books to read to improve creative writing

10 Best Creative Writing Books to Read in 2023

Introduction:.

The world of creative writing possesses an extraordinary ability to unleash imagination, craft narratives, and evoke emotions that resonate with readers. Whether you're an aspiring writer or simply someone who appreciates the art of storytelling, consider Oxford Summer Courses. Embark on a transformative journey through our Creative Writing summer school, where you will have the opportunity to explore the art of crafting compelling narratives, experimenting with various writing styles, and honing your literary skills.

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Please note that the following list of books is recommended reading to broaden your knowledge and deepen your appreciation of creative writing and literature. While some of these books may be included in the Oxford Summer Courses curriculum, the specific content of the summer school can vary. If you wish to study these subjects with us, you can apply to our Creative Writing summer school.

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1. On Writing, by Stephen King

• "Amateurs sit and wait for inspiration; the rest of us just get up and go to work."
• Published in 2000, "On Writing" by Stephen King is a masterclass in the craft of storytelling. It combines King's personal journey as a writer with practical advice on honing your writing skills during your time at Oxford Summer Courses.
• Discussion: How can Stephen King's advice on discipline and the writing process benefit aspiring writers at Oxford Summer Courses today?

2. Bird by Bird, by Anne Lamott

• "Almost all good writing begins with terrible first efforts. You need to start somewhere."
• Anne Lamott's "Bird by Bird" is an encouraging guide for writers facing the daunting task of putting words on the page. Through humor and personal anecdotes, she offers valuable insights into the writing process during your Creative Writing summer school at Oxford Summer Courses.
• Discussion: How does Lamott's emphasis on "shitty first drafts" resonate with your own experiences as a writer at Oxford Summer Courses?

3. The Elements of Style, by William Strunk Jr. and E.B. White

• "Omit needless words."
• A timeless classic, "The Elements of Style" is a concise guide to writing well. It provides essential rules of grammar and composition that every writer should know, especially during their time at Oxford Summer Courses.
• Discussion: How do the principles outlined in "The Elements of Style" apply to various forms of creative writing, from fiction to poetry, at Oxford Summer Courses?

4. The story, by Robert McKee

• "Stories are the creative conversion of life itself into a more powerful, clearer, more meaningful experience. They are the currency of human contact."
• Robert McKee's "Story" is a comprehensive exploration of the principles behind effective storytelling. It's a must-read for anyone looking to understand the structure and elements of compelling narratives during their time at Oxford Summer Courses.
• Discussion: How can the insights from "Story" enhance your ability to construct engaging and impactful stories during your Creative Writing summer school at Oxford Summer Courses?

5. Big Magic, by Elizabeth Gilbert

• "Do whatever brings you to life, then. Follow your own fascinations, obsessions, and compulsions. Trust them. Create whatever causes a revolution in your heart."
• In "Big Magic," Elizabeth Gilbert delves into the creative process and encourages writers to embrace their creativity with courage and curiosity, a valuable lesson during your time at Oxford Summer Courses.
• Discussion: How can Gilbert's philosophy on creativity inspire you to approach your writing with a sense of wonder and daring at Oxford Summer Courses?

6. The Art of Fiction, by John Gardner

• "Fiction seeks out truth. The writer has to go into the dark, quiet spaces of himself and feel around for the truth."
• John Gardner's "The Art of Fiction" offers profound insights into the art and craft of writing fiction. It explores the intricacies of character development, plot, and the writer's role in conveying truth through storytelling during your Creative Writing summer school at Oxford Summer Courses.
• Discussion: How can Gardner's exploration of truth in fiction inform your own creative writing endeavors at Oxford Summer Courses?

7. Writing Down the Bones, by Natalie Goldberg

• "Write what disturbs you, what you fear, what you have not been willing to speak about. Be willing to be split open."
• Natalie Goldberg's "Writing Down the Bones" is a meditative guide to writing practice. It encourages writers to tap into their innermost thoughts and emotions during their Creative Writing summer school at Oxford Summer Courses.
• Discussion: How can Goldberg's approach to writing as a form of meditation help you access deeper layers of creativity in your work at Oxford Summer Courses?

8. The Elements of Eloquence, by Mark Forsyth

• "Rhetoric is the art of dressing up some unimportant matter to fool the audience for the moment."
• "The Elements of Eloquence" explores the art of rhetoric and language play. Mark Forsyth's witty and informative book will inspire you to experiment with language in your writing during your time at Oxford Summer Courses.
• Discussion: How can a deeper understanding of rhetorical devices enhance your ability to craft persuasive and evocative prose at Oxford Summer Courses?

9. Zen in the Art of Writing, by Ray Bradbury

• "Every morning I jump out of bed and step on a landmine. The landmine is me. After the explosion, I spent the rest of the day putting the pieces together."
• Ray Bradbury's "Zen in the Art of Writing" is a collection of essays that celebrate the joy and passion of writing. Bradbury shares his insights on creativity and the writing life during your Creative Writing summer school at Oxford Summer Courses.
• Discussion: How can Bradbury's enthusiasm for writing infuse your own creative process with energy and purpose at Oxford Summer Courses?

10. The Nighttime Novelist, by Joseph Bates

• "Writing is an exploration of the heart."
• "The Nighttime Novelist" by Joseph Bates is a practical guide for writers who balance their craft with busy lives. It offers strategies for maximizing your writing time and making progress on your projects during your time at Oxford Summer Courses.
• Discussion: How can the techniques outlined in "The Nighttime Novelist" help you maintain a consistent and productive writing practice at Oxford Summer Courses?

Oxford Summer Courses invites you to immerse yourself in the enchanting world of creative writing during your time at our summer school. In this blog post, we present a meticulously curated list of 10 classic books that will ignite your imagination and deepen your understanding of the art of storytelling. From Stephen King's practical wisdom in "On Writing" to Ray Bradbury's celebration of the writing life in "Zen in the Art of Writing," these books will serve as your companions on your creative writing journey at Oxford Summer Courses. Through our Creative Writing program, you will have the opportunity to explore these influential texts, share your insights with fellow writers, and refine your craft. Join us on this literary adventure and embark on a transformative experience that will shape your writing skills and inspire your creative spirit during your time at Oxford Summer Courses. Who knows, you might just discover a newfound passion for the art of storytelling and create narratives that resonate with readers for generations to come.

Apply now to join the Oxford Summer Courses Creative Writing summer school and embark on a journey of self-expression and creativity during your time at Oxford Summer Courses. Join a community of passionate writers from around the world and unlock your potential as a storyteller. Apply here.

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Ignite your passion for creative writing at Oxford Summer Courses. Immerse yourself in a carefully curated list of books that will spark your creativity, refine your storytelling abilities, and help you embark on a transformative journey as a writer.

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Language » Writing Books

The best books on creative writing, recommended by andrew cowan.

The professor of creative writing at UEA says Joseph Conrad got it right when he said that the sitting down is all. He chooses five books to help aspiring writers.

Becoming a Writer by Dorothea Brande

On Becoming a Novelist by John C. Gardner

On Writing: A Memoir of the Craft by Stephen King

The Forest for the Trees by Betsy Lerner

Worstward Ho by Samuel Beckett

1 Becoming a Writer by Dorothea Brande

2 on becoming a novelist by john c. gardner, 3 on writing: a memoir of the craft by stephen king, 4 the forest for the trees by betsy lerner, 5 worstward ho by samuel beckett.

How would you describe creative writing?

But because it is in academia there is all this paraphernalia that has to go with it. So you get credits for attending classes. You have to do supporting modules; you have to be assessed. If you are doing an undergraduate degree you have to follow a particular curriculum and only about a quarter of that will be creative writing and the rest will be in the canon of English literature . If you are doing a PhD you have to support whatever the creative element is with a critical element. So there are these ways in which academia disciplines writing and I think of that as Creative Writing with a capital C and a capital W. All of us who teach creative writing are doing it, in a sense, to support our writing, but it is also often at the expense of our writing. We give up quite a lot of time and mental energy and also, I think, imaginative and creative energy to teach.

Your first choice is Dorothea Brande’s Becoming a Writer , which for someone writing in 1934 sounds pretty forward thinking.

Because creative writing has now taken off and has become this very widespread academic discipline it is beginning to acquire its own canon of key works and key texts. This is one of the oldest of them. It’s a book that almost anyone who teaches creative writing will have read. They will probably have read it because some fundamentals are explained and I think the most important one is Brande’s sense of the creative writer being comprised of two people. One of them is the artist and the other is the critic.

Actually, Malcolm Bradbury who taught me at UEA, wrote the foreword to my edition of Becoming a Writer , and he talks about how Dorothea Brande was writing this book ‘in Freudian times’ – the 1930s in the States. And she does have this very Freudian idea of the writer as comprised of a child artist on the one hand, who is associated with spontaneity, unconscious processes, while on the other side there is the adult critic making very careful discriminations.

And did she think the adult critic hindered the child artist?

No. Her point is that the two have to work in harmony and in some way the writer has to achieve an effective balance between the two, which is often taken to mean that you allow the artist child free rein in the morning. So you just pour stuff on to the page in the morning when you are closest to the condition of sleep. The dream state for the writer is the one that is closest to the unconscious. And then in the afternoon you come back to your morning’s work with your critical head on and you consciously and objectively edit it. Lots of how-to-write books encourage writers to do it that way. It is also possible that you can just pour stuff on to the page for days on end as long as you come back to it eventually with a critical eye.

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Good! Your next book, John Gardner’s On Becoming a Novelist , is described as comfort food for the aspiring novelist.

This is another one of the classics. He was quite a successful novelist in the States, but possibly an even more successful teacher of creative writing. The short story writer and poet Raymond Carver, for instance, was one of his students. And he died young in a motorcycle accident when he was 49. There are two classic works by him. One is this book, On Becoming a Novelist , and the other is The Art of Fiction: Notes on Craft for Young Writers . They were both put together from his teaching notes after he died.

On Becoming a Novelist  is the more succinct and, I think, is the better of the two. He talks about automatic writing and the idea, just like Dorothea Brande, of the artist being comprised of two people. But his key idea is the notion of the vivid and continuous dream. He suggests that when we read a novel we submit to the logic of that novel in the same way as we might submit to the logic of a dream – we sink into it, and clearly the events that occur could not exist outside the imagination.

What makes student writing in particular go wrong is when it draws attention to itself, either through bad writing or over-elaborate writing. He suggests that these faults in the aspirant writer alert the reader to the fact that they are reading a fiction and it is a bit like giving someone who is dreaming a nudge. It jolts them out of the dream. So he proposes that the student writer should try to create a dream state in the reader that is vivid and appeals to all the senses and is continuous. What you mustn’t do is alert the reader to the fact that they are reading a fiction.

It is a very good piece of advice for writers starting out but it is ultimately very limiting. It rules out all the great works of modernism and post-modernism, anything which is linguistically experimental. It rules out anything which draws attention to the words as words on a page. It’s a piece of advice which really applies to the writing of realist fiction, but is a very good place from which to begin.

And then people can move on.

I never would have expected the master of terror Stephen King to write a book about writing. But your next choice, On Writing , is more of an autobiography .

Yes. It is a surprise to a lot of people that this book is so widely read on university campuses and so widely recommended by teachers of writing. Students love it. It’s bracing: there’s no nonsense. He says somewhere in the foreword or preface that it is a short book because most books are filled with bullshit and he is determined not to offer bullshit but to tell it like it is.

It is autobiographical. It describes his struggle to emerge from his addictions – to alcohol and drugs – and he talks about how he managed to pull himself and his family out of poverty and the dead end into which he had taken them. He comes from a very disadvantaged background and through sheer hard work and determination he becomes this worldwide bestselling author. This is partly because of his idea of the creative muse. Most people think of this as some sprite or fairy that is usually feminine and flutters about your head offering inspiration. His idea of the muse is ‘a basement guy’, as he calls him, who is grumpy and turns up smoking a cigar. You have to be down in the basement every day clocking in to do your shift if you want to meet the basement guy.

Stephen King has this attitude that if you are going to be a writer you need to keep going and accept that quite a lot of what you produce is going to be rubbish and then you are going to revise it and keep working at it.

Do you agree with him?

He sounds inspirational. Your next book, Betsy Lerner’s The Forest for the Trees , looks at things from the editor’s point of view.

Yes, she was an editor at several major American publishing houses, such as Simon & Schuster. She went on to become an agent, and also did an MFA in poetry before that, so she came through the US creative writing process and understands where many writers are coming from.

The book is divided into two halves. In the second half she describes the process that goes from the completion of the author’s manuscript to submitting it to agents and editors. She explains what goes on at the agent’s offices and the publisher’s offices. She talks about the drawing up of contracts, negotiating advances and royalties. So she takes the manuscript from the author’s hands, all the way through the publishing process to its appearance in bookshops. She describes that from an insider’s point of view, which is hugely interesting.

But the reason I like this book is for the first half of it, which is very different. Here she offers six chapters, each of which is a character sketch of a different type of author. She has met each of them and so although she doesn’t mention names you feel she is revealing something to you about authors whose books you may have read. She describes six classic personality types. She has the ambivalent writer, the natural, the wicked child, the self-promoter, the neurotic and a chapter called ‘Touching Fire’, which is about the addictive and the mentally unstable.

Your final choice is Worstward Ho by Samuel Beckett .

This is a tiny book – it is only about 40 pages and it has got these massive white margins and really large type. I haven’t counted, but I would guess it is only about two to three thousand words and it is dressed up as a novella when it is really only a short story. On the first page there is this riff: ‘Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.’

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When I read this I thought I had discovered a slogan for the classroom that I could share with my students. I want to encourage them to make mistakes and not to be perfectionists, not to feel that everything they do has to be of publishable standard. The whole point of doing a course, especially a creative writing MA and attending workshops, is that you can treat the course as a sandpit. You go in there, you try things out which otherwise you wouldn’t try, and then you submit it to the scrutiny of your classmates and you get feedback. Inevitably there will be things that don’t work and your classmates will help you to identify those so that you can take it away and redraft it – you can try again. And inevitably you are going to fail again because any artistic endeavour is doomed to failure because the achievement can never match the ambition. That’s why artists keep producing their art and writers keep writing, because the thing you did last just didn’t quite satisfy you, just wasn’t quite right. And you keep going and trying to improve on that.

But why, when so much of it is about failing – failing to get published, failing to be satisfied, failing to be inspired – do writers carry on?

I have a really good quote from Joseph Conrad in which he says the sitting down is all. He spends eight hours at his desk, trying to write, failing to write, foaming at the mouth, and in the end wanting to hit his head on the wall but refraining from that for fear of alarming his wife!

It’s a familiar situation; lots of writers will have been there. For me it is a kind of obsessive-compulsive disorder. It is something I have to keep returning to. I have to keep going back to the sentences, trying to get them right. Trying to line them up correctly. I can’t let them go. It is endlessly frustrating because they are never quite right.

You have published four books. Are you happy with them?

Reasonably happy. Once they are done and gone I can relax and feel a little bit proud of them. But at the time I just experience agonies. It takes me ages. It takes me four or five years to finish a novel partly because I always find distractions – like working in academia – something that will keep me away from the writing, which is equally as unrewarding as it is rewarding!

September 27, 2012

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Andrew Cowan

Andrew Cowan is Professor of Creative Writing and Director of the Creative Writing programme at UEA. His first novel, Pig , won the Sunday Times Young Writer of the Year Award, the Betty Trask Award, the Ruth Hadden Memorial Prize, the Author’s Club First Novel Award and a Scottish Council Book Award. He is also the author of the novels Common Ground , Crustaceans ,  What I Know  and  Worthless Men . His own creative writing guidebook is  The  Art  of  Writing  Fiction .

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The 20+ Best Books on Creative Writing

If you’ve ever wondered, “How do I write a book?”, “How do I write a short story?”, or “How do I write a poem?” you’re not alone. I’m halfway done my MFA program at Vermont College of Fine Arts , and I ask myself these questions a lot, too, though I’m noticing that by now I feel more comfortable with the answers that fit my personal craft. Fortunately, you don’t need to be a Master’s of Fine Arts in Writing candidate, or even a college graduate, in order to soak up the great Wisdom of Words, as I like to call it. Another word for it is craft . That’s because there are so many great books out there on writing craft. In this post, I’ll guide you through 20+ of the most essential books on creative writing. These essential books for writers will teach you what you need to know to write riveting stories and emotionally resonant books—and to sell them.

I just also want to put in a quick plug for my post with the word count of 175 favorite novels . This resource is helpful for any writer.

Now, with that done… Let’s get to it!

What Made the List of Essential Books for Writers—and What Didn’t

So what made the list? And what didn’t?

Unique to this list, these are all books that I have personally used in my journey as a creative and commercial writer.

That journey started when I was 15 and extended through majoring in English and Creative Writing as an undergrad at UPenn through becoming a freelance writer in 2014, starting this book blog, pursuing my MFA in Writing for Children and Young Adults at Vermont College of Fine Arts , and publishing some fiction and nonfiction books myself . My point here is not to boast, just to explain that these books have all helped me better understand and apply the craft, discipline, and business of writing over the course of more than half my life as I’ve walked the path to become a full-time writer. Your mileage my vary , but each of these books have contributed to my growth as a writer in some way. I’m not endorsing books I’ve never read or reviewed. This list comes from my heart (and pen!).

Most of these books are geared towards fiction writers, not poetry or nonfiction writers

It’s true that I’m only one human and can only write so much in one post. Originally, I wanted this list to be more than 25 books on writing. Yes, 25 books! But it’s just not possible to manage that in a single post. What I’ll do is publish a follow-up article with even more books for writers. Stay tuned!

The most commonly recommended books on writing are left out.

Why? Because they’re everywhere! I’m aiming for under-the-radar books on writing, ones that aren’t highlighted often enough. You’ll notice that many of these books are self-published because I wanted to give voice to indie authors.

But I did want to include a brief write-up of these books… and, well, you’ve probably heard of them, but here are 7 of the most recommended books on writing:

The Artist’s Way by Julia Cameron – With her guided practice on how to rejuvenate your art over the course of 16 weeks, Cameron has fashioned an enduring classic about living and breathing your craft (for artists as well as writers). This book is perhaps best known for popularizing the morning pages method.

The Art of Fiction by John Gardner – If you want to better understand how fiction works, John Gardner will be your guide in this timeless book.

Bird by Bird by Anne Lamott – A beloved writing book on process, craft, and overcoming stumbling blocks (both existential and material).

On Writing by Stephen King – A must-read hybrid memoir-craft book on the writer mythos and reality for every writer.

Reading Like a Writer by Francine Prose – A core writing book that teaches you how to read with a writer’s eye and unlock the ability to recognize and analyze craft for yourself.

Steering the Craft by Ursula K. Le Guin – Many writers consider this to be their bible on craft and storytelling.

Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg – A favorite of many writers, this book takes an almost spiritual approach to the art, craft, and experience of writing.

I’m aiming for under-the-radar books on writing on my list.

These books are all in print.

Over the years, I’ve picked up several awesome books on creative writing from used bookstores. Oh, how I wish I could recommend these! But many of them are out of print. The books on this list are all available new either as eBooks, hardcovers, or paperbacks. I guess this is the right time for my Affiliate Link disclaimer:

This article contains affiliate links, which means I might get a small portion of your purchase. For more on my affiliate link policy, check out my official Affiliate Link Disclaimer .

You’ll notice a lot of the books focus on the business of writing.

Too often, money is a subject that writers won’t talk about. I want to be upfront about the business of writing and making a living as a writer (or not ) with these books. It’s my goal to get every writer, even poets!, to look at writing not just from a craft perspective, but from a commercial POV, too.

And now on to the books!

Part i: the best books on writing craft, the anatomy of story by john truby.

For you if: You want to develop an instinctive skill at understanding the contours of storytelling .

All I want to do as a writer, my MO, is tell good stories well. It took me so long to understand that what really matters to me is good storytelling. That’s it—that’s the essence of what we do as writers… tell good stories well. And in The Anatomy of Story , legendary screenwriting teacher John Truby takes you through story theory. This book is packed with movie references to illustrate the core beat points in story, and many of these example films are actually literary adaptations, making this a crossover craft book for fiction writers and screenwriters alike.

How to read it: Purchase The Anatomy of Story on Amazon and add it on Goodreads

The art of memoir by mary karr.

For you if: You’re writing a memoir book or personal essays .

Nobody is a better person to teach memoir writing than Mary Karr, whose memoirs The Liar’s Club and Lit are considered classics of the genre. In The Art of Memoir , Karr delivers a master class on memoir writing, adapted from her experience as a writer and a professor in Syracuse’s prestigious MFA program. What I love about this book as an aspiring memoirist is Karr’s approach, which blends practical, actionable advice with more bigger-picture concepts on things like truth vs. fact in memoir storytelling. Like I said in the intro to this list, I didn’t include many nonfiction and poetry books on this list, but I knew I had to make an exception for The Art of Memoir .

How to read it: Purchase The Art of Memoir on Amazon and add it on Goodreads

The emotional craft of fiction by donald maass.

For you if: Plot isn’t your problem, it’s character .

From literary agent Donald Maass, The Emotional Craft of Fiction gives you the skill set you need to master emotionally engaging fiction. Maass’s technique is to show you how readers get pulled into the most resonant, engaging, and unforgettable stories: by going through an emotional journey nimbly crafted by the author. The Emotional Craft of Fiction is a must-have work of craft to balance more plot-driven craft books.

How to read it: Purchase the The Emotional Craft of Fiction on Amazon and add it on Goodreads

How to Write Using the Snowflake Method by Randy Ingermanson

For you if: You need a quick-and-dirty plotting technique that’s easy to memorize .

