Classic Thesis Style v4.2 by André Miede
This is an easy to use LaTeX template for a PhD or masters thesis, and it is also well suited to a report or book. It provides a classic, professional-quality typographic style that is influenced by Bringhurt’s The Elements of Typographic Style . This Thesis LaTeX template should allow anyone to create a beautiful document with ease.
This is Classic Thesis Style v4.2, originally published on ShareLaTeX and subsequently moved to Overleaf in December 2019.
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What font should I choose for my thesis?
This post is by DrJanene Carey, a freelance writer and editor based in Armidale NSW. She occasionally teaches academic writing at the University of New England and often edits academic theses, articles and reports. Her website is http://www.janenecarey.com
Arguably, this question is a classic time waster and the student who poses it should be told to just get on with writing up their research. But as someone who edits theses for a living, I think a bit of time spent on fonts is part of the process of buffing and polishing what is, after all, one of the most important documents you will ever produce. Just bear in mind that there is no need to immerse yourself so deeply in the topic that you start quibbling about whether it’s a font or a typeface that you are choosing .
Times New Roman is the standard choice for academic documents, and the thesis preparation guidelines of some universities stipulate its use. For many years, it was the default body text for Microsoft Word. With the release of Office 2007, the default became a sans serif typeface called Calibri. Lacking the little projecting bits (serifs) at the end of characters makes Calibri and its many friends, such as Arial, Helvetica and Verdana, look smoother and clearer on a screen, but generally makes them less readable than a serif typeface when used for printed text . The other problem with choosing a sans serif for your body text is that if you want passages in italics (for example, lengthy participant quotes) often this will be displayed as slanted letters, rather than as a true italic font.
You would like your examiners to feel as comfortable as possible while their eyes are traversing the many, many pages of your thesis, so maximising legibility and readability is a good idea. Times New Roman is ubiquitous and familiar, which means it is probably the safest option, but it does have a couple of drawbacks. Originally designed for The Times in London, its characters are slightly narrowed, so that more of them can be squished into a newspaper column. Secondly, some people intensely dislike TNR because they think it has been overused, and regard it as the font you choose when you are not choosing a font .
If you do have the luxury of choice (your university doesn’t insist you use Times New Roman, and you have defined document styles that are easy to modify, and there’s enough time left before the submission deadline) then I think it is worth considering what other typefaces might work well with your thesis. I’m not a typographical expert, but I have the following suggestions.
- Don’t use Calibri, or any other sans serif font, for your body text, though it is fine for headings. Most people agree that dense chunks of printed text are easier to read if the font is serif, and examiners are likely to expect a typeface that doesn’t stray too far from the standard. To my eye, Calibri looks a little too casual for the body of a thesis.
- Typefaces like Garamond, Palatino, Century Schoolbook, Georgia, Minion Pro, Cambria and Constantia are all perfectly acceptable, and they come with Microsoft Word. However, some of them (Georgia and Constantia, for example) feature non-lining numerals, which means that instead of all sitting neatly on the base line, some will stand higher or lower than others, just like letters do. This looks nice when they are integrated with the text, but it is probably not what you want for a tabular display.
- Consider using a different typeface for your headings. It will make them more prominent, which enhances overall readability because the eye scanning the pages can quickly take in the hierarchy of ideas. The easiest way to get a good contrast with your serif body text is to have sans serif headings. Popular combinations are Garamond/Helvetica; Minion Pro/Myriad Pro; Times New Roman/Arial Narrow. But don’t create a dog’s breakfast by having more than two typefaces in your thesis – use point sizes, bold and italics for variety.
Of late, I’ve become quite fond of Constantia. It’s an attractive serif typeface that came out with Office 2007 at the same time as Calibri, and was specifically designed to look good in print and on screen. Increasingly, theses will be read in PDF rather than book format, so screen readability is an important consideration. Asked to review Microsoft’s six new ClearType fonts prior to their release, typographer Raph Levien said Constantia was likely to be everyone’s favourite, because ‘Even though it’s a highly readable Roman font departing only slightly from the classical model, it still manages to be fresh and new.’
