You must complete your own research and add to the existing body of knowledge in your field.

Master’s Dissertation

It may seem odd to require a dissertation for master’s degree programs, but in Europe, this is exactly what you’ll need. A master’s dissertation is a broader post-graduate program research project , though it’s most typically required for master’s programs.

Frequently Asked Questions

Here are a few of the most common questions we hear about the meaning of thesis vs. dissertation.

Is a Thesis and a Dissertation the Same?

Yes and no. In some ways, a dissertation and a thesis are the same. For example, both require original writing, critical skills, analytical thinking, plenty of research, and lots of academic effort. However, a thesis is more commonly reserved for master’s – and some undergraduate – programs. Dissertations are generally required by PhD programs in the United States.

Additionally, a thesis typically calls for heavy research and compilation of existing knowledge and literature on a subject. A dissertation requires candidates to conduct their own research to prove their own theory, concept, or hypothesis – adding to the existing body of knowledge in their chosen field of study.

How Long Is a Thesis vs. a Dissertation?

One of the primary differences between thesis and dissertation papers is their length. While a thesis might be anywhere from 40 to 80 pages long, a dissertation can easily run from 100 to 300. It’s important to note that these numbers depend on the specific program and university.

Does a PhD Require a Thesis or a Dissertation?

It all depends on where you are! While a US-based PhD requires you to complete a dissertation, a thesis (or “doctoral thesis”) is more commonly required for PhD candidates in Europe. In the US, a thesis is more commonly reserved for master’s degree programs and occasionally undergraduate programs. In Europe, a “master’s dissertation” is typically required for the completion of a master’s degree.

So, there you have it: an in-depth comparison of the dissertation vs. thesis academic requirements. Now that you know the primary similarities and differences between the two, it might become easier to decide your academic path. Just remember, you may be able to find a master’s program without a thesis or a doctorate without a dissertation requirement if you prefer. Good luck!

Are you ready to jump into your doctorate? Find out if you need a master’s degree to get a PhD .

Chriselle Sy

Chriselle has been a passionate professional content writer for over 10 years. She writes educational content for The Grad Cafe, Productivity Spot, The College Monk, and other digital publications.  When she isn't busy writing, she spends her time streaming video games and learning new skills.

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12 Constructing the Thesis and Argument from the Ground Up

Amy Guptill; Liz Delf; Rob Drummond; and Kristy Kelly

Amy Guptill Adapted by Liz Delf, Rob Drummond, and Kristy Kelly

Moving beyond the five-paragraph theme.

As an instructor, I’ve noted that a number of new (and sometimes not-so-new) students are skilled wordsmiths and generally clear thinkers but are nevertheless stuck in a high school style of writing. They struggle to let go of certain assumptions about how an academic paper should be. Some students who have mastered that form, and enjoyed a lot of success from doing so, assume that college writing is simply more of the same. The skills that go into a very basic kind of essay—often called the five-paragraph theme —are indispensable. If you’re good at the five-paragraph theme, then you’re good at identifying a clearfl and consistent thesis, arranging cohesive paragraphs, organizing evidence for key points, and situating an argument within a broader context through the intro and conclusion.

In college you need to build on those essential skills. The five-paragraph theme, as such, is bland and formulaic; it doesn’t compel deep thinking. Your instructors are looking for a more ambitious and arguable thesis, a nuanced and compelling argument, and real-life evidence for all key points, all in an organically structured paper.

Figures 12.1 and 12.2 contrast the standard five-paragraph theme and the organic college paper. The five-paragraph theme (outlined in figure 12.1 ) is probably what you’re used to: the introductory paragraph starts broad and gradually narrows to a thesis, which readers expect to find at the very end of that paragraph. In this idealized format, the thesis invokes the magic number of three: three reasons why a statement is true. Each of those reasons is explained and justified in the three body paragraphs, and then the final paragraph restates the thesis before gradually getting broader. This format is easy for readers to follow, and it helps writers organize their points and the evidence that goes with them. That’s why you learned this format.