I first heard of the “Snowflake Method” in the National Novel Writing Month forums (which, by the way, are excellent places for finding writing craft worksheets, book recommendations, and online resources). In How to Write a Novel Using the Snowflake Method , the Snowflake Method is introduced by its creator. This quick yet thorough plotting and outlining structure is humble and easy to master. If you don’t have time to read a bunch of books on outlining and the hundreds of pages that would require, check out How to Write a Novel Using the Snowflake Method for a quick, 235-page read.

How to read it: Purchase How to Write a Novel Using the Snowflake Method on Amazon and add it on Goodreads

Meander, spiral, explode: design and pattern in narrative by jane alison.

For you if: You want to do a deep dive understanding of the core theory of story, a.k.a. narrative.

A most unconventional writing craft book, Meander, Spiral, Explode offers a theory of narrative (story) as recognizable patterns. According to author Jane Alison, there are three main narrative narratives in writing: meandering, spiraling, and exploding. This cerebral book (chock full of examples!) is equal parts seminar on literary theory as it is craft, and it will make you see and understand storytelling better than maybe any book on this list.

How to read it: Purchase Meander, Spiral, Explode on Amazon and add it on Goodreads

The modern library writer’s workshop by stephen koch.

For you if: You’re wondering what it means to be the writer you want to become .

This is one of the earliest creative writing books I ever bought and it remains among the best I’ve read. Why? Reading The Modern Library Writer’s Workshop echoes the kind of mind-body-spirit approach you need to take to writing. The Modern Library Writer’s Workshop doesn’t teach you the nuts and bolts of writing as much as it teaches you how to envision the machine. Koch zooms out to big picture stuff as much as zeroes in on the little details. This is an outstanding book about getting into the mindset of being a writer, not just in a commercial sense, but as your passion and identity. It’s as close as you’ll get to the feel of an MFA in Fiction education.

How to read it: Purchase The Modern Library Writer’s Workshop on Amazon and add it on Goodreads

Romancing the beat by gwen hayes.

For you if: You write or edit the romance genre and want a trusted plotting strategy to craft the perfect love story .

If you’re writing romance, you have to get Gwen Hayes’s Romancing the Beat . This book breaks down the plot points or “beats” you want to hit when you’re crafting your romance novel. When I worked as a romance novel outliner (yes, a real job), our team used Romancing the Beat as its bible; every outline was structured around Hayes’s formula. For romance writers (like myself) I cannot endorse it any higher.

How to read it: Purchase Romancing the Beat on Amazon and add it on Goodreads

Save the cat writes a novel by jessica brody.

For you if: You have big ideas for a plot but need to work on the smaller moments that propel stories .

Jessica Brody’s Save the Cat! Writes a Novel adapts Blake Snyder’s bestselling screenwriting book Save the Cat! into story craft for writing novels. Brody reworks the Save the Cat! methodology in actionable, point-by-point stages of story that are each explained with countless relevant examples. If you want to focus your efforts on plot, Save the Cat! Writes a Novel is an excellent place to go to start learning the ins and outs of what makes a good story.

How to read it: Purchase Save the Cat! Writes a Novel on Amazon and add it on Goodreads

Story genius by lisa cron.

For you if: You’re a pantser and are terrified at outlining yet also realize you might have a “plot problem .”

More than any other book, Lisa Cron’s Story Genius will get you where you need to go for writing amazing stories. Story Genius helps you look at plotting differently, starting from a point of characterization in which our protagonists have a clearly defined need and misbelief that play off each other and move the story forward from an emotional interior and action exterior standpoint. For many of my fellow MFA students—and myself— Story Genius is the missing link book for marrying plot and character so you innately understand the contours of good story.

How to read it: Purchase Story Genius on Amazon and add it on Goodreads

Wonderbook: the illustrated guide to creating imaginative fiction by jeff vandermeer.

For you if: You’re writing in a speculative fiction genre—like science fiction, fantasy, or horror—or are trying to better understand those genres.

Jeff VanderMeer’s Wonderbook is a dazzling gem of a book and a can’t-miss-it writing book for sci-fi, fantasy, and horror writers. This book will teach you all the skills you need to craft speculative fiction, like world-building, with micro-lessons and close-reads of excellent works in these genres. Wonderbook is also one to linger over, with lavish illustrations and every inch and corner crammed with craft talk for writing imaginative fiction (sometimes called speculative fiction). And who better to guide you through this than Jeff VanderMeer, author of the popular Southern Reach Trilogy, which kicks off with Annihilation , which was adapted into a feature film.

How to read it: Purchase Wonderbook on Amazon and add it on Goodreads

Writing picture books by ann whitford paul.

For you if: You’re looking to write picture books and/or understand how they work .

This book is the only one you need to learn how to write and sell picture books. As an MFA student studying children’s literature, I’ve consulted with this book several times as I’ve dipped my toes into writing picture books, a form I considered scary and intimidating until reading this book. Writing Picture Books should be on the shelf of any writer of children’s literature. a.k.a. “kid lit.”

How to read it: Purchase Writing Picture Books on Amazon and add it on Goodreads

Writing with emotion, conflict, and tension by cheryl st. john.

For you if: You need to work on the conflict, tension, and suspense that keep readers turning pages and your story going forward .

Mmm, conflict. As I said earlier, it’s the element of fiction writing that makes a story interesting and a key aspect of characterization that is underrated. In Writing with Emotion, Tension, and Conflict , bestselling romance author Cheryl St. John offers a masterclass on the delicate dance between incorporating conflict, the emotions it inspires in characters, and the tension that results from those two factors.

How to read it: Purchase Writing with Emotion, Tension, and Conflict on Amazon and add it on Goodreads

Part ii: the best books on the productivity, mfas, and the business of writing, 2k to 10k: writing faster, writing better, and writing more of what you love by rachel aaron.

For you if: You struggle to find the time to write and always seem to be a chapter or two behind schedule .

If you’re struggling to find time of your own to write with competing obligations (family, work, whatever) making that hard, you need Rachel Aaron’s 2k to 10k . This book will get you in shape to go from writing just a few words an hour to, eventually, 10,000 words a day. Yes, you read that right. 10,000 words a day. At that rate, you can complete so many more projects and publish more. Writers simply cannot afford to waste time if they want to keep up the kind of production that leads to perpetual publication. Trust me, Aaron’s method works. It has for me. I’m on my way to 10k in the future, currently at like 4 or 5k a day for me at the moment.

How to read it: Purchase 2k to 10k on Amazon and add it on Goodreads

The 3 a.m. epiphany by brian kitele.

For you if: You’re going through writer’s block, have been away from writing for a while, or just want to loosen up and try something new .

Every writer must own an an exercise or prompt book. Why? Because regularly practicing your writing by going outside your current works-in-progress (or writer’s block) will free you up, help you plant the seeds for new ideas, and defrost your creative blocks. And the best book writing exercise book I know is The 3 A.M. Epiphany by Brian Kiteley, an MFA professor who uses prompts like these with his grad students. You’ll find that this book (and its sequel, The 4 A.M. Breakthrough ) go beyond cutesy exercises and forces you to push outside your comfort zone and learn something from the writing you find there.

How to read it: Purchase The 3 A.M. Epiphany on Amazon and add it on Goodreads

The 4-hour workweek by timothy ferriss.

For you if: You think being a writer means you have to be poor .

The 4-Hour Workweek changed my life. Although not strictly about writing in the traditional sense, The 4-Hour Workweek does an excellent job teaching you about how passive income can offer you freedom. I first heard about The 4-Hour Workweek when I was getting into tarot in 2013. On Biddy Tarot , founder Brigit (author of some of the best books on tarot ) related how she read this book, learned how to create passive income, and quit her corporate job to read tarot full time. As a person with a total and permanent disability, this spoke to me because it offered a way out of the 9-to-5 “active” income that I thought was the only way. I picked up Ferriss’s book and learned that there’s more than one option, and that passive income is a viable way for me to make money even when I’m too sick to work. I saw this come true last year when I was in the hospital. When I got out, I checked my stats and learned I’d made money off my blog and books even while I was hospitalized and couldn’t do any “active” work. I almost cried.; I’ve been working on my passive income game since 2013, and I saw a return on that time investment when I needed it most.

That’s why I’m recommending The 4-Hour Workweek to writers. So much of our trade is producing passive income products. Yes, your books are products! And for many writers, this means rewiring your brain to stop looking at writing strictly as an art that will leave you impoverished for life and start approaching writing as a business that can earn you a real living through passive income. No book will help you break out of that mindset better than The 4-Hour Workweek and its actionable steps, proven method, and numerous examples of people who have followed the strategy and are living the lifestyle they’ve always dreamed of but never thought was possible.

How to read it: Purchase The 4-Hour Workweek on Amazon and add it on Goodreads

Before and After the Book Deal: A Writer’s Guide to Finishing, Publishing, Promoting, and Surviving Your First Book by Courtney Maum

For you if: You’re serious about making a living as a writer and publishing with a Big 5 or major indie publisher .

Courtney Maum’s Before and After the Book Deal addresses exactly what its title suggests: what happens after you sell your first book. This book is for ambitious writers intent on submission who know they want to write and want to avoid common pitfalls while negotiating terms and life after your debut. As many published authors would tell you, the debut is one thing, but following that book up with a sustainable, successful career is another trick entirely. Fortunately, we have Maum’s book, packed with to-the-moment details and advice.

How to read it: Purchase Before and After the Book Deal on Amazon and add it on Goodreads

Diy mfa: write with focus, read with purpose, build your community by gabriela pereira.

For you if: You’re stressed out wondering if you really need an MFA .

The MFA is under this header “business of writing” because it is absolutely an economic choice you make. And, look, I’m biased. I’m getting an MFA. But back when I was grappling with whether or not it was worth it—the debt, the time, the stress—I consulted with DIY MFA , an exceptional guide to learning how to enrich your writing craft, career, and community outside the structures of an MFA program. I’ve also more than once visited the companion site, DIYMFA.com , to find a kind of never-ending rabbit hole of new and timeless content on the writing life. On DIYMFA.com and in the corresponding book, you’ll find a lively hub for author interviews, writing craft shop talk, reading lists, and business of writing articles.

How to read it: Purchase DIY MFA on Amazon and add it on Goodreads

Mfa vs. nyc by chad harbach.

For you if: You’re wondering how far an MFA really gets you—and you’re ready to learn the realities of the publishing world .

About a thousand years ago (well, in 2007), I spent the fall of my sophomore year of college as a “Fiction Submissions and Advertising Intern” for the literary magazine n+1 , which was co-founded by Chad Harbach, who you might know from his buzzy novel, The Art of Fielding . In MFA vs NYC , Harbach offers his perspective as both an MFA graduate and someone deeply enmeshed in the New York City publishing industry. This thought-provoking look at these two arenas that launch writers will pull the wool up from your eyes about how publishing really works . It’s not just Harbach’s voice you get in here, though. The book, slim but mighty, includes perspectives from the likes of George Saunders and David Foster Wallace in the MFA camp and Emily Gould and Keith Gessen speaking to NYC’s writing culture.

How to read it: Purchase MFA vs. NYC on Amazon and add it on Goodreads

Scratch: writers, money, and the art of making a living – edited by manjula martin.

For you if: a) You’re worried about how to balance writing with making a living; b) You’re not worried about how to balance writing with making a living .

Scratch: Writers, Money, and the Art of Making a Living is alternately one of the most underrated and essential books on writing out there. This collection of personal essays and interviews all revolve around the taboo theme of how writers make their living, and it’s not always—indeed, rarely—through writing alone. Some of the many contributing authors include Cheryl Strayed ( Wild ), Alexander Chee ( How to Write an Autobiographical Novel ), Jennifer Weiner ( Mrs. Everything ), Austin Kleon ( Steal Like an Artist ), and many others. Recently a young woman asked me for career advice on being a professional freelance writer, and I made sure to recommend Scratch as an eye-opening and candid read that is both motivating and candid.

How to read it: Purchase Scratch: Writers, Money, and the Art of Making a Living on Amazon and add it on Goodreads

Write to market: deliver a book that sells by chris fox.

For you if: You don’t know why your books aren’t selling—and you want to start turning a profit by getting a real publishing strategy

So you don’t have to be an indie author to internalize the invaluable wisdom you’ll find here in Write to Market . I first heard about Write to Market when I first joined the 20Booksto50K writing group on Facebook , a massive, supportive, motivating community of mostly indie authors. Everyone kept talking about Write to Market . I read the book in a day and found the way I looked at publishing change. Essentially, what Chris Fox does in Write to Market is help you learn to identify what are viable publishing niches. Following his method, I’ve since published several successful and #1 bestselling books in the quotations genre on Amazon . Without Fox’s book, I’m not sure I would have gotten there on my own.

How to read it: Purchase Write to Market on Amazon and add it on Goodreads

And that’s a wrap what are some of your favorite writing books, share this:, you might be interested in.

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Sarah S. Davis is the founder of Broke by Books, a blog about her journey as a schizoaffective disorder bipolar type writer and reader. Sarah's writing about books has appeared on Book Riot, Electric Literature, Kirkus Reviews, BookRags, PsychCentral, and more. She has a BA in English from the University of Pennsylvania, a Master of Library and Information Science from Clarion University, and an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts.

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10 Best Books to Boost Your Writing and Creativity

Great writers have two things in common: They practice, always working to get better at it, and they read—a lot. Why not do both at the same time? These are some of the best books to read about writing. The advice, exercises and examples you’ll find will help you become better at your craft.

The books listed below cover different aspects of writing, from creativity and inspiration, to advice from the experts, to grammar and style :

Writing Down the Bones , by Natalie Goldberg

Steal Like an Artist: 10 Things Nobody Told You About Being Creative , by Austin Kleon

Big Magic , by Elizabeth Gilbert

On Writing , by Stephen King

Bird by Bird , by Anne Lammott

Stein on Writing , by Sol Stein

On Writing Well (30th Anniversary Edition) , by William Zinsser

It was the best of sentences, it was the worst of sentences. , by June Casagrande

Dreyer’s English , by Benjamin Dreyer

The Elements of Style , by Strunk and White

Creativity and inspiration

These are my top three picks for books that’ll encourage you to write and live more creatively . If you only have time to read one, I suggest Big Magic —it’s the most inspiring of the bunch. If you’re looking for something with more exercises and concrete tips, start with Writing Down the Bones or Steal Like an Artist . Looking for more books on creativity? Check out The Artist’s Way or anything else by Julia Cameron.

01. Writing Down the Bones , by Natalie Goldberg

Best for: Writers from all backgrounds, genres and levels.

Read it when: You’re feeling stuck with your writing career, need some inspiration, or just have good ol’ writer’s block.

Fondly called ‘ Bones ’ by other writers, this book is like taking your inner writer to therapy. Explore not just how you write, but why . Become mindful of your unique pain points as a writer, think about what being a writer means to you, and find the best way to move forward from where you are now—even if you’re feeling like you’ll never make it as a writer.

Goldberg herself had her share of rejection: Writing Down the Bones was turned down by seven big publishing houses, before being accepted by a new and small publisher called Shambhala. Now, there’s a 30th edition with a foreword by Julia Cameron.

The author sprinkles writing prompts and creativity exercises throughout the book—the goal is to help you explore and get connected to yourself. One exercise I had a lot of fun with was to take ten minutes and write about a meal you love. In no time, I was deep in nostalgia about my mom’s baked salmon and leafy-green salad. It can be tempting to skip the exercises, especially once you enter “reading mode”, but you’ll get a lot more out of the book by taking a few minutes to try them.

Goldberg’s main mission is to encourage you to simply write . Not to go out and find a writing class, not to force yourself to “just write” for 10 minutes a day—but to really sit down and put your whole self into it. If you’re watching the clock and writing because you heard somewhere that you need to write every single day, then your heart isn’t really in it. So go deep and speak your truth—with your writing and also in your life.

“That is the challenge: to let writing teach us about life and life about writing.”

Buy Writing Down the Bones and read more reviews on goodreads .

02. Steal Like an Artist: 10 Things Nobody Told You About Being Creative , by Austin Kleon

Best for: Writers looking to jumpstart creative thinking.

Read it when: You’re short on time and feeling unsure of how to start your next project.

Kleon, a self-described “writer who draws”, authored multiple best-selling books about creativity. In this New York Times hit, he gives ten tips for getting in touch with your inner artist. It’s quick and fun to read (I read it in about an hour). Even if you’ve already read many books in the genre, this one still delivers.

The author starts out by calling out obstacles that get in the way of being creative—the pressure to be “original” and the all-too familiar imposter syndrome . Kleon wants you to get inspired by work you admire, because there isn’t anything out there that’s truly original. Everything is based on something that already exists. Even if you don’t feel ready, just start making things. “Ask anybody doing truly creative work, and they’ll tell you the truth: They don’t know where the good stuff comes from. They just show up to do their thing. Every day.”

What resonated with me the most in this book is the importance of movement and using your hands when being creative. For his first book, the author used a newspaper and a black marker to write a best-selling book of poetry. His writing process was hands-on, engaging most of his senses - touching the newspaper, the sound and smell of the marker, the sight of words being blacked out. Bringing this practice into my own life, I’ve finally taken my new Paint by Numbers kit out of its packaging.

“Draw the art you want to see, start the business you want to run, play the music you want to hear, write the books you want to read, build the products you want to use—do the work you want to see done.”

Buy Steal Like an Artist and read more reviews on goodreads .

03. Big Magic , by Elizabeth Gilbert

Best for: Anyone who wants to live a more creative life.

Read it when: Anytime, but it’s an especially great pick-me-up if you’ve just gotten a rejection letter.

In Big Magic , Gilbert gives her take on what creativity is, how to bring more of it into your life, and how fear of rejection stands in the way. It’s obvious how much Gilbert enjoys writing and putting her work out there—and that’s what makes it so fun to read. I just didn’t want this book to end.

My personal takeaway here is learning how to cope with my own feelings of failure as a writer. Hearing her stories of rejection and success is inspiring, and makes me want to rewire my own reactions to criticism I get at work.

“I decided to play the game of rejection letters as if it were a great cosmic tennis match: Somebody would send me a rejection, and I would knock it right back over the net, sending out another query that same afternoon.”

Speaking of cosmic tennis matches—if you’ve read other books by Gilbert, you may already be familiar with the way she plays with anthropomorphism. It’s one of my favorite things about her writing style. In Big Magic , she gives ideas (artistic, scientific, religious, etc.) their own persona, turning abstract concepts into concrete companions that can go a long way helping writers.

“Ideas spend eternity swirling around us, searching for available and willing human partners…When an idea thinks it has found somebody—say, you—who might be able to bring it into the world, the idea will pay you a visit...The idea will not leave you alone until it has your fullest attention. And then, in a quiet moment, it will ask, 'Do you want to work with me?'”

Buy Big Magic and read more reviews on goodreads .

Advice from the experts

These are my top four picks for general writing tips from the pros. If you only have time to read one book in this category, I’d go for On Writing Well by William Zinsser because it touches on many different aspects of writing that’s relevant to most writers—or Stein on Writing , if you want to improve your storytelling skills.

04. On Writing , by Stephen King

Best for: (Mostly) fiction writers.

Read it when: You want quality advice from a writer, but also want to read a memoir.

Stephen King’s On Writing is a classic, and was highly recommended to me by other writers. He starts off by telling us about how he got to be a writer, his early struggles, and how he eventually found success.

Personally, I didn’t LOVE the memoir-ish first half of the book. I included it because so many others have enjoyed it, and, you know—classic and all that. If I wasn’t writing an article about writing books, I’m not sure I would have finished it—but I’m glad I did, because the good stuff really comes towards the end.

His advice focuses mostly on how to build a story and develop characters, as well as some more technical, grammar-related tips. I especially enjoyed his passion for grammar: “I believe the road to hell is paved with adverbs, and I will shout it from the rooftops.”

Two lessons I’m taking with me into my writing life are to not show anyone my work until after my first draft (so that I have space to come up with my own feelings about it), and a formula for cutting words: Second draft = First draft - 10%. I already try to remove any unnecessary fluff from my writing when I revise, but I never thought about it in such a structured way. King suggests moving onto other projects before going in for a second draft—the time away helps distance you from the words, making it less “yours”—and that’s what makes it easier to cut.

No one said writing was easy—so it’s comforting to know that even best-selling authors struggle with it.

“Writing fiction, especially a long work of fiction, can be a difficult, lonely job; it’s like crossing the Atlantic Ocean in a bathtub.”

Buy On Writing and read more reviews on goodreads .

05. Bird by Bird , by Anne Lammott

Best for: Fiction writers, memoir writers.

Read it when: You feel stuck or frustrated with your writing, and want to know you’re not alone.

As with King’s On Writing , this one came highly recommended by both Google and other writers. And just like King’s book, it was hard for me to get into it—but the rest of the book made it worth it.

Reading this book was like sitting down with an accomplished writer and hearing the real deal about the writing process—the failures, the hopes, that letter from her editor that made her cry, and everything in between. It felt nice to know that even “real” writers don’t get it right the first time.

My favorite advice from Lammot is her wise words about getting feedback on your work from people you trust, before you show it to editors. She compares it to when you’re getting ready for a party: If there’s someone there to gently let you know that maybe that specific dress isn’t so flattering, you might be disappointed for a minute, but then you’re relieved that at least you’re still at home and have a chance to change before showing up in public.

