honour in romeo and juliet essay

Romeo and Juliet

William shakespeare, everything you need for every book you read..

Though the forbidden love between Romeo and Juliet lives at the heart of the play and drives much of its action, their love is only forbidden in the first place due to the “ancient grudge,” or feud, between the noble houses of Capulet and Montague. The source of the age-old fight between the two families is never explained or even hinted at—all that is clear is that these houses loathe each other and will leap at any chance to do violence unto each other, much to the dismay of Verona’s citizens. Romeo and Juliet are bound by duty to honor their respective families, but as their love for one another deepens and their families’ violence towards each other escalates, Shakespeare shows that parents owe their children the duties of respect, openness, and kindness—not exclusively, as the Capulets and Montagues demand, the other way around.

Many of Shakespeare’s works examine the duty children and younger generations within a family owe their parents, or the older generation—in Hamlet , King Lear , and The Merchant of Venice , for example, Shakespeare interrogates filial duty, familial honor, and the difficulties of seeing a parent’s will through. In Romeo and Juliet , however, Shakespeare turns this interrogation on its head. While a child’s honor-bound duty to his or her parent is complex, to say the least, in the world of Hamlet and King Lear , in Romeo and Juliet , it is portrayed outrightly as an absurd, punitive, and even cruel demand. Romeo and Juliet are bound to honor their families’ hatred of one another—when each learns who the other is after falling in love at a party at the Capulets’ home, they are crestfallen to realize that they are enemies by default. Of course, Romeo and Juliet are not, as individuals, each other’s enemies—but the codes of honor their parents have thrust upon them demand that they hate one another simply out of duty. As Romeo and Juliet secretly conspire to shirk that duty, surrender to their love for each other, and marry in great haste, Shakespeare points out the ridiculousness of feuds and grudges like the one between the Capulets and Montagues—ancient resentments whose root cause no one alive can even remember. Shakespeare shows that it is the very fact that Romeo and Juliet’s love is forbidden which spurs their passion—as young teenagers, they long to get in trouble and defy their families, and marrying one another is the ultimate transgression against their parents’ wills.

Shakespeare also points out just how profoundly the Capulets and Montagues fail their children by honoring their desires for social climbing and political advancement. The Capulets are more concerned with throwing gaudy feasts that will draw the envy and attention of all their friends than they are with nurturing their own family. Though Capulet insists that Juliet is the most important thing in his life, it is clear from his behavior that he (and Lady Capulet , as well) are interested only in impressing their fellow citizens, marrying Juliet to a man who will improve their family’s social standing, and keeping under wraps the very scandals and brawls with the Montagues that they themselves stoke. When Juliet fakes her own death and Capulet mourns her loss in loud, ridiculous, florid terms, Friar Laurence chides him for his hypocrisy—while Juliet was alive, “the most [Capulet] sought was her promotion”—now that she is dead and in heaven, the friar points out, she has received the greatest social “promotion” of all. The Montagues, too, are guilty of shirking their duties to their son— Lady Montague is concerned about Romeo being seen brawling in the streets but doesn’t actually bother to keep track of her son’s wellbeing or whereabouts. Montague , too, seems deeply uninterested in learning about Romeo’s inner emotional life—he knows his son is, at the start of the play, struggling with feelings of unrequited love, but has not bothered to get to the heart of his troubles. All of the parents in the play are shown to be more concerned with social appearances and their own petty problems than with honoring their duties to their children—even as they demand their children conform to arbitrary, outdated social mores and back their own feuds mindlessly.

Ultimately, Shakespeare uses the tale of Romeo and Juliet and their “star-crossed love” to show the chaos and devastation that can befall parents who do not listen to or respect their own children. “See what a scourge is laid upon your hate,” Prince Escalus orders the Capulets and Montagues at the end of the play. “All are punished.” In believing their children owed it to them to continue sowing the seeds of their own petty hatred, the adults in the play have done their offspring—and their community—a great disservice. Shakespeare clearly believes that familial duty runs both ways, and that in failing to acknowledge that fact, society’s pompous elders will only bring endless woe upon themselves.

Family and Duty ThemeTracker

Family and Duty Quotes in Romeo and Juliet

Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes, A pair of star-cross'd lovers take their life; Whose misadventured piteous overthrows, Doth with their death bury their parents' strife. The fearful passage of their death-mark'd love, And the continuance of their parents' rage, Which, but their children's end, nought could remove, Is now the two hours' traffic of our stage; The which if you with patient ears attend, What here shall miss, our toil shall strive to mend.