In contrast, figure 12.2 represents a paper on the same topic that has the more organic form expected in college. The first key difference is the thesis. Rather than simply positing a number of reasons to think that something is true, it puts forward an arguable statement: one with which a reasonable person might disagree. An arguable thesis gives the paper purpose. It surprises readers and draws them in. You hope your reader thinks, “Huh. Why would they come to that conclusion?” and then feels compelled to read on. The body paragraphs, then, build on one another to carry out this ambitious argument. In the classic five-paragraph theme ( figure 12.1 ), it hardly matters which of the three reasons you explain first or second. In the more organic structure ( figure 12.2 ), each paragraph specifically leads to the next.

The last key difference is seen in the conclusion. Because the organic essay is driven by an ambitious, nonobvious argument, the reader comes to the concluding section thinking, “OK, I’m convinced by the argument. What do you, author, make of it? Why does it matter?” The conclusion of an organically structured paper has a real job to do. It doesn’t just reiterate the thesis; it explains why the thesis matters.

The substantial time you spent mastering the five-paragraph form in figure 12.1 was time well spent; it’s hard to imagine anyone succeeding with the more organic form without the organizational skills and habits of mind inherent in the simpler form. (And it is worth noting that there are limited moments in college where the five-paragraph structure is still useful—in-class essay exams, for example.) But if you assume that you must adhere rigidly to the simpler form, you’re blunting your intellectual ambition. Your instructors will not be impressed by obvious theses, loosely related body paragraphs, and repetitive conclusions. They want you to undertake an ambitious independent analysis, one that will yield a thesis that is somewhat surprising and challenging to explain.

The Three-Story Thesis

From the ground up.

You have no doubt been drilled on the need for a thesis statement and its proper location at the end of the introduction. And you also know that all of the key points of the paper should clearly support the central driving thesis. Indeed, the whole model of the five-paragraph theme hinges on a clearly stated and consistent thesis. However, some students are surprised—and dismayed—when some of their early college papers are criticized for not having a good thesis. Their instructor might even claim that the paper doesn’t have a thesis when, in the author’s view, it clearly does. So what makes a good thesis in college?

• Version A: Linen served as a form of currency in the ancient Mediterranean world, connecting rival empires through circuits of trade.
• Version B: Linen served as a form of currency in the ancient Mediterranean world, connecting rival empires through circuits of trade. The economic role of linen raises important questions about how shifting environmental conditions can influence economic relationships and, by extension, political conflicts.

How do you produce a good, strong thesis? And how do you know when you’ve gotten there? Many instructors and writers embrace a metaphor based on this passage by Oliver Wendell Holmes Sr. (1809–1894). He compares a good thesis to a three-story building:

There are one-story intellects, two-story intellects, and three-story intellects with skylights. All fact collectors who have no aim beyond their facts are one-story men. Two-story men compare, reason, generalize using the labor of fact collectors as their own. Three-story men idealize, imagine, predict—their best illumination comes from above the skylight. (50)

In other words,

• One-story theses state inarguable facts. What’s the background?
• Two-story theses bring in an arguable (interpretive or analytical) point . What is your argument?
• Three-story theses nest that point within its larger, compelling implications . Why does it matter?

Thesis: that’s the word that pops at me whenever I write an essay. Seeing this word in the prompt scared me and made me think to myself, “Oh great, what are they really looking for?” or “How am I going to make a thesis for a college paper?” When rehearing that I would be focusing on theses again in a class, I said to myself, “Here we go again!” But after learning about the three-story thesis, I never had a problem with writing another thesis. In fact, I look forward to being asked on a paper to create a thesis.

Timothée Pizarro

writing student

The biggest benefit of the three-story metaphor is that it describes a process for building a thesis. To build the first story or level, you first have to get familiar with the complex, relevant facts surrounding the problem or question. You have to be able to describe the situation thoroughly and accurately. Then with that first story built, you can layer on the second story by formulating the insightful, arguable point that animates the analysis. That’s often the most effortful part: brainstorming, elaborating and comparing alternative ideas, finalizing your point. With that specified, you can frame up the third story by articulating why the point you make matters beyond its particular topic or case.

The concept of a three-story thesis framework was the most helpful piece of information I gained from the writing component of DCC 100. The first time I utilized it in a college paper, my professor included “good thesis” and “excellent introduction” in her notes and graded it significantly higher than my previous papers. You can expect similar results if you dig deeper to form three-story theses. More importantly, doing so will make the actual writing of your paper more straightforward as well. Arguing something specific makes the structure of your paper much easier to design.