This advice is very timely for me, because I’ve just been thinking about why it’s so easy for me to take criticism from specific colleagues, while the same feedback from others makes me question my decision to even be a writer.

Lammot’s encouraging words throughout the book are here to remind that you’re not alone in your struggle, that many writers struggle with self-doubt, and the importance of not giving up.

“Writing a first draft is very much like watching a Polaroid develop. You can’t - and in fact, you’re not supposed to - know exactly what the picture is going to look like until it has finished developing.”

Buy Bird by Bird and read more reviews on goodreads .

06. Stein on Writing , by Sol Stein

Best for: All writers (fiction and nonfiction) who want to engage readers with a captivating narrative.

Read it when: You want to improve your storytelling.

The art of storytelling isn’t just for fiction—it’s what makes people interested enough to keep reading, whether you’re writing a novel or reporting on local politics . The key to engaging readers and providing them with an emotional experience is to show, not tell.

Using his experience as an editor and publisher, Stein provides a guide in sharpening your storytelling skills, from creating suspense, developing compelling characters, writing good dialogue, coming up with a title that intrigues readers—and offers a new approach to revising your first draft. He calls it “triage” and advocates for looking at major parts of your story (like characters, scenes, and actions) before doing a thorough revision. Even nonfiction writers can apply this to their work—the idea being that you should find and fix major issues in your work before you start going line by line.

By the time your project is done, you want each word to have a purpose. My professional writing life usually consists of trying to cut words wherever possible—I’m always looking for ways to make sentences shorter, tighter, simpler. But sometimes extra words are necessary to make your writing memorable and give your readers a clear visual. Here’s an example Stein gives:

“Vernon was a heavy smoker” vs. “ When a waitress heard Vernon’s voice she always guided him to the smoking section without asking.”

The second version gives you a tactile experience of what Vernon sounds like, and is more interesting to read. Even though it adds quite a few more words, it engages readers more and brings them into the story. Which is really the whole purpose of writing, isn’t it?

“You wouldn’t feed cardboard meals to guests. Don’t feed cardboard meals to your characters. Make your reader’s taste buds pop, even if he's from outer space.”

Buy Stein on Writing and read more reviews on goodreads .

07. On Writing Well (30th Anniversary Edition) , by William Zinsser

Best for: Everyone, especially nonfiction writers.

Read it when: You’re looking for a straightforward guide to improving your writing.

Zinsser is a writer, editor, and teacher - and he has great advice for anyone looking to sharpen their writing skills. You’ll learn how to start and end your writing piece, how to revise, and how to write clearly and concisely. Some parts of the book are geared towards nonfictions writers—like the chapters dedicated to specific types of writing (e.g., culture, sports, and travel), but a lot of his advice is helpful to all writers, like his philosophy of revisions:

“I don’t like to write; I like to have written. But I love to rewrite. I especially like to cut: to press the DELETE key and see an unnecessary word or phrase or sentence vanish into the electricity. I like to replace a humdrum word with one that has more precision or color...With every small refinement I feel that I’m coming nearer to where I would like to arrive, and when I finally get there I know it was the rewriting, not the writing, that won the game.”

Two tips from Zinsser that I’m already putting into practice: not visualizing the end result, and removing qualifiers from my writing. The first one resonates with me right now because I’m three years into working on a family memoir, and visualizing the final result has kept me paddling in the “research” and “interviewing” phase—now I put my focus back on the writing itself. As for the second one, I always scan my work now to check for qualifiers that make my words seem less confident, like: a bit , sort of , rather , quite , pretty much , etc. These phrases take away from the impact your words can have on the reader.

“Readers want a writer who believes in himself and in what he is saying. Don’t diminish that belief. Don’t be kind of bold. Be bold.”

Buy On Writing Well and read more reviews on goodreads .

Grammar and style

Your idea of fun probably isn’t to spend your weekends cozying up with tea and a stack of grammar books. Most grammar books are dry and not what I’d describe as light, fun reading. That’s why my goal was to find ones that are educational, but not boring. Only have time to read one book in this category? I’d go for It was the best of sentences, it was the worst of sentences. —it’s entertaining, and the author makes grammar fun.

08. It was the best of sentences, it was the worst of sentences. , by June Casagrande

Who is this book for: Anyone looking to write better sentences or brush up on their grammar.

Read it when: You want a quick guide to grammar that gets you back to basics.

A journalist and editor, Casagrande breaks down the basics of grammar in a way that’s easy to understand, and explains how to use it to improve each sentence you write. And with a touch of humor and wit, she makes it fun to read, too. For example, as writers we may instinctively know that these sentences are bad, but Casagrande digs into the grammar to explain why:

“Running down the street in high heels, my dog was too fast for me to catch.” (Dangling participle—sounds like your dog was wearing the heels!)

“She was awarded a national book award in fiction as well as a finalist for the Pulitzer Prize.” (Faulty parallelism—award and finalist don’t match.)

This book changed how I looked at grammar. Until now, I mostly got my words down and then made sure everything was grammatically correct. Now I think about how I use the principles of grammar as I work, rather than something to just check off my list.

“Yet, all great writing has one thing in common. It starts with a sentence. The sentence is a microcosm of any written work, and understanding it means understanding writing itself - how to structure ideas, how to emphasize what’s important, how to make practical use of grammar, how to cut the bull, and, above all, how to serve the almighty Reader.”

Buy It was the best of sentences, it was the worst of sentences. and read more reviews on goodreads .

09. Dreyer’s English , by Benjamin Dreyer

Read it when: You want to indulge in some grammar-snobbery and read about common writing mistakes.

As a copyeditor, Dreyer has seen it all, and he’s sharing the most common writing mistakes even experienced writers have made. I started reading for the grammar and style advice, and I kept reading for the author’s wit and pop-culture references:

“At some point in your life, perhaps now, it may occur to you that the phrase ‘aren’t I’ is a grammatical trainwreck. You can, at that point, either spend the rest of your life saying ‘am I not?’ or ‘amn’t I?’ or embrace yet another of those oddball constructions that sneak into the English language and achieve widespread acceptance, all the while giggling to themselves at having gotten away with something.”

Insights like that made this book both informative and fun to read. A warning, though: At times his cleverness does get the better of him. His elitist tone can get a bit grating, and sometimes I had to reread sentences multiple times to understand what he was saying (which I felt was ironic for a book about improving your writing skills).

My favorite part of this book was his section on phrases with redundant words. I tend to overexplain and that probably means I use redundant phrases more often than I should. Here’s what he says about “fetch back”:

“To fetch something is not merely to go get it but to go get it and return with it to the starting place. Ask a dog.”

This book doesn’t have the same cult status as The Elements of Style (the next one in the list), but its humor made it a lot more enjoyable to read.

Buy Dreyer’s English and read more reviews on goodreads .

10. The Elements of Style , by Strunk and White

Read this book when: Anytime, but mostly just so you can say you’ve read it.

This book is a classic, and appears on almost any list of “books that writers should read”. Strunk published the first edition of this guide in 1918, and it’s been a must-have for writers ever since. More recent editions have been edited and updated by White, a student of Strunk.

In a straightforward, no-nonsense style, Strunk and White lay out the basics to grammar and good writing—everything from using hyphens properly to writing concise sentences. Just note that some rules outlined in the book might not apply to writing that’s more informal.

The parts of this book I enjoyed most was when a bit of humor peeked through:

“The hyphen can play tricks on the unwary, as it did in Chattanooga when two newspapers merged - the News and the Free Press . Someone introduced a hyphen into the merger, and the paper became The Chattanooga News-Free Press , which sounds as though the paper were news-free, or devoid of news.”

Tip: If you’re planning to read this one, I recommend getting the version that’s illustrated by Maira Kalman—the beautiful paintings add a nice touch.

Buy The Elements of Style and read more reviews on goodreads .

After reading all of these great books (and a few others that didn’t make it to this list), I noticed one thing that came up over and over again: Learn the rules before you decide whether you want to follow them. Read as much as you can about the art of writing. Once you’ve got the basics down, once you know all the “writing rules”, that’s when you can have fun and start breaking them —with confidence.

What’s your favorite book on writing? Share your top picks in the comments below.

Looking to start a blog ? Wix has got your covered with thousands of design features, built-in SEO and marketing tools, that will allow you to scale your content, your brand and your business with their blog maker.

Lana Raykin, UX Writer at Wix

From New York, now lives in Tel Aviv. Loves good food, good books, and her golden retriever.

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18 of the Best Books on Writing (Updated for 2023)

Table of contents

Ashley R. Cummings

The need for writers isn’t going away. The U.S. Bureau of Labor Statistics projects the employment of writers and authors will continue to grow by 4% from 2021 to 2031 . And it’s projected that there will be an average of 15,000 job openings for writers and authors each year.

While there’s a huge need for writers, it’s also projected future writers will invest anywhere from $7000 to $40,000 to learn the craft. Gasp!

But there’s good news. You don’t necessarily need to invest $40K into a degree to learn how to write. There are countless books that will help you become the writer you’ve always dreamed of becoming and will help you earn money straight out of the gate.

Here’s a list of the top eighteen books that will prepare you for your writing career. ‍

“Read, read, read. Read everything  —  trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it's good, you'll find out. If it's not, throw it out of the window.” — William Faulkner

Best books on writing for business and marketing

Marketing is so important the U.S. spent more than $17 billion in 2021 on marketing data. A large part of marketing is knowing how to write marketing materials that engage audiences. Marketing is also one of the most lucrative freelance writing niches.

When marketing and selling anything, the words you choose to represent your products and brand are critical—these books will help you find the right ones.

1. Lost and Founder by Rand Fishkin

Best for : Entrepreneurs and marketers in the SaaS space

In his book Lost and Founder, Fishkin walks readers through the process of creating a startup. He’s very transparent and doesn’t leave anything out—the roses and the warts are on full display. Lost and Founder is a wealth of first-hand experience that any new startup can learn from.

Most of this book is about all the steps involved in creating a startup, but he also goes through how to write pitches and marketing strategies that worked for him.

Furthermore, if you want to write for startups, it’s important to understand everything that goes into creating a startup. This will help you meet the writing needs of a startup, regardless of what stage it may be in.

2. Killing Marketing by Joe Pulizzi & Robert Rose

Best for : Modern marketing strategies/techniques

Joe Pulizzi and Robert Rose are founders and partners who love content marketing. In their book Killing Marketing, they say content isn’t just marketing; it’s an essential business strategy. 

This book focuses mostly on modern digital marketing techniques. It addresses how marketing has gone from creating ‘sale’ posters to being an essential part of adding value to a brand or company. Pulizzi and Rose use anecdotes and data from their own experiences to illustrate content writing and marketing techniques.

3. Predictably Irrational by Dan Ariely

Best for : Experienced marketers looking to fine-tune writing/strategies

Predictably Irrational isn’t so much a book about writing as a book that can help writers understand what motivates us humans—which is essential for any great writer to understand.

Dan Ariely is an expert in behavioral economics, which studies how people behave when they perform any sort of action (e.g.,. shop, get married, apply for jobs, etc.).

Ariely and his team used experiments to see how suggestion, context, and even subliminal messaging can affect people’s behavior. To illustrate this point, Ariely uses an example where his team created a test that was easy to cheat on. 

Then, his team had respondents take the test again, but reminded them of any sort of moral code (like the ten commandments or even a fake ‘honor code’) right before taking the test to see if people cheated less after the reminder. You’ll have to read to find out the results, but I bet you can guess what happened.

This book is most beneficial for experienced writers and marketers looking to understand their audience on a deeper level.

Best books for copywriting

The biggest issue for copywriting (especially digital copywriting) is people don’t really read things all the way through anymore. 

According to a 20+ year study done by the Nielsen Norman Group , eye tracking research confirms that most internet users only skim and skip around a webpage for relevant info. That means copywriters must understand how to capture the attention of these skimmers and skippers. Here are books that will teach you the ins and outs of successful copywriting.

4. Ogilvy on Advertising by David Ogilvy

Best for : Learning the fundamentals of advertising

Ogilvy on Advertising is admittedly an older book that was first published in 1983. But it’s still considered one of the foremost texts for beginner copywriters and even marketers. It goes over all the fundamentals of advertising and how to write compelling copy.

If you’re new to copywriting and marketing in general, this book uses real life examples to illustrate advertising concepts. And although some of the advice about getting jobs and how to market in foreign markets may be out of date, Ogilvy’s lessons on things like research and brand image are still relevant today.

5. Hey Whipple, Squeeze This by Luke Sullivan

Best for : Creating visual stories

Luke Sullivan has been a successful advertiser for over 30 years. He’s worked at elite agencies, taught, consulted and trained. His book, Hey Whipple, Squeeze This , uses real life examples like Charmin’s advertising campaign of the 1960s and 1970’s (the namesake of the book) to illustrate all aspects of advertising. 

Sullivan goes through everything from how to protect your work to how to write for social media. The book is snarky and witty and gives you a glimpse of what it feels like to work in the creative department at an ad agency. 

6. Finding the Right Message by Jennifer Havice

Best for : How to research your audience

Finding the Right Message is all about delving deeper into understanding what makes your customers tick. It offers step-by-step guides on things like:

• How to craft customer-centric messages
• The types of questions to ask when conducting interviews and surveys
• How to research your customers and the market

Havice offers insight into how to study your audience. She then goes through how you can create messages that will pique your audience’s interest. Using her expertise as a messaging strategist and copywriter, she goes over all the things a copywriter needs to reach their audience.

Best books for longform writing

The average time spent on any webpage is 54 seconds. So, it’s important for longform articles to really engage readers in order to keep them reading for more than 54 seconds. Learning how to write engaging longform articles and books may not come naturally, but here are some books to lead you in the right direction.

7. Writing Feature Stories by Matthew Ricketson & Caroline Graham

Best fo r: Comprehensive writing fundamentals

Matthew Ricketson and Caroline Graham go over the fundamentals of writing engaging and informative longform writing in their book, Writing Feature Stories . They help both journalists and blog writers go beyond the basic who, why, what, where, and when. 

This book will help you generate new ideas, teach you how to do research for your stories, how to edit your work, and how to find the best platform for your work. Using all the information Ricketson and Graham provide, it’ll also help you get over any fear of longform writing.

8. Stein on Writing: A Master Editor of Some of the Most Successful Writers of Our Century Shares His Craft Techniques and Strategies by Sol Stein

Best for : Novelists

Sol Stein is a well known editor and teacher that uses practical and his own real-world experiences to help writers write better. Stein on Writing gives writers practical ways to improve their writing instead of relying on theory. 

A lot of this book is focused on helping novelists with creating more interesting characters, more realistic dialogue, and structure. But it also goes over things like how to trim the fat away from your writing and more efficient ways to edit and revise your drafts.

9. How to Write a Lot by Paul Silvia

Best for : Motivation and practical strategies

The title says it all. Paul Silvia uses his book, How to Write a Lot to help you become a more efficient and effective longform writer. He uses practical strategies that even go through how to make a schedule, how to get over writer’s block, and ultimately how to write like a professional.

Best books for essay writing and academic writing

Whether you’re trying to write OpEds for the New Yorker or just finishing your term paper, you can use these books to learn how to write effective essays for the world of academia.

10. A Professor’s Guide to Writing Essays: The No-Nonsense Plan for Better Writing by Dr. Jacob Newman

Best for : Straightforward and practical writing

If you feel intimidated by academic writing, A Professor’s Guide to Writing Essays is a great book to help you overcome that. Dr. Jacob Newman has been a professor for a long time and uses his experiences to help writers navigate the world of academia. 

Giving useful tips and real world examples, Dr. Newman helps to dispel the idea that academic writing is any different from other kinds of writing. His book is straightforward and practical and focuses on helping students, professors, and anyone else looking to conquer writing academic papers.

11. Stylish Academic Writing by Helen Sword

Best for : Analysis of real articles and essays

Helen Sword believes that data deserves to be presented in an elegant way. Her book Stylish Academic Writing , presents her analyses of over a thousand peer-reviewed articles (on all subjects) that show how important it is for academic writers to know how to write well.

She shows readers the skills they can learn through the examples in her book. Sword will make you a believer that compelling data should be presented with compelling writing. Slapping data onto a page just isn’t good enough anymore. 

12. Simple and Direct: A Rhetoric for Writers by Jacques Barzun

Best for : Exercises that help readers learn concepts

Jacques Barzun was a noted teacher, historian and author. His book Simple & Direct, is just that. He uses a no-nonsense style to help writers improve their technique.

Simple & Direct may have been published in the 70s, but the writing exercises, model passages, and examples provided in the book are a treasure trove for any writer looking to better their craft.

Books that relate to writing in 2022

If you’ve ever watched an episode of Mad Men, you know that advertising must change with the times. Not only does the medium change (e.g., newspapers, radio, TV, internet, etc.) but so does your audience. 

For example, Baby Boomers were concerned with security, Gen Xers were concerned with buying things, millennials cared about buying experiences, and Gen Zers care about supporting companies that have the same beliefs as them. 

So while you can keep the same foundational concepts, there are things writers must learn as they write for the 21st century.

13. The Sense of Style: The Thinking Person’s Guide to Writing in the 21st Century by Steven Pinker

Best for : Relating to all types of writing

Steven Pinker is a Harvard psychology professor who has used his own research and experience to write, The Sense of Style . In this book, writers will learn writing techniques to create compelling prose and Pinker gives real-world examples to help illustrate his points.

If you’re looking to infuse more style into your writing and interested in making your writing stand out in today’s day and age, then this is the book for you.

14. You Are a Writer (So Start Acting Like One) by Jeff Goins

Best for : Bloggers, content creators, indie authors

“Dress for the job you want” and “fake it ‘till you make it.” The idea that you should start acting like the writer you want to be is exactly what Jeff Goins addresses in his book, You are a Writer .

This book is a guide that will help writers in their craft, work ethic, and in marketing their material. It’s perfect for bloggers, content creators, and anyone who has been waiting to fulfill their dream of becoming a full-time writer.

15. The End of Marketing : Humanizing Your Brand in the Age of Social Media and AI by Carlos Gil

Best for : focus on engagement

Carlos Gil breaks down the science of modern marketing in his book The End of Marketing . He breaks down essential topics like:

• What modern audiences want
• Storytelling
• How to get attention on social media and how to use social media as feedback
• How to be genuine
• How to find your customers

The End of Marketing unravels the mysteries of influencers, social media algorithms, and staying on trend. It’s a must read for any writer today.

Books on writing for social media

There are over 4.7 billion active social media users worldwide. In a global survey done by Statista in 2022, 61% of marketers said they would increase their usage of Instagram and 37% said they’re increasing usage of TikTok advertising. Social media isn’t going away, and it always needs content, which means, it needs good writers.

16. Everybody Writes : Your Go-To Guide to Creating Ridiculously Good Content by Ann Handley

Best for : Bloggers and content creators

Everybody Writes teaches readers not only how to write, but also how to engage audiences with truthful storytelling. She offers practical how-tos for writing technique, publishing, and even how to find content ideas. 

Ann Handley’s Everybody Writes is one of the most highly rated overall writing books, and is especially helpful for those looking to write for social media. She also recently released an updated version with new examples.

17. Brand Storytelling: Put Customers at the Heart of Your Brand Story by: Miri Rodriguez

Best for : Step-by-step guide on how to build a brand story

Miri Rodriguez is an award winning storyteller and creative journalist at Microsoft. In her book Brand Storytelling she shows readers the importance of creating an emotional connection with your audience.

She uses case studies and interviews to show readers how, in this world of digital screens and AI, human connection will always win out. 

18. Faster, Smarter, Louder: Master Attention in a Noisy Digital Market by Aaron Agius and Gián Clancey

Best for : How to grow business from start to multimillion global company

Aaron Agius and Gián Clancey are the founders of the successful global marketing firm Louder.online. But they weren’t always successful, they actually first went into business together in 2008, but that business didn’t work out and forced them to move back home to Australia. But their experiences made them write Faster, Smarter, [and] Louder. 

This book gives writers technical and practical tips on how to gain credibility, increase online traffic, and engage with audiences. 

Read to become a better writer!

This list is just a start. If you want to be a writer, you don’t have to spend a lot of money, all you need is a library card or a connection to the internet.

In fact, even if you don't have time to learn how to write, that’s no longer an obstacle either. There are several AI and editing tools that will write content for you and help you fine-tune your sentences to stand out from other writers. There are also blogs that will give you all the resources and info you need to become a stellar writer. 

So stop sitting around thinking “one day” you’ll be a writer. As Stephen King said in On Writing , “You can, you should, and if you’re brave enough to start, you will.”

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10 Books to Improve Your Creative Writing Skills

If you’re looking to improve your creative writing skills, there’s no better place to start than reading. Reading helps us to learn concepts consciously and sometimes even learn new skills unconsciously as we pick up the stylistic choices of the authors we read. So it’s no wonder that we need to choose the books we read carefully if our goal in reading is to improve our writing!

The books below offer a range of styles and each one focuses on different skills that are important–specifically if you are interested in nonfiction/creative nonfiction genres like travel writing. Some offer how-to guides to structure, style, and storytelling; others are learn-by-osmosis books that you may like if you want to develop a specific skill like description or shaping stories.

Either way, let’s jump in and discover ten books that should be on your reading list if you’re looking to improve your writing skills!

Books That Teach Writing Skills

These books–specifically tailored to learning the craft of writing–will help answer your burning questions and call attention to aspects of writing you may never have considered before!

