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Okonkwo in Things Fall Apart

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Published: Mar 14, 2024

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Themes and Analysis

Things fall apart, by chinua achebe.

Chinua Achebe sought to rediscover pride and dignity among Africans by rehabilitating their image damaged by the humiliating effect of racist portrayals. In 'Things Fall Apart' he does this with grace and clarity.

Article written by Israel Njoku

Degree in M.C.M with focus on Literature from the University of Nigeria, Nsukka.

In ‘Things Fall Apart ,’ Achebe details Western colonialists’ impact on African societies. This impact is outlined in a very simple manner, but within this simplicity, there is a rich and inventive use of language. The plot might move irregularly for large sections of the book, but this pacing represents a deliberate attempt to conform to an essentially African literary tradition and style. ‘Things Fall Apart ‘ contains themes that reflect the richness and sophistication of African cultures as well as the debilitating impact of outsiders on this culture.

Themes in Things Fall Apart

The humanity of african societies.

Achebe was motivated to write ‘Things Fall Apart’ because he wanted to re-tell the story of the Africans who European imperialists and their enablers in the arts had depicted in unfair one-dimensional representations. Achebe creates a fairly sophisticated and self-sufficient society with organized institutions. His aim was not to create a perfect society, but one more true to the facts of the situation. In Umuofia, we see disputes settled between members fairly, as seen in the case between Mgbafo’s brothers and husband before the Egwugwu . The temperaments of people in the community are not uniformly animalistic or primitive as depicted in the works of Joseph Conrad. Rather, there is a wide range of personality types, ranging from the extremely chauvinistic and aggressive Okonkwo to the sentimental and gentle Unoka and Nwoye. In between them, we have the likes of Obiereka and Ogbuefi Ezeudo, who do not lose their sense of sentiment and passion while subscribing to the patriarchal tenets of their society. Within individuals, there is much complexity, as Okonkwo himself isn’t innately evil but rather forced into that way as a result of childhood trauma and pressure to meet the expectations of society. This complexity of the African individual and society marks them out as ordinary, rather than exciting or exotic.

Clash of Cultures

‘Things Fall Apart’ chronicles the great tragedy of the displacement of traditional African societies by encroaching Westerners with imperialist ambitions. The community of Umuofia had ruled itself and observed its customs, and preserved its institutions for years. The worldview every community member learned from birth, all systems and institutions they came to accept without question, were suddenly threatened by the arrival of the white man with his religion and political system. The British came with a fundamentally different value system, power structure, and religion. Disputes were no longer solved the old way, under the overarching goal of maintaining communal cohesion over everything else. The people of Umuofia, who had lived without rulers, now have to deal with colonialists exerting uncommon power and authority over them. With the coming of the Whiteman with his process and sense of justice that took no cognizance of the customs of the people, the people of Umuofia essentially faced the erosion of their traditions and values.

Umuofia’s society is highly patriarchal, and Okonkwo’s behaviors and motivations are, in part, informed by his society’s gender roles and expectations. Okonkwo measures his success according to the fulfillment of his society’s ideal of masculinity. He strove to be a valiant wrestler and a hard physical laborer on his farm because these activities represent peak male performance and demonstration of physical strength. Okonkwo’s desire for an unquestionably dominant status in his family often motivates his physical violence when he perceives some challenge to his authority from his wives. The patriarchal ordering and gender expectations in the community extend into farming, with Okonkwo focusing on cultivating the supposedly manly yam while leaving other less important crops like cocoyam to his wives to cultivate. Women also have some importance in society. For example, the goddess Ani is one of the most powerful and important deities within the Umuofia religious system. She has a huge influence in day-to-day life as the goddess of fertility and has an entire week devoted to honoring her, within which feminine attributes like peace and tolerance are encouraged.

Class Struggle

‘Things Fall Apart’ sees the construction of Igbo society in a pristine and undisturbed form, including its class system. As is typical of the Igbos, the Umuofians valued and respected wealth, placing the wealthy firmly at the top of the social hierarchy even though theirs was essentially a democratic system without clear rulers.

Titles, number of wives, number of yams, and size of one’s compound, as well as the number of huts inside, are some of the physical and symbolic evidence of wealth, and the absence of all these was clear evidence of an individual’s failure in life. The less fortunate are not exactly marginalized or excluded, they are still carried along, and we see evidence of this when public opinion swung against Okonkwo when he tried to shut a fellow villager up in a meeting by implying this individual’s opinions weren’t needed as he has not taken any title. Nevertheless, the people of Umuofia valued wealth and thought of the wealthy as better than the poor. Okonkwo’s father, Unoka, was derided in the village for his poverty, and the existence of the insult of ‘Agbaya’ and the popularity of its usage suggests the presence of societal consequences of poverty in this society.

Wealth is also not the only marker of status. Within Umuofia’s religious system, there are two classes of people; the freeborn and the Osu . The Osu are descendants of people who have been dedicated to the lifetime service to the gods of the land. This permanently separates them in many ways from the freeborn, and they are thus seen as an inferior stock. With the coming of the Christian missionaries and British overlordship, these marginalized groups were accepted by the church and consequently gained a gradual ascendancy in society, upturning Umuofia’s normal hierarchy.

Within the inclusive tenet of Christianity, the Osu were judged to be equal to all other humans in Christ. The “poor” and otherwise “worthless” gained a new sense of purpose and importance. The church’s propagation of supposedly “feminine” qualities like love, tolerance, and acceptance stands at variance with traditional patriarchal Umuofia values. Meanwhile, the stock of those who hold uncompromisingly to traditional Umuofia values continues to fall. Powerful villagers, including Okonkwo, were captured and humiliated by the British when they tried to challenge the growing boldness and authority of those elements of the community who had joined the church. The failure of the Umuofians to stamp authority on this group of people who would have been powerless before them before the arrival of the missionaries and colonialists signified a demolishment of traditional Umuofia systems and a transfer of power away from the usual power brokers. Those who still further resist this new state of affairs meet an ignominious end, like Okonkwo, who was forced into suicide. So, throughout the novel, we see the colonialists function as both oppressors and liberators of certain groups within Umuofia’s society.

Analysis of Key events in Things Fall Apart

Okonkwo throws Amalinze the Cat and establishes himself as a man of talent and strength.
Okonkwo comes to care for Ikemefuna, the gesture marking his status as one of the leading men of the community.
Okonkwo participates in the killing of Ikemefuna, demonstrating his fear of being seen as weak.
Okonkwo is banished from Umuofia after accidentally killing the son of Ezeudo.
Obierika visits Okonkwo in exile and informs him about the arrival of the White men.
Nwoye leaves his father’s hut to join the Christians in Umuofia.
Okonkwo returns from exile with his family to meet a much-changed Umuofia.
Men of Umuofia destroy the church building in retaliation after Enoch commits a sacrilege.
The District Commissioner arrests Okonkwo and other leaders of the clan as punishment for destroying the church and forces the community to pay a fine for their release.
Okonkwo beheads the chief messenger and commits suicide afterward

Style, Tone, and Figurative Language of Things Fall Apart

‘Things Fall Apart’ is divided into three parts, with the first part being much longer and slower-paced than the remaining two parts. The first part employs a circumlocutory narrative technique that shifts between the present and the past. This represents the Igbo rhetorical technique of initially skirting around a subject before directly addressing it.

The progression of the plot is often halted to regale us with bits of Okonkwo’s backstory and information on Umuofia culture. This arrangement lacks the narrative linearity that is typical of classical European fiction. The structure helps in portraying African culture as comparatively developed, sophisticated, and self-sufficient. The considerable treatment of crops, the festivals attached to them, marriage and funeral ceremonies as well as the convening of the Egwugwu judicial process are not necessarily central to the immediate plot but exist to paint a rich cultural texture around the story. All these gradually build up a picture of the culture in which Okonkwo inhabits as well as illuminate Okonkwo’s character.

By the second part of the novel, when the White missionaries and colonizers had arrived in the picture, the novel picks up the pace and continues with the plot almost without interruptions.

‘ Things Fall Apart’ is written in a very accessible manner. The sentences are simple enough, and the words are uncomplicated, save for a couple of Igbo words that warrant translations. Achebe’s writing is very effective. The sprinkling of Igbo proverbs all around the work helps to enrich the narrative and dialogues as well as accord them a measure of authenticity. Although written in English, Achebe maintains a strong local cultural flavor in the language. When we read the dialogues or follow the narrative, the English language used does not interfere with the authenticity of the dialogues and narrative because Achebe’s writing transmits as accurately as possible the original Igbo contexts.

Achebe can induce great emotions through seemingly innocuous actions. For example, before Ikemefuna was killed, as he walked in front of the Umuofians who had been tasked with this job, Achebe chose this time to write about Ikemefuna’s excitement and hope at seeing his mother again. Achebe sets up a powerful moment when Ikemefuna breaks into a childhood song and walks in sync with the rhythm, deciding that if the song ends on his right leg, it will mean his mother was still alive, but that if it ends on his left, his mother would be dead or ill. This mood of great optimism and innocence sets up a stark contrast with the horrific murder that follows. Ikemefuna’s death, just at the point when we are getting to know him far more and relate with his hopes and fears and even root for him, makes the entire scene all the more powerful and emotional. Ikemefuna’s superstitions are only part of a large corpus of myths or other religious injunctions or ancient wisdom preserved through songs, folklores, mythologies, legends, aphorisms, and proverbs, which constitutes an important part of Umuofia culture. Achebe utilizes all these to great effect through the interlaying of these cultural vestiges and artifacts within the narrative to provide a rich texture and foundation.

All these properly secure the novel’s ties to Igbo culture and leave no one in doubt as to its authenticity and status as a legitimate representation of Igbo sensibilities. ‘Things Fall Apart’ utilizes the Third Person’s point of view, but this narrator’s perspective switches between a participating actor and an external observer, a “we” and a “them” at different points in the story. Sometimes the narrator seems to be intimately in the know and involved with the actions and the customs of the people, other times he seems like a detached observer.

Analysis of Key Symbols in Things Fall Apart

Yam is the primary crop in Umuofia society. Called the king of crops, it is associated with manliness and is an important status symbol. Okonkwo considers yams to be the only crop worth personally growing, leaving the other crops for his wives and children. The number of yams in a man’s barn is a definitive indicator of his level of success in life. Yams symbolize wealth and abundance.

Egwugwu Masks

The Egwugwu masks symbolize the villagers’ ties to the spirit realm, or rather to the land of their ancestors. The scary nature of the designs and carvings on the masks as well as the secrecy and anonymity with which its wearers operate, allows certain individuals to act on behalf of or with the unquestionable authority of the clan’s gods or ancestors.

What does Okonkwo’s death symbolize in ‘Things Fall Apart?’

Okonkwo’s death in ‘Things Fall Apart’ symbolizes the futility of the struggle against change as brought about by European colonizers. The moment the British came to their doorstep, the people of Umuofia were fated to lose their independence and way of life.

Why did Chinua Achebe write ‘Things Fall Apart’?

Achebe wrote ‘ Things Fall Apart’ mainly to challenge racist and uncomplimentary portrayals of African societies at the point of contact with colonizing Europeans.

Did Chinua Achebe present a perfect traditional African society in ‘Things Fall Apart?’

Although Chinua Achebe sought to challenge racist portrayals of traditional African society with ‘Things Fall Apart,’ he did not go the other extreme by presenting a perfect society. Instead, he presented an African society with all of its strengths and faults, asking not that people idolize or dismiss these societies, but instead view them as essentially human.

Is ‘Things Fall Apart’ popular internationally?

‘Things Fall Apart’ has sold over 20 million copies all over the world, making it one of the most popular African novels of all time. It is used widely in schools across the world.

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About Israel Njoku

Israel loves to delve into rigorous analysis of themes with broader implications. As a passionate book lover and reviewer, Israel aims to contribute meaningful insights into broader discussions.

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Things Fall Apart by Chinua Achebe – Literature Analysis Essay

The population of the world exists as a series of ethnic and racial groupings. These groupings form the building blocks for communities, nations, and regions, which in many cases share a common system of knowledge that defines their way of life. Varied as they are, there is no scientific criterion of pitching one culture as being superior to others as ethnocentrism would put it. One globally acclaimed endeavor to show the sustainability of different cultures is Chinua Achebe’s Things Fall Apart in which he depicts Africans as having been complete as pertains to the culture. This essay seeks to establish the strengths and weaknesses of the Igbo culture as portrayed in Things Fall Apart to assess the author’s success in achieving his main goal.

The story is set in an Igbo clan, Umuofia, which consists of nine villages throughout which the protagonist, Okwonkwo, is well known for his wrestling prowess. Okwonkwo is portrayed as a violent man who has a no-nonsense attitude towards matters pertaining to the Igbo culture. Okwonkwo’s violent nature is a portrayal of a typical Igbo on the view of violence. Igbo’s position is rigid on violence in the introductory parts of the novel. Achebe notes, “To show affection was a sign of weakness; the only thing worth demonstrating was a strength” (p. 28), and to appease Umuofia for an accidental murder, a virgin, and a young boy are given as a sacrifice by the murderers.

The same fate befalls Okwonkwo when he kills a boy accidentally at a funeral. The penalty is not compromised despite his standing in the clan. His homestead is violently brought down and animals are killed. On another occasion, Enoch, a convert to Christianity, unmasks an egwugwu in public. This action leads to the violent burning of Enoch’s homestead including the church where he fellowshipped. These examples pitch the Igbo as people whose culture took a rigid stand on culture. However, this position changes on different occasions throughout the book such as when Okwonkwo is punished due to breaking the week of peace by severely beating his wife. When the clan refuses to join Okwonkwo’s onslaught on the district commissioner’s messengers, this position is changed.

On other fronts, the Igbo are portrayed as being an organized people. There exists a well-established democratic system in Umuofia where the ndichie, elders, gather all Umuofia to make important decisions (Achebe180). Through this move, the Igbo attempt to propagate an air of equal and fair treatment of all. Everyone who has something to say is given a chance to do so in the gatherings of the clan. Achebe posits, “Age was respected among his people, but achievement was revered” (8). Okwonkwo strives to amass wealth and earn a place among the mighty and be completely delinked from his father’s weakness. Umuofia encourages hard work among its people.

Contrary to popular belief that Africans were primitive and they would go to war without any reasonable cause, in Umuofia, the oracle would sometimes forbid war. War was only an option when the cause was justifiable (Achebe 16). This aspect brings about an element of a strong religious belief among the Igbo. Okwonkwo’s position pertaining to departure from one’s culture is uncompromising, and he proves this assertion by disowning his eldest son when the son converts to Christianity. Unfortunately, he holds such extreme views yet ends up much like his father when he hangs himself.

Chinua Achebe, even though he intended to depict Africans as people who were capable of taking care of themselves in their traditional settings, he still presents a balanced perspective of this culture. Despite all events in the novel, the final position is that Africans were capable in virtually all spheres of life and they would still have made progress albeit with some influence from external cultures, as is the case all around the world.

Works Cited

Achebe, Chinua. Things Fall Apart, London: Heinemann Ltd, 1958. Print.

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AP English Literature and Composition

Put words under a magnifier, things fall apart.

Click on the link for our lesson guide.

Essay prompts for Things Fall Apart ( source)

Essential Questons

These prompts should point you in interesting directions, leaving you to chart your course, not lead you by the nose, determining your every step. Don’t feel obligated or expected to address each question or to address them in the order in which they’re posed. You’re to craft your own thesis and to make your own argument.

What’s the novel’s view of women and their importance for the novel’s larger themes?
Igbo proverb: “The thought that led a man to truncate his own existence was not conceived in a day.” What are the thoughts that led Okonkwo to his suicide? How were they formed over many days? Do you see his act as a cowardly one or a courageous one? (You choice needn’t be either/or.)
Achebe has said “that African peoples did not hear of culture for the first time from Europeans; that their societies were not mindless but frequently had a philosophy of great depth and value and beauty, that they had poetry and, above all, they had dignity.” Write an essay that defines and explores that culture and reflects on its importance to the novel’s larger themes.
Define the point of view from which the story is told and the role the narrator plays in the story. Explore the art of Achebe’s choice.
Explain Achebe’s choice to end the novel as he does.
How does Achebe create characters? Define his methods and means and explore their art.
It is said of Okonkwo at one point that “Clearly his personal god or chi was not made for great things. A man could not rise beyond the destiny of his chi. The saying of the elders was not true—that if a man said yea his chi also affirmed. Here was a man whose chi said nay despite his own affirmation” (76). How should we understand the roles of fate and individual responsibility in the novel
Okonkwo’s self-understanding is deeply bound up with his need to affirm and protect what he thinks of as his “manliness.” What are the main features of Okonkwo’s view of masculinity, and how does his view relate to that of other important characters in the novel? Do you see problems with Okonkwo’s view?
Achebe’s style seems very simple. Is it really as simple as it seems? Define and explore the artfulness of the novel’s style. How does that style contribute to the novel’s larger meanings?
After Okonkwo’s female killing of the boy, Obierika, the novel’s philosopher, wonders, “Why should a man suffer so grievously for an offense he had committed inadvertently?” The narrator tells us that “although he thought for a long time he found no answer. He was merely led into greater complexities” (74). Does the novel answer what Obierika can’t?
Igbo culture believes “there is a fundamental justice in the universe and nothing so terrible can happen to a person for which he is not somehow responsible” (“Chi in Igbo Cosmology” 163). Explore the justice of Okonkwo’s actions and his responsibility for them. What view of justice emerges?
How does the novel depict and treat the Christian missionaries? Do you see bias or objectivity? What role does the treatment of the missionaries play in the novel’s larger themes?

Objectives: Students will become familiar with colonial history as well as the background and context for the novel and author.

Aim: What’s the role of fiction in understanding colonial history?

Resources: About the author

Activities:

Respond to the quote,

“The last four or five hundred years of European contact with Africa produced a body of literature that presented Africa in a very bad light and Africans in very lurid terms. The reason for this had to do with the need to justify the slave trade and slavery.… This continued until the Africans themselves, in the middle of the twentieth century, took into their own hands the telling of their story.” (Chinua Achebe, “An African Voice”, The Atlantic)

Discuss Preparatory Reading:

“The Novelist as Teacher” by Chinua Achebe
“Teaching Things Fall Apart” by Chinua Achebe
“An Image of Africa: Racism in Conrad’s Heart of Darkness” by Chinua Achebe

http://kirbyk.net/hod/image.of.africa.htm l

Teaching Points:

• A brief history of precolonial Nigeria and the colonization of Africa • 1958, first publication of Things Fall Apart • Nigeria: British colony from end of 19th c. until 1960 • 1967‐70 Biafran War (Igbo secession) • Major ethnic groups (70% of population): Hausa‐Fulani, Yoruba and Igbo • Est. 2005 pop of Nigeria: 128 million • Tumultuous political history since independence; many of Achebe’s other books confront corruption in politics, social issues • Identify Nigeria on the map of Africa, and the approximate setting for the fictional village of Umuofia in the novel • Discuss the people, languages and religions of Nigeria today, as well as any political or popular news you feel is relevant to your course • Discuss why context is important to understanding the novel • Provide background information on Achebe and his life, other works, career, etc • Be sure to remind your students to make use of the glossary in the back of the book. • Let them know they will be responsible for the terms and concepts Achebe presents. • Discussion of the colonialist, Eurocentric representations of African history and how the novel directly confronts these. Discuss how “history” is an imperfect record of events and is subject to the biases and perspectives of those who record it. Discuss the role of objectivity and integrity in contemporary historiography.

• This is the perfect opportunity to also set some ground rules as a class for what kind of language is and is not appropriate/respectful when talking about Africa. Using “How To Write About Africa” by Binyavanga Wainaina could be a good way to bring up the issue of stereotypes and misconceptions about Africa • Introduce the concept of understanding and analyzing fiction and using close reading to create meaning in the Wisconsin classroom • Discuss the author’s contention that his work has (at least partly) a didactic role in terms of “re‐teaching” the history of Africa in a more positive light. o Use this idea to discuss: What this means to American readers? Are we “outsiders?”The role of fiction/literature in understanding history.Whether or not fiction can “revise” history. What does this really mean?

Discussion Questions: ( Practice):

Discussion Questions: • What is fiction? • What is history? • Find Nigeria on the map of Africa. Discuss its features. • Compare contemporary, colonial and pre‐colonial maps of Africa. Discuss their features. • What does “diversity” mean in Nigeria as compared to the US? • What are stereotypes? How do certain words promote a negative impression of Africa or Africans? o What is problematic about the following terms: tribe, hut, savage, primitive, backward, timeless, primordial, (etc)? Why are these terms problematic? Why might some people find them offensive or disparaging? • Who is Chinua Achebe? • Who lives in Nigeria? • What are the official languages of Nigeria? How many languages are spoken throughout the country? How many cultural or ethnic groups can you find on the map (see supplementary materials for linguistic and ethnic maps of Nigeria)?

Homework: Do research and write an essay in which you reflect on (mis)representations of Africa in the media and popular culture. Find a movie, tv show, advertisement or song that reproduces a negative stereotype and then relate that to Achebe’s project of combating misrepresentation of African history. Think of what stereotypes or generalizations are applied to their own [ethnic, cultural, religious, family, social] group and reflect on how/why those generalizations are problematic or misleading.

Objectives: Students will be able to better understand and engage with key Igbo cultural concepts developed in the text so that they can better relate to the story and appreciate the complexity of the novel.

Aim: Some novels and plays seem to advocate changes in social or political attitudes or in traditions.What particular attitudes or traditions does the author apparently wishes to modify as revealed in Things Fall Apart?

Resources: KWHL Chart

Lecture Points:

• Proverbs (“the palm‐oil with which words are eaten” 5) • Define cosmology and religion and use the Igbo Cosmology chart to teach the Ibgo system of gods, intermediaries and humans • Chi – personal god; can be controlled by humans • Social structure and hierarchy of Igbo society o Titled and untitled citizens o Egwugwu (masquerades) – men and titled men; masks as primary visual art of Ibo o Osu (outcasts) • Polygamy and family structure (compound living within village system) • System of villages, shared governance, laws. Communication methods (drum, messengers, envoys) • Matriarchal or patriarchal? Gender roles don’t necessarily correspond to Western categories. Eg: “Mother is Supreme” (133) [see gender unit for more on this]

. Drums and ogene as metaphors for the “heart” of the people – “The drums were still beating, persistent and unchanging. Their sound was no longer a separate thing from the living village. It was like the pulsation of its heart” (44).

Do Now: Share the information you have gathered from the following reading –

• “Talking About ‘Tribe’” Africa Action http://www.africaaction.org/bp/ethall.htm • University of Iowa’s Ibgo information page: http://www.uiowa.edu/~africart/toc/people/Igbo.html

Discussion Questions:

1. Who are the Igbo people? Where do they live? What is their life like? How have their customs and traditions changed since the 1880s? Since the 1950s?

2. What do they believe? Describe their religious system and the hierarchy of Igbo cosmology.

3. What is the concept of ogbanje (77) and how is it important to the novel?

4. What other cultural concepts in the book are unique to Igbo people? Why do you think Achebe includes these? What do they tell us about Igbo people and their beliefs in the novel?

5. What are “kola nuts” and how are they used in the novel? What do they represent or symbolize?

6. Discuss the idea of “cultural tourism.” Do you feel like an outsider or voyeur when you read some of these passages? Explain.

7. What elements of Igbo culture and society are similar to your own? What elements differ?

Read the passages and write a response on how these passages reveal that Achebe tries to advocates changes in social or political attitudes or in traditions- • The ogbanje scene with Ezinma • P. 124‐125, which describe the legal ramifications for Okonkwo’s crime, and Obierika reflects on the justice of such laws. • Any of the passages that deal with the throwing out of twins into the Evil Forest

Open-Ended Essay Topics

1987. Some novels and plays seem to advocate changes in social or political attitudes or in traditions. Choose such a novel or play and note briefly the particular attitudes or traditions that the author apparently wishes to modify. Then analyze the techniques the author uses to influence the reader’s or audience’s views. Avoid plot summary.

1991. Many plays and novels use contrasting places (for example, two countries, two cities or towns, two houses, or the land and the sea) to represent opposed forces or ideas that are central to the meaning of the work. Choose a novel or play that contrasts two such places. Write an essay explaining how the places differ, what each place represents, and how their contrast contributes to the meaning of the work.

1995. Writers often highlight the values of a culture or a society by using characters who are alienated from that culture or society because of gender, race, class, or creed. Choose a novel or a play in which such a character plays a significant role and show how that character’s alienation reveals the surrounding society’s assumptions or moral values.

1997. Novels and plays often include scenes of weddings, funerals, parties, and other social occasions. Such scenes may reveal the values of the characters and the society in which they live. Select a novel or play that includes such a scene and, in a focused essay, discuss the contribution the scene makes to the meaning of the work as a whole. You may choose a work from the list below or another novel or play of literary merit.

Descriptions: American students often have a knee jerk reaction to the way women are depicted in this novel, and see the text as sexist, and Okonkwo as the ultimate chauvinist. And it’s true: Achebe goes to great pains to demonstrate how Okonkwo’s skewed view of gender roles has an impact on both his thinking and his actions. However, this theme is much more complex and sophisticated than being simply a matter of “male” and “female” tensions; it provokes serious discussion of how these interact, where they overlap, how both Igbo and European societies may have problematic assessments of gender roles, and so on. One important thing to keep in mind when teaching gender in the novel is that Okonkwo’s view does not represent the “norm” of Igbo thought in this text; there are many illustrations of how his distorted interpretation of gendered roles is what leads to trouble in his life. To find and identify these moments in the text would help us understand deeply the hero’s downfall. Themes of gender and engendered meaning play an enormous role in the novel, and you could approach this theme from several perspectives: • By character, with a focus on the relationship between Okonkwo and Nwoye and Okonkwo and Ezinma • By looking at language and how so many everyday things and concepts have gendered meaning for the Igbo people in the novel. You could look at traditional roles for men and women within Igbo society, and discuss what it means to be “a man” (or a woman) in the novel. Think, too, about how individual concepts and ideas are associated with gender, and what this means to the novel as a whole. • By analyzing the role of kinship, family and the role of the extended family that is central to Okonkwo’s story – as well as the disctinction between “motherland” and “fatherland” and “matriarchal” vs “patriarchal” perspectives in the text. • By analyzing Okonkwo and his deepest fear: becoming like his father, who he feels is feminine and weak. Contrast Okonkwo’s view with that of other, more moderate, characters in the novel.

Objective: To discuss and explore what gender means in the novel, and help students see how complex this theme really is, even though Okonkwo’s view seems very narrow and clear‐ cut. Students will relate this discussion to gender roles in their own cultures, and explore why/how things are not always as they seem when it comes to gender relations and assumptions.

Preparatory Reading :

• “Women in Achebe’s World: A Womanist Critique” by Rose Ure Mezu (in Chinua Achebe: The Man and His Works 2006) • “Problems of Gender and History in the Teaching of Things Fall Apart” by Rhonda Cobham (Modern Critical Interpretations: Chinua Achebe’s Things Fall Apart, ed. Harold Bloom 2002

• “Okonkwo and His Mother: Things Fall Apart and Issues of Gender in the Constitution of African Postcolonial Discourse” by Biodun Jeyifo (in Chinua Achebe’s

• Things Fall Apart: A Casebook, ed. Isidore Okpewho 2003) • “Igbo Women from 1929‐1960” by John N. Oriji (West Africa Review) http://westafricareview.com/vol2.1/oriji.html • Ngambika (excerpt)

Lecture points : In addition to addressing the ideas listed above, a lecture on gender in the text might include the following: • Explanation of the difference between sex and gender • Discussion of what gender means to culture, how language can be “gendered,” and gendered meaning affects the way we see the world • A reminder that gender roles vary by society and what is “sexist” or inappropriate in one place might be perfectly normal somewhere else. Gender roles are not the same in all places, and based on only the fictional world of Things Fall Apart, we can’t really make blanket assessments about “all of Igbo culture” or people • Provide some background and context for gender roles in Igbo societies (then and now might be nice, but at a minimum at the time of the novel’s setting). • Masculinity/femininity, the role of a “man” in society – compare and contrast Okonkwo with his father – use this to discuss how (if at all) students have a different view of what it means to be “a real man”

• Gendered meanings (motherland, fatherland; masc/fem words) • Kinship and extended family. Define matriarchy and patriarchy and what they mean to cultural rules and norms. Ask the class to think of examples of both positive and negative effects of both matriarchal and patriarchal systems. Point out ways in which our own society is structured patriarchally. Ask students to think of other examples. • Provide some history and context for what it means to be “feminist” in Africa and how/why terms like “womanism” are preferred. You may consider discussing the debate over feminism as a Western concept, and whether or not there is a universal standard that should apply to all women when it comes to women’s rights and roles in society. • Discuss the nuances of gender in the text and how gender issues are not just male vs. female in the text. Achebe develops lots of grey area – characters with different views, male characters who “act” female or female characters who “act” male, etc.

