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Blog • Perfecting your Craft

Last updated on May 31, 2022

The 40 Best Books About Writing: A Reading List for Authors

For this post, we’ve scoured the web (so you don’t have to) and asked our community of writers for recommendations on some indispensable books about writing. We've filled this list with dozens of amazing titles, all of which are great — but this list might seem intimidating. So for starters, here are our top 10 books about writing:

• On Writing by Stephen King
• The Kick-Ass Writer by Chuck Wendig
• Dreyer’s Englis h by Benjamin Dreyer
• The Elements of Style by Strunk, White, and Kalman
• The Story Grid by Shawn Coyne
• A Swim in a Pond in the Rain by George Saunders
• Bird by Bird by Anne Lamott
• Mouth Full of Blood by Toni Morrison
• How to Market a Book by Ricardo Fayet
• On Writing Well by William Zinsser

But if you're ready to get into the weeds, here are 40 of our favorite writing books.

Books about becoming a writer

1. on writing by stephen king.

Perhaps the most-cited book on this list, On Writing is part-memoir, part-masterclass from one of America’s leading authors. Come for the vivid accounts of his childhood and youth — including his extended "lost weekend" spent on alcohol and drugs in the 1980s. Stay for the actionable advice on how to use your emotions and experiences to kickstart your writing, hone your skills, and become an author. Among the many craft-based tips are King’s expert takes on plot, story, character, and more.

From the book: “Amateurs sit and wait for inspiration, the rest of us just get up and go to work.” 

2. The Kick-Ass Writer by Chuck Wendig

If you haven’t checked out Wendig’s personal blog, head over there now and bookmark it. Unfiltered, profane, and almost always right, Wendig’s become a leading voice among online writing communities in the past few years. In The Kick-Ass Writer , he offers over 1,000 pearls of wisdom for authors, ranging from express writing tips to guidance on getting published. Written to be read in short bursts, we’re sure he’d agree that this is the perfect bathroom book for writers.

From the book: “I have been writing professionally for a lucky-despite-the-number 13 years. Not once — seriously, not once ever — has anyone ever asked me where I got my writing degree… Nobody gives two ferrets fornicating in a filth-caked gym sock whether or not you have a degree… The only thing that matters is, Can you write well? ” 

3. Find Your Voice by Angie Thomas

Taking advice from famous authors is not about imitation, but about finding your own voice . Take it from someone who knows: Thomas is the New York Times #1 Bestselling author of The Hate U Give , On the Come Up , and Concrete Rose . While she’s found her calling in YA literature , she has plenty of insight into finding your own voice in your genre of choice. Written in the form of a guided journal, this volume comes with step-by-step instructions, writing prompts, and exercises especially aimed at helping younger creatives develop the strength and skills to realize their vision.

From the book: “Write fearlessly. Write what is true and real to you.” 

4. The Forest for the Trees by Betsy Lerner

Since its publication in 2000, The Forest for the Trees has remained an essential resource for authors at various stages in their careers. As an editor, Lerner gives advice not only on producing quality content, but also on how to build your career as an author and develop a winning routine — like how writers can be more productive in their creative process, how to get published , and how to publish well . 

From the book: “The world doesn't fully make sense until the writer has secured his version of it on the page. And the act of writing is strangely more lifelike than life.”

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5. How to Write Like Tolstoy by Richard Cohen

From the book: “Great writers can be inhibiting, and maybe after one has read a Scott Fitzgerald or Henry James one can’t escape imitat­ing them; but more often such writers are inspiring.”

6. Feel Free: Essays by Zadie Smith

Smith is well-known for her fiction, but she is also a prolific essay writer. In Feel Free , she has gathered several essays on recent cultural and political developments and combined them with experiences from her own life and career. In “The I Who Is Not Me”, she explores how her own lived experience comes into play in her fiction writing, and how she manages to extrapolate that to comment on contemporary social contexts, discussing race, class, and ethnicity.

From the book: “Writing exists (for me) at the intersection of three precarious, uncertain elements: language, the world, the self. The first is never wholly mine; the second I can only ever know in a partial sense; the third is a malleable and improvised response to the previous two.”

Books about language and style 

7. dreyer’s english by benjamin dreyer.

A staple book about writing well, Dreyer’s English serves as a one-stop guide to proper English, based on the knowledge that Dreyer — a senior copy editor at Random House — has accumulated throughout his career. From punctuation to tricky homophones, passive voice, and commas, the goal of these tools should be to facilitate effective communication of ideas and thoughts. Dreyer delivers this and then some, but not without its due dosage of humor and informative examples. 

From the book: “A good sentence, I find myself saying frequently, is one that the reader can follow from beginning to end, no matter how long it is, without having to double back in confusion because the writer misused or omitted a key piece of punctuation, chose a vague or misleading pronoun, or in some other way engaged in inadvertent misdirection.”

8. The Elements of Style (Illustrated) by William Strunk, Jr., E. B. White, and Maira Kalman

A perfect resource for visual learners, this illustrated edition of The Elements of Style has taken the classic style manual to a new, more accessible level but kept its main tenet intact: make every word tell. The written content by Strunk and White has long been referred to as an outline of the basic principles of style. Maira Kalman’s illustrations elevate the experience and make it a feast for both the mind and the eye. 

From the book: “A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts.”

9. Sin and Syntax by Constance Hale

If you’re looking to bring a bit of spunk into your writing, copy editor Constance Hale may hold the key . Whether you’re writing a work-related email or the next rap anthem, she has one goal: to make creative communication available to everyone by dispelling old writing myths and making every word count. Peppered with writing prompts and challenges, this book will have you itching to put pen to paper.

From the book: “Verbose is not a synonym for literary.”

10. The Sense of Style by Steven Pinker

Combining entertainment with intellectual pursuit, Pinker, a cognitive scientist and dictionary consultant, explores and rethinks language usage in the 21st century . With illustrative examples of both great and not-so-great linguistic constructions, Pinker breaks down the art of writing and gives a gentle but firm nudge in the right direction, towards coherent yet stylish prose. This is not a polemic on the decay of the English language, nor a recitation of pet peeves, but a thoughtful, challenging, and practical take on the science of communication. 

From the book: “Why is so much writing so bad, and how can we make it better? Is the English language being corrupted by texting and social media? Do the kids today even care about good writing—and why should we care?”

11. Eats, Shoots, & Leaves: The Zero Tolerance Approach to Punctuation by Lynne Truss

From the book: “A panda walks into a cafe. He orders a sandwich, eats it, then draws a gun and fires two shots in the air. "Why?" asks the confused waiter, as the panda makes towards the exit. The panda produces a badly punctuated wildlife annual and tosses it over his shoulder. "I'm a panda," he says, at the door. "Look it up." The waiter turns to the relevant entry and, sure enough, finds an explanation. Panda. Large black-and-white bear-like mammal, native to China. Eats, shoots and leaves.”

Books about story structure

12. save the cat by blake snyder.

Best known as a screenwriting manual, Save the Cat! is just as often named by authors as one of their most influential books about writing. The title comes from the tried-and-true trope of the protagonist doing something heroic in the first act (such as saving a cat) in order to win over the audience. Yes, it might sound trite to some — but others swear by its bulletproof beat sheet. More recently, there has been Save the Cat! Writes a Novel , which tailors its principles specifically to the literary crowd. (For a concise breakdown of the beat sheet, check this post out!)

From the book: “Because liking the person we go on a journey with is the single most important element in drawing us into the story.” 

13. The Story Grid by Shawn Coyne

Shawn Coyne is a veteran editor with over 25 years of publishing experience, and he knows exactly what works and what doesn’t in a story — indeed, he’s pretty much got it down to a science. The Story Grid: What Good Editors Know outlines Coyne’s original “Story Grid” evaluation technique, which both writers and editors can use to appraise, revise, and ultimately improve their writing (in order to get it ready for publication). Coyne and his friend Tim Grahl also co-host the acclaimed Story Grid podcast , another great resource for aspiring writers.

From the book: “The Story Grid is a tool with many applications. It pinpoints problems but does not emotionally abuse the writer… it is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attack drawer, and it can inspire an original creation.”

14. Story Structure Architect by Victoria Schmidt

For those who find the idea of improvising utterly terrifying and prefer the security of structures, this book breaks down just about every kind of story structure you’ve ever heard of. Victoria Schmidt offers no less than fifty-five different creative paths for your story to follow — some of which are more unconventional, or outright outlandish than others. The level of detail here is pretty staggering: Schmidt goes into the various conflicts, subplots, and resolutions these different story structures entail — with plenty of concrete examples! Suffice to say that no matter what kind of story you’re writing, you’ll find a blueprint for it in Story Structure Architect .