1. Writing for Story: Craft Secrets of Dramatic Nonfiction by Jon Franklin

In Writing for Story , Jon Franklin offers excellent insight into the process of writing a story from real life–taking you on a journey from story conception, to structuring your story, to polishing before publication. Regardless of your current stage in story-writing development, this how-to guide will provide clear steps that you can follow to improve your own writing.

2. The Elements of Style by William Strunk Jr. and E.B. White

This classic guide to writing style should have a place on every writer’s bookshelf. With sections on grammatical usage, composition, words and expressions, and more, The Elements of Style succinctly shares tips on common issues in using the English language. In the age of the internet with all sorts of materials available at our fingertips, this book still packs a punch due to its clear organization and concise nature. You’ll find yourself coming back to it time and time again!

3. Eats, Shoots & Leaves by Lynne Truss

Pick it up for the title–stay for the witty discussion of good punctuation. Where does the title come from, you ask? An old joke about ambiguous punctuation that goes like this…

A panda walks into a café. He orders a sandwich, he eats it, then he draws a gun and proceeds to fire it at everyone in the café. “Why?” asks the confused and sole-surviving waiter amidst the carnage, as the panda moves towards the exit. The panda produces a badly punctuated wildlife manual and tosses it over his shoulder. “Well, I’m a panda,” he says. “Look it up.” The waiter turns to the panda entry in the manual and, sure enough, finds an explanation. “Panda. Large black-and-white bear-like mammal, native to China. Eats, shoots and leaves.”

If this joke is right up your alley, then you are sure to enjoy Lynne Truss’ humorous and delightful approach to punctuation. After all, what’s better than learning without feeling like you’re learning?

4. The Writer’s Mind: Making Writing Make Sense by Michael Adams

This book is an oldie but a goodie, and is actually where I first got my start in writing . Part of its charm is its numerous, specific examples that illustrate the concepts Adams discusses. He won’t just tell you a principle–he illustrates it thoroughly with examples from famous authors. There are also a plethora of writing prompts throughout the book to help you practice your newfound techniques!

5. Made to Stick: Why Some Ideas Survive and Others Die by Chip Heath and Dan Heath

Although this book is not necessarily about writing, per se, it is about storytelling and effectively conveying ideas to audiences in “sticky” ways–both of which are concepts that a good writer should understand and be able to use! The Heath brothers will teach you their six principles of “stickiness,” but you won’t ever feel bored because they practice what they preach and use their own principles to make sure the learning process is enjoyable and sticky!

Books to Learn by Osmosis

Part of learning how to improve or polish your writing is learning “by osmosis,” if you will. Put another way, you’ll learn a lot more than you expect while you simply read! (This is probably the biggest way new writers learn to improve their abilities).

Style is, of course, quite subjective…and there are plenty of choices for reading material. But here are five suggestions of some of my favorites to get you started exploring different styles. Let’s get those reading muscles working!

6. Wind, Sand and Stars by Antoine de Saint-Exupéry

This riveting memoir by French author Antoine de Saint-Exupéry combines the best of beautiful language with the exciting subject of life as an aviator in the early 1900s. In Wind, Sand and Stars , like in his most well-known work The Little Prince , Saint-Exupéry somehow manages to make his work both timely and timeless as he confronts life and death as a pilot and explores all sorts of intellectual conundrums that accompany these questions. By reading this book, you will rediscover the beauty and timelessness of language and will be inspired to try to write as beautifully as he does!

7. The Mysterious Benedict Society by Trenton Lee Stewart

“What’s that,” you gasp. “A children’s book? On a list of books to improve your writing?!” Yes, indeed it is. Part of what makes this book so captivating (and what makes it make this list) is the way it is told–clever and suspenseful and thoroughly smart. It’s a fun read, but one that also plays with story and clichés in interesting ways. If you’re looking for something slightly unusual and different from your normal reads, or looking to expand your understanding of story-writing style, why not give this children’s book a try?

8. Pride and Prejudice by Jane Austen

What list of books to improve your writing would be complete without a couple classics? Jane Austen’s work makes this list because it is the work of a master–in terms of description and in terms of understanding and conveying humanity. Even if you don’t love this genre, you can learn a lot about writing and conveying likable and unlikable characters in your nonfiction or fiction works.

9. The Great Gatsby by F. Scott Fitzgerald

Next on our list is the novel we all know and love/hate from American high schools. If you somehow escaped reading it, now’s the time. If you’ve already read it, consider a re-reading. I’m not actually a Fitzgerald fan…but The Great Gatsby deserves its place on this list because it has been so influential to our society and really embodies cultural ideas as well as the idea of timelessness in a novel. It has been called lyrical and sophisticated, and certainly there is a lot to learn about imagery and description within this work that makes it well worth a read and a study for anyone looking to improve their writing.

10. Tender Buttons by Gertrude Stein

Lastly, looking for something completely different to inspire your writing improvement? If you haven’t read anything by Gertrude Stein yet, you are in for a treat…and a big surprise! Stein’s avant garde style makes her writing seem to move through space rather than time. Some call it confusing, some call it beautiful, some call it human…but regardless, Tender Buttons will open your eyes to new uses of language and the careful choices that should always go into crafting sentences and stories.

What books would you add to this list? Share in the comments below!

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17 Best Books on Writing to Improve Your Fiction Writing Skills!

What are the best books on writing to help you improve your fiction writing skills? Here, I’ll list some of my favorite titles. These creative writing books carry a wealth of incredibly useful style tips, plot structuring ideas, and other advice to guide your authorial efforts.

I think these books about writing will give you the confidence to dive into your passion with greater ease. However, please also remember that very few authors enjoy overnight success. Instead, we all need many years of practice to fine-tune our writing skills. So, be sure to stay committed and keep those ideas coming!

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My list of best books on writing to enhance your fiction writing skills.

1. on writing: a memoir of the craft.

Who doesn’t know Stephen King? An international household name, King has given us some of the most iconic horror stories of all-time, selling millions of books along the way.

The first half of On Writing is essentially King’s memoir of his early life as an author. This is a highly engrossing read in and of itself!

However, I think aspiring creative writers will especially love the second part. Here, King shares concrete fiction writing tips to help us on our journey. This includes telling us how to get rid of needless adverbs, the art of showing not telling, building engaging dialogue, and so much more.

In short, I find On Writing to be one of the best books on writing available. King knows how to hook you in, all while contextually teaching you how to vastly improve your fiction writing skills.

Haven’t yet read Stephen King? Check out our list of best King books to start with for beginners!

2. The Elements of Style

The Elements of Style is widely regarded as one of the best books about writing ever, for both fiction and nonfiction authors alike. Originally published a century ago, the tips inside have largely remained timeless, helping millions to improve their authorial style along the way.

The book is a back-to-basics approach. It teaches us often overlooked grammar rules, the skill of concise writing, good sentence structures, and much more. In addition, this 2018 revised edition updates any earlier advice that might have become obsolete or less relevant in recent years.

I think it’s fair to note that quite a few reviewers still prefer the Fourth ‘pure’ edition of The Elements of Style – which includes credits to E. B. White . However, personally, I welcome the revisions made in this specific version.

In short, The Elements of Style doesn’t focus on more specific fiction writing techniques. However, it’s a solid starting point which covers the core stylistic elements of English writing that, in the long run, will empower your skills as an author. The more tools in your arsenal, the better!

3. Writing Tools: 55 Essential Strategies for Every Writer 

Roy Peter Clark is among America’s most influential writing teachers. Condensing thirty years of experience, Writing Tools is packed with some truly phenomenal tips on improving your creative craft.

The book comprises four main sections: ‘nuts and bolts’, ‘special effects’, ‘blueprints for stories’, and ‘useful habits’. Together, they’ll guide you on mastering key writing basics as you learn how to put together exciting stories that’ll pull your readers in.

In addition, I love how Clark successfully breaks down his generous info into 55 concise and easy-to-digest tips. This makes it much more convenient to flip to a specific page to remind yourself daily of good fiction writing practices to uphold.

In short, Writing Tools is by far one of the best books about writing to inspire you to greater creative heights. An incredibly valuable toolbox for all aspiring authors!

Want to improve your productivity? Check out our list of best books to enhance your work output – with fewer distractions!

4. The Making of a Story A Norton Guide to Creative Writing

Alice LaPlante offers great insights into the art of creative writing. She walks you through the entire process – from nurturing your initial idea spark to creating story arcs and characters that leap off your pages.

The Making of a Story is full of writing lessons that are all wonderfully supported with clear real-world examples (both fiction and nonfiction). In addition, LaPlante uses simple language to explain her points, keeping things both engaging and educational.

I particularly loved her chapter on how adopting different viewpoints can impact the way readers understand a story. In addition, she guides you in putting together effective dialogue that smoothly pushes your narrative along, without forsaking character development.

Overall, I highly recommend The Making of a Story as a go-to resource for anyone keen to take their creative writing to the next level.

5. Story Genius

Lisa Cron has released one of the best creative writing books on the market – with a twist! Specifically, she grounds all her tips in scientifically inspired strategies that’ll hugely aid in improving your storytelling effectiveness.

I’m really won over by Lisa’s lighthearted style that makes her creative writing points fun to learn and follow. In addition, she shares a lot of unique advice that isn’t found in most other books on writing. This includes, among other things, learning how to write strong risk / opportunity scenarios that neurologically stimulate readers to keep turning your pages.

In short, I think Story Genius works as a great companion book to The Making of a Story .

Enjoy YA dystopian fiction? Here’s our list of 15 addictive series like The Hunger Games!

6. Save the Cat! Writes a Novel: The Last Book On Novel Writing You’ll Ever Need

You gotta love the quirky title! However, beyond that, Save the Cat! Writes a Novel is a five-star reviewed treasure trove filled with awesome writing tips.

In essence, ‘Save the Cat!’ is a tried-and-tested story-writing methodology for fiction authors. Here, Jessica Brody guides you through 15 major plot ‘beats’ to help shape your novel from its early stages to completion. These cover narrative, character development, conflict and resolution, and so on.

Above all, I think the Save the Cat! approach is very useful to both ‘pansters’ and ‘plotters’. It aids everyone in striking a good balance between creative flow and coherent structure, thus keeping readers’ interests alive.

In short, if you’re looking for the best books on writing, give Save the Cat! Writes a Novel a try. You’ll take in a truckload of useful pointers that’ll inspire your writing for years to come!

7. How to Write Dazzling Dialogue: The Fastest Way to Improve Any Manuscript

Writing electrifying dialogue is a key part of great storytelling. With this focus in mind, How to Write Dazzling Dialogue specializes in helping you breathe life into all your characters and their interactions.

James Scott Bell covers a lot of ground. This includes showing you how to write riveting tension into your dialogue, tips on crafting memorable conversations, using effective punctuation for impact, and much more.

Moreover, I love the section that teaches us how to smartly mix in descriptive actions (e.g. character verbs) with powerful dialogue that sticks in readers’ minds.

An enticing plot always benefits from convincing and purposeful speech. In this regard, I consider How to Write Dazzling Dialogue to be easily one of the best books on writing available.

Ready for the undead apocalypse? Check out our list of the best zombie books to sink your teeth into!

8. The Emotional Craft of Fiction: How to Write the Story Beneath the Surface

Building a strong plot is a major part of novel-writing. However, to truly stand out, you’ll also need to stir people’s emotions. Here, Donald Maass teaches you how to evoke memorable feelings among your readers, thus elevating the overall power of your work.

The biggest takeaway I had from reading this book is the importance of revealing one’s inner and outer journeys. In other words, you’ll need to lift the veil on a character’s emotional state as he / she interacts with his / her physical environment and others.

Ultimately, Maass explains how the end-goal of all emotional storytelling is to allow readers to experience what your characters are really going through on a deeper, more visceral level.

Overall, I believe The Emotional Craft of Fiction is one of the best creative writing books that shows you the way to add emotional weight to your words.

9. Creating Character Arcs: The Masterful Author’s Guide to Uniting Story Structure

Good fiction often rests on compelling character arcs. Here, K. M. Weiland shares her approach to creating dynamic / evolving characters that work to retain readers’ interests. Much of her advice builds upon the classic Three-Act Story Structure.

Personally, I find Weiland’s tips to be highly nuanced. For example, she details how authors should avoid pitting their character arcs against the grain of the main plot. Instead, these two aspects of storytelling should compliment each other for the sake of a greater whole. In addition, Weiland consistently raises key writing questions for you to ponder over as you craft your own novel.

However, keep in mind that a lot of her book focuses on constructing ‘positive’ character arcs – less so on ‘flat’ or ‘negative’ ones.

Overall, I strongly recommend Creating Character Arcs as a good resource for strengthening your character development skills – a big asset of the creative writing process.

Keen to bloom your very own garden? Here’s our list of beginner books that’ll help you bring your garden to life!

10. Writing Down the Bones: Freeing the Writer Within

Looking for books on writing that are both fun to read and informative? Writing Down the Bones is a great place to start! Natalie Goldberg walks you through all the fiction writing basics. This includes tutorials on how to let your creative ideas flow, using verbs effectively, learning to listen as you write, and so on.

I also loved Goldberg’s coverage of less-often discussed authorial topics. For example, she explains the importance of finding an ideal physical location to write (e.g. the perfect cafe, etc.) – as well as her tips on overcoming writer’s block and self-doubt.

In addition, I think what makes Goldberg’s book unique is her weaving in of spirituality – specifically, her view of writing as a highly spiritual process. This distinct perspective separates her from other best creative writing books on this list.

Overall, Writing Down the Bones offers a little bit of everything for aspiring authors. Its spiritual tone might not be everyone’s cup of tea. However, I think the book is a great fit for anyone who sees writing as both a practical craft and psychological mindset.

Other best books on writing to look out for!

11. bird by bird: some instructions on writing and life.

With thousands of five-star reviews, I regard Bird by Bird as a proven classic filled with writing wisdom for all fiction authors. Anne Lamott dispenses tons of creative writing tips (e.g. working on your first drafts, choosing the best plot ideas, etc.).

In addition, she also explores the many meaningful joys – and challenges – of striving to become a professional writer.

12. How to Write a Novel Using the Snowflake Method

Nope, Randy Ingermanson isn’t calling you a ‘snowflake’! Instead, the Snowflake Method is a 10-step approach that maps out your entire creative writing process. The book also presents its ideas through the lens of a fictitious novelist. Meta, much?

In short, when it comes to the best books on writing, How to Write a Novel Using the Snowflake Method is an ideal fit for those looking for a zany – yet, fruitfully methodical – technique to authoring your bestseller.

Deepen your thoughts with these beginner books about philosophy!

13. Write Your Novel From The Middle

Write Your Novel From the Middle posits a distinct writing strategy – start your novel from the middle, not the beginning or end!

For bestselling writing instructor James Scott Bell, working from the middle of your plot lets you quickly uncover the true heart of your story, early on. Subsequently, you’ll find it far easier to develop the rest of your book around this narrative epicenter. Brilliant!

14. Zen in the Art of Writing: Essays on Creativity

I see Ray Bradbury as one of the best sci-fi writers of all time! So, naturally, I also fell in love with Zen in the Art of Writing . Through several essays, he shares his seasoned wisdom on how to master the craft of creative writing.

Above all, Bradbury’s highly motivational advice will inspire you to keep writing, refining your skills through passion, practice, and patience.

15. Stein On Writing

After so many years, I love how Stein on Writing has stayed relevant to millions of fiction and nonfiction authors today.

Unlike some best books on writing, Stein focuses less on strict theory. Instead, he pragmatically guides you on ‘fixing’ specific writing issues. This includes trying to liven up a flat story, repairing pacing issues, and so much more.

16. Hooked: Write Fiction That Grabs Readers at Page One & Never Lets Them Go

Ever read a book you just couldn’t put down? If so, you’ll soon realize every author needs to weave a certain kind of magic to create a true page-turner.

In this regard, Les Edgerton presents you with his special formula to consistently produce alluring scenes that hold your readers’ attention throughout. In short, Hooked teaches you all that its title suggests!

17. Writing the Breakout Novel

How do you write a novel that truly stands out the rest? Donald Maass is once again here to help! In Writing the Breakout Novel , he details many of the common characteristics that today’s bestselling books tend to share.

Eye-opening and easy-to-read, I believe this essential writing guide will greatly improve your chances of authorial success!

Know of other best books on writing? Drop us an email with your favorite creative writing books and we’ll include them in this list!

Abbey has been a freelance writer for 12 years, focusing on reviewing fantasy, romance, and sci-fi novels. She lives in Ohio and enjoys going for 2 hour walks with her dog, Mr. Sausage.

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Blog • Perfecting your Craft

Last updated on May 31, 2022

The 40 Best Books About Writing: A Reading List for Authors

For this post, we’ve scoured the web (so you don’t have to) and asked our community of writers for recommendations on some indispensable books about writing. We've filled this list with dozens of amazing titles, all of which are great — but this list might seem intimidating. So for starters, here are our top 10 books about writing:

• On Writing by Stephen King
• The Kick-Ass Writer by Chuck Wendig
• Dreyer’s Englis h by Benjamin Dreyer
• The Elements of Style by Strunk, White, and Kalman
• The Story Grid by Shawn Coyne
• A Swim in a Pond in the Rain by George Saunders
• Bird by Bird by Anne Lamott
• Mouth Full of Blood by Toni Morrison
• How to Market a Book by Ricardo Fayet
• On Writing Well by William Zinsser

But if you're ready to get into the weeds, here are 40 of our favorite writing books.

Books about becoming a writer

1. on writing by stephen king.

Perhaps the most-cited book on this list, On Writing is part-memoir, part-masterclass from one of America’s leading authors. Come for the vivid accounts of his childhood and youth — including his extended "lost weekend" spent on alcohol and drugs in the 1980s. Stay for the actionable advice on how to use your emotions and experiences to kickstart your writing, hone your skills, and become an author. Among the many craft-based tips are King’s expert takes on plot, story, character, and more.

From the book: “Amateurs sit and wait for inspiration, the rest of us just get up and go to work.” 

2. The Kick-Ass Writer by Chuck Wendig

If you haven’t checked out Wendig’s personal blog, head over there now and bookmark it. Unfiltered, profane, and almost always right, Wendig’s become a leading voice among online writing communities in the past few years. In The Kick-Ass Writer , he offers over 1,000 pearls of wisdom for authors, ranging from express writing tips to guidance on getting published. Written to be read in short bursts, we’re sure he’d agree that this is the perfect bathroom book for writers.

From the book: “I have been writing professionally for a lucky-despite-the-number 13 years. Not once — seriously, not once ever — has anyone ever asked me where I got my writing degree… Nobody gives two ferrets fornicating in a filth-caked gym sock whether or not you have a degree… The only thing that matters is, Can you write well? ” 

3. Find Your Voice by Angie Thomas

Taking advice from famous authors is not about imitation, but about finding your own voice . Take it from someone who knows: Thomas is the New York Times #1 Bestselling author of The Hate U Give , On the Come Up , and Concrete Rose . While she’s found her calling in YA literature , she has plenty of insight into finding your own voice in your genre of choice. Written in the form of a guided journal, this volume comes with step-by-step instructions, writing prompts, and exercises especially aimed at helping younger creatives develop the strength and skills to realize their vision.

From the book: “Write fearlessly. Write what is true and real to you.” 

4. The Forest for the Trees by Betsy Lerner

Since its publication in 2000, The Forest for the Trees has remained an essential resource for authors at various stages in their careers. As an editor, Lerner gives advice not only on producing quality content, but also on how to build your career as an author and develop a winning routine — like how writers can be more productive in their creative process, how to get published , and how to publish well . 

From the book: “The world doesn't fully make sense until the writer has secured his version of it on the page. And the act of writing is strangely more lifelike than life.”

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5. How to Write Like Tolstoy by Richard Cohen

From the book: “Great writers can be inhibiting, and maybe after one has read a Scott Fitzgerald or Henry James one can’t escape imitat­ing them; but more often such writers are inspiring.”

6. Feel Free: Essays by Zadie Smith

Smith is well-known for her fiction, but she is also a prolific essay writer. In Feel Free , she has gathered several essays on recent cultural and political developments and combined them with experiences from her own life and career. In “The I Who Is Not Me”, she explores how her own lived experience comes into play in her fiction writing, and how she manages to extrapolate that to comment on contemporary social contexts, discussing race, class, and ethnicity.

From the book: “Writing exists (for me) at the intersection of three precarious, uncertain elements: language, the world, the self. The first is never wholly mine; the second I can only ever know in a partial sense; the third is a malleable and improvised response to the previous two.”

Books about language and style 

7. dreyer’s english by benjamin dreyer.

A staple book about writing well, Dreyer’s English serves as a one-stop guide to proper English, based on the knowledge that Dreyer — a senior copy editor at Random House — has accumulated throughout his career. From punctuation to tricky homophones, passive voice, and commas, the goal of these tools should be to facilitate effective communication of ideas and thoughts. Dreyer delivers this and then some, but not without its due dosage of humor and informative examples. 

From the book: “A good sentence, I find myself saying frequently, is one that the reader can follow from beginning to end, no matter how long it is, without having to double back in confusion because the writer misused or omitted a key piece of punctuation, chose a vague or misleading pronoun, or in some other way engaged in inadvertent misdirection.”

8. The Elements of Style (Illustrated) by William Strunk, Jr., E. B. White, and Maira Kalman

A perfect resource for visual learners, this illustrated edition of The Elements of Style has taken the classic style manual to a new, more accessible level but kept its main tenet intact: make every word tell. The written content by Strunk and White has long been referred to as an outline of the basic principles of style. Maira Kalman’s illustrations elevate the experience and make it a feast for both the mind and the eye. 

From the book: “A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts.”

