how to study for a literature essay

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How to Study English Literature

Last Updated: June 24, 2023 Fact Checked

This article was co-authored by Alexander Ruiz, M.Ed. . Alexander Ruiz is an Educational Consultant and the Educational Director of Link Educational Institute, a tutoring business based in Claremont, California that provides customizable educational plans, subject and test prep tutoring, and college application consulting. With over a decade and a half of experience in the education industry, Alexander coaches students to increase their self-awareness and emotional intelligence while achieving skills and the goal of achieving skills and higher education. He holds a BA in Psychology from Florida International University and an MA in Education from Georgia Southern University. There are 10 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 415,365 times.

English Literature is a complex subject, and many students end up having to study it at some point. With so many things to keep track of, it can feel overwhelming to even decide where to start. Whether you’re studying for a test, an AP exam, or a college course, you can take some steps to help you achieve your goals.

Laying the Groundwork

• A stanza is a poetic division of lines and is equivalent to the paragraph in prose writing. Usually, stanzas are at least three lines long; groups of two lines are usually called “couplets.” [1] X Research source
• Irony at its basic level says one thing but means another, which is almost always the opposite of what is actually said. For example, a character who meets someone in a raging blizzard might say “Lovely weather we’re having, isn’t it?” This is ironic because the reader can see that it is clearly not lovely weather. William Shakespeare, Jane Austen, and Charles Dickens are famous for their use of irony. [2] X Research source Do not confuse irony with misfortune, which Alanis Morissette’s song “Ironic” is culpable of: “a black fly in your chardonnay” is definitely unfortunate, but it’s not ironic.
• Dramatic irony occurs when the reader or audience knows important information that a character does not, such as the fact that Oedipus killed his father and will marry his mother. [3] X Research source
• Alliteration is a technique used most often in poetry and plays; it is the repetition of the same initial consonants in multiple words within a short space. “Peter Piper picked a peck of pickled peppers” is an example of alliteration.
• A speaker usually refers to the person from whose point of view a poem is given, although it may also be used to refer to a novel’s narrator. Keeping the speaker separate from the author is important, especially in poetic dramatic monologues such as Robert Browning’s "My Last Duchess," in which a maniacal duke admits to having murdered his first wife. Obviously, it is the speaker, not Browning, who is saying these things.
• Figurative language is discussed in more length in Part 2 of this article, but it is the opposite of “literal” language. Figurative language uses techniques such as metaphor, simile, personification, and hyperbole to make a point more vividly. For example, in Shakespeare’s play Antony and Cleopatra, Cleopatra describes Mark Antony this way: “His legs bestride the ocean. His reared arm / Crested the world.” This is hyperbolic language: obviously Antony’s legs didn’t literally straddle the ocean, but it powerfully conveys Cleopatra’s high opinion of him and his power.

Re-reading Your Texts

• Metaphors make direct comparisons between two seemingly dissimilar things. They are stronger than similes. For example, the last line of F. Scott Fitzgerald’s novel The Great Gatsby is a famous metaphor comparing human lives to boats trying to make progress against a strong current: “So we beat on, boats against the current, borne back ceaselessly into the past.” [4] X Research source
• Similes also make comparisons, but they don’t directly state that “x” is “y”. For example, Margaret Mitchell uses a simile to describe Scarlett O’Hara’s interest in Ashley Wilkes with a simile in her novel Gone With the Wind : “The very mystery of him excited her curiosity like a door that had neither lock nor key.” [5] X Research source
• Personification occurs when a non-human animal or object is given human characteristics in order to express an idea more powerfully. For example, Emily Dickinson frequently uses personification in her poems, as in this poem about a snake: “A narrow fellow in the grass / occasionally rides; / You may have met him, -- did you not, / His notice sudden is.” [6] X Research source Here, the snake is a “narrow fellow” who “rides” in the grass, which makes it seem almost like a dashing Victorian gentleman, rather than a reptile.

• If you’re reading fiction, think about the order in which the events are recounted. Are there flashbacks or places in the narrative that cycle back in time? Sandra Cisneros’s novel Caramelo begins close to the end of the actual “story” and switches between various times and places in order to emphasize how complicated family histories are.
• If you’re reading poetry, think about the form of the poetry. What type of poem is it? Is it something formally structured, like a sonnet or sestina? Is it free verse, which makes use of elements such as rhythm and alliteration but doesn’t have a set rhyme scheme? The way the poem is written will often offer clues as to the mood the poet wanted to convey.

• The Hero is a character who embodies good and often fights against evil in a struggle to bring justice or restore order. Beowulf and Captain America are perfect examples of the Hero archetype.
• The Innocent Youth is a character who is usually inexperienced, but whom others like because of the faith s/he has in other people. For example, Pip in Charles Dickens’s novel Great Expectations is an Innocent Youth, as is Luke Skywalker from Star Wars. Often, these archetypes will experience some sort of “coming of age” in later parts of the story.
• The Mentor is tasked with caring for or protecting the main character through wise advice and assistance. Gandalf in J.R.R. Tolkien’s Lord of the Rings and The Hobbit is an excellent example of a Mentor archetype, as is Obi-Wan Kenobi from the Star Wars movies.
• The Doppelganger is a character who doubles for the main character in order to represent the “dark side” of the hero or heroine. Common examples of doppelgangers include Frankenstein and his Creature in Mary Shelley’s Frankenstein and Dr. Jekyll and Mr. Hyde in Robert Louis Stevenson's' novel of the same name.
• The Villain is a character with evil plans whom the hero must oppose. The villain will usually do anything to defeat the hero and is often, though not always, clever. Good examples include Shere Khan from Rudyard Kipling’s The Jungle Book , Smaug the Dragon from The Hobbit , and the Joker from the Batman comics and films.

• The Journey. This is an incredibly common archetype and is referenced in everything from stories of King Arthur to Jonathan Swift's Gulliver’s Travels to Tolkien's Lord of the Rings . In this archetype, the main character undertakes a journey -- physical or emotional, literal or figurative -- to understand something about herself/himself or the world around her/him, or to achieve an important goal. Often, the journey is very important to the plot, as with the Fellowship’s quest to destroy Sauron’s One Ring in the Lord of the Rings.
• The Initiation . This archetype has similarities with the Journey, but the focus is more on the hero/heroine’s developing maturity through their experiences. This type of story may also be called a ‘’bildungsroman.’’ Henry Fielding's Tom Jones is an excellent example of this, as are the origins of most comic book heroes (for example, Peter Parkers lessons about how to handle “great power and great responsibility” as he becomes Spiderman).
• The Fall. This is another very common archetype. In this archetype, the main character experiences a fall from grace as the consequence of her/his own action. Examples of this archetype are all over classic literature, including King Lear from Shakespeare’s play King Lear, Ahab from Melville's novel Moby-Dick, and Satan from John Milton’s epic poem Paradise Lost.

• For example, in Shakespeare’s Macbeth, Macbeth hears a prophecy from a trio of witches that says he will become King of Scotland. While he has never wanted to be king until this moment, the prophecy sets him on a path of ambition and murder that eventually leads in his downfall.
• As another example, in Arthur Miller’s play The Crucible, a group of young girls face a conflict: they’ve been caught doing naughty things in the woods and face punishment. To try to cover up their actions, they accuse their fellow villagers of witchcraft. This action incites the rest of the play’s story, which follows these accusations as they spin out of control.

Making Useful Notes for Fiction and Drama

• Don’t get too bogged down in summary. You don’t have to summarize every little thing that happens in a chapter or act. Aim to note the main action of each one, as well as any important character or thematic moments.

• For plays, you may want to note any speeches that seem particularly important, such as Hamlet’s “To be or not to be” speech or the “attention must be paid” speech from Arthur Miller’s Death of a Salesman.

• For example, Shakespeare’s Hamlet has several problems he needs to solve: 1) Is the ghost of his father urging him to seek revenge trustworthy? 2) How can he take revenge on his uncle in a court full of people who are watching his every move? 3) How can he overcome his natural tendency to overthink things to work up the courage to take the revenge he wants?

• For example, if you’re studying Jane Austen’s Pride and Prejudice , remembering that Mr. Darcy admits to meddling in Elizabeth’s family affairs will be useful in explaining why they are so angry with each other early in the book (i.e., he is too proud to admit that meddling really was wrong, and she is too prejudiced to admit he might have had motivations that made sense).

• Write down particularly vivid moments from the text. Not only can these help you remember what happened in a chapter, they will give you evidence to use when you make claims about the text in your exam.
• For example, consider this quotation from Chapter 41 of Herman Melville’s Moby-Dick, when Ahab has finally caught up with the White Whale: “He [Ahab] piled upon the whale’s white hump the sum of all the general rage and hate felt by his whole race from Adam down; and then, as if his chest had been a mortar, he burst his hot heart’s shell upon it.” [10] X Research source This is far more evocative than simply saying “Ahab attacked the whale.” This passage emphasizes that Ahab is after the whale not just for taking his leg, but because he’s come to embody every single horrible thing that has happened to humans since time began in this whale, and he is willing to destroy himself -- it’s as if his chest is a cannon, remember, with a cannonball exploding from it -- to take the whale down.

• For example, in Nathaniel Hawthorne’s novel The Scarlet Letter, the “A” that Hester Prynne must wear in punishment of her adultery is an obvious symbol, but her daughter Pearl also serves as a symbol. Like the “A,” Pearl is a reminder of her adultery, a “token of her shame.” Hester often dresses Pearl in beautiful gold and red dresses, physically linking her to the letter and to Hester’s crime.

• For example, if you are studying Charlotte Perkins Gilman’s short story "The Yellow Wallpaper," it’s important to be able to speak about the condition of women in the late 19th century. Gilman was a very important feminist writer who wrote against the traditional social structure of her time, which insisted that a woman’s only place was as a wife and mother. Importantly, her arguments usually insisted that this structure harmed men as well as women -- something that is very useful to bring up in a discussion of her fiction, and something you might not know if you were only acting on “common knowledge” of the era.

Making Useful Notes for Poetry

• For example, Edna St. Vincent Millay tackles how difficult it is to write poetry in her poem “I Will Put Chaos into Fourteen Lines.” Knowing that this poem is a sonnet about writing sonnets helps explain part of what the poem’s goal is: putting a little modern “chaos” into a very old and established poetic form. Recognizing that Millay uses a classic Petrarchan rhyme scheme and that many of the lines are in iambic pentameter (meaning they sound like “ta-TUM ta-TUM ta-TUM ta-TUM ta-TUM”) will help you identify the poem as a sonnet.
• Many modern poets write in free verse, but this doesn’t mean they aren’t also paying close attention to the form of their poetry. Look for elements such as alliteration, assonance, repetition, enjambment (the breaking of poetic lines), and rhythm in free verse poetry just as you would in more formally structured poetry.

• Identifying the speaker can be trickier in lyric poetry, such as the type written by poets like Wordsworth or John Keats, because these poems are often written in first-person but don’t make a clear distinction between the speaker and the poet. Nevertheless, even in poems that are written using first-person pronouns like “I”, always refer to the speaker as the speaker, not the poet.

• For example, in William Wordsworth’s poem “Tintern Abbey,” the eye is an important symbol that represents many things, including the poet’s imagination. Wordsworth will often play on the similarity of sound between I and eye , further relating the two concepts.
• Symbolism is all over the place in the Anglo-Saxon epic poem Beowulf. One key symbol is the hall of Heorot, King Hrothgar’s great golden mead-hall. Heorot symbolizes community, bravery, warmth, safety, wealth, and civilization, so when Grendel invades Heorot and murders warriors in their sleep there, he’s violating everything about the Scyldings’ lives.

• It can sometimes be helpful to memorize a key line or two from a poem so that you can use it as evidence. For example, if you’re studying Walt Whitman’s huge poem Leaves of Grass, you might want to memorize the short phrase “dismiss whatever insults your own soul; and your very flesh shall be a great poem.” This short quotation encapsulates much of the meaning from the larger text, and being able to drop it into an exam will help you support your claims.

• Contextual information can also be useful in keeping you from making incorrect statements about poems. For example, it’s important to know that Shakespeare’s sonnets are not all written to female lovers, even though that was the standard for sonnets of the era. In fact, most of them are written to a “fair youth,” a wealthy young man to whom the poet has some sort of deep, possibly romantic, attraction.

Handling Difficult Texts

• Look for footnotes and other aids. Often in books edited for a student audience, the editors will include explanatory footnotes, word definitions, and other aids that can help you grasp what’s going on. Don’t ignore these! They can really help clear up confusing passages.
• Try listening to the audio version of the text, as this can help you retain the information in a new and fun way.

• Flash cards are especially helpful for memorizing things such as literary terms and character names. They may be less helpful for remembering more complex information.

Shakespeare Terms Guide

Community Q&A

• Use a highlighter to highlight key parts so they stand out when you read them. Thanks Helpful 3 Not Helpful 1
• Read the text as many times as you possibly can. Thanks Helpful 4 Not Helpful 1
• Put your notes in the form of spider diagrams or mind maps, as these can help you remember essential notes much easier. Thanks Helpful 6 Not Helpful 0

• Do not just learn the storyline off by heart. You need to be able to analyze the storyline. Thanks Helpful 56 Not Helpful 5
• Do not just read a summary of the book or the blurb. Read the whole text. Thanks Helpful 105 Not Helpful 15

You Might Also Like

• ↑ http://literarydevices.net/stanza/
• ↑ http://literarydevices.net/irony/
• ↑ http://www.english.cam.ac.uk/classroom/terms.htm
• ↑ https://bookriot.com/the-last-line-of-the-great-gatsby-so-we-beat-on/
• ↑ https://kidskonnect.com/language/simile-examples/
• ↑ http://etc.usf.edu/lit2go/115/the-poems-of-emily-dickinson-series-two/4460/nature-poem-24-the-snake/
• ↑ http://literarydevices.net/archetype/
• ↑ http://narrativefirst.com/articles/plot-points-and-the-inciting-incident
• ↑ http://americanliterature.com/author/herman-melville/book/moby-dick-or-the-whale/chapter-41-moby-dick
• ↑ https://www.vox.com/2014/6/24/5824192/study-smarter-learn-better-8-tips-from-memory-researchers

About This Article

To study English literature, always take notes as you read, which will make it easier to recognize themes and connect the dots in the text. Also, highlight important passages that you can use as evidence when you make claims about the story. It's also helpful to make profiles for each main character as you read so you can analyze their character arc after you finish the story. If you think something a character says is important, add it to their profile. For more tips, like how to look for figurative language in English literature, keep reading! Did this summary help you? Yes No

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How to Write a Good English Literature Essay

By Dr Oliver Tearle (Loughborough University)

How do you write a good English Literature essay? Although to an extent this depends on the particular subject you’re writing about, and on the nature of the question your essay is attempting to answer, there are a few general guidelines for how to write a convincing essay – just as there are a few guidelines for writing well in any field.