My only love sprung from my only hate! Too early seen unknown, and known too late!

O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name; Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet.

'Tis but thy name that is my enemy; — Thou art thyself though, not a Montague. What's Montague? It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? That which we call a rose, By any other word would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title: — Romeo, doff thy name; And for thy name, which is no part of thee, Take all myself.

I take thee at thy word: Call me but love, and I'll be new baptis'd; Henceforth I never will be Romeo.

For naught so vile that on the earth doth live But to the earth some special good doth give; Nor aught so good but, strain'd from that fair use, Revolts from true birth, stumbling on the abuse: Virtue itself turns vice, being misapplied; And vice sometimes by action dignified.

Romeo, the hate I bear thee can afford No better term than this: thou art a villain.

Romeo: Courage, man; the hurt cannot be much. Mercutio: No, 'tis not so deep as a well, nor so wide as a church-door; but 'tis enough, 'twill serve: ask for me to-morrow, and you shall find me a grave man.

Is there no pity sitting in the clouds That sees into the bottom of my grief? O sweet my mother, cast me not away! Delay this marriage for a month, a week, Or if you do not, make the bridal bed In that dim monument where Tybalt lies.

Or bid me go into a new-made grave, And hide me with a dead man in his shroud - Things that, to hear them told, have made me tremble - And I will do it without fear or doubt, To live an unstain'd wife to my sweet love.

For never was a story of more woe Than this of Juliet and her Romeo.

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Model Answer: Honour in 'Romeo and Juliet'

Subject: English

Age range: 14-16

Resource type: Assessment and revision

Last updated

20 June 2020

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Recently updated and improved, this is a detailed, high-level model answer analysing Shakespeare’s presentation of honour in ‘Romeo and Juliet’.

All essays receive a grade and a very detailed commentary analysing the strengths and weaknesses of the answer. This enables students to identify good practice and techniques to implement in their work. Answers should also act as a source of inspiration for students introduce them to different responses to the text.

All answers were written by a high attaining GCSE age student under exam conditions. Therefore, the answers are not expected to be perfect but realistic representations of what can be achieved during a GCSE exam.

This resource has been targeted at the AQA specification but will still be useful to all GCSE English Literature students.

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GCSE English Literature Model Answers

A detailed set of 5 model answer on Charles Dickens’ ‘A Christmas Carol’, Willaim Shakespeare’s ‘Romeo and Juliet’, J B Priestley's 'An Inspector Calls' and the Power and Conflict poetry anthology. Together this forms all of AQA GCSE English Literature Paper 1 and Sections A and B of AQA GCSE English Literature Paper 2. The answers included in this bundle are: A Christmas Carol: Happiness The most powerful spirit Working life Attitudes to Christmas The importance of family Romeo and Juliet: Honour Juliet as a faithful daughter Lady Capulet as a mother Romeo and Juliet’s love The Nurse as a friend to Juliet An Inspector Calls: Conflict between generations Gender Priestley’s intentions The importance of Eva The importance of the Inspector Poetry Anthology: Comparing Exposure and Charge of the Light Bridgade London and Checking out Me History Ozymandias and The Prelude The Prelude and Kamikaze War Photographer and Poppies This allows students to understand how to structure their arguments to achieve full marks. At the end of the essay is the mark as well as a detailed comment analysing the student’s strengths and weaknesses. This enables students to understand what parts of the essay have been so successful. This resource has been written for AQA, but will be useful to all students studying the poems from power and conflict. This is bundle 1 and offers excellent value for money. Check out the rest of the series and other great resources in my Tes Shop. Any Enquires: Instagram - @thomasd0resources Twitter - @thomasd01resou1 Email - [email protected] This allows students to understand how to structure their arguments to achieve full marks. At the end of the essay is the mark as well as a detailed comment analysing the student’s strengths and weaknesses. This enables students to understand what parts of the essay have been so successful. This resource has been written for AQA, but will be useful to all students studying ‘Romeo and Juliet’, 'A Christmas Carol', 'An Inspector Calls' and the poems of 'Power and Conflict'. This is bundle 1 and offers excellent value for money. Included in this set are 20 answers. Check out the rest of the series and other great resources in my Tes Shop. Any Enquires: Instagram - @thomasd0resources Twitter - @thomasd01resou1 Email - [email protected]