Discussion Questions: • How does Okonkwo’s relationship with male and female characters differ? Why? • What role to women play in this novel? What is life like for Okonkwo’s wives? • Some female characters in the book don’t seem to fit the mold according to Okonkwo’s view? Who are they and why are they important to the text? • What material things can you find in the book that have a specific gender? Does their gender effect their meaning or how they are used? How or how not? • When Okonkwo is sent into exile, he is sent to Mbanta, his “motherland,” where things seem very different than life in Umuofia. How are they different? What do these differences tell us about gender? What do you make of the expression “Mother is Supreme” that is mentioned in the book? • What do the terms “patriarchy” and “matriarchy” mean? Give one example of each from the text. • How is Okonkwo’s view of gender different from other characters’ view of gender roles in the novel? Give examples. • Think about the character Ezinma. Of Ezinma, Okonkwo thinks: “She should have been a boy” (p. 64). Why is it necessary to the story that Okonkwo’s most favored child be a girl? What does it mean that she has all of the characteristics that her father finds more valuable in a son? • In the novel, there are two kinds of murder – male and female (124). What are these and what do they mean to the novel? Does it matter that Okonkwo committed the “female” kind of murder?

Suggested passages for close reading • The first paragraph on page 13 that begins “Okonkwo rules his household with a heavy hand…” In this paragraph, we learn about his fear of weakness and how he learns that agbala means both “woman” and a man who has no title. Discuss how this effect his attitude and views about gender. • “Nwoye knew that it was right to be masculine and to be violent, but somehow he still preferred the stories that his mother used to tell, and which she no doubt still told to her younger children… […] That was the kind of story Nwoye loved. But he now knew that they were for foolish women and children, and he knew that his father wanted him to be a man. And so he feigned that he no longer cared for women’s stories…” (53‐54) What does this passage tell us about the conflict between father and son? What does it tell us about what gender means in the novel? How does it foreshadow Nwoye’s later conversion? • Women “never saw the inside of the [egwugwu house]. No woman ever did. They scrubbed and painted he outside walls under the supervision of men. If they imagined what was inside, they kept their imagination to themselves. No woman ever asked questions about the most powerful and the most secret cult in the clan” (89). This is a good example of how women and men have different social roles in Igbo society. Discuss this passage and what it means to the novel. • The discussion of motherland and “mother is supreme” on p. 133‐135

• The very important passage in which Okonkwo’s friend Ofoedu discusses the relationship of a well‐known couple, Ndulue and Ozoemena, who have both died at the same time. Obierika says “It was always said that Ndulue and Ozoemena had one mind. ..He could not do anything without telling her.” To which Okonkwo replied, “I did not know that. I thought he was a strong man in his youth.” And Ofoedu says, “He was indeed.” (68) This is a key passage as it shows that other esteemed elders in the village do not share Okonkwo’s view that warriors cannot be loving or gentle or close to others; it demonstrates that his rigid position on what constitutes strong masculine behavior is not shared by all Igbo men.

Assignment Ideas( Select one assignment to do) • Okonkwo’s view does not represent the “norm” of Igbo thought in this text; there are many illustrations of how his distorted interpretation of gendered roles is what leads to trouble in his life. Find at least three passages in the text where Okonkwo’s view is challenged or contradicted in the novel. Use the list to discuss the larger role gender plays in the novel, and what it means to the story. What is the message that these contradictions reveal? • Compare and contrast the relationships Okonkwo has with his son Nwoye and his daughter, Ezinma. • Choose one character an write an essay on why gender matters to this person. • Compare/contrast two characters in a two‐page essay which evaluates how gender meaning differs for each of them. Suggested pairs (Okonkwo/Nwoye, Okonkwo/Obierka, Nwoye/Ezinma, Ezinma/Okonkwo).

Lesson 4: Character Study-: Psychology, Relationships and Meaning

Okonkwo: Villain, Victim or Tragic Hero?
Okonkwo and his family: the role of his wives and children
Ezinma ‐ Fathers, sons and daughters: key relationships in the novel
Obierika, Voice of Reason
Outsiders: The role of missionaries and colonial administrators

Character development is central to the development of a wide range of issues in the novel, such as family, friendships and identity. Okonkwo himself is such a complex character, and most of the other themes in the novel are developed by exploring the relationships between Okonkwo and other characters.

Objective: To perform close readings of specific characters, assess their relationships, anddetermine how characterization relates to other major themes in the novel to create meaning.

Preparatory Reading: • “For Chinua Achebe: The Resilience and the Predicament of Obierika” from Chinua Achebe: A Celebration by Biodun Jeyifo

Character List-

Okonkwo protagonist
Unoka his shiftless, title‐less father
Okonkwo’s wives: (1) Nwoye’s mother, the senior wife
Children: Nwoye [Isaac] (m), Obiageli (f), Nneka, Nwofia (“begotten in the wilderness” 45, should’ve been a boy), and the “adopted son” Ikemefuna (m) who is killed by Okonkwo

(2) Ekwefi Child: Ezinma (f) (3) Ojiugo Children: Nkechi (f), Obiageli (f) * Note: # of children here incomplete. Text says he has 11 children before the exile; 2 (?) born in exile; 5 sons Ikemefuna young boy captured in revenge for death of a daughter of Umuofia

Obierka friend of Okonkwo
Ndulue and Ozoemena couple known for their close relationship (68)
Ofoedu Friend of Okonkwo and Obierika
Agbala Oracle of the Hills & the Caves
Chika Priestess of Agbala
Chielo Priestess of Agbala
Ani Earth godess
Ezeani Priest of Ani
Uchendu Okonkwo’s mother’s brother in Mbanta (exile)
Mr. Kiaga missionary interpreter/teacher Mr. Brown white missionary – compromise and accommodation policy
Mr. Smith white missionary (Brown’s replacement); no compromise policy
Nneka first convert; mother of twins
Okoli man “accused”/presumed/rumored to have killed sacred python (dies 114)
Enoch priest of the snake cult District Commissioner Unnamed British colonial administrator who famously appears to pronounce Okonkwo’s story “interesting reading” for a paragraph in his memoir: The Pacification of the Primitive Tribes of the
Lower Niger

Lecture points: • Begin with a discussion of character analysis – what is is, how to do it, how characters work together to create meaning, etc. • Discuss the role of the PROTAGONIST and minor or supporting characters. • Discuss Okonkwo’s role as protagonist. Is he a hero? A victim? A villain? • Use passages from the text to explorerelationships between characters o Okonkwo and Unoka o Okonkwo and Obierika o Okonkwo and his children o Okonkwo’s wives and their children etc • Show how most of the themes in the novel depend on character development to make sense. Use this to demonstrate how novels/fiction work – show how Okonkwo (and the other characters) act out the drama to produce meaning and allow us different points of view to consider as we interpret the novel • Remind the class that Okonkwo, though esteemed and in a position of authority in his village, is a bit of an anomaly. Others do not share his views on many things. • You might also consider spending entire days on individual characters to explore how they relate to specific themes/issues • Nwoye and religion/conversion • The missionaries vs. the rest of the characters; how do they differ? • Ezinma and gender roles, Ezinma and Igbo customs/belief • Ikemefuna and his symbolic death; also what his presence in the novel teaches us about how this society works, its rules and norms

Discussion Questions: • What is “characterization?” How are characters created in a text? • What does the term “protagonist” mean? What happens when our protagonist is kind of antagonistic? Is Okonkwo a sympathetic character? How can we relate to him? Does he remind you of anyone you know? • Do a close reading of the descriptions of Okonkwo and Unoka in chapter one. How do these two characters differ? What kind of language is used to describe each of them? What proverbs are associated with each? What does this contrast foreshadow?

• Discuss specific characters/pairs of characters and what they mean to the rest of the text. • What is the significance of the child Ikemefuna to the novel? Why does Okonkwo kill him? What can be learned from this episode?

Assignment and Project Ideas: • Make a list of characters or character pairs for the students and write down the major theme or issue associated with that character/pair of characters. Find one example of this, with a quote, to present to the rest of the class. • Write a one‐page character analysis of the character of your choice. Be sure to include: a description of the character, his/her relationship to the protagonist and his/her main function in the novel. Support your response with quotes from the book. • Compare and contrast Unoka and Okonkwo. Make a chart or graph of all of their differences. • Do role play. Get in character and enact specific parts of the book, or answer questions “in character” • Think about the character of Nwoye. Why does he convert to Christianity? Write an essay in which you discuss the factors that led to his transformation, and how they relate to his relationship with his father. • Is Okonkwo a tragic hero? Argue and support it with textual evidence.

Things Fall Apart by Chinua Achebe, Essay Example

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I. Introduction: Thesis Statement: “Things Fall Apart” is about a struggle between change and tradition, as the protagonist Okonkwo suffers from many cultural conflicts that lead to his ultimate downfall.

II. “His Whole Life Was Dominated by Fear, the Fear of Failure and Weakness.”

Being Seen as Effeminate.
Becoming His Father.
Having an Unproductive Life and Disgraceful Death.

III. “When a Man Says Yes His Chi Also Says Yes.”

Gain Status and Respect.
He Does Not Want to Borrow Seeds but He Does It Anyway.
He Began His Farm Before the Townsfolk.

IV. “Okonkwo’s Chi Was No Made for Great Things.”

Sent to Exile.
Too Much Pride.
Terrible Temper.

V. Okonkwo’s Family Relationships.

He Put His Culture Before His Family.
Mistreats His Child.
Mistreats His Wives.

VI. Conclusion. Okonwo’s pride and fear result in his self condemnation.

In Chinua Achebe’s Things Fall Apart, the reader is given insight into the culture of an African tribesman and how his ideals, when confronted with cultural transition, affect his concept of identity. Things Fall Apart is about a struggle between change and tradition, as the protagonist Okonkwo suffers from many cultural conflicts that lead to his ultimate downfall.

Achebe wrote of Okonkwo, “His whole life was dominated by fear, the fear of failure and weakness.” Three examples of this fear can be seen in his fear of being viewed as effeminate, his fear of becoming his father, and his fear of having an unproductive and disgraceful life. Ikemefuna’s death is an example of Okonkwo’s immense fear of being seen as effeminate, is an example of his fear of weakness and failure because the goal of his culture is to be perceived as masculine and to be perceived as effeminate is to be perceived as weak and fail at the core goal of his culture at the same exact time. This situation is noted in the text when the author says, “ He made him feel grown up; and they no longer spent the evenings in mother’s hut while she cooked , but know sat with Okonkwo in his obi,…”(p. 45). Despite embracing his son and trying very hard to make him sell feminine, he fails and ultimately plays a role in the boy’s execution. In many ways Okonkwo’s success can be seen as a product of his fear of weakness and failure. Another example of his fear of weakness isn’t that he was afraid of work, but rather his fear of weakness and failure in regards to his father and the desire to never be anything like him. As noted in the text, Okonkwo’s father was lazy and carefree. The man had the reputation for being “poor and his wife and children had just barely enough to eat… they swore never to lend him any more money because he never paid back.” (5) Okonkwo’s fear that he will become like his father is so powerful that it ultimately becomes the driving factor that makes him successful and the leading cause for his failure with his family. Okonkwo’s final fear can be attributed to his relationship with his father, but also to his relationship with his culture, as the one thing he has most come to dread is suffering from an unproductive life and a disgraceful death. These fears instilled a drive in Okonkwo and allowed him to develop skills necessary to be successful.

Three examples leading to, or reasons for, Okonkwo’s success, can be seen in his obsession with gaining status, his refusal to take handouts, and his desire to be the first to start adulthood at a young age. For Okonkwo success is based on material acquisition and growth, and his power. Okonkwo starts off working hard on a far to gain status and respect. He says, “I began to fend for myself at an age when most people still suck at their mothers’ breasts. If you give me some yam seeds I shall not fail you” (21). Okonkwo’s obsession with success, throughout the novel is becomes a major part of his character and can be attributed as a main characteristic contributing to his success. This obsession manifested itself in many materialistic ways. One example of the values that lead Okonkwo to become successful can be seen in how he does not want to borrow seeds from a wealthy many, but does any way to get an early start at harvest. His ambitions to start farming at a young age, lead him to starting adulthood at a young age, and getting a jumpstart on his life building status in his tribe before his peers. All three of these traits demonstrated by Okonkwo make it very clear why he rose to success within his tribe. Achebe does make it clear to point out that, “Okonkwo’s chi is not “made for great things,” which ultimately becomes the cause of his failure.

Three examples of reasons why Okonkwo’s actions lead to his failure can be seen in his exile, his pride, and his inability to control his temper. The fact that Okonkwo is sent into exile is an example of his ultimate failure. He is essentially sent for chopping a man’s head off, but when he is sent to exile for seven years, he is never the same again. Okonkwo’s greatest tragic flaw that leads to his downfall is his pride. Pride is ultimately the trait that leads to commit suicide. He is overbearing with his impatience and expectations of others who are not as successful as his pride causes him to feel self righteous. Okonkwo has established himself as a self-made man and it makes him impatient of others who are not of the same status. For example, when meeting with the tribe’s elders, he deliberately refers to a man as a woman and says, “This meeting is for men.” This man had no titles, and so Okonkwo felt that he was entitled to speak to the man in this manner. However, Okonkwo was forced to apologize to him. Another flaw Okonkwo has that results in failure is his temper. Okonkwo is very strict and judgmental with his son, Nwoye, for following in his footsteps. Okonkwo’s fears that Nwoye will be a failure so he allows his temper to get the best of him due to his on fear and he mistreats his son. He is also violent with his wives due to his temper and his fear of losing authority over them. He ultimately breaks the rules of Week of Peace when he beats his wife for not bringing him dinner. The combination of Okonkwo’s pride and uncontrollable temper are what lead him to the decision to commit suicide after he returns from a 7 year exile, but his flaws are also what contribute to many of the conflicts he has with his family.

Achebe wrote that Oknonkwo had conflicts or problems in his family relationships. Examples of these can be seen in Okonkwo’s family interactions. One example of the conflict Okonkwo had with his family can be seen in the fact that he allowed his son, Ikemefuna’s, to be sentenced to death and then took part in the executions despite opposing the decision, simply out of fear of appearing weak. It is an example of how he put his culture before his family. Another example that can be seen is how Okonkwo’s treats members of his family harshly due to fear. This can definitely be seen with his son Nwoye, who he views as lazy. Okonkwo perceives his own work ethic as great, admirable and powerful, while he views Nwoye as a “degenerate and effeminate” (133). The final example can be seen in how Okonkwo viewed his personal role in his family. The text notes that Okonkow believed, “No matter how prosperous a man was, if he was unable to rule his women and his children (and especially his women) he was not really a man” (45). Okonkwo is afraid of losing control of his family and being perceived as weak by his wives, so he occasionally mistreats them to compensate for this fear. Okonkwo’s obsession goes so deep that he perceives a loss of respect within his family will result in a loss of respect in the community. The perspective Okonkwo held onto about what it means to be a man transferred over to his relationships with his children and his wives and resulted in him being disconnected from his family and a failure as a father and husband based on his own standards of respect.

In sum, the conflicts that Okonkwo faces, in the book Things Fall Apart, are partially a product of his own doing, and partially a product of cultural transition from what he knows to something new. He devotes his life to gaining status and power within a culture that is taken from him by Christina colonists. The stories centers on his personal evolution of identity within a pre-colonial society to a post-colonial one. The reader is able to interpete all of the fears, values, failures and successes that Okonkwo embodies and that ultimately result in his suicide throughout this transition.

References:

“Okonkwo’s Downfall in: Things Fall Apart by Chinua Achebe” WriteWork.com. WriteWork.com, 26 November, 2009. Web. 10 Oct. 2012.

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Things Fall Apart - Free Essay Samples And Topic Ideas

Things Fall Apart by Chinua Achebe stands as a formidable narrative that delves into the life of Okonkwo, a respected leader within the Igbo community of Umuofia, against the backdrop of European colonialism in Nigeria. Essays might explore the novel’s exploration of themes such as tradition, change, conflict, and masculinity. The discourse could extend to the critique of colonialism, the nuanced depiction of Igbo culture, and the tragic trajectory of Okonkwo’s life as a symbol of a culture under siege. Furthermore, essays could delve into Achebe’s narrative technique, his use of proverbs, and the interplay between oral and written traditions. A discussion on the impact of “Things Fall Apart” on postcolonial literature, its role in challenging stereotypical representations of Africa, and its enduring relevance in exploring the tensions between tradition and modernity could provide a rich analytical framework for understanding the novel and its broader historical and cultural implications. We’ve gathered an extensive assortment of free essay samples on the topic of Things Fall Apart you can find in Papersowl database. You can use our samples for inspiration to write your own essay, research paper, or just to explore a new topic for yourself.

Gender Roles in Things Fall Apart

The role of women has always been surrounded by controversy, some people believe women should get married, have children and take care of the household. Others believe women should have the choice between working a nine to five job, being a stay at home mom or both. Things Fall Apart was written by African writer Chinua Achebe in 1959, it came from the stories that Achebe’s mother used to tell him about the Igbo people. Things Fall Apart tells the […]

Things Fall Apart: Character Analysis Okonkwo

In the novel Things Fall Apart by Chinua Achebe, Okonkwo is considered a tragic hero. He is a well-respected man in his thirties who is a leader of his community in Africa during the 1880s. He’s very tall, strong, and well known for his accomplishments in things such as wrestling and farming. Okonkwo is driven by his fear of becoming like his father who is lazy and weak. To keep his reputation tough, he shows almost no emotion other than […]

White Missionaries and the Igbo People

In the novel Things Fall Apart by Chinua Achebe, the author brings white missionaries into the Igbo people's land. These missionaries have caused the Igbo people to convert into a new religion and a new government. Therefore Chinua Achebe uses the missionaries to convey the theme that the legacy of colonialism leads to a shattered community. Even though the Igbo people had tried to resist the missionaries' beliefs, they underestimated the missionaries' power. This book was published in 1958 and […]

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Colonism in Things Fall Apart

Nigerian author named, Chinua Achebe, authored a novel which was entitled as Things Fall Apart,' which was published in the year 1958. The novel was an attempt by the author to present the true image of the African society, through the literature, which has always been depicted as an uncivilized and backward society in the literature of the foreign languages. The author included the story, as well as the transition of a Nigerian tribe from the traditional society to the […]

Things Fall Apart Masculinity

Masculinity has a huge impact on the lives of the Ibo tribe. For instance, Ibo tribes in Africa highly support male masculinity and dominance. From a young age the individuals of the Ibo tribe are molded to understand the concept of male superiority. For anyone who digresses away from this idea, is thought of as weak by the community. In Things Fall Apart, the protagonist's life, Okonkwo, is derived from his obsession with masculinity and his fear of failure and […]

Fight for Equality between Men and Women

The fight for equality between men and women has been an ongoing battle for years. While many opt to turn a blind eye and believe there is equality, there are so many situations not only nationally, but globally that prove otherwise. While respect towards women has grown, there is still a lot of tension fueled by the male perception of what a “women’s role” is in society. In today’s society, women are not strongly represented in executive roles, experience significant […]

Things Fall Apart Analysis

Things Fall Apart is a novel written by Chinua Achebe that shows the conflicts in Nigeria during the nineteenth century. During this time, missionaries from Great Britain arrived in Nigeria. In this novel, the main character, Okonkwo, resists changes brought about by the British missionaries. Okonkwo’s close friend, Obierika, shares the same dislike towards the change, but isn’t as willing to fight them. Instead, Obierika, along with the tribe, is forced to accept the changes to their culture. Their attitude […]

Masculinity in Societies in Things Fall Apart

Chinua Achebe’s Things Fall Apart and Gabriel Garcia Marquez’s Chronicle of a Death Foretold explore the theme of violent masculinity through the actions of major characters such as Okonkwo and the Vicario twins. Achebe’s Okonkwo displays his masculinity by obtaining titles and accomplishments and hiding his emotions. Marquez’s Vicario twins validate their masculinity by murdering the man responsible for dishonoring their sister. While both authors make violent masculinity a core component of their characterization of Okonkwo and the Vicario twins […]

Extremes in Literature and Real Life: why Moderation is a Good Idea

The key to a healthy lifestyle is to enjoy things in moderation because an abundance of anything could be detrimental to one’s health. This applies to everything in life, from french fries to philosophy. As the popular idiom goes, you can have too much of a good thing, and this is illustrated in Pangloss and Candide’s optimism in Candide, Okonkwo’s drive-in Things Fall Apart, and modern Islamic extremism. Optimism is generally thought of as a good character trait, as it […]

Justice in Things Fall Apart

Throughout the whole story, Okonkwo’s life was dominated by “the fear of failure and of weakness” (Achebe, 13). He tried so hard to become better than his father and raise his standings in the village. Spending his whole life doing this, Okonkwo could not let change occur because change meant things would no longer be the same, and all his respect he gained in his village would go to waste. So when the white men came and started disrupting the […]

Comparative Study on Heart of Darkness and Things Fall Apart

Things Fall Apart and Heart of Darkness illustrate the various ways of representing Africa in the form of literature. Heart of Darkness by Joseph Conrad presents Africa through the perspective of colonization by the Europeans who depict the African continent as savages, uncivilized, and underdeveloped. Things Fall Apart by Chinua Achebe, on the other hand, tend to respond to Conrad’s perception of Africa by portraying the native Africans as focused, cultured, and productive. Through Okonkwo, Achebe depicts Africans as proud […]

The European as a Savior of Native Africans

Joseph Conrad’s Heart of Darkness remains as one of the greatest works in English literature. The novel has received many reviews since it was published with some praising it while others are criticizing. One of the critical reviews was written by Chinua Achebe in his book Things Fall Apart. Achebe argued that Conrad is a racist after depicting the African culture negatively. The author of the Heart of Darkness stresses that the western religion is better in civilizing the Africans […]

Things Fall Apart Tragic Hero

A classical tragedy is meant to evoke emotions on the reader and make them sympathize for the tragic hero and recognize their humanity. Tragedies are characterized by the tragic hero overcoming obstacles only to inevitably reach their downfall. The hero’s fatal or tragic flaw is accountable for the hero’s demise. The hero can be viewed as a man who is a leader but who is also weak when it comes down to difficult situations. In Chinua Achebe’s Novel, Things Fall […]

A Cultural Note on Okonkwo’s Suicide in Things Fall Apart

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Okonkwo is the Legend of the Novel Things Fall Apart

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Imperialism in “Heart of Darkness” and “Things Fall Apart”

Throughout the novels, Heart of Darkness and Things Fall Apart, both illustrate the complexity and the morality surrounding imperialism, which struck the continent of Africa in the late nineteenth and early twentieth century. By comparing and contrasting the two different perspectives on the effects of imperialism shown in Heart of Darkness and Things Fall Apart, the authors’ messages correspond to the overarching message of the evils of imperialism, yet the little action that could be done to end it. In […]

Collision in Conrad’s and Achebe’s Novels

In Heart of Darkness and Things Fall Apart, Joseph Conrad and Chinua Achebe employ characters caught between colliding cultures which can be seen through the use of literary techniques such as symbolism and imagery, ultimately revealing the theme of culture and traditions. The authors Joseph Conrad and Chinua Achebe have main characters that live in different continents, but experience similar cultural collisions. Although Marlow and Okonkwo have different lifestyles, they are led to question their identities and make decisions that […]

About Westernization in “Things Fall Apart”

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Religion and Ideology in Things Fall Apart

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Become Gendered in “Things Fall Apart”

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Complex Culture in Things Fall Apart by Chinua Achebe

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Okonkwo from “Things Fall Apart”

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Heart of Darkness & Things Fall Apart

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The Perception of the Igbo Religion in Things Fall Apart

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Author’s Style in Things Fall Apart and Lord of the Flies

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Novels Kanthapura and Things Fall Apart

Raja Rao and Chinua Achebe through the depiction of the respective philosophies in their novels Kanthapura and Things Fall Apart brings out the perception of social, cultural and traditional aspects of Nigerian village Umuofia and Indian village of Kanthapura. Moreover, both the authors through these philosophies put light on the issue of colonization which the African natives and Indian natives suffered at the hands of white missionaries and Britishers. Rao who was an ardent follower of Mahatma Gandhi, paid respect […]

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How To Write an Essay About Things Fall Apart

Understanding 'things fall apart'.

Before starting an essay about Chinua Achebe's 'Things Fall Apart,' it is essential to understand the novel's context and themes. 'Things Fall Apart,' published in 1958, is a seminal work of African literature that depicts the collision of African and European cultures. The story centers around Okonkwo, a respected leader in the Umuofia tribe, and his struggle to adapt to the changes brought about by British colonialism and Christian missionaries. Begin your essay by discussing the setting of the novel, the key characters, and the cultural backdrop of the Igbo society depicted in the book. Understanding the historical context of post-colonial Africa is also crucial to grasping the novel's themes and Achebe's critique of the effects of colonialism.

Developing a Thesis Statement

A strong essay on 'Things Fall Apart' should be centered around a clear, concise thesis statement. This statement should present a specific viewpoint or argument about the novel. For instance, you might analyze the clash of cultures depicted in the novel, examine the character of Okonkwo and his tragic downfall, or explore the themes of tradition, change, and masculinity. Your thesis will guide the direction of your essay and ensure a structured and coherent analysis.

Gathering Textual Evidence

To support your thesis, gather evidence from the text. This involves closely reading the novel to find relevant quotes, dialogues, and narrative descriptions that support your argument. For example, if discussing the theme of cultural conflict, identify key moments in the novel that highlight the tensions between the traditional Igbo way of life and the new European influences. Use these examples to build your argument and provide depth to your analysis.

Analyzing Achebe's Techniques and Themes

Analyze how Achebe uses literary techniques to develop the novel's themes and characters. Discuss his use of language, imagery, symbolism, and narrative structure. For example, explore how Achebe uses proverbs and folklore to convey Igbo traditions and beliefs. This analysis should demonstrate a deep understanding of the text and how Achebe communicates his critique of colonialism.

Concluding the Essay

Conclude your essay by summarizing your main arguments and restating your thesis in light of the discussion. Your conclusion should tie together your insights into 'Things Fall Apart,' emphasizing the significance of your findings. Reflect on the broader implications of the novel, such as its contribution to African literature and its relevance in discussions of cultural identity and post-colonialism.

Reviewing and Refining Your Essay

After completing your essay, review and refine it for clarity and coherence. Ensure that your arguments are well-structured and supported by evidence from the novel. Check for grammatical accuracy and ensure that your essay flows logically from one point to the next. Consider seeking feedback from teachers or peers to further improve your essay. A well-written essay on 'Things Fall Apart' will not only demonstrate your understanding of the novel but also your ability to engage critically with literary texts.

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Chinua Achebe’s 'New English' in Things Fall Apart

Maiden Spirit Mask (Agbogho Mmuo) , 19th century.