From the book: “When you grow up in a Westernized culture, the traditional plot structure becomes so embedded in your subconscious that you may have to work hard to create a plot structure that deviates from it… Understand this and keep your mind open when reading [this book]. Just because a piece doesn’t conform to the model you are used to, does not make it bad or wrong.”

15. The Writer's Journey  by Christopher Vogler

Moving on, we hone in on the mythic structure. Vogler’s book, originally published in 1992, is now a modern classic of writing advice; though intended as a screenwriting textbook, its contents apply to any story of mythic proportions. In The Writer’s Journey: Mythic Structure for Writers , Vogler takes a page (literally) from Joseph Campbell’s Hero of a Thousand Faces to ruminate upon the most essential narrative structures and character archetypes of the writing craft. So if you’re thinking of drawing up an epic fantasy series full of those tropes we all know and love, this guide should be right up your alley.

From the book: “The Hero’s Journey is not an invention, but an observation. It is a recognition of a beautiful design… It’s difficult to avoid the sensation that the Hero’s Journey exists somewhere, somehow, as an external reality, a Platonic ideal form, a divine model. From this model, infinite and highly varied copies can be produced, each resonating with the essential spirit of the form.”

16. Story Genius by Lisa Cron

From the book: “We don't turn to story to escape reality. We turn to story to navigate reality.”

17. A Swim in a Pond in the Rain by George Saunders

More than just a New York Times bestseller and the winner of the Booker Prize, A Swim in a Pond in the Rain is a distillation of the MFA class on Russian short stories that Saunders has been teaching. Breaking down narrative functions and why we become immersed in a story, this is a must-read for anyone wanting to understand and nurture our continued need for fiction.

From the book: “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?”

Books about overcoming obstacles as a writer

18. bird by bird by anne lamott .

Like Stephen King’s book about writing craft, this work from acclaimed novelist and nonfiction writer Anne Lamott also fuses elements of a memoir with invaluable advice on the writer’s journey. Particularly known for popularizing the concept of “shitty first drafts”, Bird by Bird was recently recommended by editor Jennifer Hartmann in her Reedsy Live webinar for its outlook take on book writing. She said, “This book does exactly what it says it will do: it teaches you to become a better writer. [Lamott] is funny and witty and very knowledgeable.”

From the book: “Perfectionism is the voice of the oppressor, the enemy of the people. It will keep you cramped and insane your whole life, and it is the main obstacle between you and a shitty first draft.”

19. Take Off Your Pants by Libbie Hawker 

From the book: “When it comes to the eternal quandary of pantsing or plotting, you can keep a foot in each camp. But if your goals will require you to write with speed and confidence, an effective outline will be your best friend.”

20. Writing into the Dark by Dean Wesley Smith 

And for those who eschew structure altogether, we’ll now refer you to this title from profile science fiction author Dean Wesley Smith . Having authored a number of official Star Trek novels, he definitely knows what he’s talking about when he encourages writers to go boldly into the unknown with an approach to writing books that doesn’t necessarily involve an elaborate plan. It might not be your action plan, but it can be a fresh perspective to get out of the occasional writer’s block .

From the book: “Imagine if every novel you picked up had a detailed outline of the entire plot… Would you read the novel after reading the outline? Chances are, no. What would be the point? You already know the journey the writer is going to take you on. So, as a writer, why do an outline and then have to spend all that time creating a book you already know?”

21. No Plot, No Problem by Chris Baty

If you’re procrastinating to the point where you haven’t even started your novel yet, NaNo founder Chris Baty is your guy! No Plot, No Problem is a “low-stress, high-velocity” guide to writing a novel in just 30 days (yup, it’s great prep for the NaNoWriMo challenge ). You’ll get tons of tips on how to survive this rigorous process, from taking advantage of your initial momentum to persisting through moments of doubt . Whether you’re participating in everyone’s favorite November write-a-thon or you just want to bang out a novel that’s been in your head forever, Baty will help you cross that elusive finish line.

From the book: “A rough draft is best written in the steam-cooker of an already busy life. If you have a million things to do, adding item number 1,000,001 is not such a big deal.”

22. The 90-Day Novel by Alan Watt

And for those who think 30 days is a bit too steam cooker-esque, there’s always Alan Watt’s more laid-back option. In The 90-Day Novel , Watt provides a unique three-part process to assist you with your writing. The first part provides assistance in developing your story’s premise, the second part helps you work through obstacles to execute it, and the third part is full of writing exercises to unlock the “primal forces” of your story — aka the energy that will invigorate your work and incite readers to devour it like popcorn at the movies.

From the book: “Why we write is as important as what we write. Grammar, punctuation, and syntax are fairly irrelevant in the first draft. Get the story down… fast. Get out of your head, so you can surprise yourself on the page.”

23. The War of Art by Steven Pressfield

If you feel like you’re constantly in the trenches of your “inner creative battle,” The War of Art is the book for you. Pressfield emphasizes the importance of breaking down creative barriers — what he calls “Resistance” — in order to defeat your demons (i.e. procrastination, self-doubt, etc.) and fulfill your potential. Though some of his opinions are no doubt controversial (he makes repeated claims that almost anything can be procrastination, including going to the doctor), this book is the perfect remedy for prevaricating writers who need a little bit of tough love.

From the book: “Most of us have two lives. The life we live, and the unlived life within us. Between the two stands Resistance.”

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Books about writing as a lifestyle and career

24. steal like an artist by austin kleon.

As Kleon notes in the first section of Steal Like an Artist , this title obviously doesn’t refer to plagiarism. Rather, it acknowledges that art cannot be created in a vacuum, and encourages writers (and all other artists) to be open and receptive to all sources of inspiration. By “stealing like an artist,” writers can construct stories that already have a baseline of familiarity for readers, but with new twists that keep them fresh and exciting .

From the book: “If we’re free from the burden of trying to be completely original, we can stop trying to make something out of nothing, and we can embrace influence instead of running away from it.”

25. Mouth Full of Blood by Toni Morrison

From the book: “A writer's life and work are not a gift to mankind; they are its necessity.”

26. Writing Down the Bones by Natalie Goldberg

No matter what stage you’re at in your writing career, Goldberg’s Writing Down the Bones will help you write more skillfully and creatively. With suggestions, encouragement, and valuable advice on the many aspects of the writing craft, Goldberg doesn’t shy away from making the crucial connection between writing and adding value to your life. Covering a range of topics including taking notes of your initial thoughts, listening, overcoming doubt, choosing where to write, and the selection of your verbs, this guide has plenty to say about the minute details of writing, but excels at exploring the author life.

From the book: “Write what disturbs you, what you fear, what you have not been willing to speak about. Be willing to be split open.”

27. Zen in the Art of Writing by Ray Bradbury

What does it take to become a great author? According to the beloved writer Ray Bradbury , it takes zest, gusto, curiosity, as well as a spirit of adventure. Sharing his wisdom and experiences as one of the most prolific writers in America, Bradbury gives plenty of practical tips and tricks on how to develop ideas, find your voice, and create your own style in this thoughtful volume. In addition to that, this is also an insight into the life and mind of this prolific writer, and a celebration of the act of writing. 

From the book: “Every morning I jump out of bed and step on a land mine. The land mine is me. After the explosion, I spend the rest of the day putting the pieces back together. Now, it's your turn. Jump!”

28. The Kite and the String by Alice Mattison

One of the most common dilemmas an author faces is the struggle between spontaneity and control. Literary endeavors need those unexpected light-bulb moments, but a book will never be finished if you rely solely on inspiration. In The Kite and the String , Mattison has heard your cry for help and developed a guide for balancing these elements throughout the different stages of writing a novel or a memoir. Sure, there may be language and grammar rules that govern the way you write, but letting a bit of playfulness breathe life into your writing will see it take off to a whole new level. On the other hand, your writing routine, solitude, audience, and goal-setting will act as the strings that keep you from floating too far away. 

From the book: "Don’t make yourself miserable wishing for a kind of success that you wouldn’t enjoy if you had it."

29. How to Become a Successful Indie Author by Craig Martelle

This one’s for all the indie authors out there! Even if you’ve already self-published a book , you can still learn a lot from this guide by Craig Martelle , who has dozens of indie books — “over two and a half million words,” as he puts it — under his belt. With patience and expertise, Martelle walks you through everything you need to know: from developing your premise to perfecting your writing routine, to finally getting your work to the top of the Amazon charts.