9. Sin and Syntax by Constance Hale

If you’re looking to bring a bit of spunk into your writing, copy editor Constance Hale may hold the key . Whether you’re writing a work-related email or the next rap anthem, she has one goal: to make creative communication available to everyone by dispelling old writing myths and making every word count. Peppered with writing prompts and challenges, this book will have you itching to put pen to paper.

From the book: “Verbose is not a synonym for literary.”

10. The Sense of Style by Steven Pinker

Combining entertainment with intellectual pursuit, Pinker, a cognitive scientist and dictionary consultant, explores and rethinks language usage in the 21st century . With illustrative examples of both great and not-so-great linguistic constructions, Pinker breaks down the art of writing and gives a gentle but firm nudge in the right direction, towards coherent yet stylish prose. This is not a polemic on the decay of the English language, nor a recitation of pet peeves, but a thoughtful, challenging, and practical take on the science of communication. 

From the book: “Why is so much writing so bad, and how can we make it better? Is the English language being corrupted by texting and social media? Do the kids today even care about good writing—and why should we care?”

11. Eats, Shoots, & Leaves: The Zero Tolerance Approach to Punctuation by Lynne Truss

From the book: “A panda walks into a cafe. He orders a sandwich, eats it, then draws a gun and fires two shots in the air. "Why?" asks the confused waiter, as the panda makes towards the exit. The panda produces a badly punctuated wildlife annual and tosses it over his shoulder. "I'm a panda," he says, at the door. "Look it up." The waiter turns to the relevant entry and, sure enough, finds an explanation. Panda. Large black-and-white bear-like mammal, native to China. Eats, shoots and leaves.”

Books about story structure

12. save the cat by blake snyder.

Best known as a screenwriting manual, Save the Cat! is just as often named by authors as one of their most influential books about writing. The title comes from the tried-and-true trope of the protagonist doing something heroic in the first act (such as saving a cat) in order to win over the audience. Yes, it might sound trite to some — but others swear by its bulletproof beat sheet. More recently, there has been Save the Cat! Writes a Novel , which tailors its principles specifically to the literary crowd. (For a concise breakdown of the beat sheet, check this post out!)

From the book: “Because liking the person we go on a journey with is the single most important element in drawing us into the story.” 

13. The Story Grid by Shawn Coyne

Shawn Coyne is a veteran editor with over 25 years of publishing experience, and he knows exactly what works and what doesn’t in a story — indeed, he’s pretty much got it down to a science. The Story Grid: What Good Editors Know outlines Coyne’s original “Story Grid” evaluation technique, which both writers and editors can use to appraise, revise, and ultimately improve their writing (in order to get it ready for publication). Coyne and his friend Tim Grahl also co-host the acclaimed Story Grid podcast , another great resource for aspiring writers.

From the book: “The Story Grid is a tool with many applications. It pinpoints problems but does not emotionally abuse the writer… it is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attack drawer, and it can inspire an original creation.”

14. Story Structure Architect by Victoria Schmidt

For those who find the idea of improvising utterly terrifying and prefer the security of structures, this book breaks down just about every kind of story structure you’ve ever heard of. Victoria Schmidt offers no less than fifty-five different creative paths for your story to follow — some of which are more unconventional, or outright outlandish than others. The level of detail here is pretty staggering: Schmidt goes into the various conflicts, subplots, and resolutions these different story structures entail — with plenty of concrete examples! Suffice to say that no matter what kind of story you’re writing, you’ll find a blueprint for it in Story Structure Architect .

From the book: “When you grow up in a Westernized culture, the traditional plot structure becomes so embedded in your subconscious that you may have to work hard to create a plot structure that deviates from it… Understand this and keep your mind open when reading [this book]. Just because a piece doesn’t conform to the model you are used to, does not make it bad or wrong.”

15. The Writer's Journey  by Christopher Vogler

Moving on, we hone in on the mythic structure. Vogler’s book, originally published in 1992, is now a modern classic of writing advice; though intended as a screenwriting textbook, its contents apply to any story of mythic proportions. In The Writer’s Journey: Mythic Structure for Writers , Vogler takes a page (literally) from Joseph Campbell’s Hero of a Thousand Faces to ruminate upon the most essential narrative structures and character archetypes of the writing craft. So if you’re thinking of drawing up an epic fantasy series full of those tropes we all know and love, this guide should be right up your alley.

From the book: “The Hero’s Journey is not an invention, but an observation. It is a recognition of a beautiful design… It’s difficult to avoid the sensation that the Hero’s Journey exists somewhere, somehow, as an external reality, a Platonic ideal form, a divine model. From this model, infinite and highly varied copies can be produced, each resonating with the essential spirit of the form.”

16. Story Genius by Lisa Cron

From the book: “We don't turn to story to escape reality. We turn to story to navigate reality.”

17. A Swim in a Pond in the Rain by George Saunders

More than just a New York Times bestseller and the winner of the Booker Prize, A Swim in a Pond in the Rain is a distillation of the MFA class on Russian short stories that Saunders has been teaching. Breaking down narrative functions and why we become immersed in a story, this is a must-read for anyone wanting to understand and nurture our continued need for fiction.

From the book: “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?”

Books about overcoming obstacles as a writer

18. bird by bird by anne lamott .

Like Stephen King’s book about writing craft, this work from acclaimed novelist and nonfiction writer Anne Lamott also fuses elements of a memoir with invaluable advice on the writer’s journey. Particularly known for popularizing the concept of “shitty first drafts”, Bird by Bird was recently recommended by editor Jennifer Hartmann in her Reedsy Live webinar for its outlook take on book writing. She said, “This book does exactly what it says it will do: it teaches you to become a better writer. [Lamott] is funny and witty and very knowledgeable.”

From the book: “Perfectionism is the voice of the oppressor, the enemy of the people. It will keep you cramped and insane your whole life, and it is the main obstacle between you and a shitty first draft.”

19. Take Off Your Pants by Libbie Hawker 

From the book: “When it comes to the eternal quandary of pantsing or plotting, you can keep a foot in each camp. But if your goals will require you to write with speed and confidence, an effective outline will be your best friend.”

20. Writing into the Dark by Dean Wesley Smith 

And for those who eschew structure altogether, we’ll now refer you to this title from profile science fiction author Dean Wesley Smith . Having authored a number of official Star Trek novels, he definitely knows what he’s talking about when he encourages writers to go boldly into the unknown with an approach to writing books that doesn’t necessarily involve an elaborate plan. It might not be your action plan, but it can be a fresh perspective to get out of the occasional writer’s block .

From the book: “Imagine if every novel you picked up had a detailed outline of the entire plot… Would you read the novel after reading the outline? Chances are, no. What would be the point? You already know the journey the writer is going to take you on. So, as a writer, why do an outline and then have to spend all that time creating a book you already know?”

21. No Plot, No Problem by Chris Baty

If you’re procrastinating to the point where you haven’t even started your novel yet, NaNo founder Chris Baty is your guy! No Plot, No Problem is a “low-stress, high-velocity” guide to writing a novel in just 30 days (yup, it’s great prep for the NaNoWriMo challenge ). You’ll get tons of tips on how to survive this rigorous process, from taking advantage of your initial momentum to persisting through moments of doubt . Whether you’re participating in everyone’s favorite November write-a-thon or you just want to bang out a novel that’s been in your head forever, Baty will help you cross that elusive finish line.

From the book: “A rough draft is best written in the steam-cooker of an already busy life. If you have a million things to do, adding item number 1,000,001 is not such a big deal.”

22. The 90-Day Novel by Alan Watt

And for those who think 30 days is a bit too steam cooker-esque, there’s always Alan Watt’s more laid-back option. In The 90-Day Novel , Watt provides a unique three-part process to assist you with your writing. The first part provides assistance in developing your story’s premise, the second part helps you work through obstacles to execute it, and the third part is full of writing exercises to unlock the “primal forces” of your story — aka the energy that will invigorate your work and incite readers to devour it like popcorn at the movies.

From the book: “Why we write is as important as what we write. Grammar, punctuation, and syntax are fairly irrelevant in the first draft. Get the story down… fast. Get out of your head, so you can surprise yourself on the page.”

23. The War of Art by Steven Pressfield

If you feel like you’re constantly in the trenches of your “inner creative battle,” The War of Art is the book for you. Pressfield emphasizes the importance of breaking down creative barriers — what he calls “Resistance” — in order to defeat your demons (i.e. procrastination, self-doubt, etc.) and fulfill your potential. Though some of his opinions are no doubt controversial (he makes repeated claims that almost anything can be procrastination, including going to the doctor), this book is the perfect remedy for prevaricating writers who need a little bit of tough love.

From the book: “Most of us have two lives. The life we live, and the unlived life within us. Between the two stands Resistance.”

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Books about writing as a lifestyle and career

24. steal like an artist by austin kleon.

As Kleon notes in the first section of Steal Like an Artist , this title obviously doesn’t refer to plagiarism. Rather, it acknowledges that art cannot be created in a vacuum, and encourages writers (and all other artists) to be open and receptive to all sources of inspiration. By “stealing like an artist,” writers can construct stories that already have a baseline of familiarity for readers, but with new twists that keep them fresh and exciting .

From the book: “If we’re free from the burden of trying to be completely original, we can stop trying to make something out of nothing, and we can embrace influence instead of running away from it.”

25. Mouth Full of Blood by Toni Morrison

From the book: “A writer's life and work are not a gift to mankind; they are its necessity.”

26. Writing Down the Bones by Natalie Goldberg

No matter what stage you’re at in your writing career, Goldberg’s Writing Down the Bones will help you write more skillfully and creatively. With suggestions, encouragement, and valuable advice on the many aspects of the writing craft, Goldberg doesn’t shy away from making the crucial connection between writing and adding value to your life. Covering a range of topics including taking notes of your initial thoughts, listening, overcoming doubt, choosing where to write, and the selection of your verbs, this guide has plenty to say about the minute details of writing, but excels at exploring the author life.

From the book: “Write what disturbs you, what you fear, what you have not been willing to speak about. Be willing to be split open.”

27. Zen in the Art of Writing by Ray Bradbury

What does it take to become a great author? According to the beloved writer Ray Bradbury , it takes zest, gusto, curiosity, as well as a spirit of adventure. Sharing his wisdom and experiences as one of the most prolific writers in America, Bradbury gives plenty of practical tips and tricks on how to develop ideas, find your voice, and create your own style in this thoughtful volume. In addition to that, this is also an insight into the life and mind of this prolific writer, and a celebration of the act of writing. 

From the book: “Every morning I jump out of bed and step on a land mine. The land mine is me. After the explosion, I spend the rest of the day putting the pieces back together. Now, it's your turn. Jump!”

28. The Kite and the String by Alice Mattison

One of the most common dilemmas an author faces is the struggle between spontaneity and control. Literary endeavors need those unexpected light-bulb moments, but a book will never be finished if you rely solely on inspiration. In The Kite and the String , Mattison has heard your cry for help and developed a guide for balancing these elements throughout the different stages of writing a novel or a memoir. Sure, there may be language and grammar rules that govern the way you write, but letting a bit of playfulness breathe life into your writing will see it take off to a whole new level. On the other hand, your writing routine, solitude, audience, and goal-setting will act as the strings that keep you from floating too far away. 

From the book: "Don’t make yourself miserable wishing for a kind of success that you wouldn’t enjoy if you had it."

29. How to Become a Successful Indie Author by Craig Martelle

This one’s for all the indie authors out there! Even if you’ve already self-published a book , you can still learn a lot from this guide by Craig Martelle , who has dozens of indie books — “over two and a half million words,” as he puts it — under his belt. With patience and expertise, Martelle walks you through everything you need to know: from developing your premise to perfecting your writing routine, to finally getting your work to the top of the Amazon charts.

From the book: “No matter where you are on your author journey, there’s always a new level you can reach. Roll up your sleeves, because it’s time to get to work.”

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30. How to Market a Book by Ricardo Fayet 

From the book: “Here’s the thing: authors don’t find readers; readers find books . [...] Marketing is not about selling your book to readers. It’s about getting readers to find it.”

31. Everybody Writes by Ann Handley

The full title of Handley’s all-inclusive book on writing is actually Everybody Writes: Your Go-To Guide to Creating Ridiculously Good Content — which should tell you something about its broad appeal. Not only does Handley have some great ideas on how to plan and produce a great story, but she also provides tips on general content writing, which comes in handy when it’s time to build your author platform or a mailing list to promote your book. As such, Everybody Writes is nothing like your other books on novel writing — it’ll make you see writing in a whole new light.

From the book: “In our world, many hold a notion that the ability to write, or write well, is a gift bestowed on a chosen few. That leaves us thinking there are two kinds of people: the writing haves — and the hapless, for whom writing well is a hopeless struggle, like trying to carve marble with a butter knife. But I don’t believe that, and neither should you.” 

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Books on writing poetry 

32. madness, rack, and honey by mary ruefle.

With a long history of crafting and lecturing about poetry, Ruefle invites the reader of Madness, Rack, and Honey to immerse themselves into its beauty and magic. In a powerful combination of lectures and musings, she expertly explores the mind and craft of writers while excavating the magical potential of poetry. Often a struggle between giving and taking, poetry is, according to Ruefle, a unique art form that reveals the innermost workings of the human heart.

From the book: “In one sense, reading is a great waste of time. In another sense, it is a great extension of time, a way for one person to live a thousand and one lives in a single lifespan, to watch the great impersonal universe at work again and again”

33. Threads by Sandeep Parmar, Nisha Ramayya, and Bhanu Kapil

If you’re looking for something that explores the philosophical aspects of writing, Threads asks big questions about writing and the position of the writer in an industry that has largely excluded marginalized voices. Where does the writer exist in relation to its text and, particularly in the case of poetry, who is the “I”? Examining the common white, British, male lens, this collection of short essays will make it hard for you not to critically consider your own perceptions and how they affect your writing process.

From the book: “It is impossible to consider the lyric without fully interrogating its inherent promise of universality, its coded whiteness.”

34. The Hatred of Poetry by Ben Lerner

Despite its eye-catching title, this short essay is actually a defense of poetry . Lerner begins with his own hatred of the art form, and then moves on to explore this love-hate dichotomy that actually doesn’t seem to be contradictory. Rather, such a multitude of emotions might be one of the reasons that writers and readers alike turn to it. With its ability to evoke feelings and responses through word-play and meter, poetry has often been misconceived as inaccessible and elitist; this is a call to change that perception. 

From the book: “All I ask the haters — and I, too, am one — is that they strive to perfect their contempt, even consider bringing it to bear on poems, where it will be deepened, not dispelled, and where, by creating a place for possibility and present absences (like unheard melodies), it might come to resemble love.”

35. Poemcrazy by Susan G. Wooldridge

If you’ve ever felt that the mysterious workings of poetry are out of your reach and expressly not for you, Wooldridge is here to tell you that anyone who wants to can write poetry . An experienced workshop leader, she will help you find your inner voice and to express it through the written word. Giving you advice on how to think, use your senses, and practice your writing, Wooldrige will have you putting down rhyme schemes before you know it. 

From the book: “Writing a poem is a form of listening, helping me discover what's wrong or frightening in my world as well as what delights me.”

36. Writing Better Lyrics by Pat Pattison

From the book: “Don't be afraid to write crap — it makes the best fertilizer. The more of it you write, the better your chances are of growing something wonderful.”

Books about writing nonfiction

37. on writing well by william zinsser.

Going strong with its 30th-anniversary edition, On Writing Well: The Classic Guide to Writing Nonfiction is an evergreen resource for nonfiction writers which breaks down the fundamental principles of written communication. As a bonus, the insights and guidelines in this book can certainly be applied to most forms of writing, from interviewing to camp-fire storytelling. Beyond giving tips on how to stay consistent in your writing and voice, how to edit, and how to avoid common pitfalls, Zinsser can also help you grow as a professional writer, strengthening your career and taking steps in a new direction. 

From the book: “Don’t try to visualize the great mass audience. There is no such audience—every reader is a different person.”

38. Essays by Lydia Davis

Ironically enough, this rather lengthy book is a celebration of brevity. As one of the leading American voices in flash-fiction and short-form writing, Davis traces her literary roots and inspirations in essays on everything, ranging from the mastodonic work of Proust to minimalism. In both her translations and her own writing, she celebrates experimental writing that stretches the boundaries of language. Playing with the contrast between what is said and what is not, this collection of essays is another tool to the writing shed to help you feel and use the power of every word you write.

From the book: “Free yourself of your device, for at least certain hours of the day — or at the very least one hour. Learn to be alone, all alone, without people, and without a device that is turned on. Learn to experience the purity of that kind of concentration. Develop focus, learn to focus intently on one thing, uninterrupted, for a long time.”

39. Essayism by Brian Dillon

In this volume, Dillon explores the often overlooked genre of essay writing and its place in literature’s past, present, and future. He argues that essays are an “experiment in attention” but also highlights how and why certain essays have directly impacted the development of the cultural and political landscape, from the end of the Middle Ages until the present day. At its heart, despite its many forms, subject areas, and purposes, essayism has its root in self-exploration. Dip in and out of Dillon’s short texts to find inspiration for your own nonfiction writing.

From the book: “What exactly do I mean, even, by 'style'? Perhaps it is nothing but an urge, an aspiration, a clumsy access of admiration, a crush.”

40. Naked, Drunk, and Writing by Adair Lara

From the book: “Write it down. Whatever it is, write it down. Chip it into marble. Type it into Microsoft Word. Spell it out in seaweeds on the shore. We are each of us an endangered species, delicate as unicorns.”

With a few of these books in your arsenal, you’ll be penning perfect plots in no time! And if you’re interested in learning more about the editing process, check these books on editing out as well!

ZUrlocker says:

11/03/2019 – 19:46

I'm familiar with several of these books. But for new authors, I urge you caution. It is very tempting to read so many books about writing that you never get around to writing. (I did this successfully for many years!) So I will suggest paring it down to just two books: Stephen King on Writing and Blake Snyder Save the Cat. Snyder's book is mostly about screenwriting, so you could also consider Save the Cat Writes a Novel by Jessica Brody. Best of luck!

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Writing Nestling

How To Improve Creative Writing (18 Effective Ways)

Embarking on the journey to improve one’s creative writing is like setting sail into an uncharted sea of boundless imagination and linguistic exploration.

Creative writing, a realm where words transform into vivid narratives, characters come to life, and emotions are painted across the pages, is a skill that thrives on constant growth and evolution.

In this guide, we will traverse the landscape of creative writing, delving into its various forms, mastering the craft, and unlocking the secrets to becoming a more skilled and imaginative writer.

Whether you’re a seasoned wordsmith seeking refinement or a budding writer just beginning your literary voyage, the path to improvement is a rich tapestry waiting to be woven, where inspiration knows no bounds, and storytelling becomes an art form.

So, fasten your literary seatbelt, for the journey to enhance your creative writing prowess is about to commence.

Table of Contents

How To Improve Creative Writing

To improve your creative writing skills, follow these steps:

Read Widely:

Read a diverse range of literature, including fiction, non-fiction, poetry, and different genres. This exposure will help you understand various writing styles and techniques.

Write Regularly:

Practice writing consistently. Set aside dedicated time each day or week to write. The more you write, the better you’ll become.

Expand Your Vocabulary:

Work on building a rich vocabulary. Learn new words, their meanings, and how to use them effectively in your writing.

Study Grammar and Punctuation:

A strong grasp of grammar and punctuation is essential. Review the rules and practice to avoid common mistakes.

Create a Writing Routine:

Establish a routine that works for you. Whether it’s early in the morning, late at night, or during lunch breaks, find your optimal writing time.

Outline Your Ideas:

Plan your writing in advance. Create outlines, mind maps, or notes to organize your thoughts before you start writing.

Set Writing Goals:

Define clear goals for your writing projects. Whether it’s completing a short story , novel, or a series of articles, having goals keeps you motivated.

Seek Feedback:

Share your work with peers, writing groups, or mentors. Constructive feedback helps you identify areas for improvement.

Revise and Edit:

Writing is rewriting. After you’ve completed a draft, revise and edit your work for clarity, coherence, and style.

Experiment with Style and Genre:

Don’t be afraid to try different writing styles and genres. Experimentation can help you discover your unique voice.

Read Aloud:

Reading your work aloud can help you catch errors, awkward phrasing, and improve the rhythm of your writing .

Be Observant:

Pay attention to the world around you. Observing people, places, and events can provide inspiration and authenticity to your writing.

Overcome Writer’s Block:

When you’re stuck, try free writing, brainstorming, or taking a break to refresh your creativity.

Stay Inspired:

Surround yourself with inspiring sources, whether it’s art, nature, music, or conversations. Inspiration can fuel your creativity.

Edit and Proofread:

Once you’ve completed your writing, thoroughly edit and proofread it for spelling, grammar, and punctuation errors.

Publish and Share:

Share your work through blogs, social media, or submit it to publications. Public sharing can provide valuable feedback and exposure.

Learn from Feedback:

Take feedback seriously and use it as a tool for improvement. Analyze critiques to enhance your writing skills.

Keep Learning:

Writing is an ongoing journey. Continuously seek to learn and grow as a writer by attending workshops, reading about writing, and experimenting with new techniques.

Remember, improving your creative writing skills takes time and dedication. Patience, persistence, and a willingness to learn are key to becoming a better writer.

Understanding Creative Writing

Understanding creative writing is like embarking on a journey into the boundless realm of imagination, where words become brushstrokes, painting the canvas of your mind with vivid worlds, complex characters, and emotions that dance off the page.