Romeo and Juliet and A Christmas Carol: Model Answers - Bundle 1

A detailed set of 5 model answer on Charles Dickens’ ‘A Christmas Carol’ and Willaim Shakespeare's 'Romeo and Juliet'. Together this forms Section A and Section B of AQA English Literature Paper 1. The answers included in this bundle are: A Christmas Carol: Happiness The most powerful spirit Working life Attitudes to Christmas The importance of family Romeo and Juliet: Honour Juliet as a faithful daughter Lady Capulet as a mother Romeo and Juliet’s love The Nurse as a friend to Juliet This allows students to understand how to structure their arguments to achieve full marks. At the end of the essay is the mark as well as a detailed comment analysing the student’s strengths and weaknesses. This enables students to understand what parts of the essay have been so successful. This resource has been written for AQA, but will be useful to all students studying ‘Romeo and Juliet' and 'A Christmas Carol'. This is bundle 1 and offers excellent value for money. Included in this set are 10 answers. Check out the rest of the series and other great resources in my Tes Shop. Any Enquires: Instagram - @thomasd0resources Twitter - @thomasd01resou1 Email - [email protected]

Romeo and Juliet - Model Answer: Complete Collection

This is a detailed set of 10 model answer on 'Romeo and Juliet' by William Shakespeare. The answers included in this bundle are: * Adult and young person relationships * Conflict * Fate * Friar Lawrence * Honour * Juliet as a faithful daughter * Justice * Lady Capulet as a Good Mother * Love * The Nurse as a good friend to Juliet All essays receive a grade and a very detailed commentary analysing the strengths and weaknesses of the answer. This enables students to identify good practice and techniques to implement in their work. Answers should also act as a source of inspiration for students introduce them to different responses to the text. All answers were written by a high attaining GCSE age student under exam conditions. Therefore, the answers are not expected to be perfect but realistic representations of what can be achieved during a GCSE exam. This resource has been targeted at the AQA specification but will still be useful to all GCSE English Literature students. This is the complete collection, comprimising all of the answers from both bundle 1 and bundle 2, for a discounted price. Check out the rest of the series and other great resources in my Tes Shop. Any Enquires: Email - [email protected]

Romeo and Juliet: Model Answers - Bundle 1

A detailed set of 5 model answer on William Shakespeare's 'Romeo and Juliet'. The answers included in this bundle are: * Honour * Juliet as a faithful daughter * Lady Capulet as a mother * Romeo and Juliet's love * The Nurse as a friend to Juliet This allows students to understand how to structure their arguments to achieve full marks. At the end of the essay is the mark as well as a detailed comment analysing the student’s strengths and weaknesses. This enables students to understand what parts of the essay have been so successful. This resource has been written for AQA, but will be useful to all students studying ‘Romeo and Juliet'. This is bundle 1 and offers excellent value for money. Check out the rest of the series and other great resources in my Tes Shop. Any Enquires: Email - [email protected] Read less

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• Love, Conflict, and Suicide in Romeo and Juliet

Love, Conflict, and Suicide in Romeo and Juliet - Essay Example

• Subject: Literature
• Type: Essay
• Level: High School
• Pages: 3 (750 words)
• Downloads: 4

Extract of sample "Love, Conflict, and Suicide in Romeo and Juliet"

The father of Juliet invites Paris to a party in his house, so he could meet Juliet. The servant of the Capulet family is sent to invite the guests, but he can’t read the list and asks Romeo to help him. (Bevington, 88-109) Benvolio convinces Romeo to go to the party, so he could meet more women and forget about Rosaline. When Romeo and Juliet saw each other they fall in love. Tybalt is Juliet’s cousin and he is very mad at Romeo. Then, Romeo goes to visit Friar Lawrence and tells him that now he loves Juliet.

  (Asimov 112-120)Friar Lawrence is a Franciscan Monk. Soon, Friar Lawrence marries Romeo and Juliet. Then, Romeo kills Tybalt in revenge because he killed his friend Mercutio. Romeo hides and he is very sad because he wants to be with Juliet. Also Juliet is very sad and she goes to visit Friar Lawrence and tells him that she wants to be death. Friar Lawrence tells Juliet about a liquor she can take to fake death.(Kerr P.254-261) Juliet agrees with the plan, during which she is going to be placed in the Capulet tomb and when she wakes, Romeo was going to be there waiting for her.

Juliet is happy because she is not going to get marry with Paris and instead she is going to fake death and then run away with Romeo. Romeo didn’t know anything about this plan. He goes to Juliet’s tomb and meets Paris, they fight and Paris forces Romeo to kill him. Then, Romeo drinks a poison and dies. Juliet then awakes and saw Romeo that is death and also she kills herself. This tragedy made both families make peace. and swear to never fight again.Romeo and Juliet’s love also led them to get married.