We at Interesting Literature  call them ‘guidelines’ because we hesitate to use the word ‘rules’, which seems too programmatic. And as the writing habits of successful authors demonstrate, there is no  one way to become a good writer – of essays, novels, poems, or whatever it is you’re setting out to write. The French writer Colette liked to begin her writing day by picking the fleas off her cat.

Edith Sitwell, by all accounts, liked to lie in an open coffin before she began her day’s writing. Friedrich von Schiller kept rotten apples in his desk, claiming he needed the scent of their decay to help him write. (For most student essay-writers, such an aroma is probably allowed to arise in the writing-room more organically, over time.)

We will address our suggestions for successful essay-writing to the average student of English Literature, whether at university or school level. There are many ways to approach the task of essay-writing, and these are just a few pointers for how to write a better English essay – and some of these pointers may also work for other disciplines and subjects, too.

Of course, these guidelines are designed to be of interest to the non-essay-writer too – people who have an interest in the craft of writing in general. If this describes you, we hope you enjoy the list as well. Remember, though, everyone can find writing difficult: as Thomas Mann memorably put it, ‘A writer is someone for whom writing is more difficult than it is for other people.’ Nora Ephron was briefer: ‘I think the hardest thing about writing is writing.’ So, the guidelines for successful essay-writing:

1. Planning is important, but don’t spend too long perfecting a structure that might end up changing.

This may seem like odd advice to kick off with, but the truth is that different approaches work for different students and essayists. You need to find out which method works best for you.

It’s not a bad idea, regardless of whether you’re a big planner or not, to sketch out perhaps a few points on a sheet of paper before you start, but don’t be surprised if you end up moving away from it slightly – or considerably – when you start to write.

Often the most extensively planned essays are the most mechanistic and dull in execution, precisely because the writer has drawn up a plan and refused to deviate from it. What  is a more valuable skill is to be able to sense when your argument may be starting to go off-topic, or your point is getting out of hand,  as you write . (For help on this, see point 5 below.)

We might even say that when it comes to knowing how to write a good English Literature essay,  practising  is more important than planning.

2. Make room for close analysis of the text, or texts.

Whilst it’s true that some first-class or A-grade essays will be impressive without containing any close reading as such, most of the highest-scoring and most sophisticated essays tend to zoom in on the text and examine its language and imagery closely in the course of the argument. (Close reading of literary texts arises from theology and the analysis of holy scripture, but really became a ‘thing’ in literary criticism in the early twentieth century, when T. S. Eliot, F. R. Leavis, William Empson, and other influential essayists started to subject the poem or novel to close scrutiny.)

Close reading has two distinct advantages: it increases the specificity of your argument (so you can’t be so easily accused of generalising a point), and it improves your chances of pointing up something about the text which none of the other essays your marker is reading will have said. For instance, take In Memoriam  (1850), which is a long Victorian poem by the poet Alfred, Lord Tennyson about his grief following the death of his close friend, Arthur Hallam, in the early 1830s.

When answering a question about the representation of religious faith in Tennyson’s poem  In Memoriam  (1850), how might you write a particularly brilliant essay about this theme? Anyone can make a general point about the poet’s crisis of faith; but to look closely at the language used gives you the chance to show  how the poet portrays this.

For instance, consider this stanza, which conveys the poet’s doubt:

A solid and perfectly competent essay might cite this stanza in support of the claim that Tennyson is finding it increasingly difficult to have faith in God (following the untimely and senseless death of his friend, Arthur Hallam). But there are several ways of then doing something more with it. For instance, you might get close to the poem’s imagery, and show how Tennyson conveys this idea, through the image of the ‘altar-stairs’ associated with religious worship and the idea of the stairs leading ‘thro’ darkness’ towards God.

In other words, Tennyson sees faith as a matter of groping through the darkness, trusting in God without having evidence that he is there. If you like, it’s a matter of ‘blind faith’. That would be a good reading. Now, here’s how to make a good English essay on this subject even better: one might look at how the word ‘falter’ – which encapsulates Tennyson’s stumbling faith – disperses into ‘falling’ and ‘altar’ in the succeeding lines. The word ‘falter’, we might say, itself falters or falls apart.

That is doing more than just interpreting the words: it’s being a highly careful reader of the poetry and showing how attentive to the language of the poetry you can be – all the while answering the question, about how the poem portrays the idea of faith. So, read and then reread the text you’re writing about – and be sensitive to such nuances of language and style.

The best way to  become attuned to such nuances is revealed in point 5. We might summarise this point as follows: when it comes to knowing how to write a persuasive English Literature essay, it’s one thing to have a broad and overarching argument, but don’t be afraid to use the  microscope as well as the telescope.

3. Provide several pieces of evidence where possible.

Many essays have a point to make and make it, tacking on a single piece of evidence from the text (or from beyond the text, e.g. a critical, historical, or biographical source) in the hope that this will be enough to make the point convincing.

‘State, quote, explain’ is the Holy Trinity of the Paragraph for many. What’s wrong with it? For one thing, this approach is too formulaic and basic for many arguments. Is one quotation enough to support a point? It’s often a matter of degree, and although one piece of evidence is better than none, two or three pieces will be even more persuasive.

After all, in a court of law a single eyewitness account won’t be enough to convict the accused of the crime, and even a confession from the accused would carry more weight if it comes supported by other, objective evidence (e.g. DNA, fingerprints, and so on).

Let’s go back to the example about Tennyson’s faith in his poem  In Memoriam  mentioned above. Perhaps you don’t find the end of the poem convincing – when the poet claims to have rediscovered his Christian faith and to have overcome his grief at the loss of his friend.

You can find examples from the end of the poem to suggest your reading of the poet’s insincerity may have validity, but looking at sources beyond the poem – e.g. a good edition of the text, which will contain biographical and critical information – may help you to find a clinching piece of evidence to support your reading.

And, sure enough, Tennyson is reported to have said of  In Memoriam : ‘It’s too hopeful, this poem, more than I am myself.’ And there we have it: much more convincing than simply positing your reading of the poem with a few ambiguous quotations from the poem itself.

Of course, this rule also works in reverse: if you want to argue, for instance, that T. S. Eliot’s  The Waste Land is overwhelmingly inspired by the poet’s unhappy marriage to his first wife, then using a decent biographical source makes sense – but if you didn’t show evidence for this idea from the poem itself (see point 2), all you’ve got is a vague, general link between the poet’s life and his work.

Show  how the poet’s marriage is reflected in the work, e.g. through men and women’s relationships throughout the poem being shown as empty, soulless, and unhappy. In other words, when setting out to write a good English essay about any text, don’t be afraid to  pile on  the evidence – though be sensible, a handful of quotations or examples should be more than enough to make your point convincing.

4. Avoid tentative or speculative phrasing.

Many essays tend to suffer from the above problem of a lack of evidence, so the point fails to convince. This has a knock-on effect: often the student making the point doesn’t sound especially convinced by it either. This leaks out in the telling use of, and reliance on, certain uncertain  phrases: ‘Tennyson might have’ or ‘perhaps Harper Lee wrote this to portray’ or ‘it can be argued that’.

An English university professor used to write in the margins of an essay which used this last phrase, ‘What  can’t be argued?’

This is a fair criticism: anything can be argued (badly), but it depends on what evidence you can bring to bear on it (point 3) as to whether it will be a persuasive argument. (Arguing that the plays of Shakespeare were written by a Martian who came down to Earth and ingratiated himself with the world of Elizabethan theatre is a theory that can be argued, though few would take it seriously. We wish we could say ‘none’, but that’s a story for another day.)

Many essay-writers, because they’re aware that texts are often open-ended and invite multiple interpretations (as almost all great works of literature invariably do), think that writing ‘it can be argued’ acknowledges the text’s rich layering of meaning and is therefore valid.

Whilst this is certainly a fact – texts are open-ended and can be read in wildly different ways – the phrase ‘it can be argued’ is best used sparingly if at all. It should be taken as true that your interpretation is, at bottom, probably unprovable. What would it mean to ‘prove’ a reading as correct, anyway? Because you found evidence that the author intended the same thing as you’ve argued of their text? Tennyson wrote in a letter, ‘I wrote In Memoriam  because…’?

But the author might have lied about it (e.g. in an attempt to dissuade people from looking too much into their private life), or they might have changed their mind (to go back to the example of  The Waste Land : T. S. Eliot championed the idea of poetic impersonality in an essay of 1919, but years later he described  The Waste Land as ‘only the relief of a personal and wholly insignificant grouse against life’ – hardly impersonal, then).

Texts – and their writers – can often be contradictory, or cagey about their meaning. But we as critics have to act responsibly when writing about literary texts in any good English essay or exam answer. We need to argue honestly, and sincerely – and not use what Wikipedia calls ‘weasel words’ or hedging expressions.

So, if nothing is utterly provable, all that remains is to make the strongest possible case you can with the evidence available. You do this, not only through marshalling the evidence in an effective way, but by writing in a confident voice when making your case. Fundamentally, ‘There is evidence to suggest that’ says more or less the same thing as ‘It can be argued’, but it foregrounds the  evidence rather than the argument, so is preferable as a phrase.

This point might be summarised by saying: the best way to write a good English Literature essay is to be honest about the reading you’re putting forward, so you can be confident in your interpretation and use clear, bold language. (‘Bold’ is good, but don’t get too cocky, of course…)

5. Read the work of other critics.

This might be viewed as the Holy Grail of good essay-writing tips, since it is perhaps the single most effective way to improve your own writing. Even if you’re writing an essay as part of school coursework rather than a university degree, and don’t need to research other critics for your essay, it’s worth finding a good writer of literary criticism and reading their work. Why is this worth doing?

Published criticism has at least one thing in its favour, at least if it’s published by an academic press or has appeared in an academic journal, and that is that it’s most probably been peer-reviewed, meaning that other academics have read it, closely studied its argument, checked it for errors or inaccuracies, and helped to ensure that it is expressed in a fluent, clear, and effective way.

If you’re serious about finding out how to write a better English essay, then you need to study how successful writers in the genre do it. And essay-writing is a genre, the same as novel-writing or poetry. But why will reading criticism help you? Because the critics you read can show you how to do all of the above: how to present a close reading of a poem, how to advance an argument that is not speculative or tentative yet not over-confident, how to use evidence from the text to make your argument more persuasive.

And, the more you read of other critics – a page a night, say, over a few months – the better you’ll get. It’s like textual osmosis: a little bit of their style will rub off on you, and every writer learns by the examples of other writers.

As T. S. Eliot himself said, ‘The poem which is absolutely original is absolutely bad.’ Don’t get precious about your own distinctive writing style and become afraid you’ll lose it. You can’t  gain a truly original style before you’ve looked at other people’s and worked out what you like and what you can ‘steal’ for your own ends.

We say ‘steal’, but this is not the same as saying that plagiarism is okay, of course. But consider this example. You read an accessible book on Shakespeare’s language and the author makes a point about rhymes in Shakespeare. When you’re working on your essay on the poetry of Christina Rossetti, you notice a similar use of rhyme, and remember the point made by the Shakespeare critic.

This is not plagiarising a point but applying it independently to another writer. It shows independent interpretive skills and an ability to understand and apply what you have read. This is another of the advantages of reading critics, so this would be our final piece of advice for learning how to write a good English essay: find a critic whose style you like, and study their craft.

If you’re looking for suggestions, we can recommend a few favourites: Christopher Ricks, whose  The Force of Poetry is a tour de force; Jonathan Bate, whose  The Genius of Shakespeare , although written for a general rather than academic audience, is written by a leading Shakespeare scholar and academic; and Helen Gardner, whose  The Art of T. S. Eliot , whilst dated (it came out in 1949), is a wonderfully lucid and articulate analysis of Eliot’s poetry.

James Wood’s How Fiction Works  is also a fine example of lucid prose and how to close-read literary texts. Doubtless readers of  Interesting Literature will have their own favourites to suggest in the comments, so do check those out, as these are just three personal favourites. What’s your favourite work of literary scholarship/criticism? Suggestions please.

Much of all this may strike you as common sense, but even the most commonsensical advice can go out of your mind when you have a piece of coursework to write, or an exam to revise for. We hope these suggestions help to remind you of some of the key tenets of good essay-writing practice – though remember, these aren’t so much commandments as recommendations. No one can ‘tell’ you how to write a good English Literature essay as such.

But it can be learned. And remember, be interesting – find the things in the poems or plays or novels which really ignite your enthusiasm. As John Mortimer said, ‘The only rule I have found to have any validity in writing is not to bore yourself.’

Finally, good luck – and happy writing!

And if you enjoyed these tips for how to write a persuasive English essay, check out our advice for how to remember things for exams  and our tips for becoming a better close reader of poetry .

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30 thoughts on “How to Write a Good English Literature Essay”

You must have taken AP Literature. I’m always saying these same points to my students.