Wikimedia Commons

"I feel that the English language will be able to carry the weight of my African experience. But it will have to be a new English, still in full communion with its ancestral home but altered to suit its new African surroundings." —Chinua Achebe

Things Fall Apart , the first novel of Chinua Achebe, deals with the clash of cultures and the violent transitions in life and values brought about by British colonialism in Nigeria at the end of the 19th century. Published in 1958, just before Nigerian independence, the novel recounts the life of the village hero Okonkwo and describes the arrival of white missionaries in Nigeria during the late 1800s and their impact on traditional Igbo society. Writing in English, the language of the imperialist conquerors of Nigeria, Achebe’s stated goal was to create a “new” and more African English. He integrated Igbo words and phrases, proverbs, folktales, and other elements of communal storytelling into the narrative in order to record and preserve African oral traditions and to subvert the colonialist language and culture.

The purpose of this lesson is to help students discover and evaluate this “new English” that has made Achebe “the father of African literature” and has placed Things Fall Apart on high school reading lists worldwide. This close reading exposes students to a unique point of view and foreign cultural experience and serves to expand their base of world literature. Students identify the linguistic and literary techniques Achebe uses to convey a sense of Igbo culture. They analyze the impact of the traditional oral elements to unlock the meanings and messages of the novel.

Guiding Questions

How does Achebe use and construct language to honor Igbo dialects and communicate to an English speaking reader?

Learning Objectives

Identify and analyze the use of Igbo vocabulary and similes as a marker of Achebe’s style

Identify and assess how proverbs and folktales function in Igbo culture

Develop appreciation for the values and traditions of an indigenous culture

Write an informative essay assessing Achebe’s efforts to use the English language to convey Nigerian culture and values

Lesson Plan Details

With his childhood in the Igbo town of Ogidi and his education in English at the University of Ibadan, Achebe was conversant with both Igbo and English language and culture. In a famous essay called “The African Writer and the English Language,” Achebe pointed out the difference between national language and ethnic language. This difference arises from the artificial drawing of African national boundaries by the colonizing powers, without regard to ethnic fault lines. Thus, the people of Nigeria speak numerous languages—Igbo, Yoruba, Hausa, and Fulani, and 500 additional languages. Achebe says that if he was to write for the people of Nigeria, he had to write in the one language they all understood, English.

In Things Fall Apart , the first method Achebe used to create “a new English” is the introduction of Igbo words and phrases directly into the text without translation. The meaning of each can be readily grasped from context, but Achebe also included a glossary of Igbo words at the end of the novel. The use of Igbo reminds the reader that certain concepts are unique to this culture and are not fully translatable. Achebe also used similes drawn from the daily life of the Igbo, each helping the reader to experience the particular time and place of the novel.

The inclusion of proverbs in this novel was another means of cultural preservation for Achebe. Igbo conversation is studded with these nuggets of wisdom. In this text, proverbs serve to ease difficult conversations as “the palm oil with which words are eaten.” They preserve the wisdom of elder generations succinctly and help the reader understand the moods and attitudes of the novel’s characters.

Thirdly, Achebe used folktales to reinforce the more conventional elements of the novel and emphasize the values of the Igbo culture. Five different folk tales appear at various points in the story: Vulture and the Sky; Mosquito and Ear; Leaves and the Snake-lizard; How Tortoise Got His Bumpy Shell, and Mother Kite and Daughter Kite. Achebe’s placement of each folk tale in the text is intentional containing symbolic implications for the narrative. The Igbo traditionally tell folktales only at night, after the day’s work is done and preferably in the dry season. A session of storytelling may begin with proverbs and incorporate songs. For more detail on the nature of storytelling among the Igbo, see “ The Igbo Folktale: Performance Conditions and Internal Characteristics ” by J. O. J Nwachukwu-Agbada.

A particularly useful reading for the teacher before beginning this lesson is " The Form and Function of the Folk Tradition in Achebe's Novels " by Charles E. Nnolim. In it, Nnolim provides a full definition of folklore, discusses individual proverbs and folktales employed by Achebe, and demonstrates how Achebe “subtly and cunningly works them into his narrative.”

CCSS.ELA - Literacy.CCRA.R.4. Interpret words and phrases as they are used in a text, including determining technical, connotative, and figurative meanings, and analyze how specific word choices shape meaning or tone.

CCSS.ELA - Literacy.RL.9-10.4. Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the cumulative impact of specific word choices on meaning and tone (e.g., how the language evokes a sense of time and place; how it sets a formal or informal tone).

CCSS.ELA-Literacy.RL.9-10.6. Analyze a particular point of view or cultural experience reflected in a work of literature from outside the United States, drawing on a wide reading of world literature.

CCSS.ELA-Literacy.L.9-10.5. Demonstrate understanding of figurative language, word relationships, and nuances in word meanings.

CCSS.ELA-Literacy.L.9-10.5a. Interpret figures of speech in context and analyze their role in the text.

CCSS.ELA-Literacy.L.9-10.5b. Analyze nuances in the meaning of words with similar denotations.

Worksheet 1. The Use of Similes in Things Fall Apart
Worksheet 1.1. Suggested Answers
Worksheet 2. The Palm-Oil of Conversation
Worksheet 2.1. Suggested Answers
Worksheet 3. Analyzing an African Folk tale
Worksheet 3.1. Suggested Answers
Worksheet 4. Rubric for Assessment
Achebe’s children’s book entitled How the Leopard Got His Claws (1972) could be especially useful before beginning the third activity.
Students would also benefit from background reading on Nigeria and seeing photographs of Nigeria’s people and geographical locations to orient them to this culture.

Activity 1. Igbo vocabulary and English similes

Have students interpret Igbo words and phrases that Achebe includes in Things Fall Apart .

Tell students that the poet John Ciardi used to emphasize not “ What does the poem mean?” but “ How does the poem mean?” (Teachers should have read the novel with students and discussed plot, characters, and other traditional elements of a narrative—what the novel means.)

Clarify that in this lesson students will focus on the how —the overall objective is to uncover how Achebe used the English language to tell an African story.

Write the word foo-foo on the board and ask if anyone remembers its meaning in the novel. ( This staple food of the village is made from boiled and pounded yam or cassava. )

Write a list of the following Igbo words on the board: agbala , chi , egwugwu , ilo , ogbanje , obi , ogene, osu, efulefu . Ask if students can define any of these words from the novel. Then point out the Glossary at the end of the novel and ask students to locate the definitions.

Agbala— woman; also used of a man who has taken no title
Chi— personal god
Egwugwu— a masquerader who impersonates one of the ancestral spirits
Ilo —the village green, location for community assembles and dances
Ogbanje —a changeling child, one who repeatedly dies and is reborn
Obi— the house of the male head of the family
Ogene —a kind of gong
Osu— an outcast
Efulefu— a worthless man

Ask students to explain why Achebe left these words in Igbo when he wrote the novel in English. ( The words are a constant reminder of the setting of the novel; they provide “local color”; there may not be an exact equivalent for the concept in English. )

Ask how many students needed to refer to the glossary as they read. What strategies did they use to help define the words if they did not check the glossary? ( Achebe provided context for these words so that the reader can guess their meaning. ) Point out that this use of Igbo vocabulary is one way that Achebe added an African nuance to his English vocabulary.

Review with students the meaning of the literary term simile available from EDSITEment’s Literary Glossary.

Distribute Worksheet 1. The Use of Similes in Things Fall Apart . Divide students into pairs and have them discuss the meaning of each simile to complete the chart. ( Worksheet 1.1 contains suggested answers.) Share answers within the whole group.

Ask students: Where do these similes come from? What do they have in common? ( They all come from the everyday experiences of the Igbo, including weather, agriculture, hunting, war, and animals with which they are familiar .) Point out that through the use of such similes, Achebe was once again shaping the English of his novel to the African experience.

Assessment —Have each student compose three sentences, each of which incorporate a simile and use at least one word of Igbo vocabulary.

Activity 2. Proverbs as “Palm-Oil”

Have students determine the meaning of Igbo proverbs as they are used in the text, including figurative and connotative meanings to analyze the cumulative impact of proverbs on meaning and tone. In this way students identify how Achebe’s language evokes a sense of time and place; how it sets tone and conveys mood; how it provides local color to the narrative.

Locate the paragraph in Chapter 1 that begins, “Having spoken plainly so far …” Read aloud the first two sentences.

Have students consider the definition of the word proverb . Discuss the general use of proverbs in everyday life as well as in literature.

Ask students what they think is meant by Achebe’s statement, “Among the Ibo the art of conversation is regarded highly and proverbs are the palm-oil with which words are eaten.” ( Palm-oil is a common ingredient in cooking traditional West African food; in fact, the ingredient labeled “vegetable oil” in our own food is often palm-oil. The expression suggests that proverbs can sometimes be easier to say, to understand, or to remember than direct statements, and they are a much-appreciated addition to conversation. )

Encourage students to come up with an equivalent English proverb to this saying such as a spoonful of sugar makes the medicine go down.

Ask them to give some other examples of English proverbs and to explain their meaning.

Possible answers:

When in Rome, do as the Romans do.
The pen is mightier than the sword.
The squeaky wheel gets the oil.
Birds of a feather flock together.
A picture is worth a thousand words.
The early bird catches the worm.
Never look a gift horse in the mouth.
Too many cooks spoil the broth.

Ask students to explain why we use such proverbs. ( They are a kind of short-hand for complex ideas; since most people know the meanings of common proverbs, proverbs convey ideas quickly and colorfully; they express the values of the society. )

Distribute Worksheet 2. The Palm-Oil of Conversation . Give half the students the assignment to do using Chapter 3; give the other half, Chapter 4. (These are the chapters that are richest in proverbs. If you prefer, you can assign individual proverbs to students; a list appears in the Worksheet 2.1 , including proverbs from other chapters.)

When students have completed Worksheet 2, team them up so that each pair has proverbs from both chapters. Give them time to share their proverbs and question each other about their meanings.

Assessment —Have students respond to the following prompt in their journals:

Choose one of the proverbs from Worksheet 2. Write a paragraph responding to this prompt: Does this proverb have universal meaning, or does it only make a statement about the Igbo society in which it originated?

Activity 3. Folktales

Have students analyze a unique point of view or cultural experience of the Igbo people reflected in their folktales.

Explain to students that, in addition to using Igbo vocabulary, similes drawn from Igbo daily life, and proverbs, Achebe also used folktales as a way of sharing Igbo culture and illustrating their values. Define folktale.

Ask students for examples of folktales they have heard, read, or studied previously. Reinforce that while many of the stories are used to entertain both children and adults, they can also be used to teach values or explain natural phenomena.

Read aloud the story “Vulture and the Sky” in Chapter 7. Pose the following questions:

What values does the story convey? ( The need for harmony in the natural world, the connections between men and animals )
Does it attempt to explain natural phenomena? ( Yes, it explains both drought and flooding rain. )
Looking at the position of the folktale in the larger story explain why Achebe might have inserted this particular story at this point. ( Nwoye prefers the gentler stories of his mother to the warlike ones of his father; Vulture softens the heart of Sky by gentle pleading rather than by threats. )

Divide students into four groups and assign each group one folktale from the novel: Mosquito and Ear (Chapter 9), Snake-lizard and the Leaves (Chapter 9), How Tortoise Got His Bumpy Shell (Chapter 11) and Mother Kite and Daughter Kite (Chapter 15) Ask each group to study the story and be able to:

Retell the narrative
Identify values taught by the story
Identify natural phenomena that are explained by the story
Hypothesize about why Achebe chose that particular story for insertion into the novel at that point

Distribute Worksheet 3. Analyzing an African Folktale , in order to help students organize their ideas. Allow each student group time to work and then have each group present to the class as a whole. (Suggested Answers are available on Worksheet 3.1 )

Assessment —Have students work independently to analyze other African folktales that they locate using printed sources or the Internet. Use Worksheet 3 as a graphic organizer for this assessment.

(Some useful resources for this activity are available at the Internet Sacred Text Archive : South-African Folktales and Folk Stories from Southern Nigeria .)

Assign students to write a persuasive essay responding to this prompt:

The Kenyan writer Ngugi Wa Thiongo has argued in Decolonising the Mind that to truly be considered African literature, a book must be written in an indigenous African language, not a European language. Achebe, on the other hand, said, “I feel that the English language will be able to carry the weight of my African experience. But it will have to be a new English, still in full communion with its ancestral home but altered to suit new African surroundings.” How successful was Achebe in developing such a new and distinctly African English? Be sure to give evidence from the text to support your analysis.

In preparation for this response, students may find it helpful to look at Chapter 1. from Thiongo’s Decolonising the Mind, " The Language of African Literature."

Worksheet 4 is provided as a rubric to be used as a guide for self-evaluation, peer evaluation, or teacher evaluation of the essay.

Since the 1960s, there has been controversy around books written in English by African writers: Can they be considered “African Literature” when they have been written in a non-native language? Nigerian writer Obi Wali touched this debate off in 1963 when he wrote an essay called “The Dead End of African Literature” stating that literature written in English by African authors “can onlylead to sterility, uncreativity and frustration.” Achebe answered him with an essay called “English and the African Writer,” in which he discussed why he writes in English. The essay is reprinted in his book Morning Yet on Creation Day. The leading torchbearer in this ongoing argument is the Kenyan Ngugi Wa Thiong’o, who currently teaches at the University of California at Irvine. For more on his point of view, which supports Obi Wali rather than Achebe, refer to his book Decolonising the Mind .) Have students research this ongoing debate. Then have each student take a stand in a persuasive essay or conduct an in-class oral debate.
Have students research proverbs from other cultural groups and compare them with the Igbo proverbs they have studied in Things Fall Apart. Students can collect proverbs dealing with general themes like generosity, parent-child relations, and honesty.
To learn more about the customs surrounding the telling of folktales among the Igbo, assign “ The Igbo Folktale: Performance Conditions and Internal Characteristics " and have students write explanations about how this article provides additional insights into the folktales told by Achebe.

Materials & Media

"things fall apart" worksheet 1.1: answers, "things fall apart" worksheet 1: use of similes, "things fall apart" worksheet 2: the palm-oil of conversation, "things fall apart" worksheet 2.1: answers, "things fall apart" worksheet 3: analyzing an african folktale, "things fall apart" worksheet 3.1: answers, "things fall apart" worksheet 4: rubric for assessment, related on edsitement, chinua achebe’s things fall apart, chinua achebe’s things fall apart : oral and literary strategies, fiction and nonfiction for ap english literature and composition, edsitement's recommended reading list for college-bound students.

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Things Fall Apart

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3. Sample Essay Topics

4. A+ Essay Topic Breakdown

Things Fall Apart is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response .

Things Fall Apart is set in a fictional group of Igbo villages called Umuofia, around the beginning of the twentieth century. The first half of the novel is dedicated to an almost anthropological depiction of Igbo village life and culture through following the life of the protagonist Okonkwo . Okonkwo is the greatest wrestler and warrior alive in the nine villages and beyond. He has dedicated his life to achieving status and proving his strength to avoid becoming like his father Unoka – a lazy, improvident, but gentle man. Weakness is Okonkwo’s greatest fear. After men in another village kill a woman from Umuofia, a boy named Ikemefuna is given to Umuofia as compensation and lives in Okonkwo’s compound until the Gods decide his fate. Ikemefuna quickly becomes part of Okonkwo’s family; he is like a brother to Okonkwo’s son Nwoye and is secretly loved by Okonkwo as well. Over the next three years, the novel follows Okonkwo’s family through harvest seasons, religious festivals, cultural rituals, and domestic disputes. Okonkwo is shown to be more aggressive than other Igbo men and is continually criticized and rebuked by the village for his violence and temper . When the Oracle of the Hills and Caves decides that Ikemefuna must be killed, Okonkwo is warned by a respected elder to have no hand in the boy’s death because Ikemefuna calls him ‘father’. However, afraid of being thought weak, when Ikemefuna runs to Okonkwo in hope of protection, Okonkwo delivers the fatal blow. Ikemefuna’s brutal death deeply distresses Nwoye who becomes afraid of his father.

At the end of Part One, Okonkwo accidentally kills a clansman at a funeral after his faulty gun explodes and is exiled to his motherland, Mbanta. During his exile, British missionaries arrive in Mbanta and establish a church. Nwoye, disillusioned with his own culture and Gods after Ikemefuna’s death, is attracted to Christianity and is an early convert . This is a heartbreaking disappointment to Okonkwo. When Okonkwo and his family return from exile after seven years they find that the missionaries and colonial governors have established Umuofia as the center of their new colonial government . Clashes of culture and morality occur, and as the British make the Igbo more dependent on them through introducing trade and formal education, the Igbo way of life is continually undermined . When a Christian convert unmasks an egwugwu during a tribal ritual, a sin amounting to the death of an ancestral spirit, the egwugwu burn down the village church. The men who destroyed the church are arrested and humiliated by the District Commissioner, and Okonkwo beheads a court messenger at a village council in rebellion. When none of his clansmen rise with him against the British, Okonkwo realizes his culture and way of life is lost and commits suicide in despair. Suicide is a crime against the Earth Goddess, Ani , so Okonkwo is left to rot above ground in the Evil Forest, like his father Unoka – a shameful fate he spent his life desperate to avoid. The final paragraph, written from the perspective of the District Commissioner, reduces Okonkwo’s life to a single sentence about his death in his planned book The Pacification of the Primitive Tribes of The Lower Niger . Achebe has filled an entire novel with evidence of the complexity and sophistication of Okonkwo’s individual and social life and the District Commissioner’s casual dismissal and belittling of him causes us to flinch with horror and dismay. This is a metaphor for the reduction of Igbo culture in the eyes of its colonizers.

The title gives away the plot of the novel and anticipates the collapse of Okonkwo and his society. Things Fall Apart is about the connection between the tragic downfall of Okonkwo , who fate and temperamental weakness combine to destroy, and the destruction of his culture and society as the Igbo way of life is assailed by forces they do not understand and are unprepared to face .

A Full and Fair Representation of Ibo Traditional Life

The first part of the novel presents the traditional world of the Ibo with specificity and vibrancy . The imbedded descriptions of the patterns of interaction, daily routines and seasonal rituals of Ibo life creates an overwhelming impression of community and shared culture. We see the established system of values which regulates collective life and how closely related this is to natural cycles and environments. The Ibo’s moral values are contained in sayings and stories, rituals and festivals. Achebe depicts a comprehensive and sustaining social, spiritual, economic, agricultural, and legal order. (Chapters to consider: 1, 2, 3, 5, 6, 10, 12, 19)

While Ibo society is marked by the internal coherence of its organization and the poetry of its rituals, this coherence is partially formed by the repression of the individual and the inflexibility of social norms. Achebe shows the violence, dehumanization, and discrimination vulnerable groups experience in Umuofia due to the rigid adherence to tradition and superstition. This includes the customary abandonment of newborn twins, the sacrificial murder of Ikemefuna in the name of justice, and the discriminatory caste structure that denies inclusion to the osu (Chapters 7, 18).

Obierika’s questioning of the stern logic of some customs suggests that many laws are enacted from a sense of duty and inevitability rather than from a firm conviction in their justice or efficacy (Chapter 13). The cultural demand for conformity places a huge moral and psychological burden on individuals who must reckon with the sometimes heartless will of the gods . This internal tension is epitomized in the character of Okonkwo, discussed below.

Clash of Cultures

When the Ibo are confronted with rival institutions a mirror is held up to their society. Fall Apart honestly considers and reflects on Ibo practices, customs, values, and beliefs. The novel is a frank articulation of the nature of the African past and its relevance to the present and future . Achebe wants to illuminate Ibo culture to dispense with lingering colonial prejudices, but he is not sentimental or nostalgic for the past. Instead he is shifting through it to identify the valuable aspects of Ibo culture to bring into the future and help define Nigeria’s post-independence identity .

Achebe recognises that the colonial encounter which led, swiftly and seemingly inevitably, to the disintegration of Ibo culture revealed its profound weaknesses. Achebe suggests that with the arrival and contrast against another culture, a cultural reckoning was inevitable for the Ibo. However, cultural reckoning and revaluation is not the same thing as destruction and erasure . The British colonialists were a hostile force seeking cultural domination. By pointing out some of the weaknesses of the Ibo tradition, Achebe in no way excuses or justifies colonial domination or diminishes the pain and tragedy of the cultural erasure that occurred.

Colonial Domination

The anti-colonial position and purpose of the novel is powerfully clear. Achebe depicts the process of colonial initial establishment and the resultant cultural suspension of Ibo society. The British colonizers believed in their inherent cultural superiority and arrived in Umuofia with the intention to “bring civilization” (p.151) to Africa. They wanted to achieve full control by supplanting Ibo religion and culture with their own.

The British arrived quietly and non-confrontationally with their religion and the clans allow them to stay, misinterpreting their silence as peaceability . An Ibo proverb warns that there is danger in silence and nothing to fear from someone who reveals their motivations (Chapter 15). Obierika recognizes how the white man’s strategy disguised their intentions and gave them the freedom to grow and fortify. He explains the political consequences for the clan, now divided by the new religion, they can no longer act as one (Chapter 20). Without strength in unity, the Ibo are vulnerable to further encroachment of British control in their other institutions .

As only a small number of Ibo initially converted to Christianity, the church was only able to establish itself firmly in the villages because of the Ibo’s religious tolerance (Chapter 2, 22). Mr Brown learns about Ibo religion and his willful blindness to its complexity shows how the colonizers justified their colonial rule and imposition through labelling their subjects ‘primitive’ . Mr Brown understands that Christianity held no appeal for people well integrated in Ibo society, concluding that “a frontal attack on it would not succeed” (p.132) and thus introduces education as a new method of cultural displacement and erasure . Additionally, trade also increased the Ibo’s dependence on the introduced economy (Chapter 21).

From the very first introduction of the colonizers we understand that violence and fear were tools of oppression and dominance , forcing the Ibo to submit and keeping them unresisting (Chapter 15, 20, 23). Not only do the British impose foreign rule on the Ibo and judge them by standards they do not recognize, the District Commissioner’s personal brand of ‘justice’ is corrupt and hypocritical. When the elders are arbitrarily and falsely imprisoned, he tells them that what they have done “must not happen in the dominion of our queen” (p.141), combining personal corruption with a state apparatus of paternalism, hegemony, and occupation (Chapter 20, 23).

Dogmatic zealot, Reverend Smith, encourages fanaticism in his converts, motivating them to insult and humiliate the clan (Chapter 22). Under Reverend Smith’s wrathful guidance, the colonial agenda becomes transparently aggressive . The grief and pathos of the Ibo’s situation and collective trauma is displayed evocatively in the final episodes as Achebe depicts this painful moment of acute crisis (Chapter 22, 23, 24, 25).

A recurring thematic question in Things Fall Apart is to what degree the collapse of the Ibo and the downfall of Okonkwo are due to their own internal weaknesses or the whims of a pernicious fate .

The Ibo understand fate to be in a dynamic and somewhat ambiguous relationship with personal agency . This is evident in their proverb “when a man says yes his chi says yes also” (p.20) which acknowledges and privileges the role of an individual’s choices in shaping their destiny (Chapter 4). The saying “as a man danced so the drums were beaten for him” (p.135) also relates this idea – fate is a response to one’s behaviour. Okonkwo is warned that killing Ikemefuna, his surrogate son, is the “kind of action for which the goddess wipes out whole families” (p.49).This demonstrates the clan’s belief that the goddess’s (or fate’s) punishments are not arbitrary but the result of individual action (Chapter 8).

Although there is an element of chance in Okonkwo’s gun accidentally exploding and killing someone, his exile carries the suggestion of just comeuppance in its echo of the guns failure to shoot when purposely aimed at Ekwefi (Chapter 5, 13). Likewise, although the arrival of the Christians was unexpected and chanced, Nwoye’s rejection of his father is traceable directly to Okonkwo’s choice to kill Ikemefuna (Chapter 7). The desertion of people injured by Ibo traditions is a blow to the clan that feels equally earned (Chapters 16, 17, 18).

After his exile, Okonkwo believes his chi has turned against him (Chapter 14). He renunciates the wisdom of his elders by denying the active role he had in directing the course of events. His refusal to reflect on the connection between his actions and punishment reflect his fatal flaws: hubris and willful lack of self-knowledge. By refusing to self-analyze and self-correct, Okonkwo loses the opportunity of redemption. Comparably, the Ibo, despite believing in a relationship between action and fate, do not reflect on the cause of their kinsmen’s desertion to Christianity. Achebe provides numerous examples of the clan’s dogma and brutal traditions denying people such as Ikemefuna or twins control over their lives (Chapter 2, 7). It was the shortcomings of the Ibo social and religious order that made members susceptible to the attraction of a competing value system with a more articulated concept of individuality. The Ibo’s cultural lack of self-apprehension meant they could not adjust their traditions to save themselves .

However, just as Achebe shows how individuals in the clan are at the mercy of rigid overarching authority, he shows how the fateful forces of history constrain human agency . The British’s hostile intention to erase and supplant the Ibo way of life is a punishment greater than the Ibo deserve and a force stronger than they can rise to. In his description of the grief and trauma of colonial imposition, Achebe demonstrates his compassion and sorrow for the Ibo as they faced the sweeping and unforgiving forces of change in their moment of historical crisis .

Sample Essay Topics

1. "Things Fall Apart demonstrates how the values and customs of a society help us to deal with the familiar but not with change." Discuss.

2. "Traditional ideas of honour dominate Okonkwo's life and finally they destroy him." Discuss.

3. "Nwoye knew that it was right to be masculine and to be violent, but somehow he still preferred the stories his mother used to tell." How does Achebe explore masculinity in Things Fall Apart ?

Now it's your turn! Give these essay topics a go. For more sample essay topics, head over to our Things Fall Apart Study Guide to practice writing essays using the analysis you've learnt in this blog!

A+ Essay Topic Breakdown

Whenever you get a new essay topic, you can use LSG’s THINK and EXECUTE strategy , a technique to help you write better VCE essays. This essay topic breakdown will focus on the THINK part of the strategy. If you’re unfamiliar with this strategy, then check it out in How To Write A Killer Text Response .

Within the THINK strategy, we have 3 steps, or ABC. These ABC components are:

Step 1: A nalyse

Step 2: B rainstorm

Step 3: C reate a Plan

Let's look at an essay prompt in this video below:

[Video Transcript]

In Things Fall Apart , women suffer the most and are victimised by men. Discuss.

Whenever you are breaking a prompt down. Ask yourself...

What are the key words/ ideas that you need to address?
Which theme is the prompt referring to?
Do you agree with prompt? Or do you disagree with it?

The keywords of this prompt would be women, suffer,, victimised and men. The prompt requires us to address the role of women in the text and the ways in which they suffer in a society that is pervaded by patriarchal values. It also asks us, ‘Who is to blame?’ Are men solely responsible for the maltreatment or are there other causes to their suffering? The word ‘most’ in this prompt is actually there to give us a bit of room for discussion. Yes, women do suffer, but do they suffer the most? Or do men suffer as well?

Now that we’ve thought about the prompt, we can move on to the second step of the THINK part of the THINK and EXECUTE technique. To find out more about this unique strategy, I’d recommend downloading a free sample of our How to Write a Killer Text Response eBook!

Now, before we write our ideas in beautiful topic sentences, it’s often easier to simplify everything first. One way to do this is to work out whether the paragraph agrees or disagrees with the prompt at hand. We could follow this structure…

‍ Yes, the prompt is true because X Yes, another reason it is true is X While it is true, it is limited by X

By elucidating the ways in which women are seen as inferior to their male counterparts, the writer establishes his critique on a society that victimises and oppresses women. From the outset of the book, Okonkwo is characterised as a violent man who ‘rules his household with a heavy hand’, placing his wives in perpetual fear. The frequent beating and violence fortifies the portrayal of him as a man who is governed by his hatred of ‘gentility and idleness’, further showing the terror that his wives are forced to be living in.

"Do what you are told woman. When did you become one of the ndichie (meaning elders) of Umuofia?"

He also sees his wife’s mere act of questioning as disrespect, as evidenced through the ways in which he implies that she is overstepping her role.