By default, Constantia has non-lining numerals, but from Word 2010 onwards you can set them to be lining via the advanced font/number forms option, either throughout your document or in specific sections, such as within tables.
Here is an excerpt from a thesis, shown twice with different typefaces. The first excerpt features Calibri headings with Constantia body text, and the second has that old favourite, Times New Roman. As these examples have been rendered as screenshots, you will get a better idea of how the fonts actually look if you try them on your own computer and printer.
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Academic Appeal: The 11 Best Fonts for Academic Papers
- BY Bogdan Sandu
- 26 February 2024
Imagine settling into the rhythm of crafting your academic magnum opus—the words flow, ideas chime, yet it all hinges on how your prose meets the reader’s eye. You’re well aware that the best fonts for academic papers don’t just whisper to the intellect; they shout to the discerning critic in each evaluator. Here unfolds a narrative, not merely of typography but your academic saga’s silent ambassador.
In forging this guide, I’ve honed focus on one pivotal, often underestimated player in the academic arena: font selection .
Navigate through this roadmap and emerge with a treasure trove of legible typefaces and format tips that ensure your paper stands hallmark to clarity and professionalism.
Absorb insights—from the revered Times New Roman to the understated elegance of Arial —paired with indispensable formatting nuggets that transcend mere compliance with university guidelines .
Dive deep, and by article’s end, unlock a dossier of sage advice, setting your documents a class apart in the scrutinous world of academic scrutiny. Here’s to typography serving not just as a vessel but as your ally in the scholarly discourse.
The Best Fonts for Academic Papers
Traditional choices and their limitations, times new roman : ubiquity and readability vs. overuse.
Times New Roman’s historical significance and widespread use
And then there’s Times New Roman. The OG of academic fonts. It’s got history, it’s got style, and yes, it’s everywhere, but that’s because it works. It’s like the classic blue jeans of fonts – you just can’t go wrong with it.
FAQ On The Best Fonts For Academic Papers
What’s the best font for readability in academic papers.
Serif fonts rule the academic roost for legibility. Times New Roman stands out; it’s visually comfortable for long reads—your thesis panel will thank you. Serifs guide the reader’s eye along lines of text, a scholarly norm.
Can I use sans-serif fonts for my dissertation?
Most committees nod approval at sans-serif fonts for figures and tables. Think Arial or Calibri —crisp for data presentation. Main text? Stick to serifs. Sans-serifs are modern, sure, but tradition wins in dissertation style.
Is there an ideal font size for academic documents?
Size 12 strikes a balance—neither squint-inducing nor space-hogging. It’s the go-to for MLA and APA guidelines . Exceptions exist; footnotes and figure text often shrink to size 10 without side-eye from the scholarly crowd.
Does line spacing matter in academic papers?
Absolutely. Double-spacing is your friend here. It allows breathing room for annotations and comments—a courtesy to readers and graders. Plus, formatting guidelines generally mandate it for everything except block quotations, footnotes, and bibliographic entries.
Should I use different fonts for headings and subheadings?
Consistency is key but differentiate hierarchically. Use bold or italics for distinction, maintaining the same font family. This unifies the document while subtly navigating readers through your paper’s structure.
What’s the most accepted font for academic journal submissions?
Journals often have publisher requirements — Times New Roman, 12-point font frequently tops the list. When in doubt, consult the submission guidelines to avoid the faux pas of using a non-standard font.
What are some lesser-known fonts suitable for academic writing?
Branch out with Garamond —it’s elegant and legible. Book Antiqua also offers that classic vibe without being overused. Exploring beyond Microsoft Word’s default list can distinguish your work subtly yet effectively.
How crucial is font choice in peer-reviewed papers?
Font choice is your paper’s handshakes—first impressions matter. Legible typefaces support peer reviewers in engaging thoroughly with content. Underestimating font’s impact is akin to ignoring the dress code at a gala—noticeable and potentially distracting.