From the book: “No matter where you are on your author journey, there’s always a new level you can reach. Roll up your sleeves, because it’s time to get to work.”

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30. How to Market a Book by Ricardo Fayet 

From the book: “Here’s the thing: authors don’t find readers; readers find books . [...] Marketing is not about selling your book to readers. It’s about getting readers to find it.”

31. Everybody Writes by Ann Handley

The full title of Handley’s all-inclusive book on writing is actually Everybody Writes: Your Go-To Guide to Creating Ridiculously Good Content — which should tell you something about its broad appeal. Not only does Handley have some great ideas on how to plan and produce a great story, but she also provides tips on general content writing, which comes in handy when it’s time to build your author platform or a mailing list to promote your book. As such, Everybody Writes is nothing like your other books on novel writing — it’ll make you see writing in a whole new light.

From the book: “In our world, many hold a notion that the ability to write, or write well, is a gift bestowed on a chosen few. That leaves us thinking there are two kinds of people: the writing haves — and the hapless, for whom writing well is a hopeless struggle, like trying to carve marble with a butter knife. But I don’t believe that, and neither should you.” 

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Books on writing poetry 

32. madness, rack, and honey by mary ruefle.

With a long history of crafting and lecturing about poetry, Ruefle invites the reader of Madness, Rack, and Honey to immerse themselves into its beauty and magic. In a powerful combination of lectures and musings, she expertly explores the mind and craft of writers while excavating the magical potential of poetry. Often a struggle between giving and taking, poetry is, according to Ruefle, a unique art form that reveals the innermost workings of the human heart.

From the book: “In one sense, reading is a great waste of time. In another sense, it is a great extension of time, a way for one person to live a thousand and one lives in a single lifespan, to watch the great impersonal universe at work again and again”

33. Threads by Sandeep Parmar, Nisha Ramayya, and Bhanu Kapil

If you’re looking for something that explores the philosophical aspects of writing, Threads asks big questions about writing and the position of the writer in an industry that has largely excluded marginalized voices. Where does the writer exist in relation to its text and, particularly in the case of poetry, who is the “I”? Examining the common white, British, male lens, this collection of short essays will make it hard for you not to critically consider your own perceptions and how they affect your writing process.

From the book: “It is impossible to consider the lyric without fully interrogating its inherent promise of universality, its coded whiteness.”

34. The Hatred of Poetry by Ben Lerner

Despite its eye-catching title, this short essay is actually a defense of poetry . Lerner begins with his own hatred of the art form, and then moves on to explore this love-hate dichotomy that actually doesn’t seem to be contradictory. Rather, such a multitude of emotions might be one of the reasons that writers and readers alike turn to it. With its ability to evoke feelings and responses through word-play and meter, poetry has often been misconceived as inaccessible and elitist; this is a call to change that perception. 

From the book: “All I ask the haters — and I, too, am one — is that they strive to perfect their contempt, even consider bringing it to bear on poems, where it will be deepened, not dispelled, and where, by creating a place for possibility and present absences (like unheard melodies), it might come to resemble love.”

35. Poemcrazy by Susan G. Wooldridge

If you’ve ever felt that the mysterious workings of poetry are out of your reach and expressly not for you, Wooldridge is here to tell you that anyone who wants to can write poetry . An experienced workshop leader, she will help you find your inner voice and to express it through the written word. Giving you advice on how to think, use your senses, and practice your writing, Wooldrige will have you putting down rhyme schemes before you know it. 

From the book: “Writing a poem is a form of listening, helping me discover what's wrong or frightening in my world as well as what delights me.”

36. Writing Better Lyrics by Pat Pattison

From the book: “Don't be afraid to write crap — it makes the best fertilizer. The more of it you write, the better your chances are of growing something wonderful.”

Books about writing nonfiction

37. on writing well by william zinsser.

Going strong with its 30th-anniversary edition, On Writing Well: The Classic Guide to Writing Nonfiction is an evergreen resource for nonfiction writers which breaks down the fundamental principles of written communication. As a bonus, the insights and guidelines in this book can certainly be applied to most forms of writing, from interviewing to camp-fire storytelling. Beyond giving tips on how to stay consistent in your writing and voice, how to edit, and how to avoid common pitfalls, Zinsser can also help you grow as a professional writer, strengthening your career and taking steps in a new direction. 

From the book: “Don’t try to visualize the great mass audience. There is no such audience—every reader is a different person.”

38. Essays by Lydia Davis

Ironically enough, this rather lengthy book is a celebration of brevity. As one of the leading American voices in flash-fiction and short-form writing, Davis traces her literary roots and inspirations in essays on everything, ranging from the mastodonic work of Proust to minimalism. In both her translations and her own writing, she celebrates experimental writing that stretches the boundaries of language. Playing with the contrast between what is said and what is not, this collection of essays is another tool to the writing shed to help you feel and use the power of every word you write.

From the book: “Free yourself of your device, for at least certain hours of the day — or at the very least one hour. Learn to be alone, all alone, without people, and without a device that is turned on. Learn to experience the purity of that kind of concentration. Develop focus, learn to focus intently on one thing, uninterrupted, for a long time.”

39. Essayism by Brian Dillon

In this volume, Dillon explores the often overlooked genre of essay writing and its place in literature’s past, present, and future. He argues that essays are an “experiment in attention” but also highlights how and why certain essays have directly impacted the development of the cultural and political landscape, from the end of the Middle Ages until the present day. At its heart, despite its many forms, subject areas, and purposes, essayism has its root in self-exploration. Dip in and out of Dillon’s short texts to find inspiration for your own nonfiction writing.

From the book: “What exactly do I mean, even, by 'style'? Perhaps it is nothing but an urge, an aspiration, a clumsy access of admiration, a crush.”

40. Naked, Drunk, and Writing by Adair Lara

From the book: “Write it down. Whatever it is, write it down. Chip it into marble. Type it into Microsoft Word. Spell it out in seaweeds on the shore. We are each of us an endangered species, delicate as unicorns.”

With a few of these books in your arsenal, you’ll be penning perfect plots in no time! And if you’re interested in learning more about the editing process, check these books on editing out as well!

ZUrlocker says:

11/03/2019 – 19:46

I'm familiar with several of these books. But for new authors, I urge you caution. It is very tempting to read so many books about writing that you never get around to writing. (I did this successfully for many years!) So I will suggest paring it down to just two books: Stephen King on Writing and Blake Snyder Save the Cat. Snyder's book is mostly about screenwriting, so you could also consider Save the Cat Writes a Novel by Jessica Brody. Best of luck!

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10 Best Books on Essay Writing (You Should Read Today)

You can improve your essay writing skills with practice, repetition, and perusing books on essay writing, which are full of useful examples.  

While simply living life, observing your surroundings, and diving into classic essays can naturally hone your writing skills, sometimes a trusty guidebook can give you that extra edge. Interested in mastering the craft of essay writing? Dive into some of the best essay-writing manuals out there. If you dream of becoming a professional essay writer , it’s essential to grasp the nuances of structure, tone, and format. Not all gifted writers can craft an exemplary essay, after all. Recognizing the significance of essays, especially in college admissions, can elevate your approach. If you’re gearing up to write a compelling college admission essay , I’d recommend perusing my guide on crafting an outstanding essay .

“I hate writing, I love having written.” – Dorothy Parker

Here are 10 Books That Will Help You With Essay Writing:

1. a professor’s guide to writing essays: the no-nonsense plan for better writing by dr. jacob neumann.