But this marriage was not normal; it was a secret marriage, where only four people knew about it. These four people were Romeo, Juliet, Juliet’s Nurse, and Friar Lawrence. This made it even harder for the both of them, as they loved each other so much, but they weren’t able to express this love around any others. It made it very hard for Juliet when Romeo was banished for killing Tybalt, because all of the Capulets thought that she was depressed because Tybalt was killed, but she was really depressed because of Romeo’s banishment. (Krims P.101-119) It later becomes even worse for Juliet, when County Paris is to marry her.

Juliet doesn’t want to marry Paris, because she is already married to Romeo, and this would be against her beliefs.So Juliet had Friar Lawrence come up with an ingenious plan to get her back with Romeo. Juliet took a potion to make her seem dead, and she would wake up after about 48 hours, to see Romeo’s face.ConclusionIn conclusion, I believe that the story of Romeo and Juliet is a story of Love, Conflict, and Suicide. Romeo and Julie

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Tom Holland's Romeo and Juliet production headed to Broadway later this year

Tom Holland's Romeo and Juliet production is heading to Broadway later this year.

The 27-year-old actor is starring as Romeo in the 12-week run of William Shakespeare's tragedy in London from next month and the demand for tickets has been so overwhelming that the show is going to head across the Atlantic as fans of the Spider-Man star clamour to see him tread the boards once again.

A source told The Mirror: "Romeo and Juliet will head to Broadway after its London run, with details to be announced in due course.

"While director Jamie Lloyd has made a name for himself for his minimalist adaptations of classic texts, the headline grabber for what is essentially yet another production of Romeo and Juliet is undoubtedly its leading man.

"Fans can't wait to watch the Marvel hero test out his acting chops up close and personal, and with tickets costing around £200 (S$340), it's an incredibly lucrative earner."

Tom started his career on the West End playing the titular role in Billy Elliot: The Musical before establishing himself as a movie star and Lloyd described it as an "honour" to be overseeing his stage return.

He said: "Tom Holland is one of the greatest, most exciting young actors in the world. It is an honour to welcome him back to the West End."

The play is running at the Duke of York's Theatre in London from May 11 until Aug 3 and Tom will be joined by Francesca Amewudah-Rivers as Juliet, although the theatre company had to respond to "deplorable racial abuse" following the casting announcement.

A statement read: "This must stop.

"We are working with a remarkable group of artists. We insist that they are free to create work without facing online harassment.

"We will continue to support and protect everyone in our company at all costs. Any abuse will not be tolerated and will be reported.

"Bullying and harassment have no place online, in our industry or in our wider communities."

ALSO READ:  Tom Holland got crying lessons from Benedict Cumberbatch

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‘Romeo & Juliet’ play starring Tom Holland and Francesca Amewudah-Rivers faces ‘barrage of racial abuse’

The Jamie Lloyd Company has hit back after its production of Shakespeare’s “Romeo & Juliet” has been the subject of what they call a “barrage of deplorable racial abuse” aimed at an unnamed cast member.

The play, directed by Jamie Lloyd (“Sunset Boulevard”), stars “Spider-Man: No Way Home” star Tom Holland as Romeo and Francesca Amewudah-Rivers (“Bad Education”) as Juliet.

On Friday, the Jamie Lloyd Company  issued a statement , saying: “Following the announcement of our ‘Romeo & Juliet’ cast, there has been a barrage of deplorable racial abuse online directed towards a member of our company. This must stop.”

“We are working with a remarkable group of artists. We insist that they are free to create work without facing online harassment. We will continue to support and protect everyone in our company at all costs. Any abuse will not be tolerated and will be reported. Bullying and harassment have no place online, in our industry or in our wider communities. Our rehearsal room is full of joy, compassion and kindness. We celebrate the extraordinary talent of our incredible collaborators. The ‘Romeo & Juliet’ community will continue to rehearse with generosity and love, and focus on the creation of our production.”

“Romeo & Juliet” is due to play at London’s Duke of York’s Theatre May 23 through Aug. 3. The run is already sold out.

In 2021,  a landmark survey  titled “Race Between the Lines: Actors’ Experience of Race and Racism in Britain’s Audition and Casting Process and on Set” found that 64% of respondents experienced racist stereotyping in an audition and 55% experienced racist behavior in the workplace.

In March this year, two proposed “Black Out” London West End performances of Jeremy O. Harris‘ “Slave Play”  came under fire  from U.K. Prime Minister Rishi Sunak‘s office.