“There were many women, but they looked on from the fringe like outsiders"

This simile also shows how women are often marginalised and treated as outcasts, underlining the overarching yearning for social justice throughout the text. This pitiful image of women looking ‘on from the fringe’ also helps Achebe relay his criticism of gender double standards and the unfairness that Igbo women are forced to live with. Achebe’s sympathy for women’s suffering and condemnation of men’s mistreatment towards are also evident through his depiction of a society that normalises misogyny.

‘His mother and sisters worked hard enough, but they grew women’s crops… Yam, the king of crops, was a man’s crops’

The personification of the crops, in particular, the men’s crops, the ‘yam’, being the ‘king of crops’ establishes this gender hierarchy in yet another way. More specifically, the position of men in the social hierarchy is highlighted and the negative connotation attached to the ‘women’s crops’ undermine their hard work, rendering it in significant. While women are the main victims of Igbo gendered prejudice, Achebe does not disregard the undue burden that societal expectations impose on men.

‘He was afraid of being thought weak.’

Achebe explores the burdens of unrealistic expectations that are placed on both men and women. This quote exemplifies societal expectations on men to be strong, powerful and fearless leaders who never show emotions. Achebe’s sympathies regarding these expectations show us that this is an important critique in Things Fall Apart that we can analyse.

If you find this helpful, then you might want to check out our Things Fall Apart: A Killer Text Guide where we cover 5 A+ sample essays (written by a 50 study scorer!) with EVERY essay annotated and broken down on HOW and WHY these essays achieved A+ so you reach your English goals! Let's get started.

The Ultimate Guide to VCE Text Response

How To Write A Killer Text Response Study Guide

How to embed quotes in your essay like a boss

How to turn your Text Response essays from average to A+

5 Tips for a mic drop worthy essay conclusion

With contributions from Lindsey Dang.

Get our FREE VCE English Text Response mini-guide

Now quite sure how to nail your text response essays? Then download our free mini-guide, where we break down the art of writing the perfect text-response essay into three comprehensive steps. Click below to get your own copy today!

Access a FREE sample of our Things Fall Apart study guide

Learn how to brainstorm ANY essay topic and plan your essay so you answer the topic accurately
Apply LSG's THINK and EXECUTE strategy across 5 sample A+ essays
Think like a 50 study scorer through advanced discussions like structural feature analysis, views and values and different interpretations and lenses - we've broken them down into easy-to-understand concepts that students of any level can replicate

Updated 19/01/2021

1. What Is Text Response? 2. What Are You Expected To Cover? (Text Response Criteria) 3. School Assessed Coursework (SAC), Exams and Allocated Marks 4. How To Prepare for Your Text Response SAC and Exam 5. How To Write a Text Response

1. What Is Text Response?

Like its name, Text Response is when you respond to a text. The most popular texts are novels and films; however, plays, poetry and short stories are also common. Your response will be in the form of an essay, in which you discuss themes, ideas and characters. Recall all the novels and films you've studied since Year 7 (there'll be quite a few!). You should be very familiar with the process of watching a film or reading a novel, participating in class discussions about themes and characters, and finally, submitting an essay based on the text.

As you graduate into higher year levels, you spend each year revising and improving on TEEL, learning to better incorporate quotes and formulating even longer essays than the year before (remember when you thought you couldn't possibly write an essay more than 500 words?).

The good news is, all of that learning is now funnelled into VCE’s Text Response, one of the three parts of the VCE English study design. Text Response, officially known as ‘Reading and Responding’ in the study design, is the first Area of study (AoS 1) - meaning that the majority of students will tackle the Text Response SAC in Term 1. Let's get into it!

2. What Are You Expected To Cover? ( Text Response Criteria)

What are teachers and examiners expecting to see in your essays? Below are the VCE criteria for Text Response essays.

Note: Some schools may express the following points differently, however, they should all boil down to the same points - what is necessary in a Text Response essay.

a) Critically analyse texts and the ways in which authors construct meaning;

Much of the ‘meaning’ in a novel/film comes instinctively to readers. Why is it that we can automatically distinguish between a protagonist from an antagonist? Why is it that we know whether or not the author supports or denounces an idea?

Here you need to start looking at how the author constructs their texts and why they have made that choice. For example, the author describes a protagonist using words with positive connotations (kind, brave, charming), whereas the antagonist is described with words using negative connotations (vain, egocentric, selfish).

For example, 'in Harry Potter , by describing the protagonist Harry as "brave", the author JK Rowling exhibits the idea of how possessing bravery when making tough choices or facing challenges is a strong and positive trait.'

b) Analyse the social, historical and/or cultural values embodied in texts;

Society, history and culture all shape and influence us in our beliefs and opinions. Authors use much of what they’ve obtained from the world around them and employ this knowledge to their writing. Understanding their values embodied in texts can help us as readers, identity and appreciate theme and character representations.

For example, 'through the guilty verdict of Tom Robinson in To Kill A Mockingbird , Harper Lee expresses the belief that the American legal system in the 1930s was not always fair or just.'

For more information on context and authorial intent in VCE English, read Tim's blog, Context and Authorial Intention in VCE English, or Olivia's on what authorial intent is and why it's important .

c) Discuss and compare possible interpretations of texts using evidence from the text;

Be open to the idea that many texts can be interpreted in many ways. Texts are rarely concrete and simple. Take The Bible , a book that is one of the most popular and famous books in history but is interpreted differently by every person. Acknowledging more than one perspective on a certain aspect of the text, or acknowledging that perhaps the writer is intentionally ambiguous, is a valuable skill that demonstrates you have developed a powerful insight into your text.

For example, 'in The Thing Around Your Neck , feminist readers condone Adichie's stories which all revolve around women either as protagonist or as narrators, giving voice to the disempowered gender in Nigerian society.'

‍ d) Use appropriate metalanguage to construct a supported analysis of a text;

While you should absolutely know how to embed quotes in your essay like a boss , you want to have other types of evidence in your Text Response essay. You must discuss how the author uses the form that he/she is writing in to develop their discussion. This encompasses a huge breadth of things from metaphors to structure to language.

For example, 'The personification of Achilles as "wolf, a violator of every law of men and gods", illustrates his descent from human to animal….' or 'Malouf’s constant use of the present voice and the chapter divisions allow the metaphor of time to demonstrate the futility and omnipresence of war…'.

To learn more about metalanguage, read our ' What Is Metalanguage? ' post.

e) Control and effectiveness of language use, as appropriate to the task

When examiners read essays, they are expected to get through about 12-15 essays in an hour! This results in approximately 5 minutes to read, get their head around, and grade your essay - not much time at all! It is so vital that you don’t give the examiner an opportunity to take away marks because they have to reread certain parts of your essay due to poor expression and grammar.

For further advice on the above criteria points, read Emily's (English study score 46): Year 12: How To Turn Your Text Response Essays From Average to A+ .

3. School Assessed Coursework (SAC), Exams and Allocated Marks

Reading and Creating is assessed in Unit 1 (Year 11) and Unit 3 (Year 12). The number of allocated marks are:

Unit 1 - dependant on school
Unit 3 English – 30 marks
Unit 3 EAL – 40 marks

Exactly when Text Response is assessed within each unit is dependent on each school; some schools at the start of the Unit, others at the end. The time allocated to your SAC is also school-based. Often, schools use one or more periods combined, depending on how long each of your periods last. Teachers can ask you to write anywhere from 800 to 1000 words for your essay (keep in mind that it’s about quality, not quantity!)

In your exam, you get a whopping total of 3 hours to write 3 essays (Text Response, Comparative and Language Analysis). The general guide is 60 minutes on Text Response, however, it is up to you exactly how much time you decide to dedicate to this section of the exam. Your Text Response essay will be graded out of 10 by two different examiners. Your two unique marks from these examiners will be combined, with 20 as the highest possible mark.

4. How To Prepare for Your Text Response SAC and Exam

Preparation is a vital component in how you perform in your SACs and exam so it’s always a good idea to find out what is your best way to approach assessments. This is just to get you thinking on the different study methods you can try before a SAC. Here are my top strategies (ones I actually used in VCE) for Text Response preparation that can be done any time of year (including holidays - see How To Recharge Your Motivation Over the School Holidays for more tips):

a) Reread your book (or rewatch the film)

After all the learning and discussion you’ve had with your teacher and peers, you should have now developed a solid foundation of knowledge. Rereading a book enables you to refresh your memory on subplots, popular passages and most importantly, helps you fill in any missing gaps in knowledge. Take this as an opportunity to get familiar with the parts of the texts you're less confident with, or to examine a particular theme that you know you're weaker in (HINT: A good place to start is to make sure you know the difference between themes, motifs and symbols !)

b) Do a close analysis

This is like an advanced version of rereading a book. A 'close analysis' - a term stolen from VCE Literature (thanks Lit!) - is basically where you select a passage (a short chapter or a few pages), and analyse it in detail.

As you move through the passage, you can pick out interesting word choices made by the author and try to interpret why they have made this choice. Doing a close analysis will immensely strengthen your metalanguage analysis skills, and also give you the opportunity to stand out from other students because you can offer unique and original analysis and evidence in your essay. I know this can be a bit confusing, so this video below shows a full close analysis of a Macbeth passage in action:

c) Read and watch Lisa's Study Guides' resources

Doing this study all by yourself can be rather daunting, so we've got your back. We specialise in supporting VCE English by creating helpful videos, study guides and ebooks. Here are some just to get your started:

YouTube Videos

We create general Text Response advice videos like this:

We also create text-specific videos:

And if you just need general study advice, we've got you covered too:

Check out our entire YouTube channel (and don't forget to subscribe for regular new videos!).

Study Guides

Our awesome team of English high-achievers have written up study guides based on popular VCE texts. Here's a compilation of all the ones we've covered so far:

After Darkness by Christine Piper

Cosi by Louis Nowra

‍ ‍ Extinction by Hannie Rayson

‍ Flames by Robbie Arnott

False Claims of Colonial Thieves by Charmaine Papertalk Green and John Kinsella

‍ Go Went Gone by Jenny Erpenbeck

‍ Like a House on Fire by Kate Kennedy

‍ Measure for Measure by William Shakespeare

‍ Old/New World Selected Poems by Peter Skrzynecki

‍ ‍ On The Waterfront by Elia Kazan

‍ Ransom by David Malouf

‍ Rear Window by Alfred Hitchcock

‍ Runaway by Alice Munro

‍ Station Eleven by Emily St John Mandel

Sunset Boulevard by Billy Wilder

‍ The Crucible by Arthur Miller

‍ The Complete Maus by Art Spiegelman ‍

The Erratics by Vicki Laveau-Harvie (Setting)

The Erratics by Vicki Laveau-Harvie (Breakdown of Themes & Quotes)

‍ ‍ The Golden Age by Joan London

‍ The Lieutenant by Kate Grenville

‍ The Secret River by Kate Grenville

‍ To Kill a Mockingbird by Harper Lee

‍ William Wordsworth: Poems Selected by Seamus Heaney

‍ ‍ Women of Troy by Euripides (Don Taylor's version)

‍ Year of Wonders by Geraldine Brooks

Tip: You can download and save many of these study guides for your own study use! How good is that?

And if that isn't enough, I'd highly recommend my How To Write A Killer Text Response ebook.

Most people seem to the think the most difficult part of Text Response is the writing component - and they're not completely wrong. However, what I've found is that not even students place emphasis on the brainstorming, preparation and planning of Text Response.

Think about it - if you don't come to the table with the best ideas, then how can you expect your essay to achieve A+? Even if you write an exceptional essay, if it doesn't answer the prompt, your teacher won't be sticking a smiley face on your work. We need to avoid these common teacher criticisms, and I have no doubt you've experienced at least once the dreaded, 'you're not answering the prompt', 'you could've used a better example' or 'more in-depth analysis needed'.

Enter my golden strategy - the THINK and EXECUTE strategy . This is a strategy I developed over the past 10 years of tutoring, and I've seen my students improve their marks every time. The THINK and EXECUTE strategy breaks up your Text Response into two parts - first the THINK, then the EXECUTE. Only with the unique THINK approach, will you then be able to EXECUTE your essay to its optimum potential, leading yourself to achieve those higher marks.

To learn more about the THINK and EXECUTE strategy, download my ebook sample on the shop page or at the bottom of this blog, or check out the video below:

‍ d) Get your hands on essay topics

Often, teachers will provide you with a list of prompts to practice before your SAC. Some teachers can be kind enough to hint you in the direction of a particular prompt that may be on the SAC. If your teacher hasn’t distributed any, don’t be afraid to ask.

We have a number of free essay topics curated by our team at LSG, check some of them out. Also go scroll back up to our list of study guides above, as most of those also have essay prompts included:

‍ ‍ All the Light We Cannot See Essay Topics ‍ Like a House on Fire Essay Topics ‍ ‍ The Handmaid's Tale Essay Topics ‍ ‍

e) Brainstorm and write plans

Once you've done some preliminary revision, it's time to write plans! Plans will help ensure you stick to your essay topic and have a clear outline of what your essay will cover. This clarity is crucial to success in a Text Response essay.

Doing plans is also an extremely time-efficient way to approach SACs. Rather than slaving away hours upon hours over writing essays, writing plans can will save you the burnout and will get you feeling confident faster.

I've curated essay topic breakdown videos based on specific VCE texts. In these videos, I explore keywords, ideas and how I'd plan an essay with corresponding examples/evidence.

f) Write essays

Yes, sad, but it’s a fact. Writers only get better by actually writing . Even if you just tackle a couple of essays then at least you will have started to develop a thinking process that will help you to set out arguments logically, utilise important quotes and time yourself against the clock. It will help you write faster as well – something that is a major problem for many students. With that said, let's get into how to write a Text Response next.

Take a look at some of the essays our amazing LSG team have written:

After Darkness Essay Topic Breakdown

All the Light We Cannot See Essay Topic Breakdown

‍ Extinction A+ Essay Topic Breakdown

‍ Station Eleven Essay Topic Breakdown ‍ ‍

Women of Troy Essay Topic Breakdown ‍

If you need any more tips on how to learn your text in-depth, Susan's (English study score 50) Steps for Success in Text Study guide provides a clear pathway for how to approach your text and is a must read for VCE English students!

And, if you're studying a text you hate (ugh!) be sure to check out Lavinia's guide which teaches you how to do well even when you don't like your text !

5. How To Write a Text Response

Before you start writing, make sure you're familiar with The Five Types of Text Response Prompts . Understanding the different types will help you move beyond a 'basic' one-size-fits-all structure.

Introduction

In an introduction, you're expected to have the following:

Context (or background)
Author's name
Title of text
Main arguments

Here's an example from Vindhya (English study score 46), in her post Dissecting an A+ Essay Using 'The Golden Age' by Joan London :

Perhaps nothing exemplifies the power of love and recognition more than the bond between Albert Sutton and his older sister, Lizzie, in Joan London’s ‘The Golden Age’. Many of London’s characters exhibit suffering that requires compassion and support to heal and grow, to distinguish present from past. However, London explores the perspectives of such characters from different aspects of trauma, and emphasise that love and recognition do not always work to heal and mature. Frank Gold, the novel’s resident “sneaky” boy who adjusts to newfound life in the Golden Age Convalescent Home seeks love as an adult, rather than eliciting sympathy as a supposed victim. Here love and recognition are unsuccessful in amending Frank’s troubles when given from the perspective of an outsider, a judgemental onlooker. In a similar sense, Ida Gold seeks recognition not from Australia, who she views as a ‘backwater’, but validation in herself after having been ousted from her Hungarian identity. London, however, makes sure to emphasise the impact that Sullivan has on Frank Gold’s life. Sullivan, a boy only a few years older than Frank, seems content with his future, with his fate, despite his sacrifice of rugby and conventional life. There is a lacking sense of urgency for love and recognition in Sullivan’s life, rather, it appears that Sullivan accepts his fate, regardless of his father’s sympathy or support. Thus, London explores a myriad of ways in which love and recognition may or may not heal wounds inflicted upon individuals.

Try to keep your introduction to the point. There's no need to prolong an introduction just to make a set number of sentences. It's always better to be concise and succinct, and then move into your main body paragraphs where the juicy contents of your essay resides.

Body Paragraph

Most of you will be familiar with TEEL. TEEL can stand for:

T opic sentence
L inking sentence

If your teacher or school teaches you something slightly different - that's okay too. At the end of the day the foundations are the same.

Early in the novel, London makes reference to Norm White, the resident groundskeeper of The Golden Age Convalescent Home. Norm White hands Frank Gold a cigarette, 'as if to say a man has the right to smoke in peace'. Here, there is a complete disregard for rule and convention, an idea that London emphasises throughout the text. This feature provides a counter-cultural experience for Frank, pushing him to realise that he is a strong human being rather than a mere victim. This is a clear contrast to the “babyishness” of the home, and is used as evidence of true humanity in an era where society judged upon the unconventional. Frank yearns for a traditional Australian life after his trauma in Hungary; 'his own memory…lodged like an attic in the front part of his brain'. Hedwiga and Julia Marai’s caring of him pushed him towards fear and reluctance to trust, yet also pressured him to seek acceptance in a world that ostracises him for his Jewish heritage and polio diagnosis. This here is why Frank desires a mature, adult connection – love that regards him as an equal human being. Frank seeks Elsa’s love and company as she too loathes being reduced to a victim, an object of pity. Frank thereafter uses humour to joke of his wounds; 'we Jews have to be on the lookout'. Elsa sees 'a look in his eyes that she recognised', thus their bond enables both characters to heal. London alludes that Frank requires love and recognition not from the perspective of a sorrowful onlooker, rather he longs to be recognised as a mature adult.

Conclusions should be short and sweet.

Although trauma is often treated with love and compassion, London details different perspectives on this idea. Whilst Frank Gold requires a specific kind of recognition, Ida and Meyer seek validation in themselves and their relationship, whilst Sullivan is at ease with his fate and does not yearn sympathy from his father.

For further detail from Sarah (English study score 45), read her advice on 5 Tips for a Mic-Drop Worthy Essay Conclusion .

That's it for the Ultimate Guide to VCE Text Response . Good luck!

*Originally posted in 2011, this blog post has been revised for the latest English study design.

Poetry. Students tend to have strong feelings about it, some love the melodic rhythm and the eloquent way in which it encapsulates life and others hate it, either because they find it a snooze-fest and would rather read the dictionary, or they simply don’t know how to approach analysing it. Whatever boat you may be in, by the end of your study of Peter Skrzynecki’s New/Old World poems, you’re bound to have a new appreciation for the art that is poetry and find analysing poems less of a daunting prospect and more a something easy to nail.

Before we begin diving into Skrzynecki, I’d highly recommend that you check our LSG’s Ultimate Guide to VCE Text Response . It’s jam-packed with awesome, FREE advice for how to ACE Text Response.

Analysing Poetry in Old/New World

Unlike other forms of text, a collection of poems is not one continuous body of writing, instead a poetry collection is more like a series of vignettes, snapshots into poignant moments, in this case, of an author’s life. Whilst many students may struggle with this form and ask “How many poems do I analyse? Do I need to know all of them?”, poems are easier than most texts to prioritise and categorise into themes and often have a significant amount of metalanguage. And in answer to your questions, whilst its best you analyse the whole collection to some extent, knowing 10 or so strategically chosen poems really well, covering all themes and types should hold you in good stead for any question thrown at you in the exam.

Peter Skrzynecki wrote his poems over a significant amount of time, starting in 1970 and ending in 2006. This has given the collection a unique perspective, not only demonstrating a migrant’s journey through narrative, but also by providing the different attitudes and feelings of belonging, experienced by one individual as they try to assimilate in their new world over a period of time. This gives us, as students, a wonderful opportunity to look deeper into the text and identify Skrzynecki’s differing positions in regard to identity, family and belonging, through the perspective from which he writes his poems at different stages of his life.

To learn more about the importance of context in VCE English, check out this blog post .

The Structure

Skrzynecki’s collection tends to feature three types of poem, by identifying these, analysing each piece can be made easier as similar types of poem often focus on similar themes. The three categories of poetry to look for are:

Nature Poems

Peter Skrzynecki showcases his connection to Australia through poems that depict often idyllic landscapes, or the lives of common fauna of Australia, such as birds and fish.

The Immigrant Experience

These poems such as Immigrants at Central Station, Migrant Hostel and The Polish Immigrant offer an insight into the emotionally turbulent and difficult journey migrants go through to live in Australia. These poems also demonstrate the experiences of relief and joy felt when arriving, as well as emotions of fear, trepidation and disconnect in regards to both their new home and their old world.

Family Poems

Often the most emotionally pulling, these poems tug at the heartstrings and showcase the relationships between Peter Skrzynecki and his family, as well as his exploration of his heritage, his ties to his Polish background.

The new/old world structure, similar to the old and new testament of the bible are used to highlight the old world of Skrzynecki’s Polish roots and childhood, whilst the new world is his new life in Australia.

Recurring Characters in Old/New World

Peter skrzynecki.

The author of this text, as well as a character in his own right, Peter describes his triumphs and struggles of immigrating to Australia in his poems.

Feliks Skrzynecki

The Polish adopted father of Peter, a “gentle man” who immigrated to Australia with him family from Germany often demonstrates the struggle of the older generation to fully ‘belong’, as they have grown up amongst different customs. This difference in the two generations’ assimilation is depicted in the poem Feliks Skrzynecki , as we see Feliks as attached to his Polish customs and traditions, as he “reminisce[s]” with his Polish friends. We also discover that he struggles with the English language, is a hard worker and has had cancer twice in his foot. Peter in comparison is seen to have far more of a disconnect with his Polish ancestry he “inherited unknowingly” and forget his “first Polish word” as he learns of a culture “further South of Hadrian’s Wall”.

Themes in Old/New World

As we all know, themes are an integral part of Text Response overall, and that still rings true for Skrzynecki’s poetry. To learn more about how to implement themes into different types of Text Response prompts, check out our blog on LSG’s Five Types of Text Response Prompts !

One of the most central themes of Skrzynecki’s poems is that of belonging. As the poems detail an immigrant’s emotional journey, alternating between feeling that they belong and don’t belong, we are invited to grapple with what it means to belong both mentally and physically as well as what elements are required to feel a sense of belonging in community and country.

Identity is another central theme, one that runs closely to that of belonging, as a main part of one’s identity is the culture/place/family to which they feel they belong. Old/New World: New and Selected Poems explores the formation and changes in a migrant’s sense of identity as they try to find belonging in their new Australian home as well as later, when they try to reconnect with their European heritage. To explore the theme of identity it’s best to break it down into several influential factors, which are listed below:

The surroundings in which a person finds themselves, as well as the place they call home is an essential part of identity, as it showcases what place one identifies with and feels safe in. Several of the poems are set in places of transition, such as at a train station, this helps to emphasize the displacement some migrants may feel as they struggle to acclimatise to their new home. In poems such as Immigrants at central station Skyznecki illustrates an environment of anxiety and trepidation, however, he finishes the poem with sentiments of hope of the new future, the new world the immigrants were travelling to, along “glistening tracks of steel”.

An individual’s heritage, that is the places and people from which they come to identify with, is seen to have a profound impact on the characters in Skrzynecki’s poems. There are several poems set in graveyards or in Europe where Peter questions his knowledge of where he came from, and his sense of connection to these people and places. One of the most interesting set of poems regarding heritage is the poems regarding the different sections of a graveyard for the different groups, through this Skrzynecki touches on how most will never fully part with their heritage, instead, even in death, most will reconnect with their upbringing and hold on to their roots.

The difference in a cultures’ customs is a struggle seen throughout the text. However, customs are also seen to be the way in which migrants make themselves at home whilst being able to still identify with their past. Through the generational gap between Peter and his father, we can identify the difficulty older generations may have in letting go of customs, whilst the younger new Australians often find it far easier to attach themselves to new traditions.

An integral part of identity and in cultivating a sense of belonging is the language that we speak, as the way in which we are able to communicate ourselves and who we have accessible conversation has a large impact on one’s sense of belonging or disconnect from a culture . This is due to language barriers’ ability to foster or inhibit connection. We see this as Peter demonstrates his struggle at times to identify with his Polish roots, symbolised in his loss of Polish language as he “forgot [his] first Polish word”. Despite his father repeating it until he never forgets, this forgetfulness illustrates the effort which is often required to remain connected to heritage when physically distant from it. Language’s ability to also expose the differences between people and make them feel like outsiders is also explored in First day of school and The Polish Immigrant as people such as teachers struggle with the pronunciation of Polish names and inevitably have to ask “boy, how do you pronounce that?”. We see through these poems how disconnect can be fostered due to the struggle of communication as the picking apart of their names make the new immigrants feel “tired”, “embarrass[ed]” and as if their name was that of a “European disease”. Language is also seen to hold migrants back as seen in Migrant Bachelor where a lack of a familiar language relegates a migrant to “factory chimneys and punch card clocks” which “ask no proof of speech”. This struggle with language, both the disconnect and joy that comes with communicating and the opportunities it affords individuals, is essential in determining how one identifies themselves.

Family/Ancestry

How connection to family members and knowledge of ancestry impacts sense of identity is investigated through many family poems and through Skrzynecki’s somewhat frequent admissions of remorse in regard to not knowing the history behind objects or people. We also see how a difference in sense of belonging can affect relationships, in that we see Peter and his father don’t have the closest of relationships, likely due to Peter feeling he belongs to Australia whilst Feliks still had strong connections to his Polish upbringing. We also see this regret of disconnect when Skrzynecki writes about his mother and the photograph he has of her and the man that was his father, and how he wishes he had asked about it more. Whilst Skrzynecki mainly describes the immigrant experience in his poems, we can also find an overarching warning to not take loved one, and their knowledge for granted, as often we don’t have them for as long as we would hope.

Skrzynecki often reminisces about his childhood and uses it as a way to explore both his experience in his new world of Australia, and his old world of his Polish roots. We see Skrzynecki in Migrant Centre Site, revisiting the location where he first lived after arriving in Australia, noting that there was nothing to “commemorate [their] arrival”, this perhaps demonstrates his desire for a legacy, to leave a footprint of the journey so many “thousand” migrants travelled and not just a “slab of cement” as if his home was a dead “cemetery”. He also reminisces in Old Hostel Site where he explores the “immense souvenirs” and “unclaimed baggage” that is one of the first sites in Australia his parents arrived at. Using this jargon regarding travel, Skrzynecki reminds readers of the many miles migrants often have to travel to reach Australia.

Skrzynecki often uses nature to symbolise the migrant experience, as demonstrated by the birds in his poem Migrant Hostel . In this poem migrants are compared to a “homing pigeon/circling to get its bearings” as Peter remarks on the struggle of taking someone out of their previous home, like an animal out of its natural habitat.

Nature is also a major element in Skrzynecki's effort to become an Australian poet, his frequent referencing of Australian landscapes signposting his journey to identify as an Australian, as well as an Australian poet.

Hope and Loss

Not only does Skrzynecki detail the hope for a new future and loss of home common in a migrant’s experience, his poems also cover other common situations of love and loss, such as his emotional poem Leukemia which details the journey of his father as a leukemia patient. This shows belonging and identity in a far different light, not in relation to a country but being identified by your sickness which “owns your name”. This explores the common experience where a patient feels defined by their condition and struggles to imagine/remember what life is like as a healthy individual.

Metalanguage, Symbols and Motifs in Old/New World

• Feliks Skrzynecki’s garden: due to his strong bond to his Polish roots Feliks arguably never felt a sense of belonging in Australia. Instead we find he creates a sense of belonging by cultivating a home of his own, a garden.

• Skrzynecki often uses the natural world such as fish and birds to mirror the migrant journey.

• Skrzynecki litters his poems with heirlooms such as watches, hammers and photos, often to illustrate how despite having these possessions Peter frequently finds that he doesn’t know the full story of his heritage and his parent’s life. In his rediscovery of the heirlooms we often see his disconnect from his background and his regret of not learning more about it.

• The use of a colloquial idiom of “kept pace only with the Joneses'' in Feliks Skrzynecki , to reference how his belonging only feels surface deep. However, as they are only the Joneses of “his own mind’s making” it also showcases his commitment to not simply copy and to still be individual.

• Skrzynecki often uses places of transit such as train stations or hostels to showcase the uncertainty often experienced in a migrant’s journey.