This is the highest-rated book on the subject available on the market right now. It’s written for students at any level of education. The author uses an unorthodox approach, claiming that breaking essays down into different formats is unnecessary. It doesn’t matter if it’s a persuasive or a narrative essay – the difference is not in how you write, but rather in how you build your case . Length: 118 pages Published: 2016

2. College Essay Essentials: A Step-by-Step Guide to Writing a Successful College Admissions Essay – by Ethan Sawyer

Every year, millions of high-schoolers scramble to achieve above-average GPAs and score well on the SAT , or in some cases, the ACT , or both. They also have to write a 650-word essay and find their way to their dream college. If you’re one of them, then make sure you read this concise book . Ethan Sawyer (The College Essay Guy), breaks the whole essay-writing process down into simple steps and shows you the way around the most common mistakes college applicants usually make. Length: 256 pages Published: 2016

3. The Only Grammar Book You’ll Ever Need: A One-Stop Source for Every Writing Assignment by Susan Thurman

The institution of a grammar school is defunct, but it doesn’t mean you can ignore the basic rules that govern your language. If you’re writing an essay or a college paper , you better keep your grammar tight. Otherwise, your grades will drop dramatically because professors abhor simple grammar mistakes. By reading this little book , you’ll make sure your writing is pristine. Length: 192 pages Published: 2003

4. Escape Essay Hell!: A Step-by-Step Guide to Writing Narrative College Application Essays by Janine W. Robinson

A well-written essay has immense power. Not only that, it is the prerequisite to getting admitted to colleges and universities, but you also have to tackle a few essay questions in most, if not all exams you will ever take for career or academic advancement. For instance, when taking the LSAT to qualify for law school , the MCAT to get into med school , the DAT to pursue a degree in dentistry, or even the GRE or GMAT as the first step in earning a master’s degree. That is why this book is highly recommended to anyone navigating through the sea of higher learning. In this amusing book, Janine Robinson focuses mostly on writing narrative essays . She’s been helping college-bound students to tell unique stories for over a decade and you’ll benefit from her expert advice. The book contains 10 easy steps that you can follow as a blueprint for writing the best “slice of life” story ever told. Length: 76 pages Published: 2013

5. The Art of the Personal Essay: An Anthology from the Classical Era to the Present by Phillip Lopate

This large volume is a necessary diversion from the subject of formal, highly constrained types of writing. It focuses only on the genre of the personal essay which is much more free-spirited, creative, and tongue-and-cheek-like. Phillip Lopate, himself an acclaimed essayist, gathers seventy of the best essays of this type and lets you draw timeless lessons from them. Length: 777 pages Published: 1995

6. The Best American Essays of the Century by Joyce Carol Oates

The art of the modern essay starts with Voltaire at the beginning of the eighteenth century. Since then, many a writer attempted to share their personal stories and philosophical musings in this free-flowing form. Americans are no different. In this anthology, Joyce Carol Oates shares some fantastic reads that you need to absorb if you want to become a highly skilled polemicist. Length: 624 pages Published: 2001

7. On Writing Well: The Classic Guide to Writing Nonfiction by William Zinsser

On Writing Well is a classic writing guide that will open your eyes to the art of producing clear-cut copy. Zinsser approached the subject of writing with a warm, cheerful attitude that seeps through the pages of his masterpiece. Whether you want to describe places, communicate with editors, self-edit your copy, or avoid verbosity, this book will have the right answer for you. Length: 336 pages Published: 2016 (reprint edition)

8. How To Write Any High School Essay: The Essential Guide by Jesse Liebman

The previous titles I mentioned were mostly for “grown-up” writers, but the list wouldn’t be complete without a book for ambitious high-school students. Its length is appropriate, making it possible even for the most ADHD among us to get through it. It contains expert advice, easy-to-implement essay outlines , and tips on finding the best topics and supporting them with strong arguments. Length: 124 pages Published: 2017

9. Essential Writing Skills for College and Beyond by C.M. Gill

On average, after finishing high school or college, Americans read only around twelve books per year. This is a pity because books contain a wealth of information. People at the top of the socio-economic ladder read between forty and sixty books per year – and you should too! But reading is just one skill that gets neglected after college. Writing is the other one. By reading the “Essential Writing Skills” you’ll be able to crush all of your college writing assignments and use them throughout your life to sharpen your prose. Length: 250 Published: 2014

10. The Hidden Machinery: Essays on Writing by Margot Livesey

If you want to write, you first need to read some of the best essays ever written . Developing your style results from conversing with great minds and then borrowing from them to create something new. All great artists are inspired by someone. In Hidden Machinery, Margot Livesey shares her essays on what makes good fiction and a strong narrative. It’s a must-read for all aspiring writers. Length: 224 Published: 2017 How did you like this article? Are you going to read any of the books listed above? Can you recommend any other book that I should add to this list?

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18 of the Best Books on Writing (Updated for 2023)

Table of contents

Ashley R. Cummings

The need for writers isn’t going away. The U.S. Bureau of Labor Statistics projects the employment of writers and authors will continue to grow by 4% from 2021 to 2031 . And it’s projected that there will be an average of 15,000 job openings for writers and authors each year.

While there’s a huge need for writers, it’s also projected future writers will invest anywhere from $7000 to $40,000 to learn the craft. Gasp!

But there’s good news. You don’t necessarily need to invest $40K into a degree to learn how to write. There are countless books that will help you become the writer you’ve always dreamed of becoming and will help you earn money straight out of the gate.

Here’s a list of the top eighteen books that will prepare you for your writing career. ‍

“Read, read, read. Read everything  —  trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it's good, you'll find out. If it's not, throw it out of the window.” — William Faulkner

Best books on writing for business and marketing

Marketing is so important the U.S. spent more than $17 billion in 2021 on marketing data. A large part of marketing is knowing how to write marketing materials that engage audiences. Marketing is also one of the most lucrative freelance writing niches.

When marketing and selling anything, the words you choose to represent your products and brand are critical—these books will help you find the right ones.

1. Lost and Founder by Rand Fishkin

Best for : Entrepreneurs and marketers in the SaaS space

In his book Lost and Founder, Fishkin walks readers through the process of creating a startup. He’s very transparent and doesn’t leave anything out—the roses and the warts are on full display. Lost and Founder is a wealth of first-hand experience that any new startup can learn from.

Most of this book is about all the steps involved in creating a startup, but he also goes through how to write pitches and marketing strategies that worked for him.

Furthermore, if you want to write for startups, it’s important to understand everything that goes into creating a startup. This will help you meet the writing needs of a startup, regardless of what stage it may be in.

2. Killing Marketing by Joe Pulizzi & Robert Rose

Best for : Modern marketing strategies/techniques

Joe Pulizzi and Robert Rose are founders and partners who love content marketing. In their book Killing Marketing, they say content isn’t just marketing; it’s an essential business strategy. 

This book focuses mostly on modern digital marketing techniques. It addresses how marketing has gone from creating ‘sale’ posters to being an essential part of adding value to a brand or company. Pulizzi and Rose use anecdotes and data from their own experiences to illustrate content writing and marketing techniques.

3. Predictably Irrational by Dan Ariely

Best for : Experienced marketers looking to fine-tune writing/strategies

Predictably Irrational isn’t so much a book about writing as a book that can help writers understand what motivates us humans—which is essential for any great writer to understand.

Dan Ariely is an expert in behavioral economics, which studies how people behave when they perform any sort of action (e.g.,. shop, get married, apply for jobs, etc.).

Ariely and his team used experiments to see how suggestion, context, and even subliminal messaging can affect people’s behavior. To illustrate this point, Ariely uses an example where his team created a test that was easy to cheat on. 

Then, his team had respondents take the test again, but reminded them of any sort of moral code (like the ten commandments or even a fake ‘honor code’) right before taking the test to see if people cheated less after the reminder. You’ll have to read to find out the results, but I bet you can guess what happened.

This book is most beneficial for experienced writers and marketers looking to understand their audience on a deeper level.

Best books for copywriting

The biggest issue for copywriting (especially digital copywriting) is people don’t really read things all the way through anymore. 

According to a 20+ year study done by the Nielsen Norman Group , eye tracking research confirms that most internet users only skim and skip around a webpage for relevant info. That means copywriters must understand how to capture the attention of these skimmers and skippers. Here are books that will teach you the ins and outs of successful copywriting.

4. Ogilvy on Advertising by David Ogilvy

Best for : Learning the fundamentals of advertising

Ogilvy on Advertising is admittedly an older book that was first published in 1983. But it’s still considered one of the foremost texts for beginner copywriters and even marketers. It goes over all the fundamentals of advertising and how to write compelling copy.

If you’re new to copywriting and marketing in general, this book uses real life examples to illustrate advertising concepts. And although some of the advice about getting jobs and how to market in foreign markets may be out of date, Ogilvy’s lessons on things like research and brand image are still relevant today.

5. Hey Whipple, Squeeze This by Luke Sullivan

Best for : Creating visual stories

Luke Sullivan has been a successful advertiser for over 30 years. He’s worked at elite agencies, taught, consulted and trained. His book, Hey Whipple, Squeeze This , uses real life examples like Charmin’s advertising campaign of the 1960s and 1970’s (the namesake of the book) to illustrate all aspects of advertising. 