I also think a crucial part of excellent essay writing that too many students do not realize is that not every point or interpretation needs to be addressed. When offered the chance to write your interpretation of a work of literature, it is important to note that there of course are many but your essay should choose one and focus evidence on this one view rather than attempting to include all views and evidence to back up each view.

Reblogged this on SocioTech'nowledge .

Not a bad effort…not at all! (Did you intend “subject” instead of “object” in numbered paragraph two, line seven?”

Oops! I did indeed – many thanks for spotting. Duly corrected ;)

That’s what comes of writing about philosophy and the subject/object for another post at the same time!

Reblogged this on Scribing English .

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Great post on essay writing! I’ve shared a post about this and about the blog site in general which you can look at here: http://writeoutloudblog.com/2015/01/13/recommended-resource-interesting-literature-com-how-to-write-an-essay/

All of these are very good points – especially I like 2 and 5. I’d like to read the essay on the Martian who wrote Shakespeare’s plays).

Reblogged this on Uniqely Mustered and commented: Dedicate this to all upcoming writers and lovers of Writing!

I shall take this as my New Year boost in Writing Essays. Please try to visit often for corrections,advise and criticisms.

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All very good points, but numbers 2 and 4 are especially interesting.

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Great post. Interesting infographic how to write an argumentative essay http://www.essay-profy.com/blog/how-to-write-an-essay-writing-an-argumentative-essay/

Reblogged this on DISTINCT CHARACTER and commented: Good Tips

Reblogged this on quirkywritingcorner and commented: This could be applied to novel or short story writing as well.

Reblogged this on rosetech67 and commented: Useful, albeit maybe a bit late for me :-)

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How to Write a GCSE English Literature Essay

I was an English teacher for many years, both at GCSE and A Level , and I found that students did best when they knew exactly what examiners wanted (and crucially, didn’t want) to see in any English essay. This guide will give you some of my top tips for success when it comes to achieving the top grade in any GCSE English Literature paper.

English Senior Content Creator

22 January 2024

• 1 . What do examiners want to see in any English essay at GCSE? 
• 2 . How long should a GCSE English Literature essay be?
• 3 . Planning the GCSE English Literature essay
• 4 . How do you structure an English Literature essay?
• 5 . How do you write a GCSE English Literature essay conclusion?
• 6 . GCSE English Literature essay examples

Whichever exam board you are studying as part of your GCSE English Literature (AQA, Edexcel, OCR, Eduqas or WJEC), or if you’re studying for an IGCSE (Edexcel or CIE), you will be required to write a long essay on at least one type of text. These texts could include a Shakespeare play, a 19th-century novel, a modern text, or poetry, either from an anthology or unseen. Because some of these essay questions can be worth up to 40 marks (and therefore a huge chunk of your overall GCSE mark), it is vital that you have a good grounding in essay writing to get the top marks in your English Literature exam. 

What do examiners want to see in any English essay at GCSE? 

My experience also working as an examiner means that I have first-hand knowledge of the conversations that exam boards have with their individual examiners. The first thing to say is that examiners always want to give students credit: GCSE exams are “positively” marked, which means that they don’t deduct marks for mistakes. Instead, they start from the top of the mark scheme and fit students into a level, working down until they find a “best fit” between the student and a level.

So what? I hear you cry. Well, this means that if you - as a student - understand the English Literature mark scheme, and the assessment objectives, then you know exactly what you have to do to succeed. I always talked to my students about “thinking like an examiner”. The best way to do this is to look at the mark scheme on your exam board’s website. Even better, here at SME we have created student-friendly mark schemes, where we have “translated” them into everyday language. Here’s one for the Shakespeare essay question for AQA Paper 1.

How long should a GCSE English Literature essay be?

This is a great question, and one my students always asked me! The simple answer is: not as long as you might think. A “good essay” is certainly not the same as a long essay. In fact, I drummed into my students a favourite phrase of mine: “write less, plan more”. Much like the writing questions in the GCSE English Language paper, it is a much better idea to write a shorter, well-planned essay than including everything you can possibly remember about the character or theme that has come up in the exam question. In fact, when I was an examiner, I was often instructed to mark an essay down a level if it was too long, because inevitably these hyper-long pieces of writing lost focus and became unstructured. A shorter essay, focused throughout on the exam question, will always do better than a 10-page mega-essay that includes as many points as a student can remember in the timeframe. I have seen a whole essay that is only four sides of A4 achieve full marks. As a result, it can be a good idea to spend at least 20-30% of your allocated time on planning your answer.

Planning the GCSE English Literature essay

As already mentioned, planning can be the key to unlocking the very highest marks at GCSE. At SME, we have detailed, step by step guides on how to plan essays for Shakespeare , and also for the AQA GCSE English Literature 19-century novel (including A Christmas Carol ) and modern text (including An Inspector Calls ). However, before you start writing your essay, some great tips include:

Make sure you understand the exam question. Underline the key words of the question

Annotate the exam paper (this is especially great if you are answering an essay question that also includes an extract)

Establish your own argument, or viewpoint, based on the key words of the question

Write down your overarching argument (this is often called a “thesis statement”) at the top of your page

Select evidence that backs up your thesis statement (if you have been given an extract, try to select evidence from elsewhere in the text as well)

Based on your selected evidence, organise your argument into two or three main points (these will form your paragraphs)

How do you structure an English Literature essay?

A lot of schools and colleges teach students very specific paragraph structures, such as PEE, or PETAL. Although this can be a great way to learn how to write essay paragraphs, for the very highest marks at GCSE these rigid structures can be limiting. Exam boards say that they would prefer students to move away from PEE-style structures, because this allows students the space to be more “exploratory” and “conceptualised”: both of these words really mean that they want a lot more of that second “E” in PEE: explanation. 

Overall, I always asked my students to follow this broad structure for any essay:

Introduction: for the very highest marks, this must include a thesis statement, or a summary of your overall argument

Paragraph 1: This would include a topic sentence, which sets out the main point of the paragraph, and then uses various pieces of evidence to back up the argument made in the topic sentence

Paragraph 2: This would include a topic sentence, which sets out the main point of the paragraph, and then uses various pieces of evidence to back up the argument made in the topic sentence

Paragraph 3: This would include a topic sentence, which sets out the main point of the paragraph, and then uses various pieces of evidence to back up the argument made in the topic sentence. Depending on the exam board, and question, this could include a counter-argument

Conclusion: This would make the case that the argument, as set out in the introduction, has been proved

How do you write a GCSE English Literature essay conclusion?

Conclusions are tricky. Lots of English teachers have slightly different opinions on how to write conclusions for a GCSE English Literature essay. Some teachers might even say that it is not necessary to write a conclusion, but here at SME we always think it’s a great idea. This is because it really helps create what examiners call a “coherent response”: an argument that is focused all the way through, right to the end. Here are my top tips for writing a conclusion for a GCSE English Literature essay:

A conclusion should only summarise the proof you have provided for your argument

It only needs to be two or three sentences long

It should include the words of the question and your thesis statement

Remember, you do not get rewarded for including the same information twice, so try to be brief when summarising the points you made in the main body of your essay

GCSE English Literature essay examples

At SME, we have lots of annotated model answers for GCSE English Literature questions, including one for Macbeth , and another for A Christmas Carol.

Here is an excerpt from our model answer on whether Lady Macbeth is a character who changes throughout the play:

Shakespeare presents Lady Macbeth as a female character who changes dramatically over the course of the play: she changes from a ruthless, remorseless woman who is able to manipulate her husband, to one that is side-lined by Macbeth and, ultimately, totally consumed by guilt. Shakespeare is perhaps suggesting that unchecked ambition and hubris, particularly for women, have fatal consequences.

Here’s an excerpt from our model answer for A Christmas Carol on how Dickens presents the suffering of the poor:

In this extract, Dickens uses the two characters, Ignorance and Want, as an allegory, as they are symbolic of society’s cruelty towards the suffering of the poor. Dickens uses these two characters to expose the consequences of society’s greed and avarice. The children are first depicted as emerging from the spirit’s robe which underscores Dickens’s message of how poverty, and its devastating consequences, remain largely shrouded, unseen and ignored by society. Furthermore, Dickens’s imagery depicts the children as emaciated and wretched which induces both horror and pity in the reader.

For lots more model answers, tips and step by step guides, please do visit the GCSE English Literature pages of SME. 

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Written by Nick Redgrove

Nick is a graduate of the University of Cambridge and King’s College London. He started his career in journalism and publishing, working as an editor on a political magazine and a number of books, before training as an English teacher. After nearly 10 years working in London schools, where he held leadership positions in English departments and within a Sixth Form, he moved on to become an examiner and education consultant. With more than a decade of experience as a tutor, Nick specialises in English, but has also taught Politics, Classical Civilisation and Religious Studies.

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Methodology

• How to Write a Literature Review | Guide, Examples, & Templates

How to Write a Literature Review | Guide, Examples, & Templates

Published on January 2, 2023 by Shona McCombes . Revised on September 11, 2023.

What is a literature review? A literature review is a survey of scholarly sources on a specific topic. It provides an overview of current knowledge, allowing you to identify relevant theories, methods, and gaps in the existing research that you can later apply to your paper, thesis, or dissertation topic .

There are five key steps to writing a literature review:

• Search for relevant literature
• Evaluate sources
• Identify themes, debates, and gaps
• Outline the structure
• Write your literature review

A good literature review doesn’t just summarize sources—it analyzes, synthesizes , and critically evaluates to give a clear picture of the state of knowledge on the subject.

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Table of contents

What is the purpose of a literature review, examples of literature reviews, step 1 – search for relevant literature, step 2 – evaluate and select sources, step 3 – identify themes, debates, and gaps, step 4 – outline your literature review’s structure, step 5 – write your literature review, free lecture slides, other interesting articles, frequently asked questions, introduction.

• Quick Run-through
• Step 1 & 2

When you write a thesis , dissertation , or research paper , you will likely have to conduct a literature review to situate your research within existing knowledge. The literature review gives you a chance to:

• Demonstrate your familiarity with the topic and its scholarly context
• Develop a theoretical framework and methodology for your research
• Position your work in relation to other researchers and theorists
• Show how your research addresses a gap or contributes to a debate
• Evaluate the current state of research and demonstrate your knowledge of the scholarly debates around your topic.

Writing literature reviews is a particularly important skill if you want to apply for graduate school or pursue a career in research. We’ve written a step-by-step guide that you can follow below.

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Writing literature reviews can be quite challenging! A good starting point could be to look at some examples, depending on what kind of literature review you’d like to write.

• Example literature review #1: “Why Do People Migrate? A Review of the Theoretical Literature” ( Theoretical literature review about the development of economic migration theory from the 1950s to today.)
• Example literature review #2: “Literature review as a research methodology: An overview and guidelines” ( Methodological literature review about interdisciplinary knowledge acquisition and production.)
• Example literature review #3: “The Use of Technology in English Language Learning: A Literature Review” ( Thematic literature review about the effects of technology on language acquisition.)
• Example literature review #4: “Learners’ Listening Comprehension Difficulties in English Language Learning: A Literature Review” ( Chronological literature review about how the concept of listening skills has changed over time.)

You can also check out our templates with literature review examples and sample outlines at the links below.

Download Word doc Download Google doc

Before you begin searching for literature, you need a clearly defined topic .

If you are writing the literature review section of a dissertation or research paper, you will search for literature related to your research problem and questions .

Make a list of keywords

Start by creating a list of keywords related to your research question. Include each of the key concepts or variables you’re interested in, and list any synonyms and related terms. You can add to this list as you discover new keywords in the process of your literature search.

• Social media, Facebook, Instagram, Twitter, Snapchat, TikTok
• Body image, self-perception, self-esteem, mental health
• Generation Z, teenagers, adolescents, youth

Search for relevant sources

Use your keywords to begin searching for sources. Some useful databases to search for journals and articles include:

• Your university’s library catalogue
• Google Scholar
• Project Muse (humanities and social sciences)
• Medline (life sciences and biomedicine)
• EconLit (economics)
• Inspec (physics, engineering and computer science)

You can also use boolean operators to help narrow down your search.

Make sure to read the abstract to find out whether an article is relevant to your question. When you find a useful book or article, you can check the bibliography to find other relevant sources.

You likely won’t be able to read absolutely everything that has been written on your topic, so it will be necessary to evaluate which sources are most relevant to your research question.

For each publication, ask yourself:

• What question or problem is the author addressing?
• What are the key concepts and how are they defined?
• What are the key theories, models, and methods?
• Does the research use established frameworks or take an innovative approach?
• What are the results and conclusions of the study?
• How does the publication relate to other literature in the field? Does it confirm, add to, or challenge established knowledge?
• What are the strengths and weaknesses of the research?

Make sure the sources you use are credible , and make sure you read any landmark studies and major theories in your field of research.

You can use our template to summarize and evaluate sources you’re thinking about using. Click on either button below to download.

Take notes and cite your sources

As you read, you should also begin the writing process. Take notes that you can later incorporate into the text of your literature review.

It is important to keep track of your sources with citations to avoid plagiarism . It can be helpful to make an annotated bibliography , where you compile full citation information and write a paragraph of summary and analysis for each source. This helps you remember what you read and saves time later in the process.

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To begin organizing your literature review’s argument and structure, be sure you understand the connections and relationships between the sources you’ve read. Based on your reading and notes, you can look for:

• Trends and patterns (in theory, method or results): do certain approaches become more or less popular over time?
• Themes: what questions or concepts recur across the literature?
• Debates, conflicts and contradictions: where do sources disagree?
• Pivotal publications: are there any influential theories or studies that changed the direction of the field?
• Gaps: what is missing from the literature? Are there weaknesses that need to be addressed?

This step will help you work out the structure of your literature review and (if applicable) show how your own research will contribute to existing knowledge.

• Most research has focused on young women.
• There is an increasing interest in the visual aspects of social media.
• But there is still a lack of robust research on highly visual platforms like Instagram and Snapchat—this is a gap that you could address in your own research.