Research the places referenced in Skrzynecki poems such as Mt Warning
Learn to spell the authors last name
Don’t just analyse the poems individually, try and see the big picture and apply the overarching themes

For a more detailed guide on how to ACE VCE Text Response, I think you’d love the free sample of our top-rated eBook, How To Write A Killer Text Response ! To download, simply fill out the form below!

Updated 14/12/2020

Definition of Metalanguage
Examples of Metalanguage in VCE English

1. Introduction

Although it appears on criteria sheets, many students never really understand the term metalanguage . Strangely, it is something that is rarely addressed in classrooms. While the word may be foreign to you, rest assured that metalanguage is not an entirely new concept you have to learn. How come? Because you have been unknowingly using metalanguage since the very beginning of high school.

It's a word that is more and more frequently thrown around as you get more advanced in high school. And, it's something that becomes tremendously important in your final year of high school, because the more you include metalanguage discussion in your essays, the more intricate your discussion becomes and the more unique it also becomes.

So, let's find out exactly what metalanguage is.

2. Definition of Metalanguage

Metalanguage is language that describes language .

So, instead of maybe using the word, "He was sad ", we might say something like, "He felt sorrowful " . The choice in words changes the meaning that is interpreted by the reader, just slightly, but there is still a difference. So, when it comes to studying texts or reading articles, and trying to analyze what the author is trying to do, we look at metalanguage as a way to help give us insight into the ideas that they're trying to portray.

The simplest way to explain this is to focus on part 3 of the English exam – Language Analysis. In Language Analysis , we look at the author’s writing and label particular phrases with persuasive techniques such as: symbolism, imagery or personification. Through our description of the way an author writes (via the words ‘symbolism’, ‘imagery’ or ‘personification’), we have effectively used language that describes language.

Now, if we look at the bigger picture, our analysis of an author’s language can be applied to Text Response, and even Reading and Comparing. To learn more about why metalanguage is important in Text Response, check out our Ultimate Guide to VCE Text Response . Otherwise, for those interested in Comparative, head over to our Ultimate Guide to VCE Comparative .

3. Examples of Metalanguage in VCE English

Grammar and punctuation
Characterisation
Foreshadowing

For example

Achilles is characterised as a foetus, for his position is ‘chin down, shoulders hunched’ as though he is inside a womb. ( Ransom , David Malouf)
In the first scene of All About Eve* , Mankiewicz foreshadows Eve's sinful and regretful actions, as a sorrowful expression is emphasized as she accepts her award

As you can see, the word 'foreshadows' pushes us in a new direction. Rather than just saying what has already happened or telling your teacher or examiner something that they already know, it forces you to actually analyze what's in front of you and to offer your own unique interpretation of why this metalanguage or why this technique has been used.

*If you happen to be studying this text, check out our All About Eve Character Profiles .

Mise-en-scene
Camera angles

When Terry leaves Friendly’s bar, the thick fog symbolises his clouded moral judgement as he decides whether he should remain ‘D and D’, or become a ‘rat’. ( On the Waterfront , Elia Kazan)

Stage direction
The miniature set Zac creates is designed with a white backdrop, symbolising his desire to wipe away reality since he ‘can’t stand real things'. ( Cosi , Louis Nowra)

In Medea , the motif of animals emphasizes the inhuman and bestial nature of Medea, highlighting how she defies natural norms.

This student has actually given us an analysis of why animal motifs are used. And that is to highlight how Medea defies natural norms, because of her inhuman and bestial nature.

4. Conclusion

As indicated earlier, you should be familiar with many, if not all the terms mentioned above. Take note that some metalanguage terms are specific to a writing form , such as camera angle for films. If you need help learning new terms, we have you covered - be sure to check out our metalanguage word banks for books and our metalanguage wordbank for films .

As you discuss themes or characters, you should try and weave metalanguage throughout your body paragraphs . The purpose of this criteria is to demonstrate your ability to understand how the author uses language to communicate his or her meaning. The key is to remember that the author’s words or phrases are always chosen with a particular intention – it is your job to investigate why the author has written a text in a particular way.

[Modified Video Transcription]

Hey guys, welcome back to Lisa's Study Guides. Today, I'm really excited to talk to you about metalanguage. Have you guys ever heard of metalanguage before? It's a word that is more and more frequently thrown around as you get more advanced in high school. And, it's something that becomes tremendously important in your final year of high school, because the more you include metalanguage discussion in your essays, the more intricate your discussion becomes and the more unique it also becomes. So, let's find out exactly what is metalanguage. Simply put, metalanguage just means language that analyses language. When authors write anything, we make certain decisions when it comes to writing. So, instead of maybe using the word, "He was sad", we might say something like, "He felt sorrowful". The choice in words changes the meaning that is interpreted by the reader, just slightly, but there is still a difference. So, when it comes to studying texts or reading articles and trying to analyse what the author is trying to do, we look at metalanguage as a way to help give us insight into the ideas that they're trying to portray.

Metalanguage comes in really handy, especially if you're somebody who struggles with retelling the story - I have a video on how to avoid retelling the story , which you can watch. Metalanguage essentially takes you to the next level. It prevents you from just saying what happened, and forces you into actually looking at how the ideas and themes are developed by the author through the words that they choose to use. So, let's have a look at a couple of examples to give you a better idea. I'm going to show you two examples. One uses metalanguage and one doesn't, and you'll see how a massive difference in how the student understands the text is really clear.

Number one, foreshadowing.

In the first scene of All About Eve , Mankiewicz emphasizes Eve's sorrowful expression as she accepts her award.

In the first scene of All About Eve , Mankiewicz foreshadows Eve's sinful and regretful actions, as a sorrowful expression is emphasized as she accepts her award. As you can see, as soon as we put in the word foreshadows, it pushes us in a new direction. Rather than just saying what has already happened or telling your teacher or examiner something that they already know, it forces you to actually analyse what's in front of you and to offer your own unique interpretation of why this metalanguage or why this technique has been used. So, in this case, it's foreshadowing. ‍ Let's have a look at another one, motif.

In Medea , Euripides commonly refers to animals when describing Medea's actions and temperament.

See how, in the first example, it was really just telling you what we might already know through just reading the book, but when it comes to the second example, this student has actually given us an analysis of why animal motifs are used. And that is to highlight how Medea defies natural norms, because of her inhuman and bestial nature. So, those are some examples of metalanguage. There are so many more different types of metalanguage out there...

2. Characters

5. Sample Essay Topics

6. A+ Essay Topic Breakdown

Station Eleven is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response .

“Twenty years after the end of air travel, the caravans of the Travelling Symphony moved slowly under a white-hot sky.”

When you think about post-apocalyptic science fiction stories, what kind of thing comes to mind first? Maybe an alien invasion, Pacific Rim style monsters perhaps, and almost always the mad scramble of a protagonist to stockpile resources and protect their loved ones from the imminent chaos and destruction—these are tropes which are tried and tested in this genre.

What mightn’t come to mind as immediately is a story about a travelling Shakespeare troupe wandering the North American continent decades after the actual apocalypse has struck, which is exactly the story that Mandel tells in Station Eleven .

While post-apocalyptic tales tend to focus on the action around the impact of a fictional disaster, Mandel’s novel speaks to the attitudes and characteristics of people which drive any action that occurs. She interrogates central questions about human society, inviting readers to consider what human qualities can endure even an apocalypse, what qualities are timeless.

A tale of two timelines: part one

“…once we’re seen, that’s not enough anymore. After that, we want to be remembered.”

Part of the novel’s ambition is that while it’s set 20 years after the apocalyptic Georgia Flu, it constantly reaches decades into the past to search for meaning. In particular, the novel’s central character is Arthur Leander , an actor whose death coincides with the breakout of the Flu. Tracing his origins from obscurity to fame, Mandel juxtaposes his philandering and untrustworthy behaviour with repeated attempts to be a better person, or perhaps just be more true to himself, before his death. We’ll eventually see that many of his actions have consequences years into the future.

Arguably equally important in legacy is his first wife, Miranda Carroll , whose comics lend the novel its title. Take this with a grain of salt—she’s kind of my favourite character—but the time and energy she invests in the Station Eleven comics are arguably the most valuable investment of the novel. Her comics survive her in the years following the Flu, and are a source of escape and purpose for others just as they had been for herself.

Both of these characters come into contact with Jeevan Chaudhary , a paparazzo and journalist who regularly follows Arthur though his career, photographing Miranda in a vulnerable moment before her divorce, and booking an interview with Arthur years later as he plans to leave his second wife Elizabeth Colton . We see Jeevan struggle with his purpose in life throughout the novel, though it can be said that he ultimately finds it after the Flu, when he is working as a medic.

Finally, there’s Clark Thompson , Arthur’s friend from college who remains loyal, though not necessarily uncritical, of him all throughout his life. As the Flu first arrives in America, Clark is just leaving for Toronto, but a Flu outbreak there causes his flight to be redirected to Severn City Airport, where he and others miraculously survive in what will become a key setting of the novel.

A tale of two timelines: part two

‍ “I stood looking over my damaged home and tried to forget the sweetness of life on Earth.”

All of this finally puts us in a position to think analytically about characters in the ‘present’ timeline, that is, 20 years after the Flu. We experience the present mostly through the perspective of Kirsten Raymonde , a performer who survived the Flu as a young child. Because she was so young when it happened, many of the traumas she experienced have been erased by her mind, and she struggles to piece together what she lost in a quest for identity and meaning, largely driven by her vague memories of Arthur. She travels with the Travelling Symphony with others such as Alexandra , August and the conductor —they have collectively adopted the motto, “survival is insufficient.”

Through the story, they are pursued by the prophet , later revealed to be Tyler Leander , the child of Arthur and Elizabeth who survived and grew up in the decades following the Flu outbreak. A religious extremist, he becomes the leader of a cult of fanatics who amass weapons and conquer towns by force. Both Kirsten and Tyler pursue the Station Eleven comics, quoted above—they each possess a copy, and resonate strongly with the struggles of the characters created by Miranda.

(CW: suicide) Also important is Jeevan’s brother, Frank , a paraplegic author who was writing about a philanthropist in the last days before his death, whereby he kills himself so as to give his brother a better chance of surviving. While he isn’t a particularly major character, his writing on morality and mortality (quoted with the first batch of characters) are symbolically and thematically important.

By the way, to download a PDF version of this blog for printing or offline use, click here !

“That’s what passes for a life…that’s what passes for happiness, for most people…they’re like sleepwalkers…”

These characters already speak to some of the major themes that formulate the novel. On one hand, Mandel explores various meanings of contemporary or modern civilisation . We live in a technology-driven age where constraints of time and space mean less than ever before. For example, people are mobile through space thanks to airplanes and telephones, and the internet means that any and all information is available to anyone, all the time. Mandel constantly looks back at this society and describes it in terms of our technology: for example, “the era when it was possible to press a series of buttons on a telephone and speak with someone on the far side of the earth.” On one level, she comments on how many of these minor miracles are taken for granted in our every day lives.

On another level, these elements of society also give rise to the culture of celebrity in our lives, as high-profile figures are put under increasing pressure to maintain appearances at all times, and lead increasingly ‘perfect’ lives as a result. These were pressures that Arthur struggled to live up to, and his “failed marriages” accompanied his career at all stages. The flip side of this is that people who follow celebrities, such as Jeevan, lead increasingly emptier and more vacuous lives—and Jeevan is well-aware of this, telling Miranda that he doesn’t seek a greater purpose in life beyond making money. This lack of purpose, this ennui, is something that tints much of society through the eyes of Mandel.

Another major theme which the lives of these characters start to explore is the value of art as a source of purpose. While civilisation is portrayed as fragile and meaningless, art—in all its forms, including creating, reproducing, performing and consuming—is a way for people such as Miranda to understand, process and escape their lives. This theme is arguably the most important, as it tethers different parts of the novel together; even after the apocalypse, people turn to art as a way of understanding and connecting to others as well as to themselves.

‍ “The more you remember, the more you’ve lost.”

Inevitably with this genre, survival and mortality are major themes, as massive populations of people have died and continue to die due to the impacts of the Georgia Flu. To some extent, survivor’s guilt motivates many to search for a deeper meaning to their survival, hence the motto of the Symphony. It also drives them to turn to art as we’ve explored, since bare subsistence isn’t enough to give their lives the meaning they desire. Maybe this is what it means to be human.

On the other hand, the Flu also turns others to religious extremity , as is the case with Elizabeth, Tyler and the rest of their cult. This speaks to broader ideas about faith , fate and spirituality —are there greater forces out there who manipulate events in our world? Certainly, there are enough coincidences in the novel for this theory to be valid; even just Kirsten and Tyler both having copies of Station Eleven and both acting under the influence of Arthur is so coincidental.

However, perhaps the most important theme here is memory . Mandel ultimately puts this as the central question to readers: is memory more of a blessing or a burden? Is it preferable to remember everything you’ve lost, or be ignorant of it all? I’m not sure she really answers this one, to be honest. Various symbols—and even the constantly shifting narrative perspective—evoke the epic sense of loss in the apocalypse, and yet encountering characters like Alexandra, who never really knew what the internet was, makes you rethink that loss; perhaps it is better to have experienced the internet at all.

‍ “People want what was best about the world”

There’s a category of symbols in the novel that represent memories of technology. Consider the discarded phones and credit cards in the Museum of Civilisations, all mementos of what the world lost. Note that, given Mandel’s ambivalent commentary about modern society, not all that was lost is bad—the credit card embodies the materialism and consumerism that drive our world today, and shedding it may be construed as a form of liberty, in fact.

It is airplanes , however, that serve as the greatest reminder. Their sudden disappearance from the sky becomes a constant reminder of how the world changed, and people still look up in the hopes of seeing an airborne plane; they cling onto the hope that maybe, just maybe, all of this can somehow be reversed. The last flights of the human race—pilots attempting to return home to be with their loved ones—are also made in hope, though their outcomes are consistently unclear.

In this sense, airplanes can also be seen as a source of fading hope, or rather, despair. For one, it was the very mobility afforded by planes which caused the Flu to spread around the world so rapidly. Now, confined to the ground forever, they represent the immobility of humans in the present. They also take on meanings of death, and in particular, the final airplane that landed at Severn City Airport, quarantined with people still on board, represents the difficult decisions that have to be made in order to survive. The mausoleum plane also pushes Tyler further into religious extremism, as he reads the bible to the now-artefact in an attempt to justify the deaths of everyone on board.

These symbols highlight the jarring difference between the world before and after the Flu, but on the other hand, there are also symbols which connect the two worlds; the importance of print cannot be underemphasised here. Anything that was printed—photographs, comics, TV guides, books—are all enduring sources of knowledge and comfort for Flu survivors, and basically become the only way for children born after the Flu to remember our world, a world that they never actually lived in.

The following essay topics are extracted from our Station Eleven Study Guide: A Killer Text Guide:

“First, we only want to be seen, but once we’re seen, that’s not enough anymore. After that, we want to be remembered.” Characters from Station Eleven who die with the Georgia Flu are immortalised in memories, also greatly influencing events two decades later. Discuss.
Explore the perspectives offered in Station Eleven regarding survival.
How does St John Mandel highlight the degree of losses caused by the Georgia Flu?
Kirsten and Tyler are more similar than they are different. To what extent do you agree?
The use of shifting narrative perspective in Station Eleven is crucial to its storytelling effect. Discuss. ‍
Station Eleven suggests that beauty can be found in unlikely places. Do you agree?
Some forms of technology have been rendered unusable in Station Eleven ’s Year Twenty—discuss the new purpose/s of these forms of technology.
The memories of characters in Station Eleven ’s Year Twenty have been distorted over time. Is this true?
It is impossible to feel any sympathy for the prophet. To what extent do you agree?
“God, why won’t our phones work? I so wish I could tweet this…just chilling with Arthur Leander’s kid at the end of the world.” Station Eleven is a critique of modern society’s obsession with celebrity. Discuss.
How do various forms of art play a central role in Station Eleven ?
Fame and anonymity are shown to be equally intoxicating in Station Eleven . Do you agree? ‍
Station Eleven demonstrates that events that seem insignificant can have remarkable consequences in the future. Discuss.
Throughout Station Eleven ’s various timelines, innocence is always inevitably lost. Is this a fair statement?
Arthur Leander and his son are equally contemptible yet tragic at the same time. Do you agree?

Head over to our Station Eleven Study Guide for more sample essay topics, so you can practice writing essays using the analysis you've learnt from this blog!

Have a watch of this video to see how we broke down an essay topic:

Although this is something that might be a little more text-specific, the main takeaway of today’s video is to be flexible in how you mentally arrange a text’s plot. This is especially handy in stories that are non-linear, so stories that flip between perspectives or timelines, as this one does. Being across a text like this will give you greater flexibility in putting together your ideas. I think this might be clearer if I just show you!

In the meantime though, let’s have a bit of a chat about the text.

Station Eleven is Emily St John Mandel’s take on the tried-and-tested sub-genre of post-apocalyptic science fiction. Only, her attempt doesn’t actually explore new forms of technology, nor the immediate action-packed grab-and-dash that we normally associate with an apocalypse. Instead, she takes us two decades down the track to look at how human society has changed as a result. She also highlights some elements of society that are eternal and timeless, that survive and persevere no matter what.

Today’s topic is:

Despite his virtues, Arthur Leander is essentially a bad man. Do you agree?

If you’re familiar with what we do at LSG, you might be familiar with our Five Types strategy. Basically, it’s a method for students to group categorise prompts into types, and by doing so, you get an immediate idea of how to approach an essay question and some things that you must include, along with things you mustn’t.

And out of the 5 types, this prompt is character-based, through and through. It poses us the difficult task of deciphering the ethics and morality of an individual in the text. Immediately, if you write on this prompt, you must know Arthur pretty damn well! It pays to be strategic — if you don’t know Arthur all that in a SAC or exam, pick another question if possible.

The key words in this one are fairly self-explanatory. You’ve got “ virtues ” on the one hand, which basically refers to being good or having good morals , and “ bad man ” on the other. What’s important is how we define them in the context of the essay, so we need to consider the ways in which Arthur is both virtuous and bad and make sure these are clear in our intro.

Also, the prompt is suggesting that Arthur Leander is ‘bad’ at his core, because of the word “ essentially .” This is the part where there’s a little bit of room to challenge, since there is a lot of evidence that might suggest he isn’t all bad.

Before we dive into the plan, you might want to pause here for a minute and write down what you find to be Arthur’s top two virtues and worst two flaws. Go on, do it!

For me, I think that he’s ambitious and determined in his career, and he can be kind to others in his personal life. However, he also has a philandering or womanising side , and can be neglectful of his family and friends. I would also consider whether or not his legacy was favourable , unflattering , or mixed . Did he leave behind more positivity in the world, or less, when he died?

Let’s arrange this into paragraphs.

Paragraph one

Arthur is flawed in the way he treats others, manifested in his inconsiderate actions, misogynistic tendencies and raising of Tyler.

I think it’d be hard to argue that Arthur is a flawless character whom it would be unfair to call “bad.” We know that Arthur was unfaithful, and many saw his life as being “summed up in a series of failed marriages. ” We know that he treats women as interchangeable objects rather than as people, not only his wives but also his childhood friend Victoria. We also know that he neglects his children, missing Tyler’s birthday for work, as well as his friends, with his increasingly disingenuous and strained relationship with Clark.

In terms of mentally rearranging elements of the story, it might be worth noting here how his bad traits manifested in his son, Tyler. Making a connection between these two timelines may help us realise that in many ways, Tyler is just a more perverse version of his father—he too treats women like possessions, and doesn’t really have a family so much as a community of followers.

Paragraph two

Arguably, Arthur’s selfish traits stem from his Hollywood fame, career and lifestyle.

Fundamentally, he was never this flaky, unreliable person before he was swept away by fame. From a young age, he was determined that he was “going to be an actor and…going to be good,” and the drive with which he pursues this career is undoubtedly virtuous and admirable. Along the way, he offers Miranda a way out of her abusive and one-sided relationship, validating her own “pursuit of happiness.”

So looking at the ‘bookends’ of Arthur’s life, it can be argued that he’s actually essentially a good person. Before Hollywood taints him, and after he realises how much he has been tainted, Arthur does actually demonstrate a lot of virtue.

Paragraph three

However, overall, Arthur leaves behind a positive legacy that reflects that despite his shortcomings, he is fundamentally a good man who has been tainted by immoral habits and attitudes.

Here, the discussion surrounds Arthur’s legacy—is he remembered as a good person? In what ways does Arthur live on? The photographs that Kirsten finds along her journey depict Arthur shielding Miranda from the paparazzi and spending time with his son, and these are lasting memories of his virtues which haven’t been destroyed by the Flu. Consider also the “ whispers ” and “ glances ” that plagued him during his life, and we can’t help but wonder what kind of man he would’ve been in a world with less people and less scrutiny.

And there you have it! Hopefully, you can see what I meant at the start about rearranging bits of the book. For example, these photographs belong in Kirsten’s timeline and are discovered through her point of view, but there isn’t any reason why you can’t connect them to elements of Arthur’s character more broadly. Also, even just by looking at the start and end of Arthur’s life without the middle changes how we interpret him as a character. It’s this kind of flexibility that will serve you well in this text study.

If you'd like to see an A+ essay on the essay topic above, complete with annotations on HOW and WHY the essays achieved A+ so you can emulate this same success, then you'll definitely want to check out our Station Eleven Study Guide: A Killer Text Guide! In it, we also cover themes, characters, views and values, metalanguage and have 4 other sample A+ essays completely annotated so you can smash your next SAC or exam! Check it out here .

For more Station Eleven writing samples, you might like to take a look at this blog post , which compares three different paragraphs and analyses how they improve upon one another.

Extra Resources

Download a PDF version of this blog for printing or offline use

The Ultimate guide to VCE Text Response

If you, like me, grew up Asian in Australia, you might think you already know a thing or two about, well, growing up Asian in Australia. Our stories can be pretty similar—just have a scroll through the ‘subtle asian traits’ Facebook group, or have a conversation with literally any Asian Australian about their parents.

At the same time, it’s also important to recognise that everyone’s experiences are diverse, especially given how broad an identity ‘Asian’ can be. Also important is to recognise how broad and intersectional identity can be in general—intersectional meaning that race isn’t the only thing that defines any one of us. Things like gender, socio-economic status, ability, sexual orientation and religion can also be really central, for example. Each of these things can impact the way we navigate the world.

Covering a broad range of these stories is Alice Pung’s anthology, Growing Up Asian In Australia . Some of the contributors in this volume include Sunil Badami , Matt Huynh , Bon-Wai Chou , Diana Nguyen , Michelle and Benjamin Law, and Shaun Tan , and already this cross-section is fairly diverse in nature. You can also click on their names to find out a bit more about each of their work. I think this is worth a few minutes, just to get acquainted with the sheer range of Asian-Australian creatives who are represented in this book, and to locate their work within the themes they write about—in other words, having a think about the ways that cultural heritage, or experiences with family, or economic hardship permeate their work, both in the anthology and in their lives outside it.

The anthology is (perhaps quite helpfully) divided into sections which revolve around key themes, which is also going to inform the structure of this guide. I’ll be using this guide to go through an exercise that I found really helpful when learning the text, which involves:

taking two stories per section and drawing up some dot-point similarities and differences
translating two of those points into paragraphs, a bit like a ‘mini-essay’

We’ll go through some an example of what this might look like, and why it’s a helpful exercise to try.

Before we start diving into Growing Up Asian in Australia , I'd highly recommend checking out LSG's Ultimate Guide to VCE Text Response .

Strine (Badami & Tseng)

Strine is what’s called a syncope , a shortened way of pronouncing Australian (a bit like ‘Straya’)—it refers to Australian English as it’s spoken by locals. This section of the book is all about language , and about the difficulties of juggling two languages growing up, and Badami and Tseng’s stories are great examples of this.

1. Similarity: connections to one’s mother tongue fade over time. Tseng recounts how, one by one, she and her sisters stopped learning Chinese as they progressed through their Australian education. Badami on the other hand compromises his name which stood out as too Indian when he “just wanted to fit in.”

2. Similarity: for ‘third-culture kids’, losing knowledge of their language also strains their relationship with their forebears. Badami’s mother is shocked to hear the anglicisation of his name despite the significance it carrie for her (“she spat my unreal new name out like something bitter and stringy”), and Tseng describes the experience of communicating with her father in “Chinglish” so that they can both understand each other.

3. Difference: language can be an internalised, personal experience, or a highly exposed and interpersonal one. While Tseng feels her loss of her language as a “sense of shame, a vague unease”, Badami is almost bullied into changing his name, “Sunil? Like banana peel?”

The Clan (Law & Chau)

This section delves into the complex ties that hold migrant families together. Chau’s poems are starkly different to Law’s story, so it’ll be interesting to compare how these different narrative forms work to explore those ideas.

1. Similarity : it can take at least one generation for migrant families to dig their roots into their new home. While Law’s parents are proud tourists at Queensland theme parks, he and his siblings “groan” at their comportment. Chau’s poem ‘The Firstborn’ traces his ancestry forward until he arrived, “an ABC” and his son “by amniotic sea”, both of them born into Australia.

2 . Similarity: family dynamics are still traditional and therefore gendered. Law notes how his mother’s health suffered when divorcing his father, and Chau notes that the women members of his family were “cast off” the family tree “as if they were never born.

3. Difference: family history and heritage can vary in importance. Chau’s family traces back “twenty-eight generations” of history, whereas Law’s family very much lives in the present, the only tie to older generations being his “Ma-Ma”, or grandma.

4. Difference: families show their love in different ways. Whether it’s dedicating a poem to his son about his life as one of “ten thousand rivers” of Chinese diaspora into the Australian sea, or taking the kids to theme parks on weekends, all sorts of affection can hold families together.

Putting it together

So I’ve tried to choose two sections (and four stories) that are all a bit different to try and mix it up and get some rich comparative discussion out of these. You might be studying this text alone, but even as one text, remember that there’s a lot of diverse experiences being represented in it, so discussing how stories connect, compare and contrast is just as important as discussing the content of individual stories themselves.

If we do a mini-essay, we might as well go about it properly and pick some sort of contention. Without a fixed prompt though, it might be easier to start with those dot points and pick which ones we want to write out and string together. Let’s pick two—connections to mother tongue fading over time (Strine similarity 1) and digging roots into Australia over time (The Clan similarity 1). A contention covering these points might look like:

While second generation migrants may struggle with loss of culture, they also constitute a unique and significant part of the diaspora.

Many migrants lose connections to their heritage over time, and these connections are often in the form of language. Particularly for Asian migrants, there is not as strong a need to preserve their mother tongue in the English-speaking Australia, and as such their knowledge of those languages can be easily lost. Ivy Tseng, for instance, recalls how she was never able to “grasp the significance” of learning Chinese as a child, and eventually she and her sisters would prioritise “study” and other academic pursuits over learning Chinese. Because tertiary study and education as an institution generally carry a lot of weight in migrant cultures, there is often a compromise made at the expense of heritage and language. These compromises can come from other factors as well, particularly the group dynamics of being in white-dominated Australia. Bullying is a frequent culprit, and Badami for example is indeed peer-pressured into resenting—and ultimately anglicising—his name, “Sunil? Like banana peel?” More generally speaking, a sense of shame for one’s difference is a common part of the migrant experience—Law experiences it as well at theme parks, where he and his siblings attempt to “set [them]selves apart” from the faux-pas of their parents. Not always an intentional goal, but a general willingness to compromise connections to heritage underscores many Asian Australian migrant stories, particularly of second-generation migrants.

However, the extent to which migrants feel socially integrated in society shifts generationally and over time as well. Second generation migrants are thus unique in that they have the closest connection to their heritage while also initiating this process of integration. Law and his siblings exemplify this, with their “Australian accents” and “proper grammar and syntax.” While some loss of their native Cantonese takes place, they are also the first in their family to sound Australian, one step closer to being Australian. They constitute part of the distinct, third culture of “ABC”—Australian-born Chinese—to which Chau alludes in his poem, ‘The Firstborn’. Distinct from first-generation migrants, ABCs are a product of diaspora and spend their formative years immersed in the Australian way of life. Chau’s poem goes on to highlight how sizeable this demographic now is—“the sea is awash with the unfathomable Chinese sons.” Thus, we can see how ABCs, or second generation Asian migrants, represent a unique and significant social group exemplified by great compromise, but also great change.