Peter Farrell

For example, imagine you have been assigned a paper about the impact of online learning in higher education. You would first construct an account of the origins and multiple forms of online learning and assess research findings on its use and effectiveness. If you’ve done that well, you’ll probably come up with a well-considered opinion that wouldn’t be obvious to readers who haven’t looked at the issue in depth. Maybe you’ll want to argue that online learning is a threat to the academic community. Or perhaps you’ll want to make the case that online learning opens up pathways to college degrees that traditional campus-based learning does not.

In the course of developing your central, argumentative point, you’ll come to recognize its larger context; in this example, you may claim that online learning can serve to better integrate higher education with the rest of society, as online learners bring their educational and career experiences together. Here is an example:

The final thesis would be all three of these pieces together. These stories build on one another; they don’t replace the previous story. Here’s another example of a three-story thesis:

Here’s one more example:

A thesis statement that stops at the first story isn’t usually considered a thesis . A two-story thesis is usually considered competent, though some two-story theses are more intriguing and ambitious than others. A thoughtfully crafted and well-informed three-story thesis puts the author on a smooth path toward an excellent paper.

Three-Story Theses and the Organically Structured Argument

The three-story thesis is a beautiful thing. For one, it gives a paper authentic momentum. The first paragraph doesn’t just start with some broad, vague statement; every sentence is crucial for setting up the thesis. The body paragraphs build on one another, moving through each step of the logical chain. Each paragraph leads inevitably to the next, making the transitions from paragraph to paragraph feel wholly natural. The conclusion, instead of being a mirror-image paraphrase of the introduction, builds out the third story by explaining the broader implications of the argument. It offers new insight without departing from the flow of the analysis.

I should note here that a paper with this kind of momentum often reads like it was knocked out in one inspired sitting. But in reality, just like accomplished athletes, artists, and musicians, masterful writers make the difficult thing look easy. As writer Anne Lamott notes, reading a well-written piece feels like its author sat down and typed it out, “bounding along like huskies across the snow.” However, she continues,

This is just the fantasy of the uninitiated. I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident. Not one of them writes elegant first drafts. All right, one of them does, but we do not like her very much. (21)

Experienced writers don’t figure out what they want to say and then write it. They write in order to figure out what they want to say.

Experienced writers develop theses in dialogue with the body of the essay. An initial characterization of the problem leads to a tentative thesis, and then drafting the body of the paper reveals thorny contradictions or critical areas of ambiguity, prompting the writer to revisit or expand the body of evidence and then refine the thesis based on that fresh look. The revised thesis may require that body paragraphs be reordered and reshaped to fit the emerging three-story thesis. Throughout the process, the thesis serves as an anchor point while the author wades through the morass of facts and ideas. The dialogue between thesis and body continues until the author is satisfied or the due date arrives, whatever comes first. It’s an effortful and sometimes tedious process.

Novice writers, in contrast, usually oversimplify the writing process. They formulate some first-impression thesis, produce a reasonably organized outline, and then flesh it out with text, never taking the time to reflect or truly revise their work. They assume that revision is a step backward when, in reality, it is a major step forward.

Everyone has a different way that they like to write. For instance, I like to pop my earbuds in, blast dubstep music, and write on a whiteboard. I like using the whiteboard because it is a lot easier to revise and edit while you write. After I finish writing a paragraph that I am completely satisfied with on the whiteboard, I sit in front of it with my laptop and just type it up.

Kaethe Leonard

Another benefit of the three-story thesis framework is that it demystifies what a “strong” argument is in academic culture . In an era of political polarization, many students may think that a strong argument is based on a simple, bold, combative statement that is promoted in the most forceful way possible. “Gun control is a travesty!” “Shakespeare is the best writer who ever lived!” When students are encouraged to consider contrasting perspectives in their papers, they fear that doing so will make their own thesis seem mushy and weak.

However, in academics a “strong” argument is comprehensive and nuanced, not simple and polemical. The purpose of the argument is to explain to readers why the author—through the course of his or her in-depth study—has arrived at a somewhat surprising point. On that basis, it has to consider plausible counterarguments and contradictory information. Academic argumentation exemplifies the popular adage about all writing: show, don’t tell. In crafting and carrying out the three-story thesis, you are showing your reader the work you have done.