It’s a realm where you’re the architect of reality, bending the rules of ordinary language to conjure extraordinary stories that tickle the senses and stir the soul.

It’s about wielding the power of narrative to shape destinies, provoke thought, and make hearts skip a beat.

In the realm of creative writing, you’re both the magician and the audience, crafting spells with sentences that transport you and your readers to places unknown, unraveling mysteries, and exploring the infinite possibilities of human expression.

Different forms of creative writing

Creative writing encompasses a kaleidoscope of diverse forms, each a unique facet of the literary universe.

There’s the enchanting world of fiction, where novelists weave intricate plots and multidimensional characters that become your companions on thrilling adventures.

Poetry, a mesmerizing tapestry of words, paints vivid imagery and emotion in the concise space of a few lines.

Non-fiction is a realm of truth and authenticity, where writers illuminate reality with memoirs, essays, and journalistic narratives. Screenwriting brings storytelling to life on the silver screen, capturing the hearts and minds of audiences worldwide.

These forms are but a glimpse into the labyrinth of creative writing, where the only limit is the boundaries of one’s imagination.

Elements of creative writing

The elements of creative writing are the building blocks that breathe life into words , transforming them into vibrant stories.

At the heart of any creative work lies the intricate dance of plot, where conflicts and resolutions unfurl like a well-orchestrated symphony.

Characterization paints portraits of individuals, each with their own quirks and depths, making them unforgettable to the reader.

Setting, a crucial backdrop, provides the stage upon which these tales unfold, influencing moods and actions.

Themes thread through the narrative like a hidden river, adding depth and purpose, while style is the unique fingerprint of the author, infusing the work with their voice and perspective.

These elements, in concert, give creative writing its compelling complexity , inviting readers to embark on journeys that resonate with their hearts and minds.

Cultivating a Creative Mindset

Cultivating a creative mindset is akin to tending to the most wondrous of gardens—the garden of the imagination.

It’s about donning the gloves of curiosity and nurturing the seeds of inspiration, coaxing them to bloom into vibrant ideas that dance in the sun-dappled meadow of your thoughts.

In this garden, writer’s block withers under the warmth of persistence, and the weeds of self-doubt are plucked away with unwavering belief in your creative potential.

It’s a sanctuary where meditation and mindfulness are the water and sunlight, ensuring that the fruits of your imagination grow ripe and abundant.

In this verdant oasis, you are the creator and the caretaker, shaping the tapestry of your mind into a masterpiece of creativity that never ceases to blossom with new ideas.

Overcoming writer’s block

Overcoming writer’s block is like finding a hidden passage out of a labyrinth of your own thoughts. It’s the art of breaking free from the stranglehold of a blank page and transforming it into an open canvas.

Sometimes, the most formidable adversary is not the lack of ideas but the daunting prospect of beginning. To conquer this nemesis, one must navigate a myriad of techniques, from freewriting and brainstorming to changing the physical environment, in order to unearth the buried treasure of creativity within.

It’s a mental jigsaw puzzle where pieces of inspiration are scattered, and solving it involves patience, resilience, and sometimes simply allowing your mind to wander until it stumbles upon that elusive spark that will ignite your words.

Overcoming writer’s block isn’t just a battle won; it’s a gateway to the ever-expanding universe of storytelling, waiting to be explored with fervor and imagination.

Developing a writing routine

Developing a writing routine is akin to crafting a symphony out of the everyday humdrum. It’s the art of carving out sacred moments in the day, allowing the muse to speak amid the cacophony of life’s demands.

A writing routine is the scaffold that supports the architecture of creativity, providing the structure and discipline necessary for the magic of storytelling to flourish.

Whether it’s the first light of dawn or the stillness of midnight, these designated hours become the writer’s sanctuary, the place where the mind opens up like a treasure chest of ideas, and words flow like a river.

It’s in these moments of consistency that the craft evolves, enabling writers to hone their skills, unravel narratives, and beckon inspiration at will.

Ultimately, a writing routine is a personal ritual that weaves creativity into the fabric of daily existence, transforming the ordinary into the extraordinary, one word at a time.

Mastering the Craft

Mastering the craft of writing is like harnessing the mystical forces of language to conjure entire universes from the ink of your pen.

It’s a lifelong journey of delving into the labyrinth of words, where each sentence becomes a brushstroke, and every paragraph a brush dipped in the palette of emotions.

It’s an alchemical process, where you transmute raw ideas into literary gold, refining your art through an unending cycle of creation, revision, and relentless pursuit of perfection.

Every metaphor, every plot twist , and every character’s whisper becomes a note in the grand symphony of storytelling, where the crescendo is the moment you realize you’re not just a writer; you’re a sorcerer, weaving spells with every keystroke, capturing the hearts and minds of readers with the magic of your narrative.

Vocabulary and Language

Vocabulary and language are the enchanting threads that weave the tapestry of storytelling. A writer’s arsenal of words is akin to a painter’s palette, each word a unique hue that, when skillfully blended, creates vivid imagery and evokes powerful emotions.

A rich and varied vocabulary is the cornerstone of effective communication, allowing writers to express the nuances of thought and sentiment with precision and eloquence.

Language, on the other hand, is the vessel that carries these words, shaping the tone and rhythm of a narrative.

The beauty of this interplay lies in the writer’s ability to select the perfect word, the ideal phrase, and the most evocative metaphor, thereby sculpting a literary masterpiece that resonates with readers, captivating their senses, and transporting them to worlds of imagination and wonder.

In the realm of creative writing, vocabulary and language are the keys to unlocking the full spectrum of human experience and imagination.

Writing Techniques

Writing techniques are the chisels and brushes of the wordsmith, essential tools that sculpt and paint the narrative.

They encompass a spectrum of strategies that shape the flow and impact of a piece of writing. “Show, don’t tell” is the art of letting readers experience a story through sensory details and actions, fostering a deeper connection.

Crafting authentic dialogue breathes life into characters, allowing them to converse and reveal their personalities naturally.

The choice of point of view, whether first person, third person, or omniscient, defines the lens through which the reader perceives the tale.

These techniques, like a craftsman’s skills, enable writers to craft stories with finesse, immersing readers in vivid landscapes, relatable characters, and intricate narratives, making the written word a portal to realms of imagination and emotion.

Reading as a Writer

Reading as a writer is akin to peering behind the scenes of a magnificent stage production to witness the magic of storytelling in its purest form.

It’s a journey where the reader transforms into a literary detective, dissecting the prose, unraveling the plot, and examining the intricate brushstrokes of the author’s craft.

With each turn of the page, a writer learns the secret language of pacing, character development, and dialogue that is whispered through the text.

It’s an immersive masterclass that teaches the orchestration of tension, the symphony of foreshadowing, and the art of unveiling mysteries.

In this dual role of reader and writer, one discovers that every book is not just an escape but an invitation to the backstage, where the invisible threads of narrative manipulation are spun, inspiring the storyteller within to reach new heights and craft unforgettable tales.

Analyzing literature

Analyzing literature is akin to embarking on an archeological expedition into the layers of human expression and experience.

It’s a fascinating journey where each page holds the whispers of the past and the echoes of the author’s soul.

As one delves into the intricacies of a literary work, it’s like decoding a cryptic message, revealing the hidden treasures of symbolism, theme, and narrative structure.

Every word, sentence, and character becomes a clue in a grand puzzle, inviting you to explore the profound depths of the human psyche and society.

In the process of literary analysis, readers not only unearth the intellectual and emotional nuances of a text but also gain a profound appreciation for the artistry of the written word, for it is in these revelations that the alchemy of storytelling is unveiled, proving that literature is not merely ink on paper, but a mirror reflecting the intricate mosaic of human existence.

Learning from other authors

Learning from other authors is akin to a masterclass in the art of storytelling. It’s an exquisite journey of exploration, where you walk in the footsteps of literary giants, witnessing their genius unfold across the pages of their works.

These authors, like mentors from afar, offer invaluable lessons in character development, plot structure, and the delicate dance of language.

With each book you read, you glean insights into the diverse ways authors craft their narratives, be it the lyrical prose of one or the gripping dialogue of another.

Their stories serve as templates, guiding you in understanding the subtleties of storytelling, nurturing your creative instincts, and sparking that inner fire of inspiration.

In the pages of their books, you find not just tales, but the wisdom of those who have paved the way, ready to illuminate your path as you embark on your own journey of writing.

Building a personal library

Building a personal library is like assembling a treasury of knowledge, imagination, and soul. Each book, lovingly arranged on the shelves, is a passport to different worlds, eras, and minds.

It’s a sanctuary where you can escape the mundane and embark on an endless odyssey of exploration, enlightenment, and enchantment. Your personal library becomes a reflection of your intellectual curiosity and passions, a curated collection of stories and wisdom that have resonated with you.

Beyond the tangible beauty of bound pages, it’s a space where you can seek refuge, inspiration, and solace.

In this haven, books aren’t just inanimate objects; they are the keepers of dreams, mentors, and the compass that guides you on your own creative journey, whispering their stories and secrets, ready to be discovered anew each time you open their pages.

Research and Fact-Checking

Research and fact-checking are the unsung heroes of the writer’s craft, the secret agents who ensure that the tapestry of fiction and the canvas of non-fiction remain unblemished by errors.

Like intrepid explorers, writers embark on quests for knowledge, sifting through archives, traversing the corridors of history, and plumbing the depths of the digital ocean.

Fact-checking is the lighthouse that guards against the treacherous cliffs of misinformation, ensuring that the narratives we weave are anchored in truth.

It’s not just a scholarly pursuit; it’s the alchemy that transforms a story from mere entertainment into a portal to the worlds, cultures, and ideas it seeks to represent.

In the realm of research, writers become detectives, unearthing secrets, unmasking mysteries, and painting the scenery with the vivid strokes of authenticity.

Without this duo, the magic of storytelling would lose its luster, and readers would be adrift in a sea of uncertainty.

Importance of accuracy in creative writing

The importance of accuracy in creative writing cannot be overstated, for it is the cornerstone upon which the credibility and resonance of a narrative are built.

While creativity allows us to conjure imaginary realms and characters, these creations must find their roots in a foundation of truth.

Factual accuracy in the details of a story, whether it’s historical, scientific, or cultural, lends authenticity to the narrative, enriching the reader’s experience by making the fictional world feel tangible and relatable.

Inaccuracies can disrupt the suspension of disbelief, pulling readers out of the story, and eroding the trust they place in the author.

Moreover, for works that explore complex themes or socio-cultural issues, accuracy is paramount in promoting understanding and empathy.

By upholding the value of accuracy, creative writing can reach its full potential, becoming a powerful vessel for both entertainment and enlightenment.

Finding Your Voice

Finding your voice in the vast wilderness of creative expression is like discovering a hidden gem within your own soul.

It’s not just about words; it’s the symphony of your thoughts, your emotions, and the unique cadence of your experiences coming to life on the page. Your voice is the compass that guides you through the labyrinth of creativity, allowing you to navigate the realms of storytelling with authenticity.

It’s a fingerprint that distinguishes your work from the rest, making your narratives resonate with a singular, unforgettable resonance.

Finding your voice is not just a revelation; it’s a journey of self-discovery, an ongoing exploration of who you are and how you want to connect with the world through the magic of words.

It’s the moment when you realize that your voice, unlike any other, is the key to unlocking the hearts and minds of your readers, inviting them to explore the world as you see it and share in the emotions that define your unique narrative.

Personal style and uniqueness

Personal style and uniqueness in writing are the vibrant colors that distinguish an artist’s canvas from all others.

Your writing style is the echo of your personality , your perspective, and the experiences that shape you. It’s the idiosyncratic rhythm of your sentences, the selection of words that resonate with your soul, and the peculiar nuances that define your narrative fingerprint.

Embracing your uniqueness is not a departure from the norm but a celebration of individuality, an affirmation that your voice is unlike any other.

In a world filled with words, it’s your personal style that makes your work stand out, inviting readers to explore the world through your eyes and experience the emotions that pulse through your stories.

Your style is your signature, and your uniqueness is the spark that ignites the literary world, reminding us that in the realm of creativity, diversity is the catalyst for innovation and the source of endless inspiration.

Authenticity in storytelling

Authenticity in storytelling is the golden thread that weaves a powerful connection between the writer and the reader.

It’s the unwavering commitment to truth, not in the factual sense, but in the emotional and human sense. Authentic storytelling dares to venture into the raw, unvarnished corners of the human experience, revealing vulnerability, joys, struggles, and complexities with unapologetic honesty.

It acknowledges the imperfections of characters, the messiness of life, and the ambiguity of morality.

Authenticity in storytelling is the bridge that allows readers to see themselves in the characters and situations, to empathize, to confront their own truths, and to resonate with the essence of the narrative.

It’s a reminder that, in the world of storytelling, the most profound impact is often not achieved through escapism but through a mirror reflecting the truth of our shared humanity, inviting us to explore, understand, and embrace the beautifully imperfect mosaic of human existence.

Overcoming Challenges

Overcoming challenges is akin to harnessing the fiery spirit of a phoenix, rising from the ashes of adversity with newfound strength and resilience.

It’s the grand adventure of our lives, where obstacles are not roadblocks but stepping stones towards personal growth and transformation.

Challenges are the litmus test of character, the forge where determination is tempered, and where the human spirit finds its true mettle.

In the face of these trials, we discover untapped reserves of courage, creativity, and perseverance that we never knew existed.

Like intrepid explorers charting uncharted territories, we boldly face the unknown, seeking not just victory but self-discovery, for it is in the crucible of challenges that our true potential is revealed, and we emerge as the heroes of our own stories.

Publishing and Sharing Your Work

Publishing and sharing your work is like setting a fleet of paper boats adrift on the vast sea of human connection.

It’s the culmination of the creative journey, where words born in the depths of your imagination finally take flight, finding their way into the hearts and minds of readers around the world.

It’s not just about self-expression; it’s the bridge that unites creators with an audience eager to embark on the emotional and intellectual voyages they’ve crafted.

Sharing your work is an act of courage and vulnerability, inviting both praise and criticism, but it’s also an affirmation that your voice is worthy of being heard.

It’s the act of extending a hand to others, saying, “Come, join me on this journey,” and allowing your stories to become a part of the tapestry of the human experience.

In the realm of publishing and sharing, you become a storyteller not just for yourself but for the world, weaving connections, igniting conversations, and leaving an indelible mark on the shared narrative of humanity.

Traditional vs. self-publishing

The choice between traditional and self-publishing is a crossroads that writers often face, each path offering its own set of opportunities and challenges.

Traditional publishing, akin to the majestic gates of a literary castle, can provide the author with the validation and resources of an established publishing house, offering professional editing, cover design, and broad distribution networks.

It opens doors to bookstores and literary awards, but it also demands patience and perseverance in the face of stringent gatekeepers. Self-publishing, on the other hand, is the democratization of literature, an open road that allows authors to take the reins of their creative destiny.

It offers control and speed of publication but requires authors to take on multiple roles, from editing to marketing.

Ultimately, the decision hinges on individual goals and preferences, as each path holds the promise of sharing stories with the world, whether under the watchful eye of a traditional publisher or the entrepreneurial spirit of self-publishing.

Continuing Education

Continuing education is the compass that keeps the writer’s journey ever-advancing. It’s the symphony of growth in a world that constantly whispers new stories and knowledge.

Imagine it as an uncharted library, where each book holds the key to unlock a new realm of understanding, and each workshop or course is an invitation to dance with different writing techniques.

It’s not just about honing existing skills; it’s about unfurling new horizons and uncovering hidden treasures in the treasure chest of literary prowess.

Continuing education is the echo of the writer’s heartbeat, a reminder that the world of words is boundless and ever-evolving, and that within its embrace, the writer can continue to explore, learn, and craft stories that leave an indelible mark on the literary landscape.

Frequently Asked Questions (FAQ) about How To Improve Creative Writing

What is creative writing, and why is it important to improve this skill.

Creative writing is the art of crafting original and imaginative stories , poems, or prose. It’s important to improve this skill because it not only enhances your ability to express yourself but also unlocks the door to a world of creativity, enabling you to engage and captivate readers.

How can I overcome writer’s block and boost my creativity?

Overcoming writer’s block can be achieved through various techniques like free writing, mind mapping, or changing your writing environment. To boost creativity, consider practicing mindfulness, exploring new experiences, and cultivating a daily writing routine.

What are some effective strategies for improving my vocabulary and language skills?

Expanding your vocabulary can be done by reading widely, using a thesaurus, and playing word games. To enhance language skills, study grammar and syntax, experiment with different writing styles, and immerse yourself in literature.

What are some common writing techniques to improve the quality of my creative writing?

Common writing techniques include “show, don’t tell,” crafting compelling dialogue, and mastering point of view. These techniques help to make your storytelling more engaging and immersive.

How can I find my unique voice as a writer?

Finding your unique voice involves experimenting with different writing styles, embracing authenticity, and understanding that your individual perspective is your greatest asset. It’s about being true to yourself and your experiences.

What’s the importance of reading as a writer, and how can I analyze literature effectively?

Reading exposes you to different writing styles and genres, helping you learn and grow as a writer. Effective analysis of literature involves examining themes, characters, and symbolism, and considering the author’s use of language and narrative structure.

What are the differences between traditional publishing and self-publishing, and how do I decide which is right for me?

Traditional publishing involves working with established publishing houses, while self-publishing allows you to independently release your work. The choice depends on your goals, the level of control you want, and your willingness to handle aspects like marketing and distribution.

How can I ensure the accuracy of my work, especially when writing about real-world facts and details?

To ensure accuracy, research extensively using reliable sources, fact-check rigorously, and consider seeking feedback from experts in the field you’re writing about.

What’s the role of continuing education in improving creative writing, and where can I find resources for it?

Continuing education helps you stay updated with the latest writing trends and hone your skills . You can find resources through writing workshops, online courses, writing groups, and literary events.

How do I deal with writer’s rejection and criticism constructively, and stay motivated in my writing journey?

Dealing with rejection and criticism involves developing resilience, learning from feedback, and keeping your passion for writing alive. Staying motivated can be achieved by setting goals, celebrating small wins, and surrounding yourself with a supportive writing community.

In the realm of creative writing, the journey to improvement is an endless odyssey, an ever-evolving expedition into the limitless depths of imagination and language.

It’s a path that weaves through the intricacies of plot, character, and style, as well as the nuances of authenticity and self-expression. Whether you are a seasoned wordsmith or a budding writer, the pursuit of creative excellence is a lifelong commitment to self-discovery, growth, and storytelling.

As you navigate the labyrinth of writer’s block, craft your unique voice, and refine your skills, remember that creative writing is not merely a craft; it’s a journey of self-expression, a gateway to new worlds, and a conduit for shared experiences.

So, pen in hand and heart afire, continue to embark on this voyage, for it is through the continuous exploration of your own creative depths that you will not only improve your writing but leave an indelible mark on the world of literature.

Your story is waiting to be told, and the pen is your magic wand, the world your canvas.

Happy writing !

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9 Books to Immediately Improve Your Writing: Tools for Writers Series

Dear writer, you were born with the ability to write spellbinding stories and hypnotic prose. But, as with any skill, you can become a better writer. Heck, so can I! No one ever masters writing, because you can always tweak and tighten your story or writing process.

There are two ways to improve your writing skills: Through trial and error or by following the advice of experienced writers. You'll do a bit of both, but it's always easier to avoid mistakes than it is to learn from them.

Here are 9 books written by writers and for writers to help you improve your writing skills. I dare you to come away from these books without getting better.

1. On Writing: A Memoir of the Craft by Stephen King

If there's one thing I know about Stephen King is that he hates adverbs. Whenever I'm tempted to insert an “ly” word into my prose, I feel like Stephen King is judging me.

That’s just one of the lessons I learned from On Writing , Stephen King’s memoir/masterclass. While no one truly “masters” writing, King has gotten pretty close. In this memoir, he shares his experience as a young and struggling writer. King also includes writing lessons that he’s learned along the way in a simple and casual manner. It reads like an older friend who’s sharing matter-of-fact advice.

On Writing is a glimpse into King’s writing practice. (He writes at least 2,000 words every day which, in three months, equates to a full-length manuscript. Aha! The secret to his prolificacy!)

2. Bird by Bird: Some Instructions on Writing and Life by Anne Lamott

Novelist and nonfiction writer Anne Lamott wrote one of the best writing guides of all time. The title Bird by Bird comes from the idea of creating a writing habit a little at a time, or bird by bird (you’ll understand the story in context upon reading the book). Lamott’s advice is to be fully yourself at this moment and to stop waiting for perfection to come.

To be successful as a writer, you must develop your own voice. Lamott gives instructions on how to do that: be vulnerable and be observant. Write what happens to you and be honest with the reader about your feelings. Your point of view is your voice.

Lamott also reminds us that the first draft is crap. We get better by continuing to write, even when it’s uncomfortable and unclear.

This guide is filled with optimism and encouragement and deserves a spot on your nightstand.

Check out these 9 writing tips from famous authors. Subscribe to receive this extra resource.

Download your bonus content:

3. The Elements of Style by William Strunk and E. B. White

I majored in creative writing at my fine arts school, and on my first day there, my teacher threw a copy of this book on my desk and told me to eat it.

I didn’t take the advice literally (although The Elements of Style is a small book under 100 pages). I also didn’t take the advice to heart until years later when I realized that my creative writing would benefit from proper grammatical structure. You’ll find everything you need to write better within the pages of this 100-year-old book. It tells you what to look for (redundancy, passive voice, etc.) and how to eliminate those things from your writing.