Why is this useful?/How can I apply this?

I like this exercise because it gets you thinking creatively about the key implications of the stories. Within a section or theme, you want to identify similarities in how both stories contribute to our understanding of that theme . You also want to identify differences to explore how stories can be unique and nuanced , which will provide your essay with more depth when you ultimately need it. Then, putting it all together helps you synthesise new connections between themes .

For an analytical study of this text, you’d flesh out those ideas until they become paragraphs, introducing relevant evidence and mixing it up with explanatory sentences as you go. Explanatory sentences keep you analysing rather than story-telling, and they usually don’t have any quotes—an example from above might be “because tertiary study and education as an institution generally carry a lot of weight in migrant cultures, there is often a compromise made at the expense of heritage and language.”

For a creative study, you’d take away those ideas and look at how else you might explore them in other stories. Feel free to challenge yourself for this; I remember falling back on more personal writing when studying this creatively, but don’t neglect other genres or forms! If second generation migrants are in fact more on their way to belonging, write a speculative story about how an apocalypse tests those connections to white Australians. I dunno, but don’t be afraid to really push the boundaries here and test the implications you draw from the stories.

Give it a go

Try it for some of these:

UnAustralian? (Loewald & Law) and Leaving Home (Diana Nguyen & Paul Nguyen)
Battlers (Dac & Law/Huynh) and Mates (Phommavanh & Ahmed)
The Folks (Lazaroo & Tran) and Homecoming (Beeby & Larkin)

Growing Up Asian in Australia Essay Prompt Breakdown

Video Transcription

The essay topic we’ll be looking at today is short and sweet;

To belong is to sacrifice. Discuss.

The key terms are evidently “to belong” and “to sacrifice”, so these are the words and definitions that we’ll have to interrogate.

Belonging is a feeling of being accepted by someone or being a member of something, so we’d have to ask who is doing the accepting, and what are the writers seeking to be members of. On the other hand, sacrifice is loss, it’s giving something up—it’s implied that seeking belonging means you may have to navigate compromises to what you have, how you live, or maybe, who you are. Have a think about what sacrifices are made by whom, and why.

With that in mind, let’s brainstorm a contention . We usually want to avoid going fully agree or fully disagree to create a bit more ‘grit’ for the essay—and in this case, the prompt is pretty deterministic or absolute; it’s saying that belonging is all about sacrifice.

I’d probably argue that belonging is sometimes about sacrifice, and for migrant children they often give up some of their culture or heritage for Western lifestyle or values. That being said, belonging in these cases is probably more about synthesis than sacrifice—it’s about being able to negotiate and bring heritage into increasingly Australian ways of life.

The brainstorming section of writing a killer essay is where my THINK and EXECUTE strategy comes in. If you haven’t heard of it before, essentially, it’s a method of essay writing that emphasises the importance of really thinking about all aspects of a prompt and exploring all the different avenues you can go down. To be able to EXECUTE a well-reasoned, coherent and articulate essay that contains enough nitty-gritty analysis, you have to do enough THINKing to get some meat on the essay’s skeleton, so to speak. To learn more, check out my top selling eBook, How To Write A Killer Text Response .

In paragraphs , we could start by looking at some of the sacrifices people make in order to belong . The poem, ’Be Good, Little Migrants’ has a more of a cynical take on this, suggesting that migrant groups are expected to sacrifice economic mobility and even personal dignity in order to gain favour with locals: “give us your faithful service”, “display your gratitude but don’t be heard, don’t be seen.”

Economic sacrifices are seen across many stories, from the working class “decent enough income” in ‘Family Life’ to the failing business in ‘ABC Supermarket’. Other forms of sacrifice might be less material—for example Benjamin Law’s sacrifice of his Mariah Carey cassettes in an attempt to fit in at school from the story ‘Towards Manhood’. This example is interesting because it isn’t a cultural sacrifice, but a gendered one—it’s a good reminder that identity is always multi-layered.

For migrant children though, the sacrifices usually revolve around their race and culture . Diana Nguyen for example notes language as a key sacrifice: she quits Vietnamese school because she didn’t feel like she belonged with the grade ones in her class, and her ultimate “lack of interest in learning [Vietnamese] created a lasting barrier” between her mother and her. In Sunil Badami’s story, ‘Sticks and Stones and Such-Like’, the sacrifice is his name, as he Anglicises it to Neil. When his mother finds out, “she spat my unreal new name out like something bitter and stringy, too difficult to swallow.” The common denominator here is that Asians growing up in Australia often have to navigate sacrificing some of their heritage in order to belong in western society.

However, the challenges faced by the Asian diaspora growing up abroad are more complex and more nuanced than just sacrifice. More often than not, they’re required to synthesise a ‘third culture’ identity that balances their heritage with western values and lifestyles.

Diana Nguyen goes on to discuss her career trajectory in becoming a “working actor” in Melbourne’s entertainment industry, carving out a path for herself in spite of her parents’ disapproval, and going on to represent a new generation of Asian Australians in the media. The story ‘Wei-Lei and Me’ also points to this shifting demographic in Australia, as Gouvernel and her best friend stave off a racist primary school bully only to see their home change for the better as they grew up, with new restaurants from their home cuisines opening up. At the same time, they “had become what [they] thought [they] could never be: Australian,” describing a way of life in Canberra that is unmistakably Australian.

So, belonging isn’t necessarily all about sacrifice—it doesn’t mean you can’t pursue your passions or become ‘Australian’. Sure, sometimes sacrifice is necessary, but ‘third culture kids’ synthesise conflicting identities in order to belong.

Having arrived at the contention, let’s just have another think about the takeaway message - being able to bring other themes into an essay topic that only really raises one theme. To answer this topic fully, a good essay wouldn’t just discuss belonging and sacrifice, but it would also bring in discussion about family, friends, careers and cultures, just to name a few. Hopefully this is something you can translate into your own future work!

Growing Up Asian In Australia is an anthology with a lot to unpack, but there are plenty of unique stories with plenty of interesting links to be made. However you’re learning this text, being able to draw conclusions from stories and extrapolate them into your writing is a really important skill.

As you go, ask yourself about the implications: ‘so what?’ and ‘why?’. These sorts of questions will help you get richer insights and write about the anthology in a more interesting way.

2. Historical Context

3. Main Characters

4. Minor Characters

5. Dissecting an A+ Essay using 'The Golden Age'

6. Creative Essay Topic Brainstorm

7. Essay Topics

The Golden Age is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our VCE Text Response Study Guide.

Even though this hasn’t been one of the more popular choices on the VCE text list, Joan London’s The Golden Age is a personal favourite of mine for a number of reasons. This is a novel about the experiences of children recovering from polio inside a convalescent home in Perth. With a sympathetic and warm approach, London tells the tragic yet brave stories of these children, as well as the stories of their parents and carers.

The novel essentially revolves around Frank Gold, a Hungarian Jew and a war refugee, and London blends his mature voice with the innocence of a coming-of-age narrative, all set against the backdrop of World War II.

As you’re reading the book, watch out for her literary or poetic language, and keep track of the story’s overall mood. These will be important considerations for text study, particularly if you are to write a creative response on this text for your SAC. With this in mind, I’ve included writing exercises throughout this blog post for you to practise writing creatively on this text.

If you are writing analytically on this text, either for your SAC or for your exam, you may still complete the exercises—each one should still be insightful for your writing in some way. Also, feel free to check the video below; it breaks down an analytical prompt for this text.

Historical Context

This novel is set in Perth during the early 1940s, which gives rise to a couple of interesting historical elements all intersecting in the book.

Crucially, the events of the novel take place for the most part while World War II is raging in Europe. This is important for understanding the backstory of the Gold family: they are Hungarian Jews who have escaped their war-torn home of Budapest to seek safety in Australia. In particular, we know that at some stage, Meyer had been taken away to a labour camp, and that Frank had had to hide himself in an attic.

Their Hungarian heritage, however, is something that distances them from other Australians, and they never really get a good chance to settle in, always feeling like they just weren’t on the same wavelength as the locals. In many ways, the story of the Golds is underpinned by tragedy—not only are they war refugees, but young Frank then contracts poliomyelitis (known to us just as polio), which forces the family to reassess all the plans they had for him to settle into an ordinary, Australian life.

However, Frank was far from the only victim of polio at the time—the entire nation was rocked by a wave of polio , with major outbreaks during the 1930s-40s. This was quite a nerve-wracking, and causing great fear for our country and its active, outdoors-y culture. The prospects of death, paralysis and permanent disability were understandably terrifying. About 70,000 people were affected, and almost half of them eventually died as a result. Almost every Australian at the time knew or knew of someone who had polio.

Task: You are Ida, composing a letter to Julia Marai after Frank’s diagnosis. Convey succinctly (in 250 words or less) what you think and how you feel. ‍

Key themes & implications.

I like to think that a lot of the themes in this book exist in diametric or opposing pairs. For instance, London gives Frank a voice that is wise beyond his years, yet uses it to tell a tender story of first love. She also plays on the paradox that while some characters have become isolated due to the unfortunate events that have befallen them, these very events end up becoming the thing that unite them.

Essentially, London plays with a lot of these thematic tensions, showing us that life isn’t really ever black and white, but there are whole lot of grey areas in every day life.

Central to the novel are ideas of innocence or childhood . These ideas are really explored in the friendship between Frank and Elsa, who are both on the cusp of adolescence. While they are set up as young lovers in the eyes of readers, we know that they are far too young to truly have romantic feelings for each other. In actual fact, their interactions are permeated by a sense of innocence.

However, these interactions are also punctuated by a sense of maturity , a desire for more. This is evident to the extent where nurses are getting hesitant about leaving them alone with each other (even though their parents still trust them entirely). In actual fact, these parents serve as an important point of contrast. Some manage to recapture the magic of youth even as adults—consider Ida reigniting her love for the piano, or Meyer jumping on opportunities to start anew. In this sense, innocence and maturity are a pair of themes that are interestingly not always found where one might expect.

Another key thematic element of the novel is tragedy or adversity , which are relevant to a far wider gamut of characters. Considering the story’s geographical and historical setting, it seems evident that these ideas will play a major role in the story. A particularly poignant example lies in Sullivan, who contracts polio right on the cusp of adulthood, and readers can’t help but feel a sense of loss for what might have been.

However, on the other end of this spectrum is the strength required to cope with their suffering. While Sullivan had his indefatigable sense of humour, other characters have developed different mechanisms to stay strong in the face of adversity. In some cases, you might say that they’ve transcended or risen above their tragedies, and become stronger for it.

Finally, London also tackles the idea of isolation , which can be seen as a consequence of tragedy—characters become isolated because they lose their ability to relate to others, and others feel unable to relate to them. Symbolically, the Golden Age hospital is surrounded by four roads and therefore cut off from the world, almost as if quarantined. However, the solidarity and unity of patients inside becomes a great source of strength—I’ll leave it to you to think about what London was trying to say with this!

Task: Selecting one of the above themes, write a poem from the POV of an imaginary spectator in the novel, outlining how you perceive/experience these themes in other characters. Use all five senses(how you see it, hear it, smell it, taste it, and touch/feel it)

Major characters.

I haven’t written too extensively about characters for a range of reasons: on one hand, it’s important for you to form your own interpretations about what they’re like and why they do the things they do, but on the other hand, I wanted to leave you with some key points to consider and/or some essential points about their characters to incorporate into your writing. This will allow you to hopefully feel like you’re capturing them accurately when writing your creatives, but without feeling restricted by an extensive set of traits that you have to invoke.

the central character, he is cerebral, intelligent and mature (which we can tell from his narrative voice, or how he ‘sounds’)
he is, however, still very young, wide-eyed, inquisitive in spite of the tragedies which have befallen him (consider how he sees his relationship with Elsa)
also significant is the motif of his poetry; not only does it highlight his maturity, but it also acts as a way for him to voice or articulate his feelings and experiences in the hospital—you could try incorporating some poetry in your writing (either original poems or quoted from the novel)

Elsa Briggs

another central character who becomes quite attached to Frank (they are the two eldest children in the Golden Age)
she is warm, caring and selfless, demonstrating an emotional maturity beyond her years (because of having to bear the metaphorical albatross of polio)
a lot of what we know about Elsa comes from Frank’s perspective (though we do get some insight from her own, and some from her mother’s)—how does this shape the way we see her? Consider London’s use of imagery, portraying her as an angelic figure.

Ida & Meyer

Frank’s parents, Hungarian Jews, and war refugees who come to Australia to cleanse them of their pasts and to have a fresh start; some of this is purely by circumstance, but there are parts of their past that they willingly and actively eschew e.g. Ida’s piano
note that Hungary is a landlocked country in the midst of European hustle and bustle with easy access to other nations/cultures/peoples, but Australia is an island on the other side of the world—consider how this affects their sense of isolation
on the other hand, they do form new connections with people here and in their own individual ways; Ida by reclaiming her pianist talents and Meyer by taking up a new job

Task: You are Elsa, Ida, or Meyer and you’ve just discovered Frank’s poem book. What are your thoughts and feelings towards his writing? Consider the context of your chosen character’s own experiences

Minor characters.

I’m sure you’ve heard it by now, but any piece of text-based writing (creative or analytical) can be strengthened by diversifying the range of characters that you write about. Even though you’ve already differentiated yourself from most VCE students by even doing this text at all (very few people choose it, so props to you!), some inclusion of more minor characters might help to distinguish yourself further. I’ve picked some that I think are interesting to talk about, but feel free to experiment with others as well!

a young man who contracts a severe strand of polio right on the cusp of adulthood, thereby exemplifying the theme of tragedy—however, his sense of humour remains active in spite of his immobility, so perhaps he not only exemplifies this theme but subverts it as well
London poses the complex question of whether or not he’s actually unhappy or defeated as a result of polio; there’s no clear answer, since there’s many ways to interpret his humour (is it a sign of strength or is it a front for inner turmoils expressed through poetry?)
in addition to his humour and poetry, his relationship with his family could also be an interesting point of discussion to address some of these questions
a young girl in the hospital who is quite close to Elsa (almost in a sisterly way)—how have they developed this relationship, and how does this relate to the theme of unity/companionship/human connection?
notably, she wanted to rehabilitate herself after polio took away her ability to feed the brumbies in her desert town—think about how this might represent strength as well

Julia Marai & Hedwiga

Ida’s former piano teacher and her flatmate/partner who live at the top of an apartment block in Budapest; they shelter Frank in their attic under no obligation whatsoever, but purely out of the kindness and selflessness of their hearts
again, there’s this subversion of what it means to be isolated: on one hand, their apartment is so cut off from the rest of the world below, and they lead a largely self-sufficient life together, but on the other hand, the fact that they’re together means that they’re not entirely isolated consider the power of human connection in this context as well

Task: Pick a minor character from this list and a character from the above list of major characters, and write about them meeting each other for the first time. Pick two that do not already interact closely within the novel e.g. Elsa meeting Sullivan

I hope this gives you some ideas or starting points about writing creatively on this text!

Download the PDF version of The Golden Age study guide here .

Dissecting an A+ Essay using 'The Golden Age'

Picture this: you’re sitting down at your desk, fumbling your fingers, inspecting the new stationary that you convinced yourself you needed for year 12, resisting the urge to check your phone. Your text response SAC is in two weeks. You’re freaking out because you want, no, need an A+. You decide to write a practice essay for your English teacher. Practice makes perfect, right? You stay up for hours, pouring your heart and soul into this essay. The result? B+. Where did I go wrong?

That’s where I come in! Writing an A+ essay can be really tough without examples and specific advice. Before reading on, make sure you've read our Ultimate Guide to VCE Text Response so you are up to scratch.

I will be explaining some basic dos and don’ts of writing an essay on The Golden Age , providing a model essay as an example.

The following prompt will be referenced throughout the post;

‘The Golden Age’ shows that everyone needs love and recognition. Discuss.

Planning: the silent killer of A+ essays

I’m sure your teachers have emphasised the importance of planning. In case they haven’t, allow me to reiterate that great planning is compulsory for a great essay . However, flimsy arguments aren’t going to get you an A+. The examiners are looking for complex arguments , providing a variety of perspectives of the themes at hand. From the above prompt, the key word is, ‘discuss’. This means that you should be discussing the prompt, not blindly agreeing with it . Make sure you don’t write anything that wouldn’t sit right with London. ‍

Don’t plan out basic arguments that are one-dimensional. This may give you a pass in English, but won’t distinguish you as a top-scoring student.

For example:

Paragraph 1: The children at TGA need love and recognition.
Paragraph 2: Ida and Meyer need love and recognition
Paragraph 3: Sister Penny needs love and recognition.

The above paragraphs merely agree with the statement, but don’t delve into the many aspects of the novel that could contribute to a sophisticated essay.

Do create complex arguments, or paragraphs with a twist! If you can justify your argument and it makes sense, include it in your essay. There are many ways that you could answer this question, but my plan looks like this:

Paragraph 1: Frank Gold yearns for mature, adult love, not recognition from onlookers or outsiders
Paragraph 2: Ida Gold does not seek recognition from Australia, but love and validation from herself
Paragraph 3: Albert requires love from a specific kind of relationship – family, and Sullivan may view love from his father as pity which he rebukes

See the difference?

The introduction: how to start your essay off with a BANG!

Personally, I always struggled with starting an introduction. The examiners will be reading and marking thousands of essays, so if possible, starting your introduction with something other than Joan London’s ‘The Golden Age’… is a great way to make you stand out from the crowd. Having a strong start is essential to pave the way for a clear and concise essay. You could start with a quote/scene from the text! This is not essential, but it’s a great way to mix things up. This is my start:

Perhaps nothing exemplifies the power of love and recognition more than the bond between Albert Sutton and his older sister, Lizzie, in Joan London’s ‘The Golden Age’. Many of London’s characters exhibit suffering that requires compassion and support to heal and grow, to distinguish present from past. However, London explores the perspectives of such characters from different aspects of trauma, and emphasise that love and recognition do not always work to heal and mature. Frank Gold, the novel’s resident “sneaky” boy who adjusts to newfound life in the Golden Age Convalescent Home seeks love as an adult, rather than eliciting sympathy as a supposed victim. Here love and recognition are unsuccessful in amending Frank’s troubles when given from the perspective of an outsider, a judgemental onlooker. In a similar sense, Ida Gold seeks recognition not from Australia, who she views as a ‘backwater’, but validation in herself after having been ousted from her Hungarian identity. London, however, makes sure to emphasise the impact that Sullivan has on Frank Gold’s life. Sullivan, a boy only a few years older than Frank, seems content with his future, with his fate, despite his sacrifice of rugby and conventional life. There is a lacking sense of urgency for love and recognition in Sullivan’s life, rather, it appears that Sullivan accepts his fate, regardless of his father’s sympathy or support. Thus, London explores a myriad of ways in which love and recognition may or may not heal wounds inflicted upon individuals.

Remember, there are many other ways you could start your essay.

The body paragraphs: To TEEL or not to TEEL?

I’m sure you’ve heard of TEEL countless times since year 7. Topic sentence, evidence, explanation, link. The truth is that these elements are all very important in a body paragraph. However, following a rigid structure will render your essay bland and repetitive. It is also extremely important to note that you should be using evidence from multiple points in the text , and you should be making sure that your paragraphs are directly answering the question . Write what feels natural to you, and most importantly, don’t abuse a thesaurus . If you can’t read your essay without rummaging for a dictionary every second sentence, you should rewrite it. If vocabulary isn’t your strong point (it definitely isn’t mine!), focus on clean sentence structure and solid arguments. There’s nothing worse than you using a fancy word incorrectly.

Don’t overuse your thesaurus in an attempt to sound sophisticated, and don’t use the same structure for every sentence. For example:

Prematurely in the paperback London makes an allusion to Norm White, the denizen horticulturalist of The Golden Age Convalescent Home…

That was an exaggerated example generated by searching for synonyms. As you can see, it sounds silly, and some of the words don’t even make sense. I mean, “denizen horticulturalist”…really?

Do mix up your paragraph structure! If vocabulary is your weak point, focus on clean language.

Here’s mine:

Early in the novel, London makes reference to Norm White, the resident groundskeeper of The Golden Age Convalescent Home. Norm White hands Frank Gold a cigarette, “as if to say a man has the right to smoke in peace”. Here, there is a complete disregard for rule and convention, an idea that London emphasises throughout the text. This feature provides a counter-cultural experience for Frank, pushing him to realise that he is a strong human being rather than a mere victim. This is a clear contrast to the “babyishness” of the home, and is used as evidence of true humanity in an era where society judged upon the unconventional. Frank yearns for a traditional Australian life after his trauma in Hungary; “his own memory…lodged like an attic in the front part of his brain”. Hedwiga and Julia Marai’s caring of him pushed him towards fear and reluctance to trust, yet also pressured him to seek acceptance in a world that ostracises him for his Jewish heritage and polio diagnosis. This here is why Frank desires a mature, adult connection – love that regards him as an equal human being. Frank seeks Elsa’s love and company as she too loathes being reduced to a victim, an object of pity. Frank thereafter uses humour to joke of his wounds; “we Jews have to be on the lookout”. Elsa sees “a look in his eyes that she recognised”, thus their bond enables both characters to heal. London alludes that Frank requires love and recognition not from the perspective of a sorrowful onlooker, rather he longs to be recognised as a mature adult.

To learn more about using the right vocabulary, read 'Why using big words in VCE essays can make you look dumber'.

The conclusion: closing the deal

I firmly believe in short and sharp conclusions. Your body paragraphs should be thoroughly explaining your paragraphs, so don’t include any new information here. A few sentences is enough. Once again, write what feels natural, and what flows well.

Don’t drag out your conclusion. Short and concise is the key to finishing well.

Do write a sharp finish! Sentence starters such as, “Ultimately…” or “Thus, London…” are great.

‍ To learn more about A+ essays, you should also have a read of 10 easy English points you're missing out on .

I'll finish off by giving you an exercise: brainstorm and write up a plan for the essay topic shown in the video below. I'd recommend you do this before watching Lisa's brainstorm and plan. That way, you can see which of your ideas overlapped, but also potentially see which ideas you may have missed out on. Good luck!

The Golden Age Essay Topic Brainstorm

The takeaway message for this video will be to utilise minor characters here and there to deepen your argument. London has really developed all her characters to feel three-dimensional and real, so it’s important not to just write about Frank and Elsa when there are so many others worth touching on.

Let's head straight into background information:

Joan London’sThe Golden Age is a novel about children recovering from polio in a convalescent home in Perth. She tells the stories of these various children, their families, and their caretakers, focusing on FrankGold and Elsa Briggs, the young protagonists who are just starting to develop romantic feelings for each other. Though they, and many of the other children, have faced much hardship and misfortune, London tells a story of hope and human connection in times of misery.

On that note, today’s essay topic is:

The Golden Age is primarily a tragic tale of isolation. Discuss.

Let’s break this prompt down and define some keywords. The keywords we’ll be looking at first are isolation and tragic. We’ll be defining them quite briefly, but be sure to think about these in terms of how they relate to the novel. In particular, see if any scenes, passages or characters jump to mind.

Isolation is a state of being alone or away from others and can be associated with a sense of powerlessness or insignificance. Tragic can simply just mean sad, depressing and loaded with sorrow or ‘pathos’, but there are also literary implications to this word: you might’ve done a tragic Shakespeare play and learned this before, but in general, a tragic story centres on a hero who encounters misfortune, and treats their demise in a serious or solemn way. Note that a good essay will discuss both these terms, and will address not only isolation but also the question of whether or not it is treated tragically.

The other important word is ‘primarily’. This word in the prompt suggests that The Golden Age is for the most part about these ideas - for you, that means you should ask yourself how central you think they are, and make a call on whether they are the most central.

Well, it’s definitely true that elements of isolation and separation do exist in The Golden Age, but these themes are not primarily tragic ideas in the novel -London explores the way in which hope can shine through in times of hardship. In fact, the novel overall has a message of kinship and hope, and this would be the primary thematic focus, as well as the main treatment of otherwise tragic ideas. So how might this look in paragraphs?

Paragraph 1: Let’s concede that the novel does evoke sadness through its frequently sombre tone and treatment of isolation

We see this through characters such as Ida and Meyer, who have been cut off from the world in their escape from their war-torn home, and forced to transition from their landlocked Hungary to an island on the other side of the globe. Their struggle to adjust is evoked through symbols - for instance, black cockatoos, which represent a “homely, comforting” omen to locals, sound “melancholy [and] harsh” to Ida. In particular, London’s solemn characterisation of Ida as constantly “frowning”, and as having a “bitter little mouth that usually gripped a cigarette ”works to emphasise her ennui or her dissatisfaction with being cut off from the world. Their homesickness is evoked through this constant longing for home, though sometimes much more literally: Meyer feels that “never again on this earth…would, he feel at home as he once had.”

Similarly, the story of Sullivan Backhouse, confined in an “iron lung” and physically isolated from outside contact, is also primarily tragic. London develops this character and gives him a backstory - he has “just turned eighteen” and had been the “prefect [and] captain of the rowing team.” This gives readers an idea of the life he might have had if not for the tragedy of his condition. Even in spite of his “good-humoured nature”, his poetry belies the pessimism within - his book, morbidly entitled “on my last day on earth”, closes with the line “in the end, we are all orphans.” We can thus see how lonely he must have felt when he tragically passed away.

In this paragraph, we’ve considered three different characters, whereas a lot of people writing on this text might just do a character per paragraph, so this is a good way to really show the examiners that you’ve considered the full extent of what the book offers. Let’s continue this as we move onto…

Paragraph 2: We disagree, however, since the novel includes various other moods and thematic material - in particular, London explores notions of resolve and hope in times of hardship

Now, the first character that comes to mind would have to be Elsa - London uses particularly powerful imagery, such as her “translucent”, “golden wave” of hair or even her “profile, outlined in light”, to portray her as angelic or elysian. For the children, Elsa evidently represents hope - even in her state of isolation, her “graceful and dignified” demeanour and her quiet acceptance that polio “was part of her” is courageous and worthy of admiration.

Moving onto a minor character who was perhaps inspired by Elsa - the young Ann Lee, who was quite close to Elsa, also has a story which is more inspiring than tragic. When polio first crippled her, she found herself unable to give water to the brumbies in her desert town. As a result, she perseveres, “step after painstaking step” so as to be able to return home and “give a drink to thirsty creatures.” Her compassion and determination to work against her isolation become the focus of her tale.

Paragraph 3: In fact, the novel ’s focus is on hope rather than tragedy

A range of other characters demonstrate the power of love and human connection in the face of adversity, and London seems to be focusing on these ideas instead. Plus, it’s not just the children who are brave in the face of tragedy, but ordinary people prove themselves to have the potential for strength and courage. Take Julia Marai and Hedwiga, who hide Frank in their attic during the Nazi invasion of Hungary. Even though their apartment is “on the top” of the block, and isolated in its height, suspended from the world, they become “provider[s]” for Frank. London writes that in difficult times, “kindness and unselfishness were as unexpected, as exhilarating, as genius,” and it’s easy to see how these qualities form a counterpoint to the tragedies that permeate the novel, allowing hope to shine through.

And that’s the end of the essay! Being able to explore minor characters like we did here is a really good way to show examiners that you have a deeper understanding of a text, that you’ve considered it beyond just the main characters on the surface. The Golden Age is a really great one for this because London has done so much with her cast.

Essay topics

1. “Being close made them stronger.” In The Golden Age , adversities are tempered by camaraderie. Do you agree?

2. Despite the grim context, The Golden Age highlights and celebrates the potential of life. Discuss.

3. Memories of past successes and failures have significant lingering effects on characters in The Golden Age . Is this an accurate assessment?