Sullivan goes through everything from how to protect your work to how to write for social media. The book is snarky and witty and gives you a glimpse of what it feels like to work in the creative department at an ad agency. 

6. Finding the Right Message by Jennifer Havice

Best for : How to research your audience

Finding the Right Message is all about delving deeper into understanding what makes your customers tick. It offers step-by-step guides on things like:

• How to craft customer-centric messages
• The types of questions to ask when conducting interviews and surveys
• How to research your customers and the market

Havice offers insight into how to study your audience. She then goes through how you can create messages that will pique your audience’s interest. Using her expertise as a messaging strategist and copywriter, she goes over all the things a copywriter needs to reach their audience.

Best books for longform writing

The average time spent on any webpage is 54 seconds. So, it’s important for longform articles to really engage readers in order to keep them reading for more than 54 seconds. Learning how to write engaging longform articles and books may not come naturally, but here are some books to lead you in the right direction.

7. Writing Feature Stories by Matthew Ricketson & Caroline Graham

Best fo r: Comprehensive writing fundamentals

Matthew Ricketson and Caroline Graham go over the fundamentals of writing engaging and informative longform writing in their book, Writing Feature Stories . They help both journalists and blog writers go beyond the basic who, why, what, where, and when. 

This book will help you generate new ideas, teach you how to do research for your stories, how to edit your work, and how to find the best platform for your work. Using all the information Ricketson and Graham provide, it’ll also help you get over any fear of longform writing.

8. Stein on Writing: A Master Editor of Some of the Most Successful Writers of Our Century Shares His Craft Techniques and Strategies by Sol Stein

Best for : Novelists

Sol Stein is a well known editor and teacher that uses practical and his own real-world experiences to help writers write better. Stein on Writing gives writers practical ways to improve their writing instead of relying on theory. 

A lot of this book is focused on helping novelists with creating more interesting characters, more realistic dialogue, and structure. But it also goes over things like how to trim the fat away from your writing and more efficient ways to edit and revise your drafts.

9. How to Write a Lot by Paul Silvia

Best for : Motivation and practical strategies

The title says it all. Paul Silvia uses his book, How to Write a Lot to help you become a more efficient and effective longform writer. He uses practical strategies that even go through how to make a schedule, how to get over writer’s block, and ultimately how to write like a professional.

Best books for essay writing and academic writing

Whether you’re trying to write OpEds for the New Yorker or just finishing your term paper, you can use these books to learn how to write effective essays for the world of academia.

10. A Professor’s Guide to Writing Essays: The No-Nonsense Plan for Better Writing by Dr. Jacob Newman

Best for : Straightforward and practical writing

If you feel intimidated by academic writing, A Professor’s Guide to Writing Essays is a great book to help you overcome that. Dr. Jacob Newman has been a professor for a long time and uses his experiences to help writers navigate the world of academia. 

Giving useful tips and real world examples, Dr. Newman helps to dispel the idea that academic writing is any different from other kinds of writing. His book is straightforward and practical and focuses on helping students, professors, and anyone else looking to conquer writing academic papers.

11. Stylish Academic Writing by Helen Sword

Best for : Analysis of real articles and essays

Helen Sword believes that data deserves to be presented in an elegant way. Her book Stylish Academic Writing , presents her analyses of over a thousand peer-reviewed articles (on all subjects) that show how important it is for academic writers to know how to write well.

She shows readers the skills they can learn through the examples in her book. Sword will make you a believer that compelling data should be presented with compelling writing. Slapping data onto a page just isn’t good enough anymore. 

12. Simple and Direct: A Rhetoric for Writers by Jacques Barzun

Best for : Exercises that help readers learn concepts

Jacques Barzun was a noted teacher, historian and author. His book Simple & Direct, is just that. He uses a no-nonsense style to help writers improve their technique.

Simple & Direct may have been published in the 70s, but the writing exercises, model passages, and examples provided in the book are a treasure trove for any writer looking to better their craft.

Books that relate to writing in 2022

If you’ve ever watched an episode of Mad Men, you know that advertising must change with the times. Not only does the medium change (e.g., newspapers, radio, TV, internet, etc.) but so does your audience. 

For example, Baby Boomers were concerned with security, Gen Xers were concerned with buying things, millennials cared about buying experiences, and Gen Zers care about supporting companies that have the same beliefs as them. 

So while you can keep the same foundational concepts, there are things writers must learn as they write for the 21st century.

13. The Sense of Style: The Thinking Person’s Guide to Writing in the 21st Century by Steven Pinker

Best for : Relating to all types of writing

Steven Pinker is a Harvard psychology professor who has used his own research and experience to write, The Sense of Style . In this book, writers will learn writing techniques to create compelling prose and Pinker gives real-world examples to help illustrate his points.

If you’re looking to infuse more style into your writing and interested in making your writing stand out in today’s day and age, then this is the book for you.

14. You Are a Writer (So Start Acting Like One) by Jeff Goins

Best for : Bloggers, content creators, indie authors

“Dress for the job you want” and “fake it ‘till you make it.” The idea that you should start acting like the writer you want to be is exactly what Jeff Goins addresses in his book, You are a Writer .

This book is a guide that will help writers in their craft, work ethic, and in marketing their material. It’s perfect for bloggers, content creators, and anyone who has been waiting to fulfill their dream of becoming a full-time writer.

15. The End of Marketing : Humanizing Your Brand in the Age of Social Media and AI by Carlos Gil

Best for : focus on engagement

Carlos Gil breaks down the science of modern marketing in his book The End of Marketing . He breaks down essential topics like:

• What modern audiences want
• Storytelling
• How to get attention on social media and how to use social media as feedback
• How to be genuine
• How to find your customers

The End of Marketing unravels the mysteries of influencers, social media algorithms, and staying on trend. It’s a must read for any writer today.

Books on writing for social media

There are over 4.7 billion active social media users worldwide. In a global survey done by Statista in 2022, 61% of marketers said they would increase their usage of Instagram and 37% said they’re increasing usage of TikTok advertising. Social media isn’t going away, and it always needs content, which means, it needs good writers.

16. Everybody Writes : Your Go-To Guide to Creating Ridiculously Good Content by Ann Handley

Best for : Bloggers and content creators

Everybody Writes teaches readers not only how to write, but also how to engage audiences with truthful storytelling. She offers practical how-tos for writing technique, publishing, and even how to find content ideas. 

Ann Handley’s Everybody Writes is one of the most highly rated overall writing books, and is especially helpful for those looking to write for social media. She also recently released an updated version with new examples.

17. Brand Storytelling: Put Customers at the Heart of Your Brand Story by: Miri Rodriguez

Best for : Step-by-step guide on how to build a brand story

Miri Rodriguez is an award winning storyteller and creative journalist at Microsoft. In her book Brand Storytelling she shows readers the importance of creating an emotional connection with your audience.

She uses case studies and interviews to show readers how, in this world of digital screens and AI, human connection will always win out. 

18. Faster, Smarter, Louder: Master Attention in a Noisy Digital Market by Aaron Agius and Gián Clancey

Best for : How to grow business from start to multimillion global company

Aaron Agius and Gián Clancey are the founders of the successful global marketing firm Louder.online. But they weren’t always successful, they actually first went into business together in 2008, but that business didn’t work out and forced them to move back home to Australia. But their experiences made them write Faster, Smarter, [and] Louder. 

This book gives writers technical and practical tips on how to gain credibility, increase online traffic, and engage with audiences. 

Read to become a better writer!

This list is just a start. If you want to be a writer, you don’t have to spend a lot of money, all you need is a library card or a connection to the internet.

In fact, even if you don't have time to learn how to write, that’s no longer an obstacle either. There are several AI and editing tools that will write content for you and help you fine-tune your sentences to stand out from other writers. There are also blogs that will give you all the resources and info you need to become a stellar writer. 

So stop sitting around thinking “one day” you’ll be a writer. As Stephen King said in On Writing , “You can, you should, and if you’re brave enough to start, you will.”

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10 Books for Essay Writing You Need To Know About

Do you have an essay writing task? Are you looking for an example of essay writing which is the absolute best? We understand how essay writing can feel very daunting at first. It can take time to research, understand the material, plan what you want to write and have the creativity and confidence to produce the work. There are some great books for essay writing to help you out!

At Summer Boarding Courses, we recommend you take the time to work through the format for essay writing step-by-step. Many of our courses, including our Creative Writing Course at  Oxford College , can help you with this.

We advise you to keep practicing. Listen to feedback from your friends and teachers. Most of all, do not give up! Soon enough you will be able to deliver excellent work.