Strunk & White (as it’s affectionately called) is a reference book, pure and simple. It’s great to read through once and to refer back to before you begin a round of editing.

4. The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century by Steven Pinker

Steven Pinker is a Harvard professor, cognitive psychologist, linguist—and book author! He offers practical advice on how to write now , not 100 years ago. Does that mean that Strunk & White is ineffective? No. There’s room for both on your bookshelf. However, while Strunk & White offers timeless advice, The Sense of Style recognizes the evolving nature of language and how the digital age has impacted the way that we communicate ideas.

Here’s what Pinker says about why he decided to pen his own writing manual:

“My discomfort with the classic style manuals has convinced me that we need a writing guide for the twenty-first century. It's not that I have the desire, to say nothing of the ability, to supplant The Elements of Style . Writers can profit by reading more than one style guide, and much of Strunk and White (as it is commonly called) is as timeless as it is charming. But much of it is not. Strunk was born in 1869, and today's writers cannot base their craft exclusively on the advice of a man who developed his sense of style before the invention of the telephone (let alone the Internet), before the advent of modern linguistics and cognitive science, before the wave of informalization that swept the world in the second half of the twentieth century…”

Pinker challenges you to embrace what is instead of forcing your reader to conform to what was. He explores the scientific side of writing and offers a fascinating take on how to improve your own writing.

5. Forest for the Trees by Betsy Lerner

Writer. Poet. Book editor. Literary agent. Betsy Lerner has done it all and knows her way around the literary world. In Forest for the Trees , Lerner offers advice on how to navigate the world of publishing, from book conception to publication.

If you’re looking for motivation, you’ll find it here.

One key takeaway from Forest for the Trees is that your perseverance will determine your success. Sure, you’ll make mistakes, but don’t let that stop you from pushing through.

This book is great for writers at every stage of their careers. It reminds you of what to focus on.

6. Wonderbook: The Illustrated Guide to Creating Imaginative Fiction by Jeff Vandermeer

Are you a visual learner and a sci-fi or fantasy writer? Check out Wonderbook . As its name suggests, Wonderbook is filled with creative illustrations that appeal to the visual thinker. In its pages, you’ll find advice on how to write fiction, including warm-up exercises to get into the creative zone. From plotting to world-building to characterization, Wonderbook shares everything that a new writer needs to know to create an immersive fantasy novel. Wonderbook also includes essays by and interviews of celebrated authors, such as George R. R. Martin and Neil Gaiman.

7. Damn Fine Story: Mastering the Tools of a Powerful Narrative by Chuck Wendig

Chuck Wendig is NSFW (not suitable for work). Let’s get that out of the way now. His writing is honest, brutal, funny, unflinching, and not for the faint of heart. If you clutch your pearls at four-letter words, avoid this book. But if you're ready to get powerful advice that never fails, you need to add Damn Fine Story to your Amazon cart right now.

Wendig is one of my favorites. He can deliver perennial literary truths through humor. It’s his straightforward, no B.S. style that really resonates with me.

Early on, Wendig says, “This is not a book of writing advice. It's not here to help make you a better writer. Rather, it's here to help you become a better storyteller.”

This is an important distinction for Wendig because he views writing as a delivery system and storytelling as the intersection between art and skill. It may be easy to write but it's hard to tell a fascinating story. You’ll find out how to do that through Damn Fine Story .

8. Story Genius: How to Use Brain Science to Go Beyond Outlining and Write a Riveting Novel (Before You Waste Three Years Writing 327 Pages That Go Nowhere) by Lisa Cron

Lisa Cron has written a step-by-step guide on how to create the inner core of your story. Instead of choosing between the sometimes false dichotomy of plotting and pantsing, Cron suggests that you explore characterization. By understanding your characters and their choices, you’re able to create a story that feels honest and character-driven.

While all writers can benefit from Story Genius , I do think certain writers will come away with more than others. For those who write in plot-centric genres, such as thrillers, fantasies, mysteries, and romances, Cron’s advice to focus on character may not be as useful, but it’s still worth the read.

9. On Writing Well: The Classic Guide to Writing Nonfiction by William Zinsser

Nonfiction writers, rejoice. We haven't forgotten you. While many of the books on this list can improve your writing, On Writing Well was penned with the nonfiction writer in mind.

Zinsser implores the nonfiction writer to craft smart pieces that don't underestimate the reader. Even though it’s nonfiction, it can still be riveting and unforgettable.

On Writing Well is divided into four sections:

• Principles (the need for simplicity, how to pick the right words, and tips for understanding the audience).
• Methods (how to craft engaging prose).
• Forms (how to think of nonfiction as literature and tips for interviewing one’s subjects, as well as specialized advice for different sub-genres of nonfiction, such as sports, travel, and humor).
• Attitudes (tips on how to find one’s voice).

My favorite advice from Zinsser: “Look for the clutter in your writing and prune it ruthlessly. Be grateful for everything you can throw away. Reexamine each sentence you put on paper. Is every word doing new work? Can any thought be expressed with more economy? Is anything pompous or pretentious or faddish? Are you hanging on to something useless just because you think it’s beautiful? Simplify, simplify.”

Over to You

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When You Write

10 Best Books To Improve Your Writing Skills

Although writing skills can be sharpened and although writing comes naturally for most people, good writing skills have to be learned.

Some writers become good by consistently writing and learning from mistakes. However, not all of us are going to become good writers without insights from established writers.

If you want to sharpen your writing skills, you need to supplement that consistent writing with reading.

So, here are the 10 best books you can use to improve your writing. I have listed different books for different types of writers, and I guarantee you will find a book that will improve your writing skills.

For example, if you’re a creative writer, Stein on Writing by Sol Stein might be ideal for you, and if you’re a nonfiction writer, On Writing by William Zinsser is probably ideal for you.

Let’s get started.

The Best 10 Books That Will Improve Your Writing

Stein on writing by sol stein.

Best for creative writers

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Sol Stein was a man who knew the publishing world inside out and a literary legend who worked with countless other legends, including James Baldwin, Dylan Thomas, and David Frost, among others.

Stein On Writing isn’t an ordinary book, it’s not a book made by someone who is just after a quick buck. This is a book full of wisdom and practical tips for writers at every level.

To describe the books using Stein’s own words, “This is not a book of theory. It is a book of usable solutions–how to fix writing that is flawed, how to improve writing that is good, how to create interesting writing in the first place.”

On Writing: A Memoir of the Craft by Stephen King

Best for fiction writers

Written by the king of horror, this is a book you pick up when you want to perfect your art as a fiction writer.

This is another literary great using his experiences, habits, and convictions to light your way to becoming a successful fiction writer.

In this part-memoir, part-guidebook, King details “a practical view of the writer’s craft” and discusses the basic/must-have tools of the wordsmith trade. King wraps the tips and advice in his childhood memories, his time as a budding writer, and the accident that almost took his life in 1999.

You have to read it, and while I can specifically recommend it for aspiring writers, I also have to say that it’s an empowering book for writers at every level of this trade.

Bird by Bird: Some Instructions on Writing and Life by Anne Lamott

Best writing philosophy 

If you want to teach something, originality is key, and that’s what I like about Anne Lamott. If you don’t know how the title relates to writing, you will by the time you finish reading this original and effective opening paragraph:

“Thirty years ago, my older brother, who was ten years old at the time, was trying to get a report on birds written that he’d had three months to write. It was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books on birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him, put his arm around my brother’s shoulder, and said, ‘Bird by bird, buddy. Just take it bird by bird.’”

Anne Lamott shows us that although we have to take our work seriously, we don’t have to inflict depression and pain on ourselves by trying to be perfect.

Zen in the Art of Writing by Ray Bradbury

Best for aspiring writers

Zen in the Art of Writing explores the creative process behind some of the most famous works of literature, including The Martian Chronicles, Fahrenheit 451, Dandelion Wine, and more.

Zen in the Art of Writing is one of the most influential books for a reason. It’s not just because it was written by a great author, but also because it is impactful.

In this book, Bradbury discusses his own experiences of writing and gives insights into the art of storytelling.

The advice from Bradbury is simple and unique, “Every morning I jump out of bed and step on a landmine. The landmine is me… I spend the rest of the day putting the pieces back together. Now it’s your turn. Jump!”

On Writing Well by William Zinsser

Best for non-fiction

William Zinsser was everything that every nonfiction writer aspires to be. He was an experienced journalist, editor, teacher, and literary critic, among other things.   

In the book, William Zinsser offers advice on how to write concisely, persuasively, and effectively.

Whether you write about travel, business, sports, science and technology, memoirs, or art, this is an indispensable guide to writing well.

Not only will the book show you how to organize your thoughts and improve your grammar and spelling, but it will also teach you how to communicate your ideas more powerfully than you have before.

The Glamour of Grammar by Roy Peter Clark

Best for non-native English writers

Grammar plays a vital role in writing. It helps writers communicate effectively with their readers.

In some cases, bad grammar is a sign of unprofessionalism and hints of quackery.

This book is not something your teacher will use to teach grammar, but I can assure you that it’s ten times better than most academic books.

Peter Clark uses short but effective chapters to divulge the secrets that will surely improve your mastery of the Queen’s language, teaching his reader how to communicate effectively in any situation.

The book covers grammar rules, vocabulary, pronunciation, sentence structure, punctuation, and much more.

This is the book for every writing student—this is the book you need to know to make yourself understood every time you write.

The Sense of Style by Steven Pinker

Best for Expository Writers

In this book, bestselling author and linguistics professor Steven Pinker tackles one of the biggest challenges facing today’s writers—the problem of clarity and style.

Pinker uses “insights from the sciences of language and mind” to explain why so much bad writing occurs, then provides readers with tools to avoid it.

With his trademark wit and insight, Pinker demystifies grammar, talks about how the curse of knowledge affects our writing, shows us why we should care about each word and phrase, and tells us to look to the classic style for inspiration.

The Elements Of Style by William Strunk And E. B. White

Best for New creative writers

For creative writers, your imagination and the story are as good as your English. You cannot be a good creative writer without concise English, grammatical structure, and error-free paragraphs.

This book is only about 70 pages long, but, unlike its size, the impact that it will have on your writing is great.

And you won’t be the first beneficiary either. With over 10 million copies sold since 1918, there have been many testimonies of the book’s simple but effective tips.

You Are a Writer (So Start Acting Like One) by Jeff Goins

Best for content creators & bloggers

Jeff Goins is a bestselling author, speaker, blogger, and entrepreneur, among other things. Jeff has managed to turn his writing talent into a money-making career, and he is one of the new-age writers that you have to listen to if you want a successful writing career.

In this book, Goins uses his own story and his journey to becoming a professional writer to provide insights on how to improve writing, get published, turn yourself into a brand, and take charge of your work.

To be all these things, Goins recommends being a writer first, and his advice is raw:

“It’s time to kill the excuses and start writing. Time to become a writer again. Not a marketer or an entrepreneur. Not a blogger or businessperson. A writer. A real one.”

Story Genius by Lisa Cron

Best for Novelists and Storytellers

It doesn’t matter how thick your book is or how good your grammar is if your story isn’t rich, logical, and engrossing.

This book is a goldmine for anyone who wants to become the best in the science or art of storytelling.

In Story Genius, Lisa Cron shares the techniques that she has discovered and developed throughout her career. She takes you through the entire novel creation process—from coming up with the story’s idea to a finalized draft.

I did not find a lot of content on brain science as suggested by the title, but I did find tips that helped me rediscover aspects of the writing process, and it was describing the mechanics of my own story to me.

The 6 Major Attributes You Need to Develop as a Writer

Passion has to be present in everything you do. Passion is something that cannot be taught. Some people get it naturally, and others have to work hard to develop their passion.

If you want to become a writer, then you need to develop a passion for writing. When you write about what you love, you’ll find yourself doing it over and over again. 

So you don’t always have to worry about ideas or lack of interest because you love what you are writing about.

2. Imagination

Imagination is what makes the stories better; your ability to create something out of nothing means there will be plenty of stories or topics to write about.

We use imagination to make sense of things we don’t understand, solve problems, learn about ourselves, and connect with others. But when it comes to writing, imagination isn’t just useful, it’s necessary. Without it, there are no stories to tell.

In writing, imagination is the first step toward developing the story or any other content. You need to imagine the content before you can actually write it. In fact, if you can’t imagine the content, your draft won’t get very far.

3. Persistence

Persistence is the third major attribute you need to develop as a writer. Writing takes time and effort. There’s no way around it.

But persistence means sticking with it even when things get tough. Writing every day, regardless of whether you want to or not, will separate you from the rest by a mile. 

So, keep going until you’ve finished your first draft.

4. Patience

Patience is the third major attribute you need to build as a writer, and it’s a bit similar to the previous one. Writing requires patience. You’ll spend hours upon hours drafting and editing.

Don’t give up early. Keep working on your manuscript until you’re happy with it.

5. Grammar skills

I don’t need to say this because we all know that grammar skills are the foundation of writing.

Grammar skills act like guidelines that help writers develop their own style and voice. If you want to become a great writer, then you need to learn how to use these rules correctly and effectively.

6. Reading & research skills

Research skills are essential in any writer’s toolbox. You need them to understand what you are writing about. To develop these skills, you need to read widely, write down ideas, ask questions, and travel.

Will Reading Books Improve My Writing?

Reading books is great for improving your writing skills. If you read about different topics, you will be able to think about what you want to say from different angles. The more you read, the easier it becomes for you to express yourself through writing.

However, not all books on writing will help you become a better writer. Some books won’t help you improve, not because they’re badly written or have false teachings, but because the books are designed for different writers in different genres and levels.

Some books focus on grammar rules, others on how to write better stories, and some of the other books listed in this article focus on teaching the structure of formal nonfiction writing.

Plus, there are beginner-level books, books for intermediate levels, and others for experienced writers.

Final Words

These ten books are surely going to improve your writing skills. But, the most important thing to know about writing well is that it takes practice and persistence.

If you want to write well, a book such as our top pick Stein on Writing by Sol Stein will get you on the right track, but remember, you must not only read but write often. Write your first drafts quickly. Don’t worry too much about grammar or spelling—you’ll fix those later.

And don’t try to impress people with your vocabulary. They won’t care. What they will appreciate is that you took the time to understand what you were trying to say.

Recommended Reading...

Blind date with a book ideas: unique ways to discover your next favorite read, most popular book genres: a comprehensive guide, complete list of dr seuss books in order of publication, which book uses exactly 50 different words.

Keep in mind that we may receive commissions when you click our links and make purchases. However, this does not impact our reviews and comparisons. We try our best to keep things fair and balanced, in order to help you make the best choice for you.

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The experts: librarians on 20 easy, enjoyable ways to read more brilliant books

Do you love reading – but all too often find yourself just scrolling through your phone or watching TV? Here is how to get lost in literature again

I n the age of digital distractions, it is easy to struggle to find the time and headspace to get lost in literature. How can you get back into the habit? Librarians share the best ways to rediscover reading, make it a regular habit – and their tips for the most unputdownable books.

1. Don’t beat yourself up if you haven’t read in years

“A whole combination of things have come together in an unfortunate way to make it harder for people to read,” says Nancy Pearl, who is referred to as “ America’s librarian ” and lives in Seattle, where she worked for almost 40 years in public libraries. “The state of the world makes it very hard to read, because there is so much to worry about. People don’t have the energy to concentrate on reading as we used to.”

2. Listen to a book rather than ‘read’

“The thing about reading is that it is a choice that you make,” says Pearl. “You can read or you can go out in the garden and get rid of some weeds or watch the television. If you have consistently not found pleasure in reading, then you’re not going to choose reading, because it involves sitting down doing one thing at a time – except if you’re listening to audiobooks.

“I was a very late adopter of audiobooks. Now I would much rather listen to a book than sit down and read a book because I can do it while I’m walking.”

“Listening to an audiobook is reading,” says Louise Morrish, a librarian turned novelist who has worked at all kinds of libraries, including a haunted one, and now works at a secondary school in Hampshire. “There have been scientific studies where they’ve stuck sensors on to people’s heads, and the areas of the brain that are lighting up and connecting are the same when you’re listening to a story as when you’re reading it yourself.”

3. Join a library

“Your local library is a really good source,” says Morrish. “The librarians there are brilliant at helping you find books and it is free: you can take a punt on something and won’t have wasted money.”

“I always suggest going to the library or bookstore and talking about what you’re looking for,” says Pearl. “Say: ‘I just read this book, I want another book just like it.’”

There is so much more than just books in libraries. Danny Middleton works at Manchester Central Library , which has to be the coolest public library in Britain (and officially the busiest, with 4,200 visitors a day), offering murder mystery nights, silent discos and drag bingo. Middleton is in charge of reader development, which involves “encouraging people to come through the doors and discover what magic is inside”, he says. “Once we get them in the library, then it’s bam! You can’t go out until you’ve joined.”

4. Widen your search

“Think about books that you have liked in the past,” says Morrish. “Searching on the internet for ‘books like …’ or ‘books written like …’ is always a good place to start. Goodreads is incredible. It has lists and lists of books: novels, short stories, thrillers. There are so many bespoke lists on there so you can find books that you fancy. A new website – shepherd.com – collates books in terms of your interests. You can type in, ‘I want to read books about women who have overcome adversity,’ and you’ll have people on there who have curated lists of books with that as the subject matter.”

Morrish also recommends BookTok and following authors and book bloggers on social media, which she says is a “fantastic corner of the internet to hang out”. Joining a local book club “is a really good way of meeting people who love books”, Morrish says.

5. Work out what you are drawn to in books

For some readers this will be characters, for others it will be a sense of place, but for most it is all about the plot, says Pearl. “One book that satisfies all three of those needs is Larry McMurtry ’s Pulitzer prize-winning Lonesome Dove,” says Pearl. “It is the story of two Texas Rangers after the [American] civil war, taking a herd of cattle across the United States to be slaughtered. You will never forget the experience of meeting those two characters. And for those who are plot people, oh my gosh, the story of that cattle drive, and what happens on the way, that keeps the pages turning.”

6. Create a positive reading routine

“My big life hack is to read every single day,” says Morrish. “I read every night without fail, even if it’s just for five minutes or a page. You get through a book that way. You don’t lose your place or forget what is going on in the story. It becomes a habit.” If you are too tired at night, “you could create a routine where you read when you commute or listen to an audiobook when you walk the dog”, Morrish suggests. Setting a reading target can be a good incentive: “Say to yourself: ‘This month I’m going to try to read two books a week.’ And if you reach that target, give yourself a treat,”.

7. Read what you love

Finding the right thing to get back into reading depends entirely on your preferences, says Middleton, who doesn’t “do grisly”. But for many people, crime and thrillers are very accessible, with Richard Osman, James Patterson, Ann Cleeves and Lee Child particularly hot in Manchester, Middleton says. “Don’t be put off reading things by worrying about what other people might think,” says Ian Cooke, head of contemporary British and Irish collections at the British Library in London. “Loads of people love reading romance and it’s a really strong, innovative genre. I love reading comics, which some people think isn’t ‘proper reading’; it’s a different type of literacy.”

8. Be open minded

“Experiment with trying something new,” says Cooke, which you can do easily through public libraries. “If you don’t like something, take it back, borrow something else.” He gives poetry as an example, which he got into eight years ago after previously being slightly scared by it: “It’s like music; it’s people talking about their experiences in very personal ways.” Charlotte Wetton is a current favourite poet of Cooke’s. “Try to read as widely as you can because your tastes may have changed if you’ve had a gap,” says Morrish. “You may have once loved vampire books but now you’ve moved on to something else.”

9. Consider nonfiction

If you struggle to get into a story, head to the non-fiction aisle, says Morrish. “I’m very interested in the gut microbiome at the moment so am finding books on that. If you watch a lot of true crime on television, there are loads of books out there that are based on true crime cases. Biographies and memoirs are very readable, too.” Literary prizes can offer inspiration: “The Women’s prize have their inaugural prize for non-fiction this year and there is the Walter Scott prize for historical fiction,” says Morrish. “Reading comes in all forms – magazines, catalogues, books, short story collections, manuals – it doesn’t have to be a novel.”

10. Pick up a Quick Read

Middleton suggests the Quick Reads series, which are short and accessible versions of novels and non-fiction. “Massive authors contribute page-turning thrillers, comedy or holiday read romances. They are written in very accessible English, with short, snappy chapters, and are only about 150 to 200 pages.”

11. Remove any distractions

When reading, “turn your phone off or put it in a different room”, says Morrish. “It is the biggest distraction possible. For children particularly, if they get a notification on their phone, then they’re off and they don’t get back to the book.”

12. Surround yourself with books

“Leave books lying around your home that look enticing,” says Mariesa Dulak, a librarian at a primary school in Ealing, west London and a children’s author . This is a helpful technique to encourage yourself and family members to read more: “If you let children see you reaching for a book rather than your phone, then it is going to make them want to read, too.” This can also be replicated in the workplace says Middleton: “If you have books in the staff room, when you’re sat having a brew, the books will be staring at you and you might be tempted to pick one up.”

13. It is never too early to establish good reading habits

Start reading to kids as soon as possible, says Dulak. “If you are taking your baby out with the buggy, in the same way that you might pack a snack, make sure you’ve got a board book in there which they can interact with. Hearing you read the words out loud to them is such an important part of learning language: there is nothing that a child likes more than their parent’s voice.”

14. Read aloud

“Somehow we stop reading to kids when they learn to read themselves,” says Pearl. “One of the best things to do is to set aside a part of the evening for a family read, which can be all of you sitting around reading, not having your phone handy. I do think reading out loud through the teen years is a great way to share that experience with your children.” Cooke recommends attending or tuning in online to an author reading, such as through the library Living Knowledge network.