Entertainment

Tom Holland's Romeo And Juliet set for Broadway run

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He will be joined by actress Francesca Amewudah-Rivers as Juliet.

Tom Holland (left) and Francesca Amewudah-Rivers (left). (Photos: AP/Invision/Taylor Jewell, Instagram/@franarivers)

Tom Holland's Romeo And Juliet production is heading to Broadway later this year. The 27-year-old actor is starring as Romeo in the 12-week run of William Shakespeare's tragedy in London from next month, and the demand for tickets has been so overwhelming that the show is going to head across the Atlantic as fans of the Spiderman star clamour to see him tread the boards once again.

A source told The Mirror: "Romeo And Juliet will head to Broadway after its London run, with details to be announced in due course.

"While director Jamie Lloyd has made a name for himself for his minimalist adaptations of classic texts, the headline grabber for what is essentially yet another production of Romeo And Juliet is undoubtedly its leading man.

"Fans can't wait to watch the Marvel hero test out his acting chops up close and personal, and with tickets costing around £200 (S$340), it's an incredibly lucrative earner."

Holland started his career on the West End playing the titular role in Billy Elliot: The Musical before establishing himself as a movie star and Lloyd described it as an "honour" to be overseeing his stage return.

He said: "Tom Holland is one of the greatest, most exciting young actors in the world. It is an honour to welcome him back to the West End."

The play is running at the Duke of York's Theatre in London from May 11 until Aug 3, and Holland will be joined by Francesca Amewudah-Rivers as Juliet although the theatre company had to respond to "deplorable racial abuse" following the casting announcement.

A statement read: "This must stop. We are working with a remarkable group of artists. We insist that they are free to create work without facing online harassment.

We will continue to support and protect everyone in our company at all costs. Any abuse will not be tolerated and will be reported.

"Bullying and harassment have no place online, in our industry or in our wider communities."

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NEWS... BUT NOT AS YOU KNOW IT

Romeo & Juliet play starring Tom Holland and Francesca Amewudah-Rivers targeted with ‘deplorable’ racism

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The new West End production of Romeo & Juliet has been hit with a barrage of racist abuse after announcing the star-crossed lovers’ casting.

Tom Holland was initially announced as romantic lead Romeo Montague , with no word on his Juliet Capulet or anyone else set to star.

Despite mystery around all details beyond the Marvel star’s appearance, the play immediately sold out with thousands queuing for a chance to see him on the stage.

After the masses has rushed to get their hands on tickets , Romeo & Juliet finally announced the name of their leading lady — Francesca Amewudah-Rivers.

The Bad Education star was revealed on March 28 but within days the Jamie Lloyd Company who are producing the show were forced to address racist backlash.

In a post on its Instagram, the theatre company said there had been ‘a barrage of deplorable racial abuse’ hurled at a member of their company.

‘Following the announcement of our Romeo & Juliet cast,’ the production shared. ‘A barrage of deplorable racial abuse online directed towards a member of our company.’

‘This must stop,’ the statement said. ‘We are working with a remarkable group of artists. We insist that they are free to create work without facing online harassment.

‘We will continue to support and protect everyone in our company at all costs. Any abuse will not be tolerated and will be reported.

‘Bullying and harassment have no place online, in our industry or in our wider communities.’

They added the rehearsal room was one filled with ‘joy, compassion, and kindness’, free from any hatred.

Francesca starred as Blessing in Bad Education from 2022 to 2024 and is credited as a composer for short films Medea, Messenger, and Minutes.

The torrent of abuse came after over 60,000 people swarmed ticket selling sites to see Marvel’s golden child in his 12 week run as the ill-fated Romeo.

Fans were thrilled to see Tom return to his home on  London ’s stages, where he made his debut performances as Billy Elliot in the late 2000s.

The Duke of York’s Theatre, where the production will be staged, shared the news of the 27-year-old’s casting in an Instagram post which garnered thousands of likes.

‘Tom Holland is Romeo in Jamie Lloyd’s pulsating new vision of Shakespeare’s immortal tale of wordsmiths, rhymers, lovers and fighters,’ the announcement read.

British theatre director Jamie Lloyd is best known for his recent production of Sunset Blvd, starring Nicole Scherzinger, and A Doll’s House with Jessica Chastain.

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‘Tom Holland is one of the greatest, most exciting young actors in the world. It is an honour to welcome him back to the West End,’ he praised of the Spider-Man star.

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MORE : Tom Holland’s sold-out Romeo and Juliet play sparks ticket pricing controversy

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