To help you become a better writer, it’s essential to have the best instruction too. Whilst you’re waiting for our Summer Boarding Courses to start in Oxford, why not read up on our favourite books on essay writing?

Here are our Top 10 Books for Essay Writing that will have you creating unique and captivating essays for your school assignments!

Academic Writing: A Handbook for International Students  – Stephen Bailey

If you’re one of our ESL international students wanting help for essay writing at University, this is a great book to start with! We recommend reading this before you attend University in the UK as there are many an example of how to write an excellent piece inside. Many exercises are included that you can try, which is perfect for self-study in your own time.

College Essay Essentials: A Step-by-Step Guide to Writing a Successful College Admissions Essay  – Ethan Sawyer

Are you applying to a College or University? Do you need to write a personal statement ( check out our personal statement guide here )?

Writing your application to enter the school you’re dreaming of may be making you feel very anxious, but college counsellor Ethan Sawyer has written a fantastic guide to help you through it. He will help you bring your personal experiences to life and show you that this application is not too scary after all.

We particularly love his advice in answering these two very important questions:

Have you experienced significant challenges in your life?

Do you know what you want to be or do in the future?

College Essay Essentials has lots of essay writing tips, tricks, exercises and real-life examples to reassure you. Good luck! You can do it!

Oxford A-Z of Grammar and Punctuation  – John Seely

If you want to produce good essay writing, you need your English Grammar to be clear and correct. At Summer Boarding Courses, we understand that English Grammar can sometimes be very confusing and unintuitive.

For a clear, simple and easy-to-understand pocket grammar book, John Seely’s Oxford A-Z of Grammar and Punctuation is extremely helpful.

Whether you are writing a professional piece, a school paper or a fun personal letter to a friend, this book will give you straightforward advice – and it’s small enough to easily fit in your rucksack!

Study with us in the UK!

Take your English writing to the next level.

How to Write an Essay in Five Easy Steps  – Inklyo

Do you need a short and easy introduction to essay writing? We recommend you start with this. It is 58 pages long, not a difficult read and covers all the basics that you need to know. The authors take you through your essay writing step-by-step and help you minimise your anxiety, even if it is the night before your project is due!

We love their recommendation about how to make your instructor happy:

‘Demonstrate that you have understood the course material and write intelligently about your subject’.

A Professor’s Guide to Writing Essays: The No-Nonsense Plan for Better Writing  – Dr. Jacob Neumann

Dr. Neumann is straight-talking. He believes that the plan for any type of essay is the same but how you approach essay writing is critical. The only thing that changes for each essay is the length and complexity of the project.

This book covers every aspect of academic writing for College, University and Secondary (High School) students. We love how simple, honest and clear his instructions are and believe you will complete your writing task much more confidently with his advice.

100 Ways to Improve Your Writing  – Gary Provost

This book may have been written in 1985, but it still a fantastic resource for the best essay writing! It does not matter if you are a student or an established successful writer. This easy-to-use guidebook will inspire you to write even better than before.

100 Ways to Improve Your Writing includes many writing examples and plenty of straightforward writing tips. It’s also easy to dip in and out of. Read through it all in one go or pick a chapter or two when you are feeling inspired!

GCSE English Writing Skills Study Guide  – CGP Books

For our younger learners aged 14 to 16, this is an excellent guide for students to refine their writing skills in essays, non-fiction, creative writing and more. There are clear, helpful exercises throughout the book for students to complete and understand the best English topics for essay writing.

The content is also written for students studying GCSE English: if you are taking this exam, you’ll have a much better chance of passing!

How to Write Better Essays (Palgrave Study Skills)  – Bryan Greetham

We all want to be confident when we are writing our essays. This step-by-step guide will help you analyse concepts, consider different arguments about a subject, and argue your ideas well. The chapters are easy to read and digest and will show you how to research ideas, take notes, write productively in exams and be engaging in your writing.

The Art of the Personal Essay: An Anthology from the Classical Era to the Present  – Phillip Lopate

It is by reading other writers, that we develop our own ideas and unique style. Discover how your own writing can progress and grow through gaining an insight into other writers’ minds and lives.

The Art of the Personal Essay is an excellent collection of essays, from old to new, that are highly entertaining, creative and reflective. Make sure to have this text on your bookshelf or in your bag, so that you can take it out whenever you are seeking inspiration for your next essay. Enjoy!

The Oxford Book of Essays  – John Gross

For the ultimate essay writing book, this is the collection of work that you need to read. There are 140 essays in here by 120 writers. You will find every kind of style; from poetry and fantasy to serious arguments. Some pieces are old, others are incredibly modern. Read through the essays at your own leisure, so that your ideas about how to write gently expand alongside your imagination and creativity.

Do you feel ready to write with our recommended books for essay writing?

Essay writing is an essential skill for English students but just getting started can be difficult! You will need to think about what type of essay you are being asked to write. You will have to plan your outline in essay writing – considering the introduction, the main body of the essay, an excellent conclusion and references.

Having excellent research skills, avoiding plagiarism, and making your essay stand out from the rest of the students in your class are key things you need to know.

We hope our recommendations have inspired you and lead you to writing excellent essays in the future. Good luck and get started. We look forward to seeing you at Summer Boarding Courses in Summer, where you can receive the best writing tips from our teachers in the UK!

• English as a Second Language

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Practical Academic Essay Writing Skills: An International ESL Students English Essay Writing Book (Academic Writing Skills) Paperback – March 27, 2015

Purchase options and add-ons.

Practical Academic Essay Writing Skills: An International ESL Students English Essay Writing Handbook was written with non-English speaking ESL students in mind. In other words, it was primarily written for ESL students who study English as a second language to gain university entrance. Having said that, this practical ESL guide can be used by anyone such as a high-school student, an undergraduate or graduate student, or even a mature age student wishing to learn more practical academic essay writing skills which produce consistent results and grades for your essays, assignments, or even thesis.

With 5 years TESOL experience in practical English academic writing, the author has managed to make himself clearly understood by his ESL students, so a great feature is its clarity and understanding.

The basic academic essay writing skills such as Essay organization, Essay structure, Essay outline, and the English essay writing process are all practically written with non-English speaking students in mind.

In addition to portability and ease of understanding, the best feature is you'll learn the most practical essay writing you'll ever need to write your way to a BA.

What's in it for you?

Apply the learning in Practical Academic Essay Writing and you will:

• 1. Improve your basic academic writing knowledge.
• 2. Become a faster and stronger academic essay writer.
• 3. Show classmates how easy essay academic writing is.
• 4. Boost your self confidence in English academic essay writing.
• 5. Impress your professor at university or your lecturer in your regular English classes.
• 6. Look like a more professional Writer.

And best of all; your grades will improve. And let's face it. That's what you want, isn't it!

It's all up to you, apply the learning and get the results you want by reading Practical Academic Essay Writing Skills (An International ESL Students English Essay Writing Handbook).

Write your way to BA

• Book 2 of 4 Academic Writing Skills
• Print length 62 pages
• Language English
• Publication date March 27, 2015
• Dimensions 5.98 x 0.13 x 9.02 inches
• ISBN-10 1511482125
• ISBN-13 978-1511482127
• See all details

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About the author, product details.

• Publisher ‏ : ‎ CreateSpace Independent Publishing Platform (March 27, 2015)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 62 pages
• ISBN-10 ‏ : ‎ 1511482125
• ISBN-13 ‏ : ‎ 978-1511482127
• Item Weight ‏ : ‎ 3.36 ounces
• Dimensions ‏ : ‎ 5.98 x 0.13 x 9.02 inches
• #8,954 in English as a Second Language Instruction
• #181,808 in Education & Teaching (Books)

About the author

Stephen e. dew.

The author, Stephen E. Dew (1957), is a veteran of 33 years in the Telecommunication Industry from Australia. He obtained an Associate Diploma in Engineering in 1997 and achieved several units towards a Graduate Certificate in Management by 2004. Having relocated back to Perth, after 5 Yeas in Melbourne writing strategic papers for his business unit, he settle in Bedford, Perth and began writing as hobby.

In 2008, he left the Telecommunications sector and traveled SE Asia. He finally settled in Cambodia, where he obtained TESOL qualifications in 2010 and a Graduate Diploma in Enterprise Applied Management in 2011. He taught English Academic Writing to Khmer ESL students at a well renowned university in Phnom Penh for over 5 years.