There are various approaches to organizing the body of a literature review. Depending on the length of your literature review, you can combine several of these strategies (for example, your overall structure might be thematic, but each theme is discussed chronologically).

Chronological

The simplest approach is to trace the development of the topic over time. However, if you choose this strategy, be careful to avoid simply listing and summarizing sources in order.

Try to analyze patterns, turning points and key debates that have shaped the direction of the field. Give your interpretation of how and why certain developments occurred.

If you have found some recurring central themes, you can organize your literature review into subsections that address different aspects of the topic.

For example, if you are reviewing literature about inequalities in migrant health outcomes, key themes might include healthcare policy, language barriers, cultural attitudes, legal status, and economic access.

Methodological

If you draw your sources from different disciplines or fields that use a variety of research methods , you might want to compare the results and conclusions that emerge from different approaches. For example:

• Look at what results have emerged in qualitative versus quantitative research
• Discuss how the topic has been approached by empirical versus theoretical scholarship
• Divide the literature into sociological, historical, and cultural sources

Theoretical

A literature review is often the foundation for a theoretical framework . You can use it to discuss various theories, models, and definitions of key concepts.

You might argue for the relevance of a specific theoretical approach, or combine various theoretical concepts to create a framework for your research.

Like any other academic text , your literature review should have an introduction , a main body, and a conclusion . What you include in each depends on the objective of your literature review.

The introduction should clearly establish the focus and purpose of the literature review.

Depending on the length of your literature review, you might want to divide the body into subsections. You can use a subheading for each theme, time period, or methodological approach.

As you write, you can follow these tips:

• Summarize and synthesize: give an overview of the main points of each source and combine them into a coherent whole
• Analyze and interpret: don’t just paraphrase other researchers — add your own interpretations where possible, discussing the significance of findings in relation to the literature as a whole
• Critically evaluate: mention the strengths and weaknesses of your sources
• Write in well-structured paragraphs: use transition words and topic sentences to draw connections, comparisons and contrasts

In the conclusion, you should summarize the key findings you have taken from the literature and emphasize their significance.

When you’ve finished writing and revising your literature review, don’t forget to proofread thoroughly before submitting. Not a language expert? Check out Scribbr’s professional proofreading services !

This article has been adapted into lecture slides that you can use to teach your students about writing a literature review.

Scribbr slides are free to use, customize, and distribute for educational purposes.

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If you want to know more about the research process , methodology , research bias , or statistics , make sure to check out some of our other articles with explanations and examples.

• Sampling methods
• Simple random sampling
• Stratified sampling
• Cluster sampling
• Likert scales
• Reproducibility

 Statistics

• Null hypothesis
• Statistical power
• Probability distribution
• Effect size
• Poisson distribution

Research bias

• Optimism bias
• Cognitive bias
• Implicit bias
• Hawthorne effect
• Anchoring bias
• Explicit bias

A literature review is a survey of scholarly sources (such as books, journal articles, and theses) related to a specific topic or research question .

It is often written as part of a thesis, dissertation , or research paper , in order to situate your work in relation to existing knowledge.

There are several reasons to conduct a literature review at the beginning of a research project:

• To familiarize yourself with the current state of knowledge on your topic
• To ensure that you’re not just repeating what others have already done
• To identify gaps in knowledge and unresolved problems that your research can address
• To develop your theoretical framework and methodology
• To provide an overview of the key findings and debates on the topic

Writing the literature review shows your reader how your work relates to existing research and what new insights it will contribute.

The literature review usually comes near the beginning of your thesis or dissertation . After the introduction , it grounds your research in a scholarly field and leads directly to your theoretical framework or methodology .

A literature review is a survey of credible sources on a topic, often used in dissertations , theses, and research papers . Literature reviews give an overview of knowledge on a subject, helping you identify relevant theories and methods, as well as gaps in existing research. Literature reviews are set up similarly to other  academic texts , with an introduction , a main body, and a conclusion .

An  annotated bibliography is a list of  source references that has a short description (called an annotation ) for each of the sources. It is often assigned as part of the research process for a  paper .  

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• UCAS Guide Home >
• A-Level English Literature

How to Write an A-Level English Literature Essay

Writing an A-level English Literature essay is like creating a masterpiece. It’s a skill that can make a big difference in your academic adventure. 

In this article, we will explore the world of literary analysis in an easy-to-follow way. We’ll show you how to organise your thoughts, analyse texts, and make strong arguments. 

The Basics of Crafting A-Level English Literature Essays

Understanding the Assignment: Decoding Essay Prompts

Writing begins with understanding. When faced with an essay prompt, dissect it carefully. Identify keywords and phrases to grasp what’s expected. Pay attention to verbs like “analyse,” “discuss,” or “evaluate.” These guide your approach. For instance, if asked to analyse, delve into the how and why of a literary element.

Essay Structure: Building a Solid Foundation

The structure is the backbone of a great essay. Start with a clear introduction that introduces your topic and thesis. The body paragraphs should each focus on a specific aspect, supporting your thesis. Don’t forget topic sentences—they guide readers. Finally, wrap it up with a concise conclusion that reinforces your main points.

Thesis Statements: Crafting Clear and Powerful Arguments

Your thesis is your essay’s compass. Craft a brief statement conveying your main argument. It should be specific, not vague. Use it as a roadmap for your essay, ensuring every paragraph aligns with and supports it. A strong thesis sets the tone for an impactful essay, giving your reader a clear sense of what to expect.

Exploring PEDAL for Better A-Level English Essays

Going beyond PEE to PEDAL ensures a holistic approach, hitting the additional elements crucial for A-Level success. This structure delves into close analysis, explains both the device and the quote, and concludes with a contextual link. 

Below are some examples to illustrate how PEDAL can enhance your essay:

Clearly state your main idea.

Example: “In this paragraph, we explore the central theme of love in Shakespeare’s ‘Romeo and Juliet.'”

Pull relevant quotes from the text.

Example: “Citing Juliet’s line, ‘My only love sprung from my only hate,’ highlights the conflict between love and family loyalty.”

Identify a literary technique in the evidence.

Example: “Analysing the metaphor of ‘love sprung from hate,’ we unveil Shakespeare’s use of contrast to emphasise the intensity of emotions.”

Break down the meaning of the evidence.

Example: “Zooming in on the words ‘love’ and ‘hate,’ we dissect their individual meanings, emphasising the emotional complexity of the characters.”

Link to Context:

Connect your point to broader contexts.

Example: “Linking this theme to the societal norms of the Elizabethan era adds depth, revealing how Shakespeare challenges prevailing beliefs about love and family.”

Navigating the World of Literary Analysis

Breaking Down Literary Elements: Characters, Plot, and Themes

Literary analysis is about dissecting a text’s components. Characters, plot, and themes are key players. Explore how characters develop, influence the narrative, and represent broader ideas. Map out the plot’s structure—introduction, rising action, climax, and resolution. Themes, the underlying messages, offer insight into the author’s intent. Pinpointing these elements enriches your analysis.

Effective Text Analysis: Uncovering Hidden Meanings

Go beyond the surface. Effective analysis uncovers hidden layers. Consider symbolism, metaphors, and imagery. Ask questions: What does a symbol represent? How does a metaphor enhance meaning? Why was a particular image chosen? Context is crucial. Connect these literary devices to the broader narrative, revealing the author’s nuanced intentions.

Incorporating Critical Perspectives: Adding Depth to Your Essays

Elevate your analysis by considering various perspectives. Literary criticism opens new doors. Explore historical, cultural, or feminist viewpoints. Delve into how different critics interpret the text. This depth showcases a nuanced understanding, demonstrating your engagement with broader conversations in the literary realm. Incorporating these perspectives enriches your analysis, setting your essay apart.

Secrets to Compelling Essays

Structuring your ideas: creating coherent and flowing essays.

Structure is the roadmap readers follow. Start with a captivating introduction that sets the stage. Each paragraph should have a clear focus, connected by smooth transitions. Use topic sentences to guide readers through your ideas. Aim for coherence—each sentence should logically follow the previous one. This ensures your essay flows seamlessly, making it engaging and easy to follow.

Presenting Compelling Arguments: Backing Up Your Points

Compelling arguments rest on solid evidence. Support your ideas with examples from the text. Quote relevant passages to reinforce your points. Be specific—show how the evidence directly relates to your argument. Avoid generalisations. Strong arguments convince the reader of your perspective, making your essay persuasive and impactful.

The Power of Language: Writing with Clarity and Precision

Clarity is key in essay writing. Choose words carefully to convey your ideas precisely. Avoid unnecessary complexity—simple language is often more effective. Proofread to eliminate ambiguity and ensure clarity. Precision in language enhances the reader’s understanding and allows your ideas to shine. Crafting your essay with care elevates the overall quality, leaving a lasting impression.

Mastering A-level English Literature essays unlocks academic success. Armed with a solid structure, nuanced literary analysis, and compelling arguments, your essays will stand out. Transform your writing from good to exceptional. 

For personalised guidance, join Study Mind’s A-Level English Literature tutors . Elevate your understanding and excel in your literary pursuits. Enrich your learning journey today!

How long should my A-level English Literature essay be, and does word count matter?

While word count can vary, aim for quality over quantity. Typically, essays range from 1,200 to 1,500 words. Focus on expressing your ideas coherently rather than meeting a specific word count. Ensure each word contributes meaningfully to your analysis for a concise and impactful essay.

Is it acceptable to include personal opinions in my literature essay?

While it’s essential to express your viewpoint, prioritise textual evidence over personal opinions. Support your arguments with examples from the text to maintain objectivity. Balance your insights with the author’s intent, ensuring a nuanced and well-supported analysis.

Can I use quotes from literary critics in my essay, and how do I integrate them effectively?

Yes, incorporating quotes from critics can add depth. Introduce the critic’s perspective and relate it to your argument. Analyse the quote’s relevance and discuss its impact on your interpretation. This demonstrates a broader engagement with literary conversations.

How do I avoid sounding repetitive in my essay?

Vary your language and sentence structure. Instead of repeating phrases, use synonyms and explore different ways to express the same idea. Ensure each paragraph introduces new insights, contributing to the overall development of your analysis. This keeps your essay engaging and avoids monotony.

Is it necessary to memorise quotes, or can I refer to the text during exams?

While memorising key quotes is beneficial for a closed text exam, you can refer to the text during open text exams. However, it’s crucial to be selective. Memorise quotes that align with common themes and characters, allowing you to recall them quickly and use them effectively in your essay under time constraints.

How can I improve my essay writing under time pressure during exams?

Practise timed writing regularly to enhance your speed and efficiency. Prioritise planning—allocate a few minutes to outline your essay before starting. Focus on concise yet impactful analysis. Develop a systematic approach to time management to ensure each section of your essay receives adequate attention within the given timeframe.

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AP® English Literature

The ultimate list of ap® english literature tips.

• The Albert Team
• Last Updated On: March 1, 2022

Managing to score a 5 on the AP® English Literature and Composition exam is no easy task. In 2020, for example, only 12.5% of students earned a 5 on the test. But don’t let that statistic scare you! While such a number may make you want to throw in the towel, it is possible to ace this exam through hard work, preparation, and determination. In this post, we’ll break down tons of AP® English Literature tips for you to tackle your exam.

The AP® English Literature and Composition exam is designed to test your ability to think critically and analyze literary excerpts. The test is three hours long and consists of a multiple-choice portion (worth 45% of your grade) and a free response portion (worth 55% of your grade).

The best way to score a 5 on the AP® English Literature exam is to practice, practice, practice. And we’re here to help. Below, we’ve compiled an ultimate list of AP® English Literature practice tests, study guides, AP® Lit prose essay examples, test-taking strategies, and more. Think of this page as the ultimate AP® English Literature review.

If you’re looking for online solutions, use Albert . If you’re looking for old school review books, read this for the best AP® English Literature review books .

What We Review

Overall How To Study for AP® English Literature: 9 Tips for 4s and 5s

1. complete any and all summer work assigned.

AP® English Literature, as its title indicates, requires a lot of reading. Chances are, your teacher will provide you with a reading list and expect the required titles to be read when you walk into your first day of class. In some cases, you may even be assigned a report or project to be completed before you begin the class.

These summer assignments serve as crucial moments in the long and difficult process of developing yourself into a budding literary critic. If you take it seriously and complete a proficient assignment, it will show your teacher that you are in the course to learn. This attitude will make the school year a lot more bearable for both you and your instructor.

2. Read Thomas Foster’s How To Read Literature Like a Professor

Foster’s book offers an accessible and entertaining gateway into the complex and often confusing world of literary criticism. Chapters include explanations and reviews of subjects like symbolism, theme, irony, context, and more.

It is an excellent way to begin getting yourself to think deeply about literature, and it offers clear examples of close- and critical reading. It also discusses a wide variety of classic literary works which will help familiarize you with what academics call the “canon.” (More on this in the next tip.) It’s very readable too. Buy it, read it, mark it up, and keep it by your side throughout the class.

3. Become familiar with the Western Canon

Often referred to simply as “The Canon,” the Western Canon is the body of high-culture literature, music, philosophy, and works of art that is highly valued in the West, i.e. the poems, prose passages, and drama selections that you will mostly see on the AP® Lit exam.

Cultivating a basic understanding of these texts and their authors will not only familiarize you with the history and development of the English tradition but also strengthen your understanding of the “conversation of literature,” the innumerable and complex ways that authors and their works speak to each other and interact. We recommend reading at least the first chapter of Harold Bloom’s book on the subject to get a basic understanding.

We also insist that you familiarize yourself with the various problems that the upholding of such a canon produces. During the 80’s and 90’s, a canon war of sorts took place among English departments, with progressives aiming to dismantle the canon on the grounds that it neglects many African-American, female, queer, and impoverished writers in favor of spotlighting “dead white males.” Understanding this friction will deeply enrich your understanding of literature and increase your chances of scoring a 5 on the exam.