15. Keep a reading diary

“Write down what you’re reading, who wrote it, who published it and what you thought of it,” says Cooke. “So over time, you can go back, see what you’ve read and what you’ve liked. It doesn’t have to be very involved, just a couple of sentences to jog your memory.”

16. Ebook or print?

“Print,” says Middleton. “I’m old school, I like holding it in my hands and turning the page. I like an audiobook when I’m doing the ironing, though.” Pearl adds: “I read Susie Boyt’s book Loved and Missed recently and that was a book that I really needed to hold to encounter the words and the characters myself.” Dulak says: “I would say that a Kindle has its place but only when I’m on holiday,”

Cooke is an ebook enthusiast: “What’s really exciting about digital is it can allow new ways to tell stories and engage people, such as books that include the reader making a choice as they go through or [a book] that reacts to the reader’s environment.” He recommends Breathe by Kate Pullinger , a ghost story that is designed to be read on your phone and uses data about you to create a personal experience of the book based on your circumstances.

17. Avoid fines

The best way to do this, says Dulak, is to “keep your books visible – not under the bed – and in the same place so you always know where they are”. “Don’t fear the fine,” says Cooke. “Find out what your library’s policy is, how to renew online, and set a calendar alert.”

18. For the perfect unputdownable holiday read, try …

Pearl: “What I would look for is a good saga or a really good fantasy novel. Rosamunde Pilcher was a great holiday book writer.”

Morrish: “For people who don’t read regularly, I would recommend Tahereh Mafi , a crossover author who writes adult and YA. Her writing style is almost like a text message: short, sharp chapters, written in stream of consciousness.”

Middleton: “The Tales of the City books by Armistead Maupin. I’m halfway through the new one – it’s brilliant.”

Cooke: “ 80 Days by Inkle Studios , an online retelling of the classic in which you help Phileas Fogg around the world and get drawn into your own adventures too.”

Dulak: “The Skandar series by AF Steadman is good for kids because it’s got bloodthirsty unicorns and Harry Potter-esque magic but with a more contemporary twist. For older readers, Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin, a beautifully written page-turner about love, loss and gaming.”

19. Know when to give up

The librarians agree on the 50-page rule. “Read to the bottom of page 50,” says Pearl. “If you’re enjoying it, of course go on. If you just can’t slog through it, then stop reading. If all you care about is, did they get the killer?, then turn to the last page.” She adds: “As my 50s came and went, I realised that you don’t have enough time left to read all the books that you want to read. So if you’re 51 and up, subtract your age from 100 and that number, which gets smaller every year, is the number of pages you should read before you can guiltlessly give up on a book. When you turn 100, the ultimate reward is that you can judge a book by its cover.”

20. Read a book and reap the rewards

“If you take 10 minutes a day to sink into a book, newspaper or read anything, it is very good for your mental health,” says Middleton. “There is lots of medical evidence of that being the case. Reading a book for 10 minutes is better for you than listening to your favourite record.”

Morrish makes a final impassioned plea: “It has been scientifically proven that reading increases your powers of empathy, social skills and ability to relate to other people. It relaxes you, it lowers your cortisol levels and blood pressure. It increases your vocabulary, your knowledge, creativity and imagination. If you read for pleasure, your grades will be better. To read from a book gives you time off the screen, which is hugely beneficial for your mental health.”

• The experts
• Pulitzer prize
• Richard Osman
• British Library

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23 Creative Ways to Get Paid to Read Books

Posted: March 19, 2024 | Last updated: March 19, 2024

If you love reading, there are several opportunities to get paid to read books. Some are best suited for those looking for a low-cost side hustle that will earn you extra money in your spare time. Others may lead to full-time careers in the book publishing industry or owning a business. Here are 23 ways you can make money reading books:

Publishing houses, self-published authors, and anyone who writes anything for public consumption need skilled proofreaders. Proofreading requires meticulous attention to detail and thorough knowledge of grammar, spelling, punctuation, and capitalization. You can find freelance work on job boards like Upwork and make between $30 and $40 an hour.

Copyediting is a bit more specialized than proofreading. In addition to fixing typos and correcting spelling, copyeditors make more substantial edits. A good copyeditor will address style, formatting, clarity, and flow in addition to grammar. You might also do some fact-checking or suggest changes that make the writing more readable.

Boost Your Credentials and Get Certified

If you’re interested in a career as a copyeditor or want to start copyediting freelance, you might want to pursue a copyediting certificate. A certificate adds credibility while strengthening your existing skills and likely learn new ones. Several colleges, universities, and professional organizations offer online and in-person copywriting certificate programs. Including:

• University of Chicago
• Emerson College
• UC San Diego
• Editorial Freelancers Association
• Poynter ACES Certificate in Editing
• Writer’s Digest Copyediting Certification Course

Translate Books and Documents

Communicating in multiple languages is a highly sought-after skill for freelancers and job seekers. You’ll need a thorough understanding of at least two languages to make money translating books and other written works. Depending on the type of material, you might also need some knowledge of idioms, slang, technical terms, and cultural differences to ensure that your translation reads well.

Get Paid to Narrate Audiobooks

You can make money narrating audiobooks if you can speak clearly and have a compelling voice. You’ll get paid to read books aloud , cover to cover. It’s a good side hustle for book lovers; the pay is decent, and there aren’t many startup costs or ongoing expenses. Writers don’t want to miss out on more exposure and an extra revenue stream, and audio brings in additional revenue, so there is good demand.

Design Ebooks or Book Covers

Best-selling fiction writers are great at telling a riveting tale. Successful nonfiction authors are highly skilled at explaining things simply. Both may struggle with the rest, but that’s where your opportunity lies. With more aspiring authors publishing independently, there is a growing need for book cover designers and those who understand the technical formatting required for popular ebook formats like MOBI for Kindle, EPUB, and more.

Blog About Books

Starting your blog about books allows you to write about the books you enjoy in your writing style. Blogging also allows you to earn via multiple revenue streams, including affiliate commissions through direct links to products you recommend, display ads, recurring subscriptions, or sponsored posts. But success won’t come overnight; it will take time, effort, and the ability to build an audience online. 

Start a Podcast About Books

As with book blogging, starting a podcast about books gives you freedom. Also, like blogging, podcasting requires technical skills, familiarity with tools like audio editing software, and the perseverance to keep going until you build a large enough audience to generate revenue. You can monetize a podcast through paid sponsorships, joining an ad network, affiliate marketing, or using Patreon for monthly recurring revenue from subscribers.

Start a YouTube Channel

Book lovers are finding a home and building communities on YouTube. You can share your takes on your favorite books, review recently released titles, or do bookshelf tours. Whether you prefer the classics, sci-fi, YA fiction, children’s books, or any genre, your audience is out there. YouTube content creators can monetize through AdSense ads, affiliate links, sponsored videos, and donations or subscriptions.

Coach Writers

An author can get stuck with writer’s block, lose confidence, or need guidance to help them finish their book. A book writing coach can help them get their book across the finish line. As a book coach, you might help authors with:

• The writing process
• Brainstorming ideas
• Feedback on their work
• Staying organized and on track
• Getting published
• Marketing strategy

Summarize Books for Instaread

Instaread is an app that provides subscribers with summaries of popular books in text and audio form. Writing summaries entails reading a book cover to cover, breaking each chapter down into its main points, and providing your insights. Their summaries are meant to be consumed in half an hour. If you’re an avid reader willing to take thorough notes and provide your analysis, the company pays $100 per book summary. 

Write Book Summaries for Getabstract

People looking to get the key insights from the best books without spending the time it takes to read them turn to getAbstract. They tend to focus on business and personal development but also cover history, politics, and classics. They look for freelance writers who can distill the main points of a book into a 10 to 15-minute read.

Earn $200 per Novel You Read

WordsRated reviews are not like that of typical book review sites. The company collects statistics about books to create data-driven studies. You’ll need to record things like:

• What kind of animals appear in the novel
• The number of characters by gender
• The number of sentences given to male and female characters
• How many questions are asked in the book

You can read one book per month or several. If you deliver accurate data on the specific things they’re looking for, they will pay you $200. The job title is Bibliophile-at-large, but it’s not always open.

Review Books for Online Book Club

Online Book Club is a popular book review website and community for book lovers that pays reviewers $5 to $60 per review. You won’t get paid for your first review, but you get a free book. You’re eligible for payments after they accept your first review.

Online Book Club looks for honest reviews with a book summary, your thoughts, and a star rating from 1 to 4. They’re looking for genuine reviews, so don’t feel you must write a positive review to get paid.

Write for the u.s. Review of Books

The U.S. Review of Books hires freelancers to write reviews for thousands of books across every genre. Its tagline is “Professional Reviews for the People,” which should give you an idea of the quality they expect. A standard review is 250-300 words, and the copy conforms to the Chicago Manual of Style. You’ll have 2 to 3 weeks to complete your review. Then, you’re paid monthly by check for all reviews completed during the previous month. 

Write Reviews for Book Browse

BookBrowse is an online magazine for avid book readers. The magazine seeks and recommends the best in fiction and nonfiction titles. They only feature books they consider enjoyable to read. They pay $50 for an honest review of about 600 words. You’ll also write a “Beyond the Book” article that dives deeper into one interesting aspect of the book as a companion to your review.

Review for Kirkus Media

Kirkus Reviews is a well-known and highly respected source of book reviews and services for authors. They’re looking for freelance book reviewers to write reviews of English and Spanish language titles covering all kinds of books in almost every genre. You are expected to complete your 350-word review within two weeks.

Be a Freelance Book Reviewer for Booklist Online

The American Library Association publishes Booklist , a book review magazine that helps librarians and readers select books. Booklist reviews fiction, nonfiction, young adult titles, audiobooks, and DVDs. Booklist publishes approximately 8,000 book reviews annually and accepts freelance book reviews on a book-by-book basis to maintain that volume. Booklist Publications pays $15 per review and $5 for a rejected review.

Contribute to the Women’s Review of Books

The Wellesley Centers for Women at Wellesley College publishes the Women’s Review of Books, which provides in-depth reviews of books by and about women. The types of books WRB reviews include scholarly works, fiction, poetry, and memoirs by women. Academics, journalists, and experienced reviewers contribute most of the reviews to this feminist magazine. The compensation is $100 per review.

Write Book Reviews for Writerful Books

Writerful Books is an author services company that publishes book reviews on its website. It is looking for passionate readers to write insightful reviews of books in their favorite genre. Depending on its comprehensiveness, writerful Books pays $10 to $50 per review. The reviewer who publishes the most quality reviews also gets a $100 Amazon gift card.

Submit Reviews to Publishers Weekly

Publishers Weekly is a weekly news magazine that bills itself as “the bible of the book business.” It publishes industry news, interviews, and book reviews across various genres. The magazine has a database of reviews available to subscribers from 1987, so your reviews could receive a lot of exposure. Writing book reviews for Publishers Weekly requires a resume, examples of your past work, and a sample review of a recently published book. 

Provide Book Reviews for Bethany House

Bethany House is a publisher of Christian Books. They look for fans of Christian nonfiction and fiction books to help promote their book launches and Christian authors through reviews. They’re looking for reviewers with an established audience through YouTube, social media, or a book blog. There’s no mention of payment in cash for book reviews, but you get free book copies in exchange for your review.

Post a Book Review for Moody Publishers

Moody Publishers is another Christian book publisher with a blogger review program that offers free books in exchange for reviews. The program requires you to post honest reviews on your blog and other sites like Amazon or Barnes & Noble. If you participate in the program, you won’t get paid, but you will get free books for reviewing the Christian titles they publish. 

Compose Short Reviews for New Pages

If you can keep your reviews short, NewPages.com is looking for flash reviews of books, literary magazines, and other pieces of writing you’ve read recently. They publish original reviews of up to 200 words. NewPages doesn’t currently offer any compensation for reviews, but you will get exposure via their blog and social media accounts.

Making Money Reading Books

If you are passionate about the written word , you can get paid to read books. An avid reader looking for extra cash or a new job can find plenty of opportunities to earn money by reading books within or without the book industry. If reading is your passion, reading books for money is a viable way to make extra money or build a career in proofreading or editing for book publishing companies.

The 41 Biggest Wastes of Money

To earn more money toward your goals, examine your spending habits. By tracking your spending and seeing where every dollar goes, you’ll likely find several instances of spending money you don’t have to. It could be little things that add up or recurring monthly expenses that are an utter waste of money.

Once you eliminate your bad spending habits, that money can go toward your emergency fund, paying off debt, or other essential things. Here are the 41 biggest wastes of money to look out for.

Avoid These 19 Pointless Expenses When Living Paycheck to Paycheck

Living from paycheck to paycheck puts one in a dangerous financial bind. It’s more prevalent than you can imagine. According to a survey by CNBC, more than half of all Americans (58%) live paycheck to paycheck. When money is tight, it’s crucial to pinpoint and cut out wasteful expenditures that eat away at your hard-earned savings.

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By Kate Knibbs

How One Author Pushed the Limits of AI Copyright

Last October, I received an email with a hell of an opening line: “I fired a nuke at the US Copyright Office this morning.”

The message was from Elisa Shupe, a 60-year-old retired US Army veteran who had just filed a copyright registration for a novel she’d recently self-published. She’d used OpenAI's ChatGPT extensively while writing the book. Her application was an attempt to compel the US Copyright Office to overturn its policy on work made with AI, which generally requires would-be copyright holders to exclude machine-generated elements.

That initial shot didn’t detonate—a week later, the USCO rejected Shupe’s application—but she ultimately won out. The agency changed course earlier this month after Shupe appealed, granting her copyright registration for AI Machinations: Tangled Webs and Typed Words, a work of autofiction self-published on Amazon under the pen name Ellen Rae.

The novel draws from Shupe’s eventful life , including her advocacy for more inclusive gender recognition. Its registration provides a glimpse of how the USCO is grappling with artificial intelligence , especially as more people incorporate AI tools into creative work. It is among the first creative works to receive a copyright for the arrangement of AI-generated text.

“We’re seeing the Copyright Office struggling with where to draw the line,” intellectual property lawyer Erica Van Loon, a partner at Nixon Peabody, says. Shupe’s case highlights some of the nuances of that struggle—because the approval of her registration comes with a significant caveat.

The USCO’s notice granting Shupe copyright registration of her book does not recognize her as author of the whole text as is conventional for written works. Instead she is considered the author of the “selection, coordination, and arrangement of text generated by artificial intelligence.” This means no one can copy the book without permission, but the actual sentences and paragraphs themselves are not copyrighted and could theoretically be rearranged and republished as a different book.

The agency backdated the copyright registration to October 10, the day that Shupe originally attempted to register her work. It declined to comment on this story. “The Copyright Office does not comment on specific copyright registrations or pending applications for registration,” Nora Scheland, an agency spokesperson says. President Biden’s executive order on AI last fall asked the US Patent and Trademark Office to make recommendations on copyright and AI to the White House in consultation with the Copyright Office, including on the “scope of protection for works produced using AI.”

Although Shupe’s limited copyright registration is notable, she originally asked the USCO to open a more significant path to copyright recognition for AI-generated material. “I seek to copyright the AI-assisted and AI-generated material under an ADA exemption for my many disabilities,” she wrote in her original copyright application. Shupe believes fervently that she was only able to complete her book with the assistance of generative AI tools. She says she has been assessed as 100 percent disabled by the Department of Veterans Affairs and struggles to write due to cognitive impairment related to conditions including bipolar disorder, borderline personality disorder, and a brain stem malformation.

Matt Jancer

David Nield

She is proud of the finished work and sees working with a text generator as a different but no less worthwhile method of expressing thoughts. “You don't just hit ‘generate’ and get something worthy of publishing. That may come in the future, but we're still far from it,” she says, noting that she spent upwards of 14 hours a day working on her draft.

After her initial registration was refused, Shupe connected with Jonathan Askin, founder of the Brooklyn Law Incubator and Policy Clinic at Brooklyn Law School, which takes pro bono cases centered on emerging tech and policy questions. Askin and Brooklyn Law student Sofia Vescovo began working on Shupe’s case and filed an appeal with the USCO in January.

The appeal built on Shupe’s argument about her disabilities, saying she should be granted copyright because she used ChatGPT as an assistive technology to communicate, comparing her use of OpenAI’s chatbot to an amputee using a prosthetic leg. The appeal claimed that the USCO “discriminated against her because of her disability.”

The Brooklyn Law appeal also claimed that Shupe should be granted copyright for compiling the book—that is, doing the work of selecting and organizing the snippets of AI-generated text. It provided an exhaustive log of how Shupe prompted ChatGPT, showing the custom commands she created and the edits she made.

It includes a side-by-side comparison of the unedited machine output and the final version of Shupe’s book. On a sentence level, she adjusted almost every line in some way, from changes in word choice to structure. One example describing a character in the novel: “Mark eyed her, a complex mix of concern and annoyance evident in his gaze” becomes “Mark studied her, his gaze reflecting both worry and irritation.”

The appeal cites another recent AI copyright decision about the graphic novel Zarya and the Dawn , which incorporates AI-generated images created with Midjourney. In February 2023, author Kris Kashtanova was granted copyright to the selection and arrangement of AI-generated images in the text, even though they were denied copyright on the specific images themselves.

When the USCO granted Shupe’s request for copyright, it did not address the disability argument put forth but agreed with the appeal’s other argument. Shupe could be considered the author of “selection, coordination, and arrangement of text generated by artificial intelligence,” the agency wrote, backdating her copyright registration to October 10, 2023, the day that Shupe had originally attempted to register her work. That gives her authorship of the work overall, prohibiting unauthorized wholecloth reproduction of the entire book, but not copyright protection over the actual sentences of the novel.

“Overall, we are extremely satisfied,” says Vescovo. The team felt that copyrighting the book’s compilation would provide peace of mind against out-and-out reproduction of the work. “We really wanted to make sure we could get her this protection right now.” The Brooklyn Law team hope Shupe’s approval can serve as a blueprint for other people experimenting with AI text generation who want some copyright protection.

“I’m going to take this as a win for now,” Shupe says, even though she knows that “in some ways, it’s a compromise.” She maintains that the way she uses ChatGPT more closely resembles a collaboration than an automated output, and that she should be able to copyright the actual text of the book.

Matthew Sag, a professor of law and artificial intelligence at Emory University, calls what the USCO granted Shupe “thin copyright”—protection against full-fledged duplication of materials that doesn’t stop someone from rearranging the paragraphs into a different story. “This is the same kind of copyright you would get in an anthology of poetry that you didn’t write,” Sag says.

Erica Van Loon agrees. “It’s hard to imagine something more narrow,” she says.

Shupe is part of a larger movement to make copyright law friendlier to AI and the people who use it. The Copyright Office, which both administers the copyright registration system and advises Congress, the judiciary system, and other governmental agencies on copyright matters, plays a central role in determining how works that use AI are treated.

Although it continues to define authorship as an exclusively human endeavor , the USCO has demonstrated openness to registering works that incorporate AI elements. The USCO said in February that it has granted registration to over 100 works with AI incorporated; a search by WIRED found over 200 copyright registration applications explicitly disclosing AI elements, including books, songs, and visual artworks.

One such application came from Tyler Partin, who works for a chemical manufacturer. He recently registered a tongue-in-cheek song he created about a coworker, but excluded lyrics that he spun up using ChatGPT from his registration. Partin sees the text generator as a tool, but ultimately doesn’t think he should take credit for its output. Instead, he applied only for the music rather than the accompanying words. “I didn’t do that work,” he says.

But there are others who share Shupe’s perspective and agree with her mission, and believe that AI-generated materials should be registrable. Some high-profile attempts to register AI-generated artworks have resulted in USCO refusals, like artist Jason M. Allen’s effort to get his award-winning artwork Théâtre D’opéra Spatial copyrighted last year. AI researcher Stephen Thaler has been on a mission for years to prove that he should be entitled to copyright protections for a work made by the AI system he developed.

Thaler is currently appealing a ruling in the US last year that rebuffed his attempt to obtain copyright. Ryan Abbott, the lead attorney on the case, founded the Artificial Inventor Project , a group of intellectual property lawyers who file test cases seeking legal protections for AI-generated works.

Abbott is a supporter of Shupe’s mission, although he’s not a member of her legal team. He isn’t happy that the copyright registration excludes the AI-generated work itself. “We all see it as a very big problem,” he says.

Shupe and her legal helpers don’t have plans to push the ADA argument further by contesting the USCO’s decision, but it’s an issue that is far from settled. “The best path is probably to lobby Congress for an addition to the ADA statute,” says Askin. “There's a potential for us to draft some legislation or testimony to try to move Congress in that direction.”

Shupe’s qualified victory is still a significant marker in how the Copyright Office is grappling with what it means to be an author in the age of AI. She hopes going public with her efforts will reduce what she sees as a stigma against using AI as a creative tool. Her metaphorical nuke didn’t go off, but she has nonetheless advanced her cause. “I haven't been this excited since I unboxed a Commodore 64 back in the 1980s and, after a lot of noise, connected to a distant computer,” she says.

Updated 17-4-2024, 4:35 pm EDT: President Biden's executive order on AI last year asked the US Patent and Trademark office to make recommendations on copyright and AI in consultation with the Copyright Office, it did not ask the Copyright Office itself to make the recommendations.

Updated 18-4-2024, 9 am EDT: This piece has been updated to clarify Stephen Thaler's position on AI system copyright.

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