The model of the organically structured paper and the three-story thesis framework explained here is the very foundation of the paper itself and the process that produces it. Your instructors assume that you have the self-motivation and organizational skills to pursue your analysis with both rigor and flexibility; that is, they envision you developing, testing, refining, and sometimes discarding your own ideas based on a clear-eyed and open-minded assessment of the evidence before you.

The original chapter, Constructing the Thesis and Argument—from the Ground Up by Amy Guptill, is from Writing in College: From Competence to Excellence

Discussion Questions

• What writing “rules” were you taught in the past? This might be about essay structure, style, or something else. Which of these rules seem to be true in college writing? Which ones are not true in college?
• In what contexts is the five-paragraph essay a useful structure? Why is it not helpful in other contexts—what’s the problem?
• Despite their appeal to patients, robotic pets should not be used widely, since they cause more problems than they solve.
• In recent years, robotic pets have been used in medical settings to help children and elderly patients feel emotionally supported and loved.
• Shifting affection to robotic pets rather than live animals suggests a major change in empathy and humanity and could have long-term costs that have not been fully considered.
• Television programming includes content that some find objectionable.
• The percentage of children and youth who are overweight or obese has risen in recent decades.
• First-year college students must learn how to independently manage their time.
• The things we surround ourselves with symbolize who we are.
• Find a scholarly article or book that is interesting to you. Focusing on the abstract and introduction, outline the first, second, and third stories of its thesis.
• Find an example of a five-paragraph theme (online essay mills, your own high school work), produce an alternative three-story thesis, and outline an organically structured paper to carry that thesis out.

Additional Resources

• The Writing Center at the University of North Carolina at Chapel Hill offers an excellent, readable rundown on the five-paragraph theme, why most college writing assignments want you to go beyond it, and those times when the simpler structure is actually a better choice.
• There are many useful websites that describe good thesis statements and provide examples. Those from the writing centers at Hamilton College  and Purdue University are especially helpful.

Works Cited

Holmes, Oliver Wendell. The Poet at the Breakfast-Table: His Talks with His Fellow-Boarders and the Reader. James R. Osgood, 1872.

Lamott, Anne. Bird by Bird: Some Instructions on Writing and Life. Pantheon, 1994.

Media Attributions

• 12.1 five-paragraph theme © Amy Guptill is licensed under a CC BY-NC-SA (Attribution NonCommercial ShareAlike) license
• 12.2 organic college paper © Amy Guptill is licensed under a CC BY-NC-SA (Attribution NonCommercial ShareAlike) license

Constructing the Thesis and Argument from the Ground Up Copyright © 2022 by Amy Guptill; Liz Delf; Rob Drummond; and Kristy Kelly is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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Lizzo at the met gala: all the details on her glam and her gown.

Makeup artist Alexx Mayo says he created a botanical-themed beauty look that pairs beautifully with the musician's gown by Paris-based designer Victor Weinsanto.

By Laurie Brookins

Laurie Brookins

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Celebrity makeup artist Alexx Mayo has been working with Lizzo for roughly seven years, so he says the Grammy-winning artist possesses “a lot of trust” in the beauty looks he creates for her wide variety of appearances. He calls the ability to create a glam design for this year’s Met Gala with its “The Garden of Time” dressing theme “really a dream come true for me.”

“I gather a lot of my inspiration from botanical gardens, so I was thrilled — nature has the best color combinations,” Mayo adds.

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Dozens of pro-palestine protesters arrested near met gala, met gala: see all the stars in thom browne's class of 2024 photo (exclusive).

Victor Weinsanto originally created the gown for his Spring/Summer 2024 “Perfect Day” collection and couldn’t believe it when stylists Matthew and Reginald Reisman reached out to discuss whether the piece could be made for Lizzo to wear at the Met Gala. “At first I doubted that it was a real request,” he notes to THR with a laugh. “A chance for me to work with Lizzo is just amazing.”

Weinsanto’s original concept of the dress was to create a sculpted corset that from head to toe evoked thoughts of a flower, while also honoring the craft of corsetry. Adjustments were made to customize the design for Lizzo, from a fabric that was dyed to match Lizzo’s skintone by a Parisian house specializing in that craft to opening up the headpiece to put more of a focus on Lizzo’s face and rethinking the boning near the bottom of the gown so she could walk with ease.