4. Learn how to analyze text

Analyzing literary text comprises an incredibly large portion of the AP® English Literature course and exam. It’s important that you learn how to examine the text both as a whole and as a part. Analyze the setting, characters, and plot of the piece. However, it’s also imperative that you understand how to look deeper within the details. Deconstruct the text and examine its theme, look for literary devices, and motives. Do not merely summarize. Foster’s book from tip #2 is a great place to start developing your critical reading skills.

5. Develop a daily reading habit

This is literature! Therefore, you should become accustomed to reading…a lot! However, this does not necessarily mean that you have to aim to read an outrageous number of books or anything. You just need to at least make an attempt to read every day.

Get a subscription to a major publication like The New Yorker or The New York Times , or you can check out our comprehensive AP® English Literature Reading List for a list of essential works. As you read, try to dissect the depth of the text. After a few days of this, you’ll be surprised at how easy analysis can come to you once you train your mind to question everything.

6. Ask questions to seek clarity

Your teacher is there to help; it’s their job. If there’s anything you don’t understand, be sure to ask your instructor even if you feel embarrassed or shy. Understanding a concept you previously had trouble with is sure to be a huge weight off of your shoulders. Asking questions and literature go hand-in-hand. Some go-to’s include: 

• “How did the author create that tone?”
• “How do you properly weave evidence into your argument?
• “What is the meaning of this word?”

7. Form a study group and meet either weekly or bi-weekly

Studying with other people provides opportunities to approach subject matter from different angles, and analyzing literature is all about understanding and engaging with various perspectives.

Everyone brings their own experience to the text, and what better way to learn about new perspectives than through a study group? Meet weekly or bi-weekly at a coffee shop or friend’s house, and maintain a focused but casual tone. Also, create a checklist of what to review with your group prior to meeting to provide structure to the meeting.

8 . Make flashcards of literary devices, terms, concepts, works, and more

The AP® English Literature exam consists of tons of questions involving literary devices, authorial intention, works and authors, and more, so it is imperative that you develop a strong understanding of the literary lexicon.

The easiest way to strengthen your vocabulary is to make yourself some flashcards with the most common literary devices, authors, works, and rhetorical techniques, and carve out at least 30 minutes per day to review. If you’d prefer to use an online resource, make some flashcards over at Quizlet !

9. Experiment with different study styles

Everyone has different preferences when it comes to studying. Maybe you’re a visual learner. Perhaps you like to listen to the material to really understand it. The best way to find out what form of studying helps you best is to experiment. Use flashcards one day, read and summarize material the next, take a practice exam after that, and then try a study group. Variety is key!

Now that you have a grasp on how to get through the actual coursework of your AP® English Literature and Composition class, it’s time to learn how to study for the exam at the end of the year.

First, we’ll take a look at some tips that are sure to help you ace the first portion of the AP® Literature exam: the multiple-choice section. This portion is worth 45% of your total score and it consists of several passages to read and 55 questions to answer, which you have exactly one hour to complete.

Let’s get started.

Return to the Table of Contents

AP® English Literature Multiple-Choice Review: 11 Tips

1. Choose a multiple-choice strategy: read the passages first or read the questions first

Most people are familiar with the classic shortcut when it comes to taking multiple choice tests—read the questions first, then scan the passages to look for the answers. This method of approaching the AP® English Literature exam can work. It can give you a more focused, determined approach on what to look for when reading the passage. But it can also be distracting to some.

On the other hand, you can read the passages first and then answer the questions. This is the more straightforward, perhaps more traditional way of approaching the multiple-choice section, and it works best for people who like to do things in logical, sequential ways. Work through a few practice exams, and then decide which works best for you and stick with it. 

2. Look deep within the text for implications and subtleties

Analyze the passages within the exam very carefully. There will undoubtedly be questions covering the tone of the passage, or the author’s purpose for writing it. Was it to inform or persuade the audience? To create a specific mood or tone? Perhaps the author used some literary devices like allusions or irony. Closely read the passages and you will have no problem identifying the answers to questions that are specific to the literature side of AP® English. Avoid interpreting the text at face-value.

3. Carefully read the questions and mark them up

If you don’t understand what the question is asking, you can’t possibly expect to know the answer. Take a deep breath and calmly read the questions, dissecting them completely by marking them up with underlines, circles, and more. If you’d like you could create your own system, where underlining represents, say, imagery, and circles represent irony, etc.

Sometimes, the writers of the test will throw in certain words or phrases that lead the question in a different direction. For example, the words “ EXCEPT ” and “ NOT ” are often used at the end of questions, and this can confuse you. Underline these keywords to force yourself to pay attention to them. 

4. Eliminate answer choices that are obviously incorrect

Ever since you were young, you’ve likely heard the helpful suggestion of deducing answers. If you’re familiar with the subject matter of the question, it should be easy to rule out at least one of the choices that you have determined not to be correct.

Physically mark out the answers you believe are wrong by crossing or exxing them out. It will help you to visually see which answers couldn’t possibly be correct, and it will make the multiple-choice questions much more manageable.

5. Reread parts of the passage that are pertinent to the AP® English Literature questions

If a certain question throws you slightly off, return to the passage to clear up your confusion. Most of the time, the answer can be found either directly inside the text or just outside of it through implication and metaphor.

You may even want to put a star, dash, or some other marking beside portions of the text that contain answers or key phrases or moments. That way, if you have extra time at the end of the test, you can go back and check your answers quickly.

6. Pay attention to time

This is a timed exam. You have 60 minutes to complete 55 questions. This allows for an average of less than a minute per question when you account for time spent reading passages. You have absolutely no time to sit at your desk staring blankly at questions you don’t quite understand.

Luckily, there is no penalty for answers marked wrong—or answers not marked at all—on the AP® English Literature exam. This means you should definitely skip the questions you’re unsure of. Mark them in some sort of way so that it is noticeable that you haven’t answered them yet. Then, if you have some time at the end of the test, you can go back and see if you can come up with the answer. Alternatively, if you can’t seem to find an answer: guess!

7. Formulate summaries of the passages in the margins

If you are a fast worker, this tip may prove extremely helpful for you. A few of the multiple-choice questions may test your overall comprehension of the passages you read. In the margins of the page beside the passage, jot down a few bullet points outlining the plot progression as you read. This way you can refer back to your notes when answering questions rather than searching the entire text. Think of this strategy as you are creating a treasure map of the passage, drawing up a guide which will lead you to the hidden treasure.

8. Be wary of “All of the above” and “None of the above.”

There will be a few times where “all of the above” and “none of the above” appear as answer choices on the AP® English Language exam. These can be tricky. Remember that “all of the above” means that every single provided answer choice is correct, so if you are somewhat unsure of a single answer then be weary of “all of the above.” The same goes for “none of the above.” Be confident that all choices are either correct or incorrect.

9. Create a daily study routine and stick to it

You will not be able to score a 5 if you decide to cram the night or even week before the exam. Therefore, you must develop a daily study schedule as soon as the year begins. One way to do this is to set an alarm on your phone to remind you to study. Moreover, take the flashcards you’ve made with you wherever you go. Keep them in your wallet, in your purse, or even in your car. Whenever you have a moment of free time, instead of scrolling through Twitter or Facebook on your phone, run through a review of your terms. Ultimately, create your own AP® English Literature study guide. It’ll stick better in your memory and help your AP® Literature exam score in the long run.

10. Work through multiple practice exams

The most helpful and effective way to prepare for the multiple-choice portion of the AP® English Literature exam is by testing yourself. Prepare early in the semester for the test by taking practice exams. We offer tons of practice assessments with our AP® English Literature course and so does College Board , but if you’re more of a pen and paper person, you can use the recommended AP® Lit books here .

Shoot for one practice exam per month, and be sure to time yourself when working through the practice exams. This will help familiarize you with the ins and outs of the exam itself while simultaneously strengthening your test-taking skills. We can’t stress this tip enough. 

11. Don’t let your stress and anxiety overwhelm you

Sure, the AP® English Literature exam is a difficult and important test. And yes, it affects the amount of college credit you receive coming out of high school. But at the end of the day, it’s just a test. Anxiety and stress can severely affect your ability to function and think correctly. Take a deep breath periodically throughout the test. It’ll help calm your body and soothe your mind so you can concentrate better.

Now that you have some tips on how to tackle the multiple-choice portion of the AP® English Literature exam, it’s time to focus on the most challenging part: the free response portion. In this portion, you have two hours to complete three essays. This section tests your ability to analyze passages and dissect them to form logical interpretations to be illustrated in your essays.

Here are some tips for nailing the free response portion of the AP® English Literature and Composition exam:

AP® English Literature Free-Response Review: 13 Tips

1. Critically read and mark-up the question

The first step towards writing an awesome essay on the AP® Literature exam is reading (and understanding) the question. What are the authors of the test asking for specifically? As you read the question, underline, highlight, or circle key words and phrases. Think critically about what the question is asking of you. The scorers of the free response portion want essays that are clear and to the point. Simply restating the prompt will result in a huge deduction of points. Regurgitating the question will show the reader that you may not be confident in your ability to dissect passages. Avoid this by spending time with the question and marking the AP® English Literature prompts up.

Here, the key words and phrases to underline are “analyze” and “portrayal” as they point you toward what you are to do and where you are to focus. Additionally, the prompt includes further areas to highlight including, “imagery, selection of detail, and tone.”

2. Develop a strong, well-developed AP® English Literature thesis statement

A well-written thesis is the basis of all successful essays. As mentioned previously, do NOT restate the question. In fact, one of the biggest mistakes students made in the 2019 exam involved moving from commentary (point by point observations) to more cohesive claims. In other words, students had difficulty strengthening their observations into arguments. Many times, this error stems from having a weak thesis statement. Think of your thesis as your essay’s central claim, its expression of its argument. Crafting a perfect thesis statement is indeed difficult, so if you find yourself totally lost, check out AP’s very own video lecture on the subject .

Here are examples of good and bad thesis statements over an essay concerning free speech: 

• Bad Thesis: “This paper will consider the advantages and disadvantages of certain restrictions on free speech.” 
• Good Thesis: “Even though there may be considerable advantages to restricting hate speech, the possibility of chilling open dialogue on crucial racial issues is too great and too high a price to pay.”

3. Structure the essay with a cohesive mode of organization

Organization is key to writing a great essay. If your analysis moves all over the place in a discursive manner, the reader will get angry, and you don’t want to make the reader angry. You should be greatly familiar with the basic five paragraph essay outline before taking the exam. While this outline isn’t necessarily set in stone (it can be adjusted, expanded, shortened, etc.), it does serve as a tried and true method of organization.

After you dissect the question, prepare an outline within the first few minutes of writing your essay. Perhaps even use a diagram, if you’re a visual learner. A clear and precise outline can help prevent rambling when answering the question in your essay.

4. Use high-level, academic vocabulary

Since this is an exam for an Advanced Placement English course, it is imperative that you use a vocabulary that reflects a higher level of education. Avoid slang, colloquialism, and vague language like, “sort of,” “kind of,” and “very.” These lower the professional and academic tone of your essay, and they will obfuscate your writing with ambiguity.

On the other hand, don’t go overboard with smarty-pants language that you don’t have control of. This will render your essay pretentious and unclear. To strengthen your academic vocabulary, you should make flashcards on Quizlet and develop a daily study habit. Check out our 15 Must Know Rhetorical Terms for AP® English Literature page , too.

5. Mark-up the passage and refer back to it

On the first two essays, you will be asked to read a passage and analyze it according to the instructions given in the question. Use the passage to your advantage. As you read mark it up by circling, highlighting, or underlining key words or phrases. One common misconception that occurred in the 2019 exam was students relying on plot summary instead of focusing more specifically on details or elements and explaining how these illustrate their points. To avoid this, frequently refer back to specific parts of the text.

6. Develop familiarity with many literary works to ace the third FRQ

The third free response question on the AP® Literature exam is more open-ended than the first two. AP® describes the FRQ as this: “An analysis that examines a specific concept, issue, or element in a work of literary merit selected by the student.” Essentially, you will respond to an open-ended prompt by selecting your own work of literary merit to analyze. Therefore, you must become familiar with a wide variety of texts that could help you answer the question. It’s important that you keep this particular essay question in mind as you work throughout the semester. Check out our Ultimate AP® English Literature Reading List!

7. Practice frequently using previous exams and consulting rubrics

As they say, practice really does make perfect. A good option for practicing free response questions involves searching the Internet for old exam rubrics. These show you exactly what the scorers are looking for in an essay. The AP® Literature section of AP® Central has several practice exams for your use. Take advantage of this and practice writing essays using different prompts from previous exams. We also offer practice exams filled with free response prompts that can help you develop your writing skills. 

8. Use a good writing utensil

Nothing is worse than getting halfway through an essay and having your pen run out of ink, or your pencil getting smudged. Often, readers prefer the look and clarity of black ink to colored ink or the graphite of pencil. Take that into mind when going into the free response portion of the exam, and have a handful of backup writing utensils at hand when you take the test. The Ticonderoga pencil is a tried and tested stalwart, and we recommend it. 

9. Pace yourself throughout the test

Before the free response portion begins, work out how much time you need to spend on each question. It may even be helpful to bring a watch to time yourself on each essay. Remember: there are three essay questions total: one literary analysis of a poem, one of a passage of prose fiction, and one analysis of a specific concept, issue, or element in a work of literary merit. You have a total of two hours, so we recommend that you spend 40 minutes per question. However, you also need to be sure that you are not rushing through the questions and leaving vital information out of your essays. Time yourself when you take practice exams, and go from there.

10. Write legibly

When facing the pressure of taking difficult tests, you might find yourself rushing through the essay questions because of time constraints. This often leads to messy handwriting that will give your scorer a headache. The clarity of your writing is necessary for a good score on your essay. If the reader cannot decipher your chicken scratch, how can they possibly score it? In order to perfect this skill before the exam, practice writing legibly under pressure during practice exams and other essays. 