4. “[I would be] a fox, following a Palomino.” How do animals such as these contribute symbolically to The Golden Age ?

5. It is largely loneliness which defines the struggles of the children in The Golden Age . Discuss.

6. In what ways is The Golden Age a novel of displacement?

7. Fear of the unknown is something which permeates The Golden Age . Is this true?

8. What is the role of family in Joan London’s The Golden Age ?

9. Isolation in The Golden Age exists in many oppressive forms. Discuss.

10. Throughout The Golden Age , London draws attention to beauty rather than to suffering. Discuss.

11. In spite of their youth, it is the children of The Golden Age who understand best what it means to be an individual in the world. Do you agree?

12. How do characters from The Golden Age learn, grow and mature as the novel takes its course?

13. Due to the range of different onset stories, each of the children and their families in The Golden Age face a different struggle with their identity. Discuss.

14. “Home. She hadn’t called Hungary that for years.” In spite of all their struggle, the Golds never truly feel any sense of belonging in Australia. To what extent do you agree?

15. Explore the factors which drive Joan London’s characters to persevere.

English is tough. Whether it be memorising quotes or writing under timed conditions, everybody has something that they need to work on — some missing link that may make the difference between grades.

The fun yet exasperating part of English is that there’s always some way to improve. Even the best of the best can struggle with differentiating themselves from the pack, irrespective of how many quotes they know or how well they understand the subject matter. Often, students can feel shackled by the formulaic “topic sentence plus explanation plus evidence plus analysis plus concluding statement”, leaving great ideas in the mud as they scramble to fit their essay into restrictive boxes.

Sometimes, the conventional structure of an English essay can weigh a student down, which is why bending those rules is a skill that, eventually, can prove the key to truly going above and beyond .

Walk before you run

Before you move past your structure, though, you’ve got to know it.

Every essay paragraph needs to hit on a few key points: a main argument, evidence, and analysis of that evidence relating back to the prompt. For example…

In Station Eleven, forgetting is more important than remembering. Do you agree?

Planning is crucial irrespective of your writing style. The texts you study are meant to be thought-provoking, so thought needs to go into what you’re going to say even before you start saying it. My more flexible, relaxed essays always resulted in plans that looked identical to more conventional responses, as seen below.

Forgetting is important as a coping mechanism to the post-modern world -> older people who “lost more” e.g. Jeevan, Dieter, Clark’s demands to “[not] think about it”
Nevertheless, remembering is important in forging paths to the future -> the Travelling Symphony
When they are both embraced, both forgetting and remembering can create the new and honour the old -> the Museum of Civilisation and the electric town

Once you have this understanding of structure, you can begin to move past it.

What exactly does an essay “beyond structure” mean? The way English is currently taught results in a lot of essays more or less looking the same, with a topic sentence dutifully followed by explanation of that point, and evidence not being introduced until about halfway through the paragraph.

Essays beyond structure don’t ignore those points, but rather, they shuffle them around a little. Evidence can be introduced right after the topic sentence, for example.

The shock of the Georgia Flu is catastrophic, entirely subverting the technological interconnectedness of the 21st century… The “divide between a before and an after” that the Georgia Flu marks is so devastating and uncompromising that it is little wonder, then, that forgetting should become such a crucial tool for reconciling oneself with the radical new world order.

Growing out of "crutch" phrases

In structured essays, transitions between points are obvious. When we want to introduce a quote, we say something like “In Mandel’s Station Eleven… ”, and when we want to analyse that quote we say “Here, the author…”.

Of course, there’s nothing wrong with using phrases like these! They can be very helpful in showing your assessor where you are addressing the task and the text. But addressing “crutch” phrases in your writing, which are often overused and underdeveloped, is a fairly straightforward way of forcing yourself to write differently.

Some “crutches” that I always used include:

This exemplifies… – introduction to analysis
Indeed… – transition to another point
Ultimately/In conclusion… – concluding

It is important not to mistake signposting for these crutch phrases, such as “Furthermore” or “Conversely”. Signposting helps assessors determine when you are building on or deviating from previous points, which is highly useful when they’ve read a hundred essays on the same prompt as yours. Crutch phrases, on the other hand, make you feel better about your essay, when in actuality they contribute very little and could be rewritten to be something of greater value.

The following statement follows the typical English pattern of evidence to analysis.

In Emily St John Mandel’s Station Eleven, Dieter “longs for the sound of an electric guitar”. This exemplifies the wider loss of technology, and even identity, suffered by humanity after the Georgia Flu, and indeed is further highlighted by the “incomplete list” of Chapter 6.

There’s nothing wrong with the analysis above, and it makes a good point about the text. But removing “This exemplifies” forces a writer to try something daring and new…

Dieter, an otherwise well-adjusted member of the Travelling Symphony, “longs for the sound of an electric guitar” – his desire echoes Chapter 6’s list, and the omnipresent lack of electricity to a species once defined by it.

Shorter quotes are your friend

A great way to keep up the momentum of such an essay is to let points bleed into each other. There is no rule in English that says the first two sentences of your paragraph can’t include evidence, nor any regulations stipulating that the end of a paragraph has to be a rewritten version of the topic sentence.

Evidence, I have found, is the best way to bridge gaps between discrete points of structure. Not only does using evidence show understanding of the text, but it doesn’t have to be an entire sentence all on its own. Sometimes, two or three words are enough to marry two points – and, at the end of the day, shorter quotes are easier to memorise!

Mandel’s narrator mourns fundamental modern aspects of survival, such as “pharmaceuticals” and “fire departments… police”, in the same space that she pays homage to “concert stages” and “social media”. The resulting impression is not one of traditional cutthroat dystopia… Rather, Mandel’s quiet remembrance of the … modern innovations of technology that brought the 21st century together … highlights the emotional consequences of such ease of communication being lost.

Reading is fundamental

If you’re feeling a little overwhelmed about moving beyond structure, don’t worry – there’s something quick and easy that you can do right now to help push your writing, and it doesn’t even involve any writing of your own.

If you get the opportunity to, I would encourage you to read other people’s essays. Obviously, higher-grade essays are always valuable, but they can also be intimidating, even demoralising. I’ve found that reading essays at my grade level, or even lower, have been fantastic for learning new phrases and picking up different bits of evidence.

The best thing about English, in my opinion, is the same thing that brings it the most criticism – that there is no right answer. It can never hurt your understanding of a text (or your potential grade) if your discussion is informed about more perspectives.

Practice makes... progress!

At the end of the day, any and all good English essays have their roots in the fundamentals. Even as you play around with structure and move past formula, it is always crucial to remember the basics, and to return to them if you feel like you’re getting lost.

Always remember to link back to the prompt! It’s something so basic and obvious that students of all grades overlook. The prompt is the backbone of your essay – make sure that you keep it centre stage.

Get feedback as often as you can, whether it be from teachers, tutors or other students that you trust. English is a game of constant tweaking and refinement, and the more feedback you get the better your essays will be for it.

Finally, practice. Writing, like any skill, can only be honed and improved if one puts effort into honing and improving it. Writing beyond structure often comes as a massive learning curve, and it is diligence and a willingness to learn – not natural talent – that will allow you to become better and better at it.

To conclude

English is tough, and because almost everybody does it, it can be hard to stand out from the masses. Being different takes courage, and in VCE it certainly takes a lot of work, but I have found that writing beyond structure has the potential to elevate not only your understanding of a text or your performance in SACs and the exam, but your enjoyment of writing for English as a whole.

Introduction and Key Themes of Reckoning and The Namesake

Families. Love them or hate them, everybody has a family in some shape or form.

Lahiri’s novel The Namesake and Szubanski’s memoir Reckoning both explore just how complex family dynamics can be. In particular, both texts take an intergenerational approach, which means that they look at how children might struggle to understand their parents’ psyches, and vice versa. They also look at how these struggles can play out into adulthood and throughout the course of one’s life in complicated and poignant ways.

And of course, it gets trickier from there: Lahiri and Szubanski tell the stories of families, yes, but they also tell stories of migration, trauma, and heritage. In both texts, these ideas colour the experiences of the central families and are thus just as crucial for our analysis. Let’s go over the key characters of each text first, before having a closer look at how they compare on each of these themes. In particular, we’ll be going through snapshots of scenes from both texts and comparing what they have to say about these themes.

Characters in Reckoning and The Namesake

The namesake.

Lahiri’s novel revolves around the fictional Ganguli family: Ashima and Ashoke have two children, Sonia and Gogol, the latter of whom is the protagonist. The novel spans over three decades, starting from Gogol’s birth shortly after Ashima and Ashoke’s move to America. By the time it finishes, both Gogol and his younger sister have grown up, and Ashoke has passed away. Thus, this story traces the development of this fictional family over time, illustrating how their relationships with one another change over time.

Szubanski’s memoir, on the other hand, is largely about her own family, including her Scottish mother Margaret and her Polish father Zbigniew. In particular, Reckoning is a family history of her dad’s side, who were living in Poland when the Nazis invaded in 1939. There is some exposition of his family, including his parents Jadwiga and Mieczyslaw, his sister Danuta, and her family as well.

Zbigniew would eventually fight as an assassin the Polish resistance, and Reckoning reflects on how that impacted and shaped his relationship with Magda. The memoir is described to be “as much a biography of her father as it is about her.”

In the process, we learn about his migration, moving to Scotland after the war (where he met Margaret), then to England, then to Australia, with Magda their youngest child aged 5. The memoir covers her life from there onwards, including a journey back to Europe to reconnect with the rest of her family.

Themes in Reckoning and The Namesake

At LSG, we use the CONVERGENT and DIVERGENT strategy to help us easily find points of similarity and difference. This is particularly important when it comes to essay writing, because you want to know that you're coming up with unique comparative points (compared to the rest of the Victorian cohort!). I don't discuss this strategy in detail here, but if you're interested, check out my How To Write A Killer Comparative ebook. I use this strategy throughout my discussion of themes below and techniques in the next section.

Family in Reckoning and The Namesake

Evidently, this theme largely underpins the stories of both texts. In particular, The Namesake and Reckoning both show that relationships between family members—whether that be parents, children or siblings—can be really complicated.

Let’s start with The Namesake . Motifs of parenthood and marriage are evident front and centre right from the novel’s get go, as a pregnant Ashima reflects on her life as it stands in 1968. When Gogol is born, his parents’ love for him is also evident: “Ashoke has never seen a more perfect thing.” At the same time, while Ashima is starting to see “pieces of her family in [Gogol’s] face,” her own grandmother is passing away—it’s thus important to remember that parenthood runs both ways (this’ll be important for both texts).

In any case, Ashima struggles with the first few years of parenthood - despite settling into a schedule, she finds herself “despondent” when Gogol begins nursery school. However, she grows accustomed to it in time, making “forays out of the apartment” and settling into some semblance of a routine to keep herself somewhat occupied.

Parenthood isn’t really shown to get any easier though—at his 14th birthday, we see a somewhat awkward exchange between Ashoke and Gogol, now “nearly as tall” as his father. What Ashoke thinks is a nice gift actually sets off a decades-long identity crisis for Gogol regarding his name: “from the little that he knows about Russian writers, it dismays him that his parents chose the weirdest namesake.”

This scene demonstrates how there can be miscommunications between parents and children that make it difficult for them to understand each other. Without explaining his name to his son, Gogol and Ashoke are unable to truly connect; Gogol is annoyed if anything, answering his father “a bit impatiently”. Parents and children may want to understand each other better, but this is evidently not always possible. The consequences of this can often span over years, with Gogol changing his name to Nikhil and training himself to “ignore his parents, to tune out their concerns and pleas” once he goes to college.

Still, familial love perseveres over time, though it sometimes shifts and changes along the way. With Gogol and Sonia both grown up, Ashima reflects on the separate lives they now lead, noting that she “must be willing to accept” her “children’s independence”, and her son’s partner Maxine despite her misgivings. Culture also plays a role here, which we will explore more in the next section. However, what is evoked in this passage (near the start of chapter 7) is that parents have their child’s best interests in mind. Indeed, similar themes flow through both texts.

That said, familial love can be harder to see in Reckoning —in particular, Magda’s father is characterised throughout the memoir as emotionally distant to the point of cruelty. When she first learns of the Holocaust, she finds Zbigniew’s “lack of feeling…monstrous.” She doesn’t understand how he can be so detached from the war having lived “right in the centre of it.” She also doesn’t understand why he yearns more than anything to escape that period of his life.

The texts are similar in that both of them illustrate how parents and children often struggle with barriers in communication despite their love for each other. In particular, children may not always understand their parents’ experiences from before they were born, or how those experiences affect them in the present.

It’s not all bad though—love perseveres, and sometimes parents can surprise you. When Magda finally comes out to her parents, their response is generally quite receptive, and her father is perhaps uncharacteristically touching in this scene: “Whatever his misgivings were he didn’t dwell on them and he never let the come between us. As I was about to leave they both put their arms around me. ‘We love you,’ they said.”

Trauma in Reckoning and The Namesake

Additionally, both texts deal with parent-child relationships that are affected by experiences of trauma that parents attempt to suppress.

In The Namesake , it’s largely Ashoke’s brush with death that jars his world view, to the point where he names Gogol after the author whose book saved his life after his accident. However, because he doesn’t process his trauma or tell Gogol the story, it leads to a gap in understanding that compromises some elements of their relationship.

These themes are more strongly present in Reckoning , where Zbigniew’s experiences in the war shape many of his opinions and attitudes, as well as his approach to parenting. Tennis, for example, becomes a vehicle for him to teach Magda about winning and losing, “never once let[ting Magda] win.” They have a similarly clinical experience with hunting, where Zbigniew “los[es] patience” with Magda for mourning the death of a rabbit.

Correctly, though retrospectively, Magda hypothesises that this came from a need to “prove himself” after the war ended, and to “discharge the pent-up killer energy inside him.” Even though she would only understand this in time, it didn’t change how her father’s trauma shaped her childhood in ways that she couldn’t have understood at the time.

Reckoning also shows that trauma can be intergenerational, or as Magda puts it “passed on genetically.” She discovers that her maternal grandfather Luke lived through the Irish famine, and watched ten of his siblings die of poverty, causing her to wonder about the “gift of [her] Irish inheritance” that was left on her psyche.

What’s worth remembering here is that it isn’t just the fathers who bury traumatic events from their past (surprising, I know). When Magda’s mother slaps her for the first time, it is because Magda repeats one of her own deepest regrets, soiling a dress made to visit their respective fathers in hospital: “I understand now, of course, that it was herself she was slapping.”

So, while it is true in both texts that traumatic memories impact how parents relate to their children, Reckoning is a deeper and broader exploration of intergenerational trauma. In particular, Magda not only looks at her relationship with her parents, but also her parents’ relationship with theirs.

Migration & Heritage in Reckoning and The Namesake

This is the final piece of the puzzle in terms of major themes and how they fit together. With how characters relate to culture and heritage, we also see both texts evince some rich, intergenerational differences.

In The Namesake , there’s a marked cultural schism between Gogol and his parents. Gogol is desperate to escape his ethnicity, and his status as a second-generation migrant means he is well-assimilated into American culture—he wears his shoes in the house, addresses his parents in English, and dresses like an American. He is also comfortable dating American people, feeling “effortlessly incorporated” into Maxine’s family and daily life. On the other hand, Ashima is demonstrated to struggle more with the move, describing it as a “lifelong pregnancy”, a burden that people treat with “pity and respect.” There are ties to other themes here as well—for example Ashima’s homesickness is sharpened by the fact that she is separated from her family, in particular her parents. It also means that she becomes a part of the life from which Gogol is so desperate to escape.

In Reckoning however, this generational gap is reversed. It is Zbignew who yearns to escape his home culture, while Magda desperately wishes to understand her father: “while I was racing backwards towards my Polishness, my father was rushing in the other direction, assimilating at a rate of knots.” Though this is reversed, there are still ties into other themes: intergenerational misunderstandings for instance are perpetuated by their differing stances on migration. Trauma is also relevant, as Zbigniew is trying to escape it, while Magda is simply working towards understanding her father.

Put this way, we can understand how familial relationships can be complicated by migration, trauma, and the different attitudes it can engender.

Reckoning and The Namesake are two texts that explore many similar themes—family, migration, trauma, heritage, identity—over the span of decades. I would probably argue that family is the central theme that grounds many of the others; it shapes the identity of children—migrant children—and brings out traumatic memories in spite of your best efforts to suppress them.

Hopefully, this gives you a good overview of the themes across these two texts, how they fit together, and how they are similar or different. Don’t forget that themes can overlap and intersect, as is often the case here.

Reckoning and The Namesake Essay Prompt Breakdown

The topic draws on two quotes:

“But in the meantime I had been given a great gift—my parents’ unconditional love.” ( Reckoning )

“‘Don’t worry,’ his father says. ‘To me and your mother you will never be anyone but Gogol.’” ( The Namesake )

And the prompt itself is:

Compare what the two texts suggest about parent-child relationships.

Topics for comparative essays are usually pretty broad, but let’s pull out some key words and questions that the topic and the quotes seem to raise.

The one that stands out the most to me is this idea of ‘unconditional love’. For parents, this usually means they’ll love and support their child no matter what mistakes or choices they make . In the context of Reckoning , this was brought up in terms of Magda’s sexuality , which is neither a mistake nor a choice, but consider how it permeates through the memoir, and how it’s always been there in some of her parents’ thoughts, words and actions. And how might it compare with The Namesake ?

The other quote is a little more interesting, in particular the ‘to me and your mother’ bit, which I think complicates the idea of unconditional love . Is love still unconditional if parents define who you are and who you will “never be”? I think what’s implied here is that you want to include some discussion of parental expectations, which is another can of worms. It might include things like how parents want you to behave, what career choices they might want you to make, whether or not they approve of your friends or romantic partners .

Now, let’s dive into a possible plan to tackle a topic like this...

Paragraph One

So firstly, let's establish that parent-child relationships are often laden with expectations .

It may not be the obvious example, but Ashima’s family had undoubtedly expected her to marry Ashoke , a PhD student in Boston at the time, as conveyed through “her mother’s salesmanship” . We see this mirrored in the life of Moushumi as well, whose parents orchestrated a “series of unsuccessful schemes” to see her married in her adolescence. Gogol experiences expectations that aren’t all so intentional—while his parents don’t mean him any harm by naming him Gogol, he feels trapped by the name, “ always hated it” in fact. Still, his parents are markedly “ disappointedly ” when he chooses Columbia over MIT, and are “ distressed ” by his low income while he’s at college.

Szubanski’s parents have somewhat similar expectations in this regard: “t he ranks of the second generation are full of doctors and lawyers and professionals.” She felt that “ all of the family’s educational hopes rested on [her].”

These examples mightn’t be the most obvious, but they’re effective for making this point, and don’t need too much explanation to tie it into the prompt .

Paragraph Two

Let’s keep this in mind for our second paragraph: trauma can be passed on intergenerationally through how parents treat their children, and this can bring its own set of expectations as well.

Gogol feels trapped by his name, but it is a result of his father’s traumatic experiences . What Ashoke might not realise is that this has caused Gogol even more distress of his own. This is probably stronger in Reckoning , where Peter’s emotional capacity is compromised as a result of war . When Magda looks through the book filled with pictures of decomposing bodies and feels uneasy, her father’s comment, “ don’t be silly, it’s just a picture,” m akes her feel ashamed of herself for her “stupidity and weakness” . So, parental expectations can be distorted by their traumatic experiences, which only serves to pass that trauma on.

Paragraph Three

To conclude, let’s flip this around to look at how children respond to their parents: in both texts, there’s a sense that being able to confront these expectations and memories from the past helps children to synthesise their own identity and move forward in their own lives.

In The Namesake , Gogol only reads The Overcoat after his father dies, in fact saving it from a box that was about to be donated, “ destined to disappear from his life altogether.” The novel ends here, which could represent that he is able to move into a new phase of his life only after having grappled with this one. Szubanski’s pilgrimage back to Poland and Ireland come from similar desires to better understand her parents. She “wondered if Europe might provide the sense of home [she] craved” particularly given her father’s desire to never look back at his traumatic past there.

I think the bottom line is that parent-child relationships are already complex, and can be further complicated by a number of factors. Still, it’s up to children to grapple with the burden of expectations, and to forge our own path forward from there.

The Crucible and Year of Wonders are studied as part of VCE English's Comparative. For one of most popular posts on Comparative (also known as Reading and Comparing), check out our Ultimate Guide to VCE Comparative.

1. Introductions

The events of The Crucible begin with a group of young girls from Salem being discovered dancing and playing at witchcraft with Tituba, the slave of the town’s religious leader Reverend Parris. When his daughter Betty falls ill as a result, they and others seek to deflect blame away from themselves and simultaneously exact revenge against those they feel have wronged them. To do this, they are led by Parris’ niece Abigail Williams to begin a spree of accusations of witchcraft which result in the hangings of many of the other townspeople, including John Proctor, with whom Abigail once had an affair. For a full detailed guide on The Crucible as a solo text, head over to our The Crucible Study Guide .

Plague strikes a small, isolated Derbyshire village called Eyam in 1666 when it is brought there by a tailor carrying a bolt of infected cloth from London. The village’s population is decimated as a result, and in the resulting Year of Wonders shows her burgeoning strength as a healer and ultimately her escape at the conclusion of the novel to a new life.

3. Character analysis

The crucible.

Year of Wonders

4. Sample paragraphs

Prompt: How do The Crucible and Year of Wonders explore the role of Christianity in their respective communities?

If you are looking for sample essay topics to use for your study, check out our The Crucible and Year of Wonders Prompts .

In both The Crucible and Year of Wonders , the Christian faith is a central tenet of the lives of all characters, as both texts tell the story of strongly religious communities. It also acts as a strong driver of the conflict which occurs in both cases, but in quite distinct ways, and propels the action and development of many characters.

Body paragraph

While it is not the root of the troubles that develop throughout the courses of the texts, religion and the need to adhere to a belief system are central to their propagation and ultimate resolution. In Year of Wonders , the cause of the plague is as simple as the arrival of a disease carrier in Eyam, but is framed as a ‘trial’ sent by God for the villagers to face. Likewise the scourge of accusations of witchcraft that befalls Salem is simply a result of people straying outside the bounds of good behaviour dictated by their community, but is instead seen as an outbreak of witchcraft and consorting with Satan. As such religion becomes the lens through which both crises are viewed, and is used to try to explain and resolve them. Before the advent of more modern scientific practices, one of the only ways that inexplicable events such as outbreaks of infectious disease or mass hysteria could be understood and tamed was to paint them as either benign or malignant spiritual acts. This allowed people to lay the blame not at their own doors, but at that of something beyond them; for the people of Eyam, something which in truth was a chance epidemiologic event could be seen as ‘an opportunity that He offers to very few upon this Earth’. Because in both Eyam and Salem faith was already a familiar, stalwart part of everyday life, framing their respective disasters as acts of God or the Devil took away some of their fear, as they chose to see a terrible thing as part of something they had known since infancy.

Religion is far more than part of the everyday life and prayer of the common people of Year of Wonders and The Crucible ; it is the foundation of their moral code and their way of explaining events which are frightening and make no sense. It also acts as a driving force within individuals as well as communities, deciding one way or another their actions and ultimately their characters.

Both texts are rich narratives on their own, but they are also strongly grounded in historical events that you may not have studied in great depth and which significantly influence the plot and characters’ actions – this is especially relevant when discussing the religion portrayed in the texts. You may miss many of the authors’ intended messages if you’re not aware of the full context of the books. Here are some ideas in this area that you might want to research:

The Crucible also has a very interesting place in modern history as Arthur Miller’s comment on the rampant McCarthyism of 1950s America. Do some research on Miller’s life and views (the introduction or foreword of your novel might have some useful hints).

Also note that The Crucible is a play whereas Year of Wonders is a novel; how does each format uphold or reveal the author’s thoughts and ideas? How does the format of the text affect its other features (narrative, characters, voice etc.)?

You can find the VCAA exam 2009 here .

Have a go at analysing it yourself first, then see how I've interpreted the article below! For a detailed guide on Language Analysis including how to prepare for your SAC and exam, check out our Ultimate Guide to VCE Language Analysis .

Information

Author: Voxi

Type of article: Opinion piece

Publisher: Clt Alt

Date of publication: 23rd of May, 2009

Contention: We should embrace the digital technology as it has, and will continue to revolutionise our lives in regards to intelligence, convenience, communication and more.

Number of article(s): 1

Number of image(s): 1 (not disclosed on VCAA website due to copyright laws)

Source: VCAA website

Note: Persuasive techniques can be interpreted in many ways. The examples given below are not the single correct answer. Only a selected number of persuasive techniques have been identified in this guide.

Persuasive technique: Imagery

Example: ‘Keyed In’

Analysis: The term ‘keyed in’ depicts an image of keys on a laptop or computer – one of the important inventions in regards to digital technology as well as the idea that those who are ‘keyed in’ are ‘up-to-date’ with its progression. This invites support from the reader since it is desirable to be ‘up-to-speed’ with the latest developments and trends – especially since new technology allows such accessibility.

Persuasive technique: Type of publication

Example: Online journal

Analysis: By publishing the article on an online platform, Voxi aims to target ‘tech-savvy’ readers who are more inclined to appreciate technology than those who read other publication avenues such as newspapers.

Persuasive technique: Acknowledging the opposition

Example: ‘Some people are naturally afraid of the new, challenged by the discomfort of being dislodged from the known, the safe, the predictable, the tried and the tested – in short, their comfort zone.’

Analysis: Voxi invites readers to view him as someone who is considerate and rational by displaying an understanding front towards those opposed to the use of technology, ‘some people are naturally afraid of the new.’

Example: ‘…maybe they have a point – sometimes it’s good to take time out and just enjoy what you’ve got.’

Analysis: Through admitting that perhaps those opposed to the development of technology may ‘have a point’, Voxi aims to manipulate readers into trusting him since he appears genuine and fair towards the issue.

Persuasive technique: Positioning advocators in a positive light

Example: ‘They see possibilities for making things better where other people want to chill, just responding to the pleasure of the moment.’

Analysis: By positioning technology advocates as people who ‘see possibilities for making things better,’ Voxi attempts to coax readers into support since readers tend to respect and admire those who take action, rather than someone who is static and merely wants to ‘chill.’

Persuasive technique: Characterisation of supporters as heroes

Example: ‘History’s full of moments though, when human beings have been moved forward by people who have been like the grit in an oyster. Gritty people produce pearls.’

Analysis: Though the characterisation of technology advocators as ‘gritty people,’ Voxi urges readers to view those people with admiration as their determination and dedication has lead to the ‘produc[tion of] pearls’ or in other words, valuable inventions.

Persuasive technique: Colloquial Language

Example: ‘Well, sort of.’

Analysis: The use of colloquial language, ‘well, sort of,’ is intended to position Voxi as a someone who appears to be a ‘friend’ as he attempts to display a light conversational tone. As a result, readers may be more inclined to support his opinion since they are more likely to listen to a ‘friend’ than a formal authority figure.

Persuasive technique: Characterisation of advocates as hard workers

Example: They’re the ones who ask questions, who tinker away in the garage, who turn up on ‘The Inventors.’

Analysis: By characterising advocates of technology as hard-working, ‘tinker[ing] away in the garage’, , Voxi relies on the readers’ compassion to embrace modern technology as it is clear that much effort and time has been placed in these inventions and therefore shouldn’t be immediately disregarded.

Persuasive technique: Appeal to a sense of failure

Example: ‘In our lifetime we haven’t had a Copernicus or Galileo reorganising the cosmos, or a Darwin challenging us with a radically new theory of evolution.’

Analysis: Voxi tries to influence readers to step up to past generations’ successes such as ‘Copernicus [and] Galileo reorganising the cosmos, or a Darwin challenging us with a radically new theory of evolution’ through the depiction that the current population has failed to produce any great intellectuals.

Persuasive technique: Repetition

Example: ‘…revolutionise…’

Analysis: The repeated word ‘revolutionise’ is an attempt to instill into readers’ minds that there is a dramatic change currently occurring in society and as a result, they should try to keep ‘up to date’ with ‘the new world’.