“I didn’t want to be the designer responsible for a fall in front of the whole world,” Weinsanto says. “And honestly, now that the dress has been recreated for Lizzo, I like this version even better. It’s also perfect for showcasing her gorgeous body.”

Between 600 and 700 hours were required to complete the dress, Weinsanto says. “So many hands went into making this happen, and I don’t think any of us slept the last five days,” he adds.

Those shades are key to the colors used for Lizzo’s eyes, but Mayo notes that glowing skin also was a priority, especially due to the both the hue and transparent nature of the gown. “I used Kate Somerville’s HydraKate, which has a lightweight feel and really hydrates the skin.”

Perhaps what Mayo loves most about Lizzo’s Met Gala beauty is that it continues to push their evolution and partnership forward. “We’re moving into a new era,” he says of their work together. “We love to play with color, we love to play with different shapes and brows, and Lizzo loves to experiment and play. So this is another level for both of us.”

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'The Met Gala has only had one successful theme, and spoiler: 2024 wasn't it.'

E very year, it's the same. First come the celebs waltzing down the Met Gala red carpet . Then, like clockwork, comes the criticism: they're not dressing to the theme.

But honestly, who can blame this year's crop of famous faces , considering just how confusing the theme was?

The 2024 Met Gala theme was 'Sleeping Beauties: Reawakening Fashion', which is already pretty vague, but then there was the added dress code of 'The Garden of Time'.

This is hard to follow, no?

Are we doing Disney Princess Sleeping Beauty? 

Are we doing sleepy vibes, like cosy pajamas or an ugg boot?

How do gardens and time flow with all that? 

'I'LL JUST BE A BIG, PINK FLOWER, OKAY!' decided Jessica Biel... probably. 

Even before the event,  Vogue editor-in-chief Anna Wintour apologised for the "confusion" surrounding this year's theme, based on the Metropolitan Museum of Art's latest exhibition.

"This exhibition broke my cardinal rule," she said during an interview with Today . "When we came up with the title 'Sleeping Beauties,' it's wonderful and poetic and romantic, but actually, it could be many, many things."

She's not wrong. 

The editor-in-chief expressed her concerns with the curator in charge of The Costume Institute, Andrew Bolton. "I said, 'What are we gonna say to people to wear to this night?' And he said, 'Well, what about 'Garden of Time?'" Wintour added.

"I fear that we've unleashed a lot of confusion out there, and for which I deeply apologise."

The theme wasn't a total disaster, with a handful of standout fits from the likes of co-chair Zendaya, Cardi B, Mona Patel and Kim Kardashian, but it's doubtful that many of these subdued looks will be remembered for decades to come.

And of course, this year paled in comparison to the best Met Gala theme and year of all time.

I'm absolutely talking about the 2018 theme, 'Heavenly Bodies: Fashion and the Catholic Imagination.'

This was a true feast for the eyes.

Listen to The Spill hosts discuss the one Met Gala story no one wants to believe.

That year, Rihanna served as co-chair, which meant her look went to a whole new level: she came as a sexy Pope. Bringing papal realness to NYC, Rihanna wore an encrusted dress, coat and mitre hat designed by John Galliano for Maison Margiela, and changed fashion history in the process.

Not to be outdone, the men's fashion category was represented by the late Chadwick Boseman, the Black Panther star slaying the night in a stunning three-piece white suit by Versace that was covered in gold crosses and ornate swirls, along with a floor-length cape.

The queen and king of the Church of Fashion were crowned this day.

But the sartorial standouts just kept on coming. 

Blake Lively took over the red carpet in a spectacular Versace gown and Christian Louboutin heels.

And if Rihanna was the queen of the Met, then Zendaya was the princess in 2018, in a jaw-dropping custom Versace dress that looked like a legit suit of armour.

Another Met Gala mainstay, Kim Kardashian, has never looked more Kim Kardashian than she did in her figure-hugging Versace dress featuring encrusted golden crosses.

Arianna Grande often misses the mark at the Met, but there was nothing off about this custom Vera Wang dress, printed with a fresco of the Sistine Chapel. Stunninggggg.

Following this theme, model Gigi Hadid paid homage to the church's stained glass windows with this dazzling Versace number (which I still think about weekly). 

And finally, Cardi B made her Met Gala debut in a stunning maternity gown by Moschino.