11. Don’t leave any question blank

Although this may be acceptable for the multiple-choice portion of the exam, it is absolutely inexcusable for your essays. You only get three chances to prove your competency in the free response portion, and the section at large counts for 55% of your overall score. Some might say that the FRQ section is the most important portion of the exam because of its weight. Write, write, and write even if you are totally stumped by the prompt. Take advantage of this opportunity to show the readers how much you’ve learned from taking this AP® course.

12. Understand what the AP® readers are looking for

As we said earlier, rubrics are a great resource to use when preparing for the AP® English Literature exam. They reflect exactly how your essay will be scored. It’s vital to understand exactly what the readers are looking for in a good essay. This includes:

a) Thesis: This requirement emphasizes the importance of crafting an effective thesis statement. Students must respond to the prompt with a thesis that presents a defensible interpretation of the poem.

b) Evidence and commentary: This section assesses your ability to cite and analyze textual evidence. It stresses that you provide specific evidence to support all claims in a line of reasoning, and consistently explain how the evidence supports that line of reasoning. Additionally, you must explain how multiple literary elements or techniques in the poem contribute to its meaning.

c) Sophistication: This component of the rubric is tough because sophistication is not something you can simply check off. Ultimately, the scorer wants your essay to demonstrate sophistication of thought and/or develops a complex literary argument.

13. Listen to your teacher

This is perhaps the most important of all the AP® Lit free response tips. Over the course of the semester, your teacher will provide you with ample advice for the exam. Pay close attention to your teacher’s guidance, and frequently meet with them to discuss your progress.

Seriously, meet with your teachers and continue asking how you can improve, what you’re doing well, what you’re not doing so well, etc. If the information your teacher gives you wasn’t relevant, they wouldn’t waste their time giving it to you. Your instructor knows the exam; it’s only logical to follow their advice.

In the event that you have a bad teacher, consult online resources like us, and perhaps begin formulating relationships with other teachers who are known to be excellent. Moreover, meet with students who excel in the course, and try to form study groups with them.

The AP® English Literature and Composition exam is all about analysis of different literary works. Hopefully, these tips will help you tackle this massive exam with ease.

Study Tips from AP® English Literature Teachers

We asked a number of AP® English Literature teachers to share their favorite AP® Lit tips and have compiled them here for you to review.

AP® English Literature Multiple Choice Tips:

1. Debate the questions

Get students to debate the answers to AP® multiple choice questions without your help. After they “quiz” on a passage and the questions for it, ask them how they think they did. The answer is always mixed, so give them an option: Keep the score they currently have OR discuss the answers in a large group without teacher’s help and take that community grade. 

They always pick the latter. Participating in the discussion helps students practice justifying their answers (tell them you will keep track to make sure that everyone participates at least ___ time(s).) As you observe their process, you will gain all kinds of insight into students’ thinking process, they will learn from the ways their classmates explain their choices, and their scores are almost always 100! Thanks for the tip from Wendy R. from Weslaco East High School.

2. Brush up on your vocabulary

If you don’t understand the vocabulary used in the questions and/or answers, you will not be able to find the correct answer. There are many words with multiple meanings/nuances of meaning that will bring you to the wrong conclusion. Pay attention to the wording of the questions and answers! Thanks for the tip from Susan R. from Palm Beach Gardens High.

3. Consider Audience, Occasion & Purpose

Whether you’re speaking, reading or writing, you’re thinking: Audience, Occasion & Purpose. Who is the audience? What is the occasion? And what is the purpose of the author’s writing? Breaking down writing and literature into these three components can make the exam much easier and more digestible. Thanks for the tip from Mike L. at Tilton School.

AP® English Literature Free Response Tips:

1. Always remember to consider the author’s purpose

 Retelling what happened in the story is not an analysis. You must understand and relay why the author wrote it the way he/she did and what he/she is trying to tell readers! That’s crucial! Thanks for the tip from Kim F. from Tavares High.

2. Strive for originality

Think about the fact that the AP® readers have been looking at essays on the same topics for three days. What will you do to be original and stand out that will surprise the reader at 4:30 pm on day three? Brainstorm what everyone else will say before writing. Then, don’t write on those topics. Originality will hook your reader. Thanks for the tip from Mike G. from MPS.

3. Don’t just summarize the author’s devices or techniques

Focused writing on two or three aspects of the text (characterization, use of devices, etc) accompanied with analysis will generate a higher score than lightly touching on five to ten aspects. As a reader, we are happy that you can identify techniques, but what we are looking for is analysis. And, we also know that analysis is tough to achieve. Think deep about the text. What was the author trying to say about the human condition with this scene, with that image? Thanks for the tip from Matt U. at Liberty High.

4. Always answer the question: “So what?”

Yes, the writer used an extended metaphor, so what? Why did they choose that metaphor? How does that choice reflect the author’s intent? What effect does it create within the text and within the reader? Provide the reader with the “so what” to help drive your analysis deeper. Thanks for the second tip from Matt U. at Liberty High.

5. Students who read widely and regularly are far more prepared to write and communicate clearly with a deeper understanding than students who do not read

Reading expands knowledge, vocabulary usage, and comprehension, and it enables students to make connections within and between content areas which have real-world applications. Reading widely across genres will broaden your perspective, too. Thanks for the tip from Elizabeth B. from Harrison High.

6. Use something you’ve read in AP® Lit for the third question

While you may be tempted to analyze a novel you’ve read on your own for the third FRQ, you should stick to what you’ve read in class. You will have spent more time and analytical energy on those books and plays than you did on your own.. Prepare for Question 3 before the exam by reviewing everything you’ve read in AP® English Literature. Thanks for the tip from Erin M. at Mercy County Senior High.

7. Turn your words into pictures and your pictures into words

Meaning: If you have an idea, anchor it to something concrete. If you have something concrete, associate it with an idea. Be able to move back and forth between the abstract and the literal. Most if not all deep literature involves this sort of mental navigation, so it’s best that you become familiar with it. Thanks for the tip from Jeff T. at Lynden Christian High School.

8. Never be unacceptably brief

Even if the selection is difficult or slim, there’ll be something in it that all students can latch onto and dissect. Sometimes, even the smallest moments in literature are actually the biggest through moments of metaphor, symbolism, and more. So if you find yourself writing 1-2 sentence paragraphs, return to the smaller moments and think BIG!Thanks for the third tip from Bill O. from El Molino High.

9. Do not merely skim to point out literary devices

Zoom deep into the text to identify the device, explain in detail how the device is functioning and then zoom out to explain how it works to support the passage as a whole and how it connects to the universal human condition. Focus on two primary ideas (literary devices, elements of composition, etc…) for each essay in order to go deeper in analysis of each. This means the difference between writing a college level paper and writing a high school level paper. Thanks for the tip from Jodi G. from Saugus High. Thanks for the tip from Erin M. at Mercy County Senior High.

10. Deconstruct the prompt

Make sure you understand exactly what the prompt is asking you to do. Then use it as a focus for your annotation of the text on Q1 and Q2 and as a launching point for your notes and thesis for Q3. Spend a lot of time marking up and breaking down the prompt before you attempt the essays. Look for key words, phrases, action verbs, etc. Thanks for the tip from Erin M. at Mercy County Senior High.

11. Find a good literary timeline to conceptualize what you read in terms of the art movement and historical time period

Since the AP® Literature Exam is a test over, well, literature, knowing the historical progression of literature is vital. This is where a literary timeline comes in handy. Check out this one on Pinterest for a general idea. These can provide insight into the texts as well as help you remember what you have read. Thanks for the tip from Paul H. at Walled Lake Central High.

Wrapping Things Up: The Ultimate List of AP® English Literature Tips

Scoring a 5 on the AP® English Literature exam is a difficult feat to accomplish. However, with proper preparation, some hard work, and consistent practice, you can ace the exam. Remember that the AP® English Literature and Composition exam is designed to test your ability to read critically and deeply analyze literature. The test is three hours long and consists of a multiple-choice portion (worth 45% of your grade) and a free response portion (worth 55% of your grade).

To adequately prepare, you must develop an effective study routine. Make flashcards of common literary concepts and terms using Quizlet. Take practice exams either through Albert , and be sure to time yourself each time you take one of the tests. Finally, cultivate a daily reading schedule which incorporates literature (fiction or poetry, preferably for this exam). This will familiarize you with the wide and complex world of literature and sharpen your literary skills. We also offer tons of practice on various novels and essential works that can be super helpful, too.

After taking a few practice exams, identify which section of the test you are better or worse at. Do you ace the multiple choice but flunk the free-response questions? Whichever it is, be sure to practice and develop your weaker skills. Focusing on the components of the test that you consistently ace—though it may be tempting—will make your score lopsided. Again, we must reiterate: practice, practice, practice. 

Interested in a school license?​

4 thoughts on “the ultimate list of ap® english literature tips”.

Ahhh….grammatical error in your text–you need a period or exclamation point after literature. (See below)

5. Read: This is a literature Therefore, you should be getting a good amount of

Thank you for catching that. We have fixed it!

These tips will be very helpful for me during this year of AP® Lit. I found tip 23 most important because I always take to much time on things like the intro that I don’t realize I’m wasting much of my time.

Thanks for sharing what you found most helpful, Antonio!

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Study Tips for Literature

• By Sheila A.
• March 25, 2014

As a PhD candidate in Comparative Literature, I’ve probably had to do more reading than the average student. When there’s so much to read and so little time, certain reading and studying habits make my life easier and help me retain important details about each text I read. Here are a few of them:

• Read actively!  That means you have to keep your brain awake as you read. The best way to do this is to ask yourself certain questions as you go (pausing after every a page or two to check your understanding of the text): What is going on? What is probably going to happen next? Who is speaking, and what do I know about the speaker? How do I know it? What motivates the characters, narrator, and author (especially if it is non-fiction text)?
• Take notes.  Jot down notes in the margin (only if you own the book) or in a notebook while you read to keep track of the plot, the characters, and any other elements you find interesting or confusing. Also, record your feelings and reactions to these elements.
• Pay attention to problem spots.  These are points at which you don’t understand the narrative, something surprising happened, or the language confuses you. These are often good sections to analyze in papers, so note down what specifically confuses you (and page numbers).
• Review your notes periodically and transfer them  to Word, Google Docs, Evernote, or OneNote. Create an ongoing outline for each text, organizing your notes as you enter them. Putting these on your computer makes them searchable, and that’s going to be key for when you need to study, write a response paper, or clear up some later confusion in the text.
• In your notes document,  list other texts—even music or art—that somehow remind you of this particular text.  Consider how they are similar and how they are different.
• In your notes document,  write a description of the text’s structure.  Does it weave between interconnected stories? Does it flow chronologically, or are there multiple flashbacks or flash-forwards?
• Discuss what you’re reading with classmates and friends,  especially those problem spots! Try reading aloud to someone (even to yourself), too, as this can really help clarify what’s going on in a story.
• When you really run into trouble understanding part of a text,  don’t be afraid to ask your teacher for help.

  At first, this may seem like a lot to do just for one text. If you’re not a career literature student, you may not initially realize how much time, effort, energy, and emotion goes into actually reading a text well. However, if you practice reading in this way, it will become second nature over time and you’ll become a lot more adept at responding to questions and writing papers on your texts.

Struggling on a reading assignment or having a hard time studying for a literature test? Contact us and we’ll get you the help you need.

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The Best IB English Study Guide and Notes for SL/HL

International Baccalaureate (IB)

Are you taking IB English and need some help with your studying? No need to reread all the books and poems you covered in class! This study guide is for IB English A students (students in IB English A: literature SL/HL, IB English A: language and literature SL/HL, or IB English literature and performance SL ) who are looking for additional guidance on writing their commentaries or essays.

I've compiled this IB English study guide using the best free materials available for this class. Use it to supplement your classwork and help you prepare for exams throughout the school year.

What's Tested on the IB English Exams?

The IB English courses are unique from other IB classes in that they don't have a very rigid curriculum with exact topics to cover. Instead, your class (or most likely your teacher) is given the freedom to choose what works (from a list of prescribed authors and a list of prescribed literature in translation from IBO) to teach. The exams reflect that freedom.

On the exam for all English A courses, you're asked to write essays that incorporate examples from novels, poems, plays, and other texts you've read. You're also asked to interpret a text that you've read for the first time the day of the exam.

The exact number of questions you'll have to answer varies by the course , but the types of questions asked on each all fall into the two categories listed above.

What's Offered in This Guide?

In this guide, I have compiled materials to help teach you how to interpret poetry and how to structure your essay/commentary. I've also provided notes on several books typically taught in IB English SL/HL.

This should be most of the material you need to study for your IB exam and to study for your in-class exams.

How to Interpret Poetry Guides

Many people struggle the most with the poetry material, and if you're one of those people, we have some resources specifically for making poetry questions easier.

Here is a full explanation of how to interpret poetry for the IB exam with term definitions, descriptions of types of poems, and examples. We also have tons of poetry resources on our blog that range from explaining specific terms all the way to complete, expert analyses of poems you should know.

Here are some resources to get you started:

• Imagery defined
• Everything you need to know about Point of View 
• The 20 poetic devices you should know 
• Understanding allusion 
• A crash course on Romantic poetry 
• Understanding personification 
• Famous sonnets, explained
• An expert guide to understanding rhyme and meter, including iambic pentameter
• The eight types of sonnets 
• Expert analysis of "Do not go gentle into that good night" by Dylan Thomas

This is another great resource with poetry terms defined on "flashcards" , and you can test yourself on the site by clicking "play."

How to Write Your Essay Guide

If you're not sure how to write your essay, here's a guide to what your essay should look like for the IB English SL/HL papers. This guide gives advice on how you should structure your essay and what you should include in it. It also contains a few sample questions so you can get a better idea of the types of prompts you can expect to see.