Do different academic fields prefer specific fonts?
Indeed, fields pivot on tradition. Humanities often herald Times New Roman ; STEM fields lean into Arial’s clean lines for clarity in data-driven documents. Match your font to the field’s ethos.
Can I be creative with fonts in my academic paper?
Creativity in academics lives in content, less in formatting. Keep the font choice within the bounds of readability and academic institution guidelines . Let your research shout, not your typeface. Originality lands in your discoveries, not font escapades.
Stepping back, eyeing the canvas of our discourse on the best fonts for academic papers , it’s clear: Typography wields quiet power—shaping perception, ensuring clarity, the unsung hero in the story of academic success. Serif fonts —with Times New Roman at the helm—have held the baton in traditional scholarly compositions, swaying with the rhythm of legibility and convention .
Yet, amidst the staccato of intellectual exchange, the modern beats of Arial and Calibri press forth—bringing sleekness to tables and lucidity to data. Foreground this takeaway: your words, the intense research, the hypotheses—they’re the protagonists. Fonts , however, set the stage, inviting eyes to linger longer, to comprehend without strain.
So, equip your arsenal with the typographic titans treasured in these halls of learning. Their silent echo underscores your voice, bearing it aloft through the critical gaze of peers and mentors. With this map in hand, chart a course through the vast sea of academia—poised to make your indelible mark.
If you liked this article about the best fonts for academic papers , you should check out this article about the best fonts for accessibility .
There are also similar articles discussing the best fonts for children’s books , the best fonts for neon signs , the best fonts for vinyl lettering , and the best fonts for invitations .
And let’s not forget about articles on the best fonts for Google Slides , the best fonts for mobile apps , the best fonts for blogs , and the best fonts for magazines .
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Classicthesis Typographic Thesis
This template has been designed as a homage to the Elements of Typographic Style. As such, it has an air of efficiency and optimal design. It is suitable for any high-level degree thesis such as for a PhD, Masters or Honors. Sections within the thesis are clearly separated in a consistent way, as are sections within each chapter. The default structure of the thesis proceeds in the following order: title page, dedication, abstract, publications, acknowledgements, contents, list of tables/figures/listings, acronyms, content chapters, appendices, bibliography, colophon and declaration.
Description
This template has been designed as a homage to the elements of typographic style. As such, it has an air of efficiency and optimal design. It is suitable for any high-level degree thesis such as for a PhD, Masters or Honors. Sections within the thesis are clearly separated in a consistent way, as are sections within each chapter. The default structure of the thesis proceeds in the following order: title page, dedication, abstract, publications, acknowledgements, contents, list of tables/figures/listings, acronyms, content chapters, appendices, bibliography, colophon and declaration.
The template includes a chapter to get you started using the template and provides several useful suggestions which are worth reading. Also included are two chapters showing the capability of the template to give an idea of how it will look with your content.
Important note: this template comes as a zip file with multiple files and folders within it. It is a good idea to familiarize yourself with each of the included files and to read the introductory chapter so you are well equipped to make use of this template.
This thesis was originally created by André Miede based on Robert Bringhurst’s seminal book on typography “The Elements of Typographic Style”. The template has been modified to fit the commenting style of this website to make it easier to use by Vel .
Current Version
v1.4 (January 1, 2016)
This template is licensed under a GNU General Public License (v3) license.
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TheSans is part of the Thesis superfamily which Luc(as) de Groot first published in 1994. Over the subsequent decades, TheSans came to epitomize the useful-yet-friendly, all-purpose contemporary sans-serif. It has become the face of thousands of organisations, publications and web sites, making it one of the most widely used sans-serifs world-wide.
Thesis was conceived as a versatile typographic system of ambitious scope. It grew out of a dissatisfaction with the limited range of good typefaces available for corporate identity projects. It aims to fill that gap by providing the user with three compatible styles – TheSans, TheMix and TheSerif – in an optically harmonious range of eight weights, including real italics for each weight.