In 2015, he moved back to Perth, Western Australia. He now he works for Edith Cowan University marking PELA English papers on seasonal basis. Stephen is married and enjoys time with family, teaching, and writing, which are three of his passions.

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The 10 Best Essay Collections of the Decade

Ever tried. ever failed. no matter..

Friends, it’s true: the end of the decade approaches. It’s been a difficult, anxiety-provoking, morally compromised decade, but at least it’s been populated by some damn fine literature. We’ll take our silver linings where we can.

So, as is our hallowed duty as a literary and culture website—though with full awareness of the potentially fruitless and endlessly contestable nature of the task—in the coming weeks, we’ll be taking a look at the best and most important (these being not always the same) books of the decade that was. We will do this, of course, by means of a variety of lists. We began with the best debut novels , the best short story collections , the best poetry collections , and the best memoirs of the decade , and we have now reached the fifth list in our series: the best essay collections published in English between 2010 and 2019.

The following books were chosen after much debate (and several rounds of voting) by the Literary Hub staff. Tears were spilled, feelings were hurt, books were re-read. And as you’ll shortly see, we had a hard time choosing just ten—so we’ve also included a list of dissenting opinions, and an even longer list of also-rans. As ever, free to add any of your own favorites that we’ve missed in the comments below.

The Top Ten

Oliver sacks, the mind’s eye (2010).

Toward the end of his life, maybe suspecting or sensing that it was coming to a close, Dr. Oliver Sacks tended to focus his efforts on sweeping intellectual projects like On the Move (a memoir), The River of Consciousness (a hybrid intellectual history), and Hallucinations (a book-length meditation on, what else, hallucinations). But in 2010, he gave us one more classic in the style that first made him famous, a form he revolutionized and brought into the contemporary literary canon: the medical case study as essay. In The Mind’s Eye , Sacks focuses on vision, expanding the notion to embrace not only how we see the world, but also how we map that world onto our brains when our eyes are closed and we’re communing with the deeper recesses of consciousness. Relaying histories of patients and public figures, as well as his own history of ocular cancer (the condition that would eventually spread and contribute to his death), Sacks uses vision as a lens through which to see all of what makes us human, what binds us together, and what keeps us painfully apart. The essays that make up this collection are quintessential Sacks: sensitive, searching, with an expertise that conveys scientific information and experimentation in terms we can not only comprehend, but which also expand how we see life carrying on around us. The case studies of “Stereo Sue,” of the concert pianist Lillian Kalir, and of Howard, the mystery novelist who can no longer read, are highlights of the collection, but each essay is a kind of gem, mined and polished by one of the great storytellers of our era.  –Dwyer Murphy, CrimeReads Managing Editor

John Jeremiah Sullivan, Pulphead (2011)

The American essay was having a moment at the beginning of the decade, and Pulphead was smack in the middle. Without any hard data, I can tell you that this collection of John Jeremiah Sullivan’s magazine features—published primarily in GQ , but also in The Paris Review , and Harper’s —was the only full book of essays most of my literary friends had read since Slouching Towards Bethlehem , and probably one of the only full books of essays they had even heard of.

Well, we all picked a good one. Every essay in Pulphead is brilliant and entertaining, and illuminates some small corner of the American experience—even if it’s just one house, with Sullivan and an aging writer inside (“Mr. Lytle” is in fact a standout in a collection with no filler; fittingly, it won a National Magazine Award and a Pushcart Prize). But what are they about? Oh, Axl Rose, Christian Rock festivals, living around the filming of One Tree Hill , the Tea Party movement, Michael Jackson, Bunny Wailer, the influence of animals, and by god, the Miz (of Real World/Road Rules Challenge fame).

But as Dan Kois has pointed out , what connects these essays, apart from their general tone and excellence, is “their author’s essential curiosity about the world, his eye for the perfect detail, and his great good humor in revealing both his subjects’ and his own foibles.” They are also extremely well written, drawing much from fictional techniques and sentence craft, their literary pleasures so acute and remarkable that James Wood began his review of the collection in The New Yorker with a quiz: “Are the following sentences the beginnings of essays or of short stories?” (It was not a hard quiz, considering the context.)

It’s hard not to feel, reading this collection, like someone reached into your brain, took out the half-baked stuff you talk about with your friends, researched it, lived it, and represented it to you smarter and better and more thoroughly than you ever could. So read it in awe if you must, but read it.  –Emily Temple, Senior Editor

Aleksandar Hemon, The Book of My Lives (2013)

Such is the sentence-level virtuosity of Aleksandar Hemon—the Bosnian-American writer, essayist, and critic—that throughout his career he has frequently been compared to the granddaddy of borrowed language prose stylists: Vladimir Nabokov. While it is, of course, objectively remarkable that anyone could write so beautifully in a language they learned in their twenties, what I admire most about Hemon’s work is the way in which he infuses every essay and story and novel with both a deep humanity and a controlled (but never subdued) fury. He can also be damn funny. Hemon grew up in Sarajevo and left in 1992 to study in Chicago, where he almost immediately found himself stranded, forced to watch from afar as his beloved home city was subjected to a relentless four-year bombardment, the longest siege of a capital in the history of modern warfare. This extraordinary memoir-in-essays is many things: it’s a love letter to both the family that raised him and the family he built in exile; it’s a rich, joyous, and complex portrait of a place the 90s made synonymous with war and devastation; and it’s an elegy for the wrenching loss of precious things. There’s an essay about coming of age in Sarajevo and another about why he can’t bring himself to leave Chicago. There are stories about relationships forged and maintained on the soccer pitch or over the chessboard, and stories about neighbors and mentors turned monstrous by ethnic prejudice. As a chorus they sing with insight, wry humor, and unimaginable sorrow. I am not exaggerating when I say that the collection’s devastating final piece, “The Aquarium”—which details his infant daughter’s brain tumor and the agonizing months which led up to her death—remains the most painful essay I have ever read.  –Dan Sheehan, Book Marks Editor

Robin Wall Kimmerer, Braiding Sweetgrass (2013)

Of every essay in my relentlessly earmarked copy of Braiding Sweetgrass , Dr. Robin Wall Kimmerer’s gorgeously rendered argument for why and how we should keep going, there’s one that especially hits home: her account of professor-turned-forester Franz Dolp. When Dolp, several decades ago, revisited the farm that he had once shared with his ex-wife, he found a scene of destruction: The farm’s new owners had razed the land where he had tried to build a life. “I sat among the stumps and the swirling red dust and I cried,” he wrote in his journal.

So many in my generation (and younger) feel this kind of helplessness–and considerable rage–at finding ourselves newly adult in a world where those in power seem determined to abandon or destroy everything that human bodies have always needed to survive: air, water, land. Asking any single book to speak to this helplessness feels unfair, somehow; yet, Braiding Sweetgrass does, by weaving descriptions of indigenous tradition with the environmental sciences in order to show what survival has looked like over the course of many millennia. Kimmerer’s essays describe her personal experience as a Potawotami woman, plant ecologist, and teacher alongside stories of the many ways that humans have lived in relationship to other species. Whether describing Dolp’s work–he left the stumps for a life of forest restoration on the Oregon coast–or the work of others in maple sugar harvesting, creating black ash baskets, or planting a Three Sisters garden of corn, beans, and squash, she brings hope. “In ripe ears and swelling fruit, they counsel us that all gifts are multiplied in relationship,” she writes of the Three Sisters, which all sustain one another as they grow. “This is how the world keeps going.”  –Corinne Segal, Senior Editor

Hilton Als, White Girls (2013)

In a world where we are so often reduced to one essential self, Hilton Als’ breathtaking book of critical essays, White Girls , which meditates on the ways he and other subjects read, project and absorb parts of white femininity, is a radically liberating book. It’s one of the only works of critical thinking that doesn’t ask the reader, its author or anyone he writes about to stoop before the doorframe of complete legibility before entering. Something he also permitted the subjects and readers of his first book, the glorious book-length essay, The Women , a series of riffs and psychological portraits of Dorothy Dean, Owen Dodson, and the author’s own mother, among others. One of the shifts of that book, uncommon at the time, was how it acknowledges the way we inhabit bodies made up of variously gendered influences. To read White Girls now is to experience the utter freedom of this gift and to marvel at Als’ tremendous versatility and intelligence.