IB English Book Notes

Based on the list of prescribed authors and literature from IBO, I picked some of the most popular books to teach and provided links to notes on those works. What's important to remember from these books is key moments, themes, motifs, and symbols, so you can discuss them on your in-class tests and the IB papers.

• Adventures of Huckleberry Finn
• A Farewell to Arms
• Animal Farm
• All the Pretty Horses
• A Streetcar Named Desire
• Anna Karenina
• As I Lay Dying
• Brave New World
• Crime and Punishment
• Death of a Salesman
• A Doll's House
• Don Quixote
• Dr. Zhivago
• Frankenstein
• Great Expectations
• Heart of Darkness
• Lord of the Flies
• Love in the Time of Cholera
• Love Medicine
• One Day in the Life of Ivan Denisovich
• Romeo & Juliet
• Sense and Sensibility
• The Awakening
• The Bluest Eye
• The Great Gatsby
• The Picture of Dorian Gray
• The Stranger
• The Sun Also Rises
• Waiting for Godot

The Best Study Practices for IB English

Hopefully, this guide will be an asset to you throughout the school year for in-class quizzes as well as at the end of the year for the IB exam. Taking practice tests is also important, and you should also look at our other article for access to FREE IB English past papers to help you familiarize yourself with the types of questions asked by the IBO (and I'm sure your teacher will ask similar questions on your quizzes).

Make sure you're reading all of the novels and poetry assigned to you in class, and take detailed notes on them. This will help you remember key themes and plot points so you don't find yourself needing to reread a pile of books right before the exam.

Finally, keep up with the material you learn in class, and don't fall behind. Reading several novels the week before the IB exam won't be much help. You need to have time and let the material sink in over the course of the class, so you're able to remember it easily on the day of the IB exam.

What's Next?

Want some more study materials for IB English? Our guide to IB English past papers has links to every free and official past IB English paper available!

Are you hoping to squeeze in some extra IB classes ? Learn about the IB courses offered online by reading our guide.

Not sure where you want to go to college? Check out our guide to finding your target school. Also, figure out your target SAT score or target ACT score .

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How to write great English literature essays at university

Essential advice on how to craft a great english literature essay at university – and how to avoid rookie mistakes..

If you’ve just begun to study English literature at university, the prospect of writing that first essay can be daunting. Tutors will likely offer little in the way of assistance in the process of planning and writing, as it’s assumed that students know how to do this already. At A-level, teachers are usually very clear with students about the Assessment Objectives for examination components and centre-assessed work, but it can feel like there’s far less clarity around how essays are marked at university. Furthermore, the process of learning how to properly reference an essay can be a steep learning curve.

But essentially, there are five things you’re being asked to do: show your understanding of the text and its key themes, explore the writer’s methods, consider the influence of contextual factors that might influence the writing and reading of the text, read published critical work about the text and incorporate this discourse into your essay, and finally, write a coherent argument in response to the task.

With advice from English teachers, HE tutors and other people who’ve been there and done it, here are the most crucial things to remember when planning and writing an essay.

Read around the subject and let your argument evolve.

‘One of the big step-ups from A-level, where students might only have had to deal with critical material as part of their coursework, is the move toward engaging with the critical debate around a text.’

Reading around the task and making notes is all important. Get familiar with the reading list. Become adept at searching for critical material in books and articles that’s not on the reading list. Talk with the librarian. Make sure you can find your way around the stacks. Get log-ins for the various databases of online criticism, such as the MLA International Bibliography .

‘Tutors are looking for flair… for students to be nuanced and creative with their ideas as opposed to reproducing the same criticism that others already have.’

When reading, keep notes, make summaries and write down useful quotations. Make sure you keep track of what you’ve read as you go. Note the publication details (author, publisher, year and place of publication). If you write down a quotation, note the page number. This will make dealing with citations and writing your bibliography much easier later on, as there’s nothing more annoying than getting to the end of the first draft of your essay and realising you’ve no idea which book or article a quote came from or which page it was on.

‘The more I read, the sharper my own writing style became because I developed an opinion of the writing style I liked and I had a clear sense of the subject matter that I was discussing.’

‘Don’t wing the reading. Or the thinking. Crap writing emerges from style over substance.’

Get to grips with the question and plan a response.

‘Brain dump at the start in the form of a mind map. This will help you focus and relax. You can add to it as go along and can shape it into a brief plan.’

Before writing a single word, brainstorm. Do some free-thinking. Get your ideas down on paper or sticky notes. Cross things out; refine. Allow your planning to be led by ideas that support your argument.

Use different colour-coded sticky notes for your planning. In the example below, the student has used yellow sticky notes for ideas, blue for language, structure and methods, purple for context and green for literary criticism, which makes planning the sequence of the essay much easier.

Structure and sequence your ideas

‘Make your argument clear in your opening paragraph, and then ensure that every subsequent paragraph is clearly addressing your thesis.’

Plan the essay by working out a sequence of your ideas that you believe to be the most compelling. Allow your ideas to serve as structural signposts. Augment these with relevant criticism, context and focus on language and style.

‘Read wide and look at different pieces of criticism of a particular work and weave that in with your own interpretation of said work.’

Write a great introduction.

‘By the end of the first paragraph, make sure you have established a very clear thesis statement that outlines the main thrust of the essay.’

Your introduction should make your argument very clear. It’s also a chance to establish working definitions of any problematic terms and to engage with key aspects of the wider critical debate.

Get to grips with academic style and draft the essay

‘[Write with] an ‘exploratory’ tone rather than ‘dogmatic’ one.’

Academic writing is characterised by argument, analysis and evaluation. In an earlier post , I explored how students in high school might improve their analytical writing by adopting three maxims. These maxims are just as helpful for undergraduates. Firstly, aim for precise, cogent expression. Secondly, deliver an individual response supported by your reading – and citing – of published literary criticism. Thirdly, work on your personal voice. In formal analytical writing such as the university essay, your personal voice might be constrained rather more than it would be in a blog or a review, but it must nonetheless be exploratory in tone. Tentativity can be an asset as it suggests appreciation of nuances and alternative ways of thinking.

‘I got to grips with what was being asked of me by reading lots of literary criticism and becoming more familiar with academic writing conventions.’

Avoid unnecessary or clunky sign-post phrases such as ‘in this essay, I am going to…’ or ‘a further thing…’ A transition devices that can work really well is the explicit paragraph link, in which a motif or phrase in the last sentence of a paragraph is repeated in the first sentence of the next paragraph.

Write a killer conclusion

‘There is more emphasis on finding your own voice at university, something which in many ways is inhibited by Assessment Objectives at A-Level. I don’t think ‘good’ academic writing is necessarily taught very well in schools — at least from my experience.’

The conclusion is a really important part of your essay. It’s a chance to restate your thesis and to draw conclusions. You might achieve closure or instead, allude to interesting questions or ideas the essay has perhaps raised but not answered. You might synthesise your argument by exploring the key issue. You could zoom-out and explore the issue as part of a bigger picture.

Be meticulous in your referencing.

Having supported your argument with quotations from published critics, it’s important to be meticulous about how you reference these, otherwise you could be accused of plagiarism – passing someone else’s work off as your own. There are three broad ways of referencing: author-date, footnote and endnote. However, within each of these three approaches, there are specific named protocols. Most English literature faculties use either the MLA (Modern Languages Association of America) style or the Harvard style (variants of the author-date approach). It’s important to check what your faculty or department uses, learn how to use it (faculties invariably publish guidance, but ask if you’re unsure) and apply the rules meticulously.

‘Read your work aloud, slowly, sentence by sentence. It’s the best way to spot typos, and it allows you to hear what is awkward and/or ungrammatical. Then read the essay aloud again.’

Write with precision. Use a thesaurus to help you find the right word, but make sure you use it properly and in the right context. Read sentences back and prune unnecessary phrases or redundant words. Similarly, avoid words or phrases which might sound self-important or pompous.

Like those structural signposts that don’t really add anything, some phrases need to be omited, such as ‘many people have argued that…’ or ‘futher to the previous paragraph…’.

Finally, make sure the essay is formatted correctly. University departments are usually clear about their expectations, but font, size, and line spacing are usually stipulated along with any other information you’re expected to include in the essay’s header or footer. And don’t expect the proofing tool to pick up every mistake.

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How to write a literature review introduction (+ examples)

The introduction to a literature review serves as your reader’s guide through your academic work and thought process. Explore the significance of literature review introductions in review papers, academic papers, essays, theses, and dissertations. We delve into the purpose and necessity of these introductions, explore the essential components of literature review introductions, and provide step-by-step guidance on how to craft your own, along with examples.

Why you need an introduction for a literature review

In academic writing , the introduction for a literature review is an indispensable component. Effective academic writing requires proper paragraph structuring to guide your reader through your argumentation. This includes providing an introduction to your literature review.

It is imperative to remember that you should never start sharing your findings abruptly. Even if there isn’t a dedicated introduction section .

When you need an introduction for a literature review

There are three main scenarios in which you need an introduction for a literature review:

What to include in a literature review introduction

It is crucial to customize the content and depth of your literature review introduction according to the specific format of your academic work.

Academic literature review paper

The introduction of an academic literature review paper, which does not rely on empirical data, often necessitates a more extensive introduction than the brief literature review introductions typically found in empirical papers. It should encompass:

Regular literature review section in an academic article or essay

In a standard 8000-word journal article, the literature review section typically spans between 750 and 1250 words. The first few sentences or the first paragraph within this section often serve as an introduction. It should encompass:

Introduction to a literature review chapter in thesis or dissertation

Some students choose to incorporate a brief introductory section at the beginning of each chapter, including the literature review chapter. Alternatively, others opt to seamlessly integrate the introduction into the initial sentences of the literature review itself. Both approaches are acceptable, provided that you incorporate the following elements:

Examples of literature review introductions

Example 1: an effective introduction for an academic literature review paper.

To begin, let’s delve into the introduction of an academic literature review paper. We will examine the paper “How does culture influence innovation? A systematic literature review”, which was published in 2018 in the journal Management Decision.

Example 2: An effective introduction to a literature review section in an academic paper

The second example represents a typical academic paper, encompassing not only a literature review section but also empirical data, a case study, and other elements. We will closely examine the introduction to the literature review section in the paper “The environmentalism of the subalterns: a case study of environmental activism in Eastern Kurdistan/Rojhelat”, which was published in 2021 in the journal Local Environment.

Thus, the author successfully introduces the literature review, from which point onward it dives into the main concept (‘subalternity’) of the research, and reviews the literature on socio-economic justice and environmental degradation.

Examples 3-5: Effective introductions to literature review chapters

Numerous universities offer online repositories where you can access theses and dissertations from previous years, serving as valuable sources of reference. Many of these repositories, however, may require you to log in through your university account. Nevertheless, a few open-access repositories are accessible to anyone, such as the one by the University of Manchester . It’s important to note though that copyright restrictions apply to these resources, just as they would with published papers.

Master’s thesis literature review introduction

Phd thesis literature review chapter introduction.

The second example is Deep Learning on Semi-Structured Data and its Applications to Video-Game AI, Woof, W. (Author). 31 Dec 2020, a PhD thesis completed at the University of Manchester . In Chapter 2, the author offers a comprehensive introduction to the topic in four paragraphs, with the final paragraph serving as an overview of the chapter’s structure:

PhD thesis literature review introduction

The last example is the doctoral thesis Metacognitive strategies and beliefs: Child correlates and early experiences Chan, K. Y. M. (Author). 31 Dec 2020 . The author clearly conducted a systematic literature review, commencing the review section with a discussion of the methodology and approach employed in locating and analyzing the selected records.

Steps to write your own literature review introduction

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Writing a Literature Review

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A literature review is a document or section of a document that collects key sources on a topic and discusses those sources in conversation with each other (also called synthesis ). The lit review is an important genre in many disciplines, not just literature (i.e., the study of works of literature such as novels and plays). When we say “literature review” or refer to “the literature,” we are talking about the research ( scholarship ) in a given field. You will often see the terms “the research,” “the scholarship,” and “the literature” used mostly interchangeably.

Where, when, and why would I write a lit review?

There are a number of different situations where you might write a literature review, each with slightly different expectations; different disciplines, too, have field-specific expectations for what a literature review is and does. For instance, in the humanities, authors might include more overt argumentation and interpretation of source material in their literature reviews, whereas in the sciences, authors are more likely to report study designs and results in their literature reviews; these differences reflect these disciplines’ purposes and conventions in scholarship. You should always look at examples from your own discipline and talk to professors or mentors in your field to be sure you understand your discipline’s conventions, for literature reviews as well as for any other genre.

A literature review can be a part of a research paper or scholarly article, usually falling after the introduction and before the research methods sections. In these cases, the lit review just needs to cover scholarship that is important to the issue you are writing about; sometimes it will also cover key sources that informed your research methodology.

Lit reviews can also be standalone pieces, either as assignments in a class or as publications. In a class, a lit review may be assigned to help students familiarize themselves with a topic and with scholarship in their field, get an idea of the other researchers working on the topic they’re interested in, find gaps in existing research in order to propose new projects, and/or develop a theoretical framework and methodology for later research. As a publication, a lit review usually is meant to help make other scholars’ lives easier by collecting and summarizing, synthesizing, and analyzing existing research on a topic. This can be especially helpful for students or scholars getting into a new research area, or for directing an entire community of scholars toward questions that have not yet been answered.

What are the parts of a lit review?

Most lit reviews use a basic introduction-body-conclusion structure; if your lit review is part of a larger paper, the introduction and conclusion pieces may be just a few sentences while you focus most of your attention on the body. If your lit review is a standalone piece, the introduction and conclusion take up more space and give you a place to discuss your goals, research methods, and conclusions separately from where you discuss the literature itself.