TheSans is a low-contrast typeface – i.e., the differences between thin and thick strokes are not very pronounced. Yet the reference to writing with the broad-nibbed pen is still present, giving the letters a diagonal stress and a forward flow that facilitates reading. The roman letterforms tend to have some characteristics of an italic or written construction. Yet the italic forms themselves are very distinctive: they were not derived from the upright but were individually designed while perfectly complementing the roman forms.
Version history
FontFont published FF TheSans in 1994. In 1999, Luc(as) began selling licenses himself, renaming it TheSans (classic) . The fonts had Proportional Oldstyle figures, but TheSans Basic was created to offer Proportional Lining figures. We also used to sell TheSans Caps , with small caps instead of lowercase. These fonts supported Western European languages only. OpenType allowed us to include more characters, and we created a system for package naming. Here’s a description .
TheSans Office
This four-font family has the structure that’s conventional on Windows: Regular, Italic, Bold, Bold Italic. These are linked, meaning they can be accessed through the “B” (Bold) and “I” (Italic) buttons in office programs. The TrueType versions are manually hinted, giving them excellent reading quality on-screen in Microsoft’s Windows applications.
TheSans in corporate design
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0. This is from the "some kind of manual" that comes with classicthesis (LyX version): XeLaTeX and LuaLaTeX make the use of Unicode fonts possible through the package fontspec. The global font options set by classicthesis.sty are: \setmainfont{TeX Gyre Pagella} \setmathfont{TeX Gyre Pagella Math} \setmonofont{Liberation Mono}
ClassicThesis - A "classically styled" thesis package. This package provides an elegant layout designed in homage to Bringhurst's "The Elements of Typographic Style". It makes use of a range of techniques to get the best results achievable using TX . Included in the bundle are templates to make thesis writing easier. Sources.
A CLASSIC THESIS STYLE andré miede An Homage to The Elements of Typographic Style September 2015 - version 4.2 [September 6, 2015 at 15:14 - classicthesis version 4.2 ]
ClassicThesis - A "classically styled" thesis package. This package provides an elegant layout designed in homage to Bringhurst's "The Elements of Typographic Style". It makes use of a range of techniques to get the best results achievable using TX . Included in the bundle are templates to make thesis writing easier.
Iwona font, for some reason, only shows oldstyle figures when the numbers are smallcaps - and this only happens with pdflatex, not xelatex or lualatex. Thus you'll need to change the line \renewcommand{\sectionmark}[1]{\markright{\thesection\enspace\spacedlowsmallcaps{#1}}}
I'm currently writing my thesis with classicthesis and I would like to modify the fonts of the \paragraph and \subparagraph commands in order to have them with my current font Minion pro. How could I dot that ? This is my MWE : \documentclass[12pt,a4paper,openany,twoside=semi,footinclude=true,headinclude=true]{scrbook} \usepackage{fontspec} \usepackage[frenchb]{babel} \setmainfont{Minion Pro ...
This Thesis LaTeX template should allow anyone to create a beautiful document with ease. This is Classic Thesis Style v4.2, originally published on ShareLaTeX and subsequently moved to Overleaf in December 2019. This is an easy to use LaTeX template for a PhD or masters thesis, and it is also well suited to a report or book.
Provide a classic, high quality typographic style which is inspired by Bringhurst's "The Elements of Typographic Style" [2]. Classic Thesis Style Version 2.8. The bundle is configured to run with a full MiKTEX or TEXLive1 installation right away and, therefore, it uses only freely available fonts.
ClassicThesis - A "classically styled" thesis package This package provides an elegant layout designed in homage to Bringhurst's "The Elements of Typographic Style". It makes use of a range of techniques to get the best results achievable using T e X. Included in the bundle are templates to make thesis writing easier.
2. Provide a classic, high-quality typographic style that is inspired by Bringhurst's "The Elements of Typographic Style" [5]. A Classic Thesis Style classicthesis The bundle is configured to run with a full MiKT EX or T XLive1 in- v4.6 stallation right away and, therefore, it uses only freely available fonts.