And yeah, okay, 2018 wasn't perfect. Kendall Jenner just wore extremely long white pants while her sister Kylie wore an uninspired black dress and tiny sunglasses. 

But the missteps were rare — and the standouts would become the gala's most iconic looks of all time.

The 2018 theme was the perfect fashion code: open to interpretation but still the kind of theme that anybody can easily understand and execute.

Take note, 'Sleeping Beauties'. Take note.

Feature image: Getty. 

Do love easy and simple skincare? Take our survey now to go in the running to win a $50 gift voucher. 

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The Met Gala’s Strange but Fitting Literary Inspiration

In 1962, J.G. Ballard published “The Garden of Time,” a short story about aristocrats overrun by “an immense rabble.” Now it’s the dress-code theme for the year’s most lavish ball.

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By Jim Windolf

• May 6, 2024

In an Instagram post on Feb. 15, Vogue rather cryptically announced the dress code for this year’s Met Gala: “The Garden of Time.”

An article published that same day on the Vogue website cleared things up a little, noting that “The Garden of Time” was the title of a short story by J.G. Ballard , a British author who specialized in dystopian works of fiction.

“The Garden of Time” appeared in the February 1962 issue of The Magazine of Fantasy & Science Fiction and was included in the “The Complete Stories of J.G. Ballard,” a collection published not long after the author’s death in 2009. The story describes the last days of Count Axel and his wife, known only as the Countess, who reside in a Palladian villa surrounded by a garden.

They pass the days in seclusion. The count busies himself by attending to rare manuscripts. The countess plays Bach and Mozart on a harpsichord.

The threat to their peaceful existence arrives in the form of an army on the horizon. As it moves closer, Count Axel develops a clearer view of this “vast throng of people, men and women, interspersed with a few soldiers.” In an effort to turn back the advance of this “immense rabble,” he reverses time by plucking blooms from the garden’s most exquisite plant, the time flowers.

Soon enough, the last flower is plucked, and the mob overruns the property. The villa lies in ruins, and all that remains of the count and countess is a pair of statues “gazing out over the grounds” from behind a stand of thorn bushes.

“The Garden of Time” is a fitting but ironic choice as a theme for the year’s most lavish celebration. It’s fitting because the Met Gala celebrates the contemporary equivalents of aristocrats at a time of widespread social anger toward elites; it’s ironic because the reference suggests that the guests and hosts may be doomed.

The same Ballard story inspired a 2021 fashion collection by the designer Thom Browne. The clothing was understated and classic, and the clay-like makeup worn by some of Mr. Browne’s models suggested creatures halfway between statue and human.

The sympathies of “The Garden of Time” seem to lie with the count and countess. And yet the author slips in hints that their lovely existence may be empty. When Count Axel puts his arm around his wife’s waist, he realizes that “he had not embraced her for several years.”

In a 1975 interview with Science Fiction Monthly, Mr. Ballard denied that the story suggested that he missed a bygone way of life. “I think some social changes that took place in this country in the mid-’60s are the best and greatest thing that ever happened here,” he said, adding that it was “marvelous” to see the breakdown of old class divisions.

Our Coverage of the 2024 Met Gala

Zendaya Makes Two Arrivals: The actress wore a second John Galliano design to make a late (re)entrance at the Met Gala . The first was a custom Maison Margiela couture dress he created specifically for her.

A Fitting Literary Inspiration: In 1962, J.G. Ballard published “The Garden of Time,” a short story about aristocrats overrun by “an immense rabble.” It was a fitting but ironic choice as this year’s  dress-code theme .

The Body Spectacle: The night saw Kim Kardashian engaged in a kind of body modification  via extreme corseting. While Tyla, the South African singer and songwriter, appeared coated in sand .

Arrests and Protests: As expected, protesters gathered near the Met Gala to protest the war in Gaza, creating an atmosphere far different  from the one inside the event.

The ‘Naked’ Trend: What better way to distinguish oneself  from hundreds of well-dressed competitors than to wear almost nothing at all?

A Night of Firsts: Here’s the story behind Rebecca Ferguson’s sequin, bird-covered dress , Da’Vine Joy Randolph’s all-denim look , Pamela Anderson’s new incarnation , Christian Cowan and Sam Smith’s debut as a couple , and Amanda Seyfried’s semi-recycled look .