Introduction:

• An introductory paragraph that explains what your working topic and thesis is
• A forecast of key topics or texts that will appear in the review
• Potentially, a description of how you found sources and how you analyzed them for inclusion and discussion in the review (more often found in published, standalone literature reviews than in lit review sections in an article or research paper)
• Summarize and synthesize: Give an overview of the main points of each source and combine them into a coherent whole
• Analyze and interpret: Don’t just paraphrase other researchers – add your own interpretations where possible, discussing the significance of findings in relation to the literature as a whole
• Critically Evaluate: Mention the strengths and weaknesses of your sources
• Write in well-structured paragraphs: Use transition words and topic sentence to draw connections, comparisons, and contrasts.

Conclusion:

• Summarize the key findings you have taken from the literature and emphasize their significance
• Connect it back to your primary research question

How should I organize my lit review?

Lit reviews can take many different organizational patterns depending on what you are trying to accomplish with the review. Here are some examples:

• Chronological : The simplest approach is to trace the development of the topic over time, which helps familiarize the audience with the topic (for instance if you are introducing something that is not commonly known in your field). If you choose this strategy, be careful to avoid simply listing and summarizing sources in order. Try to analyze the patterns, turning points, and key debates that have shaped the direction of the field. Give your interpretation of how and why certain developments occurred (as mentioned previously, this may not be appropriate in your discipline — check with a teacher or mentor if you’re unsure).
• Thematic : If you have found some recurring central themes that you will continue working with throughout your piece, you can organize your literature review into subsections that address different aspects of the topic. For example, if you are reviewing literature about women and religion, key themes can include the role of women in churches and the religious attitude towards women.
• Qualitative versus quantitative research
• Empirical versus theoretical scholarship
• Divide the research by sociological, historical, or cultural sources
• Theoretical : In many humanities articles, the literature review is the foundation for the theoretical framework. You can use it to discuss various theories, models, and definitions of key concepts. You can argue for the relevance of a specific theoretical approach or combine various theorical concepts to create a framework for your research.

What are some strategies or tips I can use while writing my lit review?

Any lit review is only as good as the research it discusses; make sure your sources are well-chosen and your research is thorough. Don’t be afraid to do more research if you discover a new thread as you’re writing. More info on the research process is available in our "Conducting Research" resources .

As you’re doing your research, create an annotated bibliography ( see our page on the this type of document ). Much of the information used in an annotated bibliography can be used also in a literature review, so you’ll be not only partially drafting your lit review as you research, but also developing your sense of the larger conversation going on among scholars, professionals, and any other stakeholders in your topic.

Usually you will need to synthesize research rather than just summarizing it. This means drawing connections between sources to create a picture of the scholarly conversation on a topic over time. Many student writers struggle to synthesize because they feel they don’t have anything to add to the scholars they are citing; here are some strategies to help you:

• It often helps to remember that the point of these kinds of syntheses is to show your readers how you understand your research, to help them read the rest of your paper.
• Writing teachers often say synthesis is like hosting a dinner party: imagine all your sources are together in a room, discussing your topic. What are they saying to each other?
• Look at the in-text citations in each paragraph. Are you citing just one source for each paragraph? This usually indicates summary only. When you have multiple sources cited in a paragraph, you are more likely to be synthesizing them (not always, but often
• Read more about synthesis here.

The most interesting literature reviews are often written as arguments (again, as mentioned at the beginning of the page, this is discipline-specific and doesn’t work for all situations). Often, the literature review is where you can establish your research as filling a particular gap or as relevant in a particular way. You have some chance to do this in your introduction in an article, but the literature review section gives a more extended opportunity to establish the conversation in the way you would like your readers to see it. You can choose the intellectual lineage you would like to be part of and whose definitions matter most to your thinking (mostly humanities-specific, but this goes for sciences as well). In addressing these points, you argue for your place in the conversation, which tends to make the lit review more compelling than a simple reporting of other sources.

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• How to Do Research for an Excellent Essay: The Complete Guide

One of the biggest secrets to writing a good essay is the Boy Scouts’ motto: ‘be prepared’. Preparing for an essay – by conducting effective research – lays the foundations for a brilliant piece of writing, and it’s every bit as important as the actual writing part. Many students skimp on this crucial stage, or sit in the library not really sure where to start; and it shows in the quality of their essays. This just makes it easier for you to get ahead of your peers, and we’re going to show you how. In this article, we take you through what you need to do in order to conduct effective research and use your research time to best effect.

Allow enough time

First and foremost, it’s vital to allow enough time for your research. For this reason, don’t leave your essay until the last minute . If you start writing without having done adequate research, it will almost certainly show in your essay’s lack of quality. The amount of research time needed will vary according to whether you’re at Sixth Form or university, and according to how well you know the topic and what teaching you’ve had on it, but make sure you factor in more time than you think you’ll need. You may come across a concept that takes you longer to understand than you’d expected, so it’s better to allow too much time than too little.

Read the essay question and thoroughly understand it

If you don’t have a thorough understanding of what the essay question is asking you to do, you put yourself at risk of going in the wrong direction with your research. So take the question, read it several times and pull out the key things it’s asking you to do. The instructions in the question are likely to have some bearing on the nature of your research. If the question says “Compare”, for example, this will set you up for a particular kind of research, during which you’ll be looking specifically for points of comparison; if the question asks you to “Discuss”, your research focus may be more on finding different points of view and formulating your own.

Begin with a brainstorm

Start your research time by brainstorming what you already know. Doing this means that you can be clear about exactly what you’re already aware of, and you can identify the gaps in your knowledge so that you don’t end up wasting time by reading books that will tell you what you already know. This gives your research more of a direction and allows you to be more specific in your efforts to find out certain things. It’s also a gentle way of introducing yourself to the task and putting yourself in the right frame of mind for learning about the topic at hand.

Achieve a basic understanding before delving deeper

If the topic is new to you and your brainstorm has yielded few ideas, you’ll need to acquire a basic understanding of the topic before you begin delving deeper into your research. If you don’t, and you start by your research by jumping straight in at the deep end, as it were, you’ll struggle to grasp the topic. This also means that you may end up being too swayed by a certain source, as you haven’t the knowledge to question it properly. You need sufficient background knowledge to be able to take a critical approach to each of the sources you read. So, start from the very beginning. It’s ok to use Wikipedia or other online resources to give you an introduction to a topic, though bear in mind that these can’t be wholly relied upon. If you’ve covered the topic in class already, re-read the notes you made so that you can refresh your mind before you start further investigation.

Working through your reading list

If you’ve been given a reading list to work from, be organised in how you work through each of the items on it. Try to get hold of as many of the books on it as you can before you start, so that you have them all easily to hand, and can refer back to things you’ve read and compare them with other perspectives. Plan the order in which you’re going to work through them and try to allocate a specific amount of time to each of them; this ensures that you allow enough time to do each of them justice and that focus yourself on making the most of your time with each one. It’s a good idea to go for the more general resources before honing in on the finer points mentioned in more specialised literature. Think of an upside-down pyramid and how it starts off wide at the top and becomes gradually narrower; this is the sort of framework you should apply to your research.

Ask a librarian

Library computer databases can be confusing things, and can add an extra layer of stress and complexity to your research if you’re not used to using them. The librarian is there for a reason, so don’t be afraid to go and ask if you’re not sure where to find a particular book on your reading list. If you’re in need of somewhere to start, they should be able to point you in the direction of the relevant section of the library so that you can also browse for books that may yield useful information.

Use the index

If you haven’t been given specific pages to read in the books on your reading list, make use of the index (and/or table of contents) of each book to help you find relevant material. It sounds obvious, but some students don’t think to do this and battle their way through heaps of irrelevant chapters before finding something that will be useful for their essay.

Taking notes

As you work through your reading, take notes as you go along rather than hoping you’ll remember everything you’ve read. Don’t indiscriminately write down everything – only the bits that will be useful in answering the essay question you’ve been set. If you write down too much, you risk writing an essay that’s full of irrelevant material and getting lower grades as a result. Be concise, and summarise arguments in your own words when you make notes (this helps you learn it better, too, because you actually have to think about how best to summarise it). You may want to make use of small index cards to force you to be brief with what you write about each point or topic. We’ve covered effective note-taking extensively in another article, which you can read here. Note-taking is a major part of the research process, so don’t neglect it. Your notes don’t just come in useful in the short-term, for completing your essay, but they should also be helpful when it comes to revision time, so try to keep them organised.

Research every side of the argument

Never rely too heavily on one resource without referring to other possible opinions; it’s bad academic practice. You need to be able to give a balanced argument in an essay, and that means researching a range of perspectives on whatever problem you’re tackling. Keep a note of the different arguments, along with the evidence in support of or against each one, ready to be deployed into an essay structure that works logically through each one. If you see a scholar’s name cropping up again and again in what you read, it’s worth investigating more about them even if you haven’t specifically been told to do so. Context is vital in academia at any level, so influential figures are always worth knowing about.

Keep a dictionary by your side

You could completely misunderstand a point you read if you don’t know what one important word in the sentence means. For that reason, it’s a good idea to keep a dictionary by your side at all times as you conduct your research. Not only does this help you fully understand what you’re reading, but you also learn new words that you might be able to use in your forthcoming essay or a future one . Growing your vocabulary is never a waste of time!

Start formulating your own opinion

As you work through reading these different points of view, think carefully about what you’ve read and note your own response to different opinions. Get into the habit of questioning sources and make sure you’re not just repeating someone else’s opinion without challenging it. Does an opinion make sense? Does it have plenty of evidence to back it up? What are the counter-arguments, and on balance, which sways you more? Demonstrating your own intelligent thinking will set your essay apart from those of your peers, so think about these things as you conduct your research.

Be careful with web-based research

Although, as we’ve said already, it’s fine to use Wikipedia and other online resources to give you a bit of an introduction to a topic you haven’t covered before, be very careful when using the internet for researching an essay. Don’t take Wikipedia as gospel; don’t forget, anybody can edit it! We wouldn’t advise using the internet as the basis of your essay research – it’s simply not academically rigorous enough, and you don’t know how out of date a particular resource might be. Even if your Sixth Form teachers may not question where you picked up an idea you’ve discussed in your essays, it’s still not a good habit to get into and you’re unlikely to get away with it at a good university. That said, there are still reliable academic resources available via the internet; these can be found in dedicated sites that are essentially online libraries, such as JSTOR. These are likely to be a little too advanced if you’re still in Sixth Form, but you’ll almost certainly come across them once you get to university.

Look out for footnotes

In an academic publication, whether that’s a book or a journal article, footnotes are a great place to look for further ideas for publications that might yield useful information. Plenty can be hidden away in footnotes, and if a writer is disparaging or supporting the ideas of another academic, you could look up the text in question so that you can include their opinion too, and whether or not you agree with them, for extra brownie points.

Don’t save doing all your own references until last

If you’re still in Sixth Form, you might not yet be required to include academic references in your essays, but for the sake of a thorough guide to essay research that will be useful to you in the future, we’re going to include this point anyway (it will definitely come in useful when you get to university, so you may as well start thinking about it now!). As you read through various books and find points you think you’re going to want to make in your essays, make sure you note down where you found these points as you go along (author’s first and last name, the publication title, publisher, publication date and page number). When you get to university you will be expected to identify your sources very precisely, so it’s a good habit to get into. Unfortunately, many students forget to do this and then have a difficult time of going back through their essay adding footnotes and trying to remember where they found a particular point. You’ll save yourself a great deal of time and effort if you simply note down your academic references as you go along. If you are including footnotes, don’t forget to add each publication to a main bibliography, to be included at the end of your essay, at the same time.

Putting in the background work required to write a good essay can seem an arduous task at times, but it’s a fundamental step that can’t simply be skipped. The more effort you put in at this stage, the better your essay will be and the easier it will be to write. Use the tips in this article and you’ll be well on your way to an essay that impresses!

To get even more prepared for essay writing you might also want to consider attending an Oxford Summer School .

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Please note you do not have access to teaching notes, digital financial consumers' decision-making: a systematic literature review and integrative framework.

International Journal of Bank Marketing

ISSN : 0265-2323

Article publication date: 5 July 2024

This study aims to systematically review the literature on digital consumers’ decision-making in the banking, financial services and insurance (BFSI) sector and proposes an integrative framework.

Design/methodology/approach

By combining databases such as Web of Science and Elton B. Stephens Company (EBSCO), we identified, analyzed and synthesized 53 peer-reviewed empirical articles that explore the connection between digital solutions in the BFSI sector and various phases and constructs of the consumer decision-making process. We examined the dependent variables (DVs) used to operationalize consumer decision-making, performed a thematic analysis of the papers and proposed an integrative framework.

The reviewed articles have garnered more attention from marketing researchers than from BFSI or artificial intelligence scholars, often employing traditional behavioral and experimental methodologies that have several limitations. We identified 38 DVs used to operationalize consumer decision-making, with the most frequently recurring constructs being “Intention to use,” “Utilization,” “Satisfaction,” “Perceived usefulness” and “Trust.” We propose an integrative framework that groups these DVs into three main clusters: subjects’ perceptions, user experience and adoption/usage choice. This systematic literature review highlights the increasing importance of emotion in recent decades and underscores the difficulty of establishing a framework where relationships between variables are direct and unidirectional, as traditional economic theories assume.

Originality/value

To the best of the authors’ knowledge, this is the first study to provide a comprehensive and systematic understanding of the DVs and the research methods used to study the impact of recent digital solutions on consumer decision-making in the BFSI sector. Further, a framework is proposed that can offer a new perspective for consumer research.

• Systematic literature review
• Artificial intelligence
• Financial decision-making
• Financial behavior

Barone, M. , Bussoli, C. and Fattobene, L. (2024), "Digital financial consumers' decision-making: a systematic literature review and integrative framework", International Journal of Bank Marketing , Vol. ahead-of-print No. ahead-of-print. https://doi.org/10.1108/IJBM-07-2023-0405

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Copyright © 2024, Emerald Publishing Limited

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