Times New Roman is the standard choice for academic documents, and the thesis preparation guidelines of some universities stipulate its use. For many years, it was the default body text for Microsoft Word. With the release of Office 2007, the default became a sans serif typeface called Calibri. Lacking the little projecting bits (serifs) at the ...
Thesis is a large typeface family designed by Luc(as) de Groot.The typefaces were designed between 1994 and 1999 to provide a modern humanist family. Each typeface is available in a variety of weights as well as in italic.Originally released by FontFont in 1994, it has been sold by de Groot through his imprint LucasFonts since 2000.. Thesis fonts have become popular and can be seen in various ...
When you're knee-deep in thesis writing or scientific research, your font choice is like picking the right tool for a delicate job. ... fonts. It's got history, it's got style, and yes, it's everywhere, but that's because it works. It's like the classic blue jeans of fonts - you just can't go wrong with it. FAQ On The Best Fonts ...
Package hfoldsty contains: Then LaTeX uses the EC fonts without other font settings (8-bit version of the standard CM fonts). Install cm-super to get the vector fonts (Type 1) of the EC fonts. Bitmap fonts (PK fonts, Type 3) are resolution dependent. Alternatively you can load the more modern LM (Latin Modern) fonts that are derived from the CM ...
So far this is the formatting I used: main title "Thesis of ...": Arial 16pt. Abstract subtitle: Times New Roman 12pt. Abstract content: Times New Roman 11pt, justified. Heading 1 (main sections of the paper): Arial 14 bold. Heading 2 (sections of the paper, corresponding to Headings 1): Arial 12 bold. Content of each sections (Headings 2 ...
The Thesis superfamily was first published in 1994 as part of the FontFont collection, and became part of the LucasFonts type library in 2000. The family was conceived as a versatile typographic system of ambitious scope. It grew out of a dissatisfaction with the limited range of good typefaces available for corporate identity projects.
Description. This template has been designed as a homage to the elements of typographic style. As such, it has an air of efficiency and optimal design. It is suitable for any high-level degree thesis such as for a PhD, Masters or Honors. Sections within the thesis are clearly separated in a consistent way, as are sections within each chapter.
A Classic Thesis Style Version 2.7 The bundle is configured to run with a full MiKTEX or TEXLive1 installation right away and, therefore, it uses only freely available fonts. (Minion fans can easily adjust the style to their needs.) People interested only in the nice style and not the whole bun-
I am trying to change the font of the caption of my thesis, written with the packages ClassicThesis and Ars Classica. At the moment, the bold "Figure x:" is written in Iwona font, while the rest with the same font as the text. I would like to change that to be Iwona as well. I have tried with the caption package, or the \setkomafont {caption ...
Thesis was conceived as a versatile typographic system of ambitious scope. It grew out of a dissatisfaction with the limited range of good typefaces available for corporate identity projects. ... In 1999, Luc(as) began selling licenses himself, renaming it TheSans (classic). The fonts had Proportional Oldstyle figures, but TheSans Basic was ...
The definitions of \spacedallcaps and \spacedlowsmallcaps seem wrong, because they first apply letter spacing, but then change to a different font and the setting is forgotten. You can fix it as follows. \documentclass[10pt]{book} \usepackage{iftex} \ifTUTeX. \usepackage{fontspec} \setmainfont{TeX Gyre Pagella} \setsansfont{Iwona}
On the View tab, select View Settings . Select Accounts > Signatures. Select New signature, then give it a distinct name. In the editing box below the new name, type your signature, then format it with the font, color, and styles to get the appearance you want. Select Save when you're done. With your new signature selected from the list above ...
The following example code shows where to insert the modifications required (the relevant lines of code are marked with % change color and size here ). I used a shade of green and \huge, but of course you can use the attributes that best suit your needs: \documentclass[. twoside, openright, titlepage, numbers=noenddot, headinclude,