Persuasive technique: Rhetorical question

Example: ‘Why wouldn’t you want it in your life?’

Analysis: The rhetorical question, ‘why wouldn’t you want it in your life?’ urges readers’ support since it is apparent that there is no reason why people should not accept technology, especially since in the future, readers will be able to ‘lead happy, safe and fulfilling lives in a free and peaceful world’ – something that would result in satisfaction.

Persuasive technique: Appeal to a sense of youth

Example: ‘It’s older people who are less familiar with it who are suspicious about it, or even

Analysis: By creating a dichotomy between the ‘older people’ and the younger generation, Voxi aims to manipulate readers into believing that only the elderly are ‘suspicious…or even afraid’ of technology, whereas all other generations should have no issues and welcome the ‘digital world’ with open arms.

Persuasive technique: Reference to modern activities

Example: ‘Global shopping, online banking, working out the itinerary for your holiday, looking up Google Maps and Street View to check out where your friends live, and that’s not to mention Facebook.’

Analysis: Through referencing to everyday, modern activities such as : ‘Global shopping…looking up Google Maps and Street View…not to mention Facebook’, readers may be compelled to join the population in using technology since they are aware that many people do find these digital advances convenient and applicable to their daily lives.

Persuasive technique: Use of logic and reasoning

Example: ‘Sure, some people stress about privacy issues, but these can be resolved. Google is not allowed to ﬁlm defence sites from Google cars and Google bikes. Let’s face it, the pictures we see are not real-time images. You can protest about them anyway and get them removed or pixellated if you’re really worried.’

Analysis: Readers are encouraged to support Voxi’s stance since his use of logic, ‘you can protest about them anyway’ and reason, ‘let’s face it, the pictures we see are not real-time images’ makes clear that ‘privacy issues’ is not a valid point to denounce technology.

Persuasive technique: Humourous tone

Example: ‘Besides, the hot air balloon people are always hovering over my back yard and looking into my windows too.’

Analysis: Through adopting a humourous tone in pointing out the irony of people’s concerns about ‘privacy issues’ when ‘hot air balloon people are always hovering over my back yard and looking into my windows too,’ Voxi attempts to assure readers that online privacy is no less risky than their privacy at home.

Persuasive technique: Appeal to convenience

Example: ‘Why go to a library when you can sit at your desk and look up Wikipedia or Google Scholar, or Ask Jeeves?’

Analysis: Through posing the rhetorical question, ‘Why go to a library when you can sit at your desk and look up Wikipedia or Google Scholar, or Ask Jeeves?’, Voxi appeals to readers’ sense of convenience since the benefits of merely ‘sitting’ at home clearly outweighs the effort of travelling to a library.

Persuasive technique: Inclusive language

Example: ‘Let’s be excited – keep being excited.’

Analysis: The incorporation of inclusive language, ‘let’s’ urges readers to feel as though they are directly part of the issue or somehow responsible for the outcome and thus, may lead readers to become advocators of technology.

Persuasive technique: Juxtaposition

Example: ‘We’d still be swinging in the trees or huddling in caves if we’d taken the view that new things are harmful or dangerous or unpredictable.’

Analysis: Through the juxtaposition of current society and history when ‘we…sw[u]ng in the trees or huddl[ed] in caves’, Voxi intends to demonstrate that without taking some risks and disregarding that ‘new things are harmful or dangerous or unpredictable’, society would not have come as far as it has now, and thus, readers should continue to push forward with the new digital age.

The following is an excerpt from our study guide, I am Malala and Pride , available for purchase here .

Plot overview

I Am Malala by Malala Yousafzai is a memoir of the eponymous Pakistani schoolgirl and activist. Yousafzai grows up in Pakistan’s Swat Valley with parents who were unconditionally supportive of her education. However, Pakistan is strongly under the control of the Taliban, an extremist group who opposes education for girls. On the other hand, Yousafzai’s family practice Islam in a peaceful and egalitarian manner.

Tracing how decades of global, geopolitical movements have produced these conditions, Yousafzai recounts the rise of the Taliban and her increasingly dangerous journey to school each day. The geopolitical histories trace back decades to the military rule of General Zia in the 1980s. Since then, turbulent domestic politics combined with a volatile, ever-evolving relationship with America (which, importantly, is partly America’s fault) has allowed the Taliban to rise to power. The post-9/11 period and the ‘War on Terror’ are important milestones here, since these are the years in which Yousafzai grows up.

As the Taliban continue to deny women and girls their freedoms, Yousafzai becomes an outspoken activist, made all the more prominent by the BBC and the New York Times. Because of her fame, nationally and internationally, she becomes a target and is shot in the head by Taliban gunmen when she is just 15. The memoir starts here in its prologue, before going back in time to catch us up. Indeed, Yousafzai is now well-known everywhere for this incident.

The remainder of the book traces her recovery, and reaffirms her commitment to fighting for girls’ education. Even though she now lives in Birmingham, England, she has persevered through many setbacks to keep up the good fight - now on a uniquely far-reaching international platform.

Pride , directed by Matthew Warchus, is a film exploring the 1984-85 miners’ strike in Britain. In particular, it explored how an unlikely ally, the Lesbians and Gays Support the Miners (LGSM) organisation, was able to provide solidarity and support despite their differences.

At the time, many members of London’s LGBT community had difficult coming out experiences, made all the more difficult by stigma and dominating views of masculinity - they perceived miners in their hometowns as part of that problem. However, activist Mark Ashton saw an opportunity to help a group in need, and a group that was experiencing similar political pressures as themselves, particularly at the hands of Conservative Prime Minister Margaret Thatcher.

While the National Union of Mineworkers is initially reluctant to take LGSM’s money, Mark is able to connect directly with Dai Donovan, who represents miners from the Welsh village Onllwyn. Over time, LSGM is able to build relationships with locals, who gradually warm to their presence as well. Solidarity - the idea that anybody’s fight against injustice is everybody’s fight against injustice - is an important part of what makes this partnership tick. Their campaign culminates in the Pits and Perverts concert, which raises thousands of pounds.

The ending is a bittersweet one though - the mineworkers’ union finds this too controversial, rejects further support and ultimately loses the strike, while the queer activists return to their own struggles with identity and belonging. However, the campaign forged lasting bonds between these activists and miners, who show up in their own display of solidarity at the next year’s Pride March.

Themes, Ideas, and Key Messages

At LSG, we use the CONVERGENT and DIVERGENT strategy to help us easily find points of similarity and difference. This is particularly important when it comes to essay writing, because you want to know that you're coming up with unique comparative points (compared to the rest of the Victorian cohort!). I don't discuss this strategy in detail here, but if you're interested, check out my How To Write A Killer Comparative . I use this strategy throughout my discussion of themes above and in the next section, Essay Topic Breakdown.

Similarities (CONVERGENT Ideas)

Identity and Perspective : Before even considering the activism that is featured in each text, it’s worth unpacking the individual identities of the main characters, and the complexities that come with them. Both texts see characters juggle and negotiate tensions within their identity - in particular, other people who share the identity don’t always see eye to eye with them. In I Am Malala , Yousafzai often finds herself at odds with other practitioners of Islam, especially the more extreme Taliban who would oppose her belief in girls’ education. Likewise, queer activists in Pride ’s LGSM draw incredulity from their peers, who bristle at the idea of supporting the mineworkers. However, not only are these characters able to overcome these tensions, but their personal identities give them a perspective that feeds back into their activism - they actually draw on their identity in their fight for justice. Yousafzai acknowledges that Muslims “don’t [all] agree” (Chapter 7), but she firmly believes that “education for females not just males is one of our Islamic rights” (Chapter 23). Her fight is informed by, rather than separate from, her faith. In the film, personal identity also acts as a springboard for activism. For example, the collaborative and highly successful Pits and Perverts fundraiser came about as a result of the “long and honourable tradition in the gay community [of] when somebody calls you a name…you take it and you own it”. Queerness is mobilised to fundraise for the miners, rather than silenced or excluded as others might have it.

Injustice and Activism : As we explored in the context sections (and as we’ve been exploring throughout), a fight for justice is fundamentally at the heart of both texts. In the film and the memoir alike, we see conservative agendas disempowering certain groups. Yousafzai recounts how pre-existing sexism in Pakistan, where girls found “no point in going to school just to end up cooking, cleaning and bringing up children” (Chapter 3), was exacerbated by the Taliban who closed schools altogether. They would even vandalise and destroy schools - “by the end of 2008, around 400 schools had been destroyed” (Chapter 11). Yousafzai’s fight is really about equality and human rights. The miners and LGSM are fighting their own injustices and inequalities in the film - Prime Minister Thatcher had been closing down mines and stripping miners of their livelihoods. Not only that, but she’d used pretty brutal tactics, calling in the police and withholding income support for newly-unemployed miners who struggled to feed their families through the winter.

Women’s Education : This isn't the principal fight in Pride , but there are moments where it definitely shines through. In particular, we first meet Sian as a young housewife, but by the end of the film Jonathan had encouraged her to return to school, and we know that she goes onto become the first female MP of her district. Through the strike, she discovered her own passion for trade unionism, and education hugely empowered her to take that passion further. This is particularly important given how much the strike affects men and women alike - consider the significance of ‘Bread and Roses’. In the memoir, the importance of women’s education is a much more central element. As Yousafzai points out, “going to school wasn’t just a way of passing time, it was our future” (Chapter 11). In both texts, education helps people (and women in particular) forge relationships and futures for themselves, and for one another.

Differences (DIVERGENT Ideas)

Now it's your turn! Here are some questions to get you thinking about the differences between the two texts:

Activism: what forms of activism are there? how effective can activism be? how are these ideas portrayed in the two texts?
Solidarity: what does solidarity mean? what are the ways in which people can show solidarity? how are these ideas portrayed in the two texts?

Essay Topic Breakdown

Theme-Based Prompt: Compare how the two texts explore injustice.

Step 1: analyse.

This is a theme-based prompt. Both texts have a pretty clear focus on this idea of ‘injustice’, so it’s an important theme to have thought about beforehand. This prompt is quite broad, so you could potentially include a wide range of thoughts and opinions about injustice—you might want to consider angles like who is affected, what its impacts are and what actions can reasonably be taken against it. Also because of how broad this prompt is, try to find answers to these questions from within the texts, but phrase them in a way that doesn’t necessarily refer to a text. This will help you keep your ideas flexible for both texts when the time comes to write.

Step 2: Brainstorm

I think those angles are a reasonable starting point for brainstorming. In the memoir, Yousafzai and her peers—Pakistani schoolgirls—are the most affected, while the injustices portrayed in the film affect coal miners and the LGBTQ+ community. All of these groups are disempowered and disenfranchised by injustice, and this is an important impact. Note that this is something you can say about both texts, which is exactly how we were trying to phrase our answers.

In terms of taking action against injustice, there’s a wide range of measures across the texts—speaking out, writing for news outlets, organising large-scale fundraisers etc.—and the key takeaway from that might be how diverse these measures are, the different outcomes they generate and whether or not they’re effective.

Step 3: Create a plan

Because this theme has a lot of rich overlaps between texts, it’s best to integrate discussion of both texts into every paragraph. When we do this for a theme-based prompt, especially a prompt with just one theme, that means every paragraph uncovers a new angle or dimension from both texts about the theme. Learn more about Integrated Text Discussion in How To Write A Killer Comparative .

P1: Injustice is framed as limiting people’s power—we can look at marginalised groups in both texts, from the schoolgirls of Yousafzai’s Pakistan, or the miners and the queer folk from the film.

P2: It’s also something that must be fought. Because it has such a detrimental impact, there is a need for those groups to stand up for themselves and for each other.

P3: In so doing, injustice may take time to overcome, but that doesn’t mean we shouldn’t fight it. Not all activism can be instantly, wildly successful—partial successes along the way are usually more frequent.

Our contention will try to string those three ideas together: injustice in any society involves some experiencing marginalisation and powerlessness that others do not experience (P1), and it is something that must be fought (P2), even if this is a time-consuming process (P3). Have a go at writing your own essay now if you’d like, or read a free preview of our I am Malala and Pride study guide below!

A Killer Comparative Guide: I am Malala and Pride

How to Write a Killer Comparative Ebook

The Ultimate Guide to VCE Comparative

A Guide to Structuring a Reading and Comparing Essay

Reading and Comparing Essays

‍ How to get A+ in Reading and Comparing

Compare the Pair: A guide to Structuring a Reading and Comparing essay

Not gonna lie, this novel is a bit of a tricky one to introduce. World War II, arguably one of the darkest events of human history, has been the basis of so much writing across so many genres; authors, academics, novelists have all devoted themselves to understanding the tragedies, and make sense of how we managed to do this to one another. Many reflect on the experiences of children and families whose lives were torn apart by the war.

In some ways, Doerr is another author who has attempted this. His novel alludes to the merciless anonymity of death in war, juxtaposes individualism with collective national mindlessness, and seeks out innocence amidst the brutality of war.

What makes this novel difficult to introduce is the way in which Doerr has done this; through the eyes of two children on opposite sides of the war, he explores how both of them struggle with identity, morality and hope, each in their own way. Their storylines converge in the bombing of Saint-Malo, demonstrating that war can be indiscriminate in its victims—that is, it does not care if its victims are children or adults, innocent or guilty, French or German. However, their interaction also speaks to the humanity that lies in all of us, no matter how deeply buried.

A very quick history lesson

Fast Five Facts about World War II:

Lasting 1939-1945, the war was fought between the Axis powers (Germany, Japan and Italy) and the Allies (basically everyone else, but mainly England, France, and later the US). Whilst it was Germany who started the war, the intervention of the US at the end of five long years of fighting ultimately helped the Allies win.
Various forms of technology were first used, or found new uses, during the war. Aircraft carriers and various planes (fighters, bombers etc.) became more important than ever, while Hitler’s use of tanks allowed him to take over much of Europe very quickly.
Other forms of new technology included one of the world’s first electronic computers that was used to codebreak (stop reading now and watch The Imitation Game if you haven’t already! Totally counts as studying, right?), as well as radio and radar, used to communicate and also to detect enemies in the field.
World War II is also referred to as the Holocaust, the name given to Hitler’s attempted genocide of the Jewish people. 6 million Jews died in the war, and as many as 15 million others died in total.
Germany’s initial conquest of Europe was swift and brutal. Within a month, Poland had already surrendered and within a year, so had France. However, there were also resistance groups all over these countries which sought to undermine the Nazi regime in a number of ways, both big and small.

My best attempt to give a general plot overview of this very long book

Disclaimer: this is a very, very broad overview of the novel and it is absolutely not a substitute for actually reading it (please actually read it).

Chronologically, we start in 1934, five years before the war. Marie-Laure is a French girl who lives with her father Daniel Leblanc, working at the Museum of Natural History in Paris. As she starts to go blind, Daniel teaches her Braille, and makes her wooden models of their neighbourhood to help her navigate. Six years later, the Nazis invade France, and they flee the capital to find Daniel’s uncle Etienne, who lives in the seaside town of Saint-Malo; Daniel was also tasked with safeguarding a precious gem, the Sea of Flames, from the Nazis.

In Saint-Malo, Daniel also builds Marie-Laure a model of the town, hiding the gem inside. Meanwhile, she befriends Etienne, who suffers from agoraphobia as a result of the trauma from the First World War. He is charming and very knowledgeable about science, having made a series of scientific radio broadcasts with his brother Henri (who died in WWI). She also befriends his cook, Madame Manec, who participates in the resistance movement right up until she falls ill and dies.

Her father is also arrested (and would ultimately die in prison), and the loss of their loved ones prompts both Etienne and Marie-Laure to begin fighting back. Marie-Laure is also given a key to a grotto by the seaside which is full of molluscs, her favourite kind of animal.

On the other side of the war, Werner is, in 1934, an 8 year-old German boy growing up in an orphanage with his sister Jutta in the small mining town of Zollverein. They discover a radio, which allows them to listen to a broadcast from miles away (it was Henri and Etienne’s), and Werner learns French to try and understand it. One day, he repairs the radio of a Nazi official, who recruits him to the Hitler Youth on account of his ingenuity (and his very blonde hair and very blue eyes, considered to be desirable traits by the regime). Jutta grows increasingly distant from Werner during this time, as she questions the morality of the Nazis.

Werner is trained to be a soldier along with a cohort of other boys, and additionally learns to use radio to locate enemy soldiers. He befriends Frederick, an innocent kid who was only there because his parents were rich—Frederick would eventually fall victim to the brutality of the instructors, and Werner tries to quit out of solidarity. Unfortunately, he is sent into the army to apply his training to actual warfare. He fights with Frank Volkheimer, a slightly ambiguous character who a tough and cruel soldier, but also displays a capacity to be kind and gentle (including a fondness for classical music). The war eventually takes them to Saint-Malo.

Also around 1943 or so, a Nazi sergeant, Reinhold von Rumpel, begins to track down the Sea of Flames. He would have been successful ultimately had it not been for Werner, who stops him in order to save Marie Laure.

As America begins to turn the war around, Werner is arrested and dies after stepping on a German landmine; Marie-Laure and Etienne move back to Paris. Marie-Laure eventually becomes a scientist specialising in the study of molluscs and has an extensive family of her own by 2014. Phew.

What kind of questions does Doerr raise through this plot? To some degree, the single central question of the novel is one of humanity, and this manifests in a few different ways.

Firstly, to what extent are we in control of our own choices? Do we truly have free will to behave morally ? The Nazi regime throws a spanner in the works here, as it makes incredibly inhumane demands on its people. Perhaps they fear punishment and have no choice—Werner, for instance, does go along with everything. At the same time, his own sister manages to demonstrate critical thinking and moral reasoning well beyond her years, and it makes you wonder if there was potential for Werner to be better in this regard. There’s also the question of whether or not he redeemed himself in the end.

That being said, Werner is far from the only character who struggles with this—consider the perfumer, Claude Levitte, who becomes a Nazi informer, or even ordinary French citizens who simply accept the German takeover. Do they actually have free will to resist, or is it even moral for them to do so?

Hannah Arendt famously coined the phrase “the banality of evil,” referring to how broader movements of inhumanity (such as the Holocaust) can be compartmentalised until individual actions feel perfectly banal, commonplace and ordinary. This is what allowed people to do evil things without actually feeling or even being inherently evil—they were just taking orders, after all. Consider the role of free will in this context.

This brings us to the broader ‘theme’ of war in general: in particular, what kinds of acts are suddenly justifiable in war? Etienne and Madame Manec, for instance, even disagree on the morality of resistance, which can frequently involve murder. Etienne’s pacifist stance is a result of the scale of deaths in the previous world war. At the same time, the climactic event of the novel is an allied bombing of Saint-Malo, a French town, just because it had become a German outpost. Risking lives both French and German, this also highlights the ‘necessity’ of some inhumane actions in times of war.

On a more optimistic note, a human quality that Doerr explores is our natural curiosity towards science . This is abundant in the childhoods of both protagonists, as Werner demonstrates dexterity with the radio at a very young age, and Marie-Laure a keen interest in marine biology. In particular, her blindness pushes her into avenues of science which she can experience without literal sight, such as the tactile sensations of mollusc shells. The title may hint at this—for all the light she cannot see, she seeks enlightenment through knowledge, which in turn gives her hope, optimism and purpose.

At the same time, the human desire to better understand the world can also be used inhumanely—Werner used radio to learn through Etienne and Henri’s broadcasts, but he would later in life also use it to help his compatriots murder enemy soldiers. This alludes to the banality of evil again; by focusing on his very technical role and his unique understanding of the science behind radios, he is able to blind himself to the bigger picture of the evils he is abetting. Science is something that is so innately human, yet can also be used inhumanely as well.

For these reasons, I’d suggest humanity is at the heart of the novel. There is a certain cruel randomness to death in war, but just because so many did perish doesn’t mean that there aren’t human stories worth searching for in the destruction. This is the lens that Doerr brings to the WWII narrative.

Some symbols

To some degree, a lot of these symbols relate to humanity, which I’ve argued is the crux of the novel. I’ll keep this brief so as to not be too repetitive.

One major symbol is the radio , with its potential for good as well as for evil. On one hand, it is undoubtedly used for evil purposes, but it also acts as a source of hope, purpose, conviction and connection in the worst of times. It is what ultimately drives Werner to save Marie-Laure.

Along the same vein, whelks are also a major symbol, particularly for Marie-Laure. While an object of her fascination, they also represent strength for her, as they remain fixed onto rocks and withstand the beaks of birds who try to attack them. In fact, she takes “the Whelk” as a code-name for herself while aiding the resistance movement. It’s also noteworthy that, given the atrocities of war, maybe animals are the only innocent beings left. As Saint-Malo is destroyed and the Sea of Flames discarded, it is the seaside ecosystem that manages to live on, undisturbed. In this sense, the diamond can be seen as a manifestation of human greed, harmless once removed from human society.

Finally, it’s also worth considering the wooden models that Daniel builds for Marie-Laure. They represent his immense love for her, and more broadly the importance of family, but the models also attempt to shrink entire cities into a predictable, easily navigable system. As we’ve seen, this is what causes people to lose sight of the forest for the trees—to hone in on details and lose track of the bigger picture around them. The models are an oversimplification of life, and an illusion of certainty, in a time when life was complicated and not at all certain for anyone.

Identity, morality and hope—these things pretty much shape what it means to be human. Throughout All the Light We Cannot See though, characters sometimes struggle with all three of them at the same time.

And yet they always manage to find something within themselves, some source of strength, some sense of right and wrong, some humanity in trying times. Doerr explores this capacity amply in this novel, and in this sense his novel is not just another story about WWII—it’s a story about the things that connect us, always.

Essay prompt breakdown

Transcription

Through the prompt that we’ll be looking at today, the main message I wanted to highlight was to always try and look for layers of meaning. This could mean really being across all of the symbols, motifs and poetic elements of a text, and it’s especially important for a novel as literary as this one.

You might not have been particularly happy to find out you’re going to have to study All The Light We Cannot See— it is probably the longest text on the entire text list—but it’s also a really beautiful, well-written book that deservedly took out the Pulitzer Prize for fiction in 2015.

In this novel, Anthony Doerr tells the World War 2 story through a unique lens, or rather a unique combination of lenses, as he sets a 16-year-old French girl and a 17-year-old German boy on an unlikely path of convergence. Through the dangers and difficulties that they face, Doerr’s novel is one of growth and self-assuredness in a time when this seemed virtually impossible.

The essay topic we’ll be looking at today is:

All The Light We Cannot See is a literal title for the novel, in that it exposes the darkness, evil and cruelty of which humans are demonstrably capable. Is this an accurate interpretation?

As usual, let’s define some keywords.

I want to leave ‘darkness’ for a little later, but let’s start with ‘evil and cruelty.’ By themselves, they generally just mean immorality or inhumanity, but also keep in mind how they come across in characters’ actions, since those will be the focus of our analysis. The word ‘demonstrably’ highlights this, since it means that any ‘evil’ you discuss needs to be demonstrated or proven.

With ‘darkness’, that’s a bit more of a tricky term because it can mean any number of things. Here, it might be taken to mean bad intentions, corruption or anything like that, because it fits with ‘evil and cruelty’. However, this is where the ‘interpretation’ aspect of the prompt comes in—an interpretation being a way of explaining meaning, how do you explain the meaning of ‘darkness’ in relation to the title? Darkness in this sense could be any number of things.

Now, how should we plan for this topic? Let’s first consider if there’s any room to challenge, since the prompt seems to only focus on the more negative, pessimistic side of the book. I’d argue that with darkness, there is also some light in the form of kindness, charity and hope.

This all sounds pretty profound, but I’m just trying to link it back to the book’s title! I mean, that’s what the topic is asking about, right?

Let’s break this down into paragraphs.

For our first paragraph, a good starting point might be analysing the literal forms of darkness in the novel, and seeing what other interpretations we can get from those. A character that comes to mind is Marie-Laure, the French girl who cannot see any ‘light’ due to her blindness. The title could be seen as an allusion to her character and by extension, the hopelessness that blindness might cause in the midst of a war. We could compare Marie-Laure’s situation with that of Werner, who faces the industrialization of his childhood town, watching it become more and more enveloped in ‘darkness’ and as such, hopelessness.

For our next paragraph, we might drill down to deeper levels of interpreting darkness, because it’s often used as a metaphor for inhumanity. It isn’t difficult to find inhumanity in the novel. There’s plenty of it peppered throughout Werner’s storyline, particularly at Schulpforta, where the Hitler Youth were ‘trained’, (to put it lightly). He and his peers are routinely drilled to “drive the weakness from the corps” in humiliating exercises led by cruel instructors. They are also sometimes driven to cruelty towards one another, and Frederick, Werner’s bunkmate, is relentlessly bullied for his perceived weakness.

So by now, it’s clear that the novel demonstrates the human capacity for experiencing ‘darkness’ as well as inflicting it upon others. But, across these two layers of meaning, could there perhaps be some room to challenge these interpretations? This is something we should look at for our final paragraph.

Here, I would probably argue that just as Doerr explores various forms of darkness, there is also enough ‘light’ which allows some characters to overcome or escape from the darkness. These manifestations of light also require you to think about the different symbolic layers of the novel. On one level for example, looking at light literally, there’s the message on Werner’s radio that teaches us that, even though the brain is sealed in darkness, “the world it constructs…is full of light.” A deeper level of meaning to this may refer to the sense of scientific wonder and discovery which sometimes brings light to Werner, and also Frederick, his bunkmate at Schulpforta, when their lives there are at their most dark.

Consider how, just as darkness has levels of interpretation and symbolism in this book, so does light and hope and joy, rather than just evil and cruelty.

And that’s it! Always delving deeper for meaning helps you to really make use of the symbols, imagery and motifs in a text, and I hope this novel in particular illustrates that idea.

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Home / Essay Samples / Literature / Chinua Achebe / The Role of Tradition and Culture in “Things Fall Apart”

The Role of Tradition and Culture in "Things Fall Apart"

Category: Literature , Culture
Topic: Chinua Achebe , Things Fall Apart , Tradition

Pages: 7 (3346 words)

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Works Cited

Kranise N (2011) Reported contact with the dead, religious involvement and death anxiety in late life. Rev Relig Res 52: 347-364.
Neimeyer RA, Wittkowski J, Moser RP (2004) Psychological research on death attitudes: an overview and evaluation. Death Stud 28: 309-340.
Wulffs DG (1991) Understanding religion and life. J Relig Spiritual Aging 18: 93-110.
Beck R (2006) Defensive versus existential religion: is religious defensiveness predictive of worldview defense? Pers Individ Dif 29: 118-131.
Frankl VE (1977) Man’s Search for meaning: An introduction to logotherapy. London: Hodder & Stroughton, p: 154.
Achebe, Chinua. Things Fall Apart. New York; Anchor Books, Random House Inc. 1959.
'In Things Fall Apart, why does Okonkwo commit suicide and what is the final message of this work? ' eNotes Editorial,28Nov.2012,https://www.enotes.com/homework-help/why-does-ikonkwo-commit-suicide-what-final-message-375323. Accessed 10 July 2019.
Yasere, Solomon O. 1974. “Narrative Techniques in Things Fall Apart.” NewLetters 40 (3): 73-93.
'Things Fall Apart Summary English Literature Essay.' UKEssays.com. 11 2018. All Answers Ltd. 07 2019 . 146.111.181.132 on Mon, 08 Jul 2019 19:37:48 UTC All use subject to https://about.jstor.org/terms C. N. Ubah

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Things Fall Apart by Chinua Achebe – Literature Analysis Essay

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How To Write an Essay About Things Fall Apart

Developing a Thesis Statement

Gathering Textual Evidence

Analyzing Achebe's Techniques and Themes

Concluding the Essay

Reviewing and Refining Your Essay

Chinua Achebe’s 'New English' in Things Fall Apart

Guiding Questions

Learning Objectives

Lesson Plan Details

Activity 1. Igbo vocabulary and English similes

Activity 2. Proverbs as “Palm-Oil”

Activity 3. Folktales

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