He is easily the most diversely talented American critic alive. He can write into genres like pop music and film where being part of an audience is a fantasy happening in the dark. He’s also wired enough to know how the art world builds reputations on the nod of rich white patrons, a significant collision in a time when Jean-Michel Basquiat is America’s most expensive modern artist. Als’ swerving and always moving grip on performance means he’s especially good on describing the effect of art which is volatile and unstable and built on the mingling of made-up concepts and the hard fact of their effect on behavior, such as race. Writing on Flannery O’Connor for instance he alone puts a finger on her “uneasy and unavoidable union between black and white, the sacred and the profane, the shit and the stars.” From Eminem to Richard Pryor, André Leon Talley to Michael Jackson, Als enters the life and work of numerous artists here who turn the fascinations of race and with whiteness into fury and song and describes the complexity of their beauty like his life depended upon it. There are also brief memoirs here that will stop your heart. This is an essential work to understanding American culture.  –John Freeman, Executive Editor

Eula Biss, On Immunity (2014)

We move through the world as if we can protect ourselves from its myriad dangers, exercising what little agency we have in an effort to keep at bay those fears that gather at the edges of any given life: of loss, illness, disaster, death. It is these fears—amplified by the birth of her first child—that Eula Biss confronts in her essential 2014 essay collection, On Immunity . As any great essayist does, Biss moves outward in concentric circles from her own very private view of the world to reveal wider truths, discovering as she does a culture consumed by anxiety at the pervasive toxicity of contemporary life. As Biss interrogates this culture—of privilege, of whiteness—she interrogates herself, questioning the flimsy ways in which we arm ourselves with science or superstition against the impurities of daily existence.

Five years on from its publication, it is dismaying that On Immunity feels as urgent (and necessary) a defense of basic science as ever. Vaccination, we learn, is derived from vacca —for cow—after the 17th-century discovery that a small application of cowpox was often enough to inoculate against the scourge of smallpox, an etymological digression that belies modern conspiratorial fears of Big Pharma and its vaccination agenda. But Biss never scolds or belittles the fears of others, and in her generosity and openness pulls off a neat (and important) trick: insofar as we are of the very world we fear, she seems to be suggesting, we ourselves are impure, have always been so, permeable, vulnerable, yet so much stronger than we think.  –Jonny Diamond, Editor-in-Chief 

Rebecca Solnit, The Mother of All Questions (2016)

When Rebecca Solnit’s essay, “Men Explain Things to Me,” was published in 2008, it quickly became a cultural phenomenon unlike almost any other in recent memory, assigning language to a behavior that almost every woman has witnessed—mansplaining—and, in the course of identifying that behavior, spurring a movement, online and offline, to share the ways in which patriarchal arrogance has intersected all our lives. (It would also come to be the titular essay in her collection published in 2014.) The Mother of All Questions follows up on that work and takes it further in order to examine the nature of self-expression—who is afforded it and denied it, what institutions have been put in place to limit it, and what happens when it is employed by women. Solnit has a singular gift for describing and decoding the misogynistic dynamics that govern the world so universally that they can seem invisible and the gendered violence that is so common as to seem unremarkable; this naming is powerful, and it opens space for sharing the stories that shape our lives.

The Mother of All Questions, comprised of essays written between 2014 and 2016, in many ways armed us with some of the tools necessary to survive the gaslighting of the Trump years, in which many of us—and especially women—have continued to hear from those in power that the things we see and hear do not exist and never existed. Solnit also acknowledges that labels like “woman,” and other gendered labels, are identities that are fluid in reality; in reviewing the book for The New Yorker , Moira Donegan suggested that, “One useful working definition of a woman might be ‘someone who experiences misogyny.'” Whichever words we use, Solnit writes in the introduction to the book that “when words break through unspeakability, what was tolerated by a society sometimes becomes intolerable.” This storytelling work has always been vital; it continues to be vital, and in this book, it is brilliantly done.  –Corinne Segal, Senior Editor

Valeria Luiselli, Tell Me How It Ends (2017)

The newly minted MacArthur fellow Valeria Luiselli’s four-part (but really six-part) essay  Tell Me How It Ends: An Essay in Forty Questions  was inspired by her time spent volunteering at the federal immigration court in New York City, working as an interpreter for undocumented, unaccompanied migrant children who crossed the U.S.-Mexico border. Written concurrently with her novel  Lost Children Archive  (a fictional exploration of the same topic), Luiselli’s essay offers a fascinating conceit, the fashioning of an argument from the questions on the government intake form given to these children to process their arrivals. (Aside from the fact that this essay is a heartbreaking masterpiece, this is such a  good  conceit—transforming a cold, reproducible administrative document into highly personal literature.) Luiselli interweaves a grounded discussion of the questionnaire with a narrative of the road trip Luiselli takes with her husband and family, across America, while they (both Mexican citizens) wait for their own Green Card applications to be processed. It is on this trip when Luiselli reflects on the thousands of migrant children mysteriously traveling across the border by themselves. But the real point of the essay is to actually delve into the real stories of some of these children, which are agonizing, as well as to gravely, clearly expose what literally happens, procedural, when they do arrive—from forms to courts, as they’re swallowed by a bureaucratic vortex. Amid all of this, Luiselli also takes on more, exploring the larger contextual relationship between the United States of America and Mexico (as well as other countries in Central America, more broadly) as it has evolved to our current, adverse moment.  Tell Me How It Ends  is so small, but it is so passionate and vigorous: it desperately accomplishes in its less-than-100-pages-of-prose what centuries and miles and endless records of federal bureaucracy have never been able, and have never cared, to do: reverse the dehumanization of Latin American immigrants that occurs once they set foot in this country.  –Olivia Rutigliano, CrimeReads Editorial Fellow

Zadie Smith, Feel Free (2018)

In the essay “Meet Justin Bieber!” in Feel Free , Zadie Smith writes that her interest in Justin Bieber is not an interest in the interiority of the singer himself, but in “the idea of the love object”. This essay—in which Smith imagines a meeting between Bieber and the late philosopher Martin Buber (“Bieber and Buber are alternative spellings of the same German surname,” she explains in one of many winning footnotes. “Who am I to ignore these hints from the universe?”). Smith allows that this premise is a bit premise -y: “I know, I know.” Still, the resulting essay is a very funny, very smart, and un-tricky exploration of individuality and true “meeting,” with a dash of late capitalism thrown in for good measure. The melding of high and low culture is the bread and butter of pretty much every prestige publication on the internet these days (and certainly of the Twitter feeds of all “public intellectuals”), but the essays in Smith’s collection don’t feel familiar—perhaps because hers is, as we’ve long known, an uncommon skill. Though I believe Smith could probably write compellingly about anything, she chooses her subjects wisely. She writes with as much electricity about Brexit as the aforementioned Beliebers—and each essay is utterly engrossing. “She contains multitudes, but her point is we all do,” writes Hermione Hoby in her review of the collection in The New Republic . “At the same time, we are, in our endless difference, nobody but ourselves.”  –Jessie Gaynor, Social Media Editor

Tressie McMillan Cottom, Thick: And Other Essays (2019)

Tressie McMillan Cottom is an academic who has transcended the ivory tower to become the sort of public intellectual who can easily appear on radio or television talk shows to discuss race, gender, and capitalism. Her collection of essays reflects this duality, blending scholarly work with memoir to create a collection on the black female experience in postmodern America that’s “intersectional analysis with a side of pop culture.” The essays range from an analysis of sexual violence, to populist politics, to social media, but in centering her own experiences throughout, the collection becomes something unlike other pieces of criticism of contemporary culture. In explaining the title, she reflects on what an editor had said about her work: “I was too readable to be academic, too deep to be popular, too country black to be literary, and too naïve to show the rigor of my thinking in the complexity of my prose. I had wanted to create something meaningful that sounded not only like me, but like all of me. It was too thick.” One of the most powerful essays in the book is “Dying to be Competent” which begins with her unpacking the idiocy of LinkedIn (and the myth of meritocracy) and ends with a description of her miscarriage, the mishandling of black woman’s pain, and a condemnation of healthcare bureaucracy. A finalist for the 2019 National Book Award for Nonfiction, Thick confirms McMillan Cottom as one of our most fearless public intellectuals and one of the most vital.  –Emily Firetog, Deputy Editor

Dissenting Opinions

The following books were just barely nudged out of the top ten, but we (or at least one of us) couldn’t let them pass without comment.

Elif Batuman, The Possessed (2010)

In The Possessed Elif Batuman indulges her love of Russian literature and the result is hilarious and remarkable. Each essay of the collection chronicles some adventure or other that she had while in graduate school for Comparative Literature and each is more unpredictable than the next. There’s the time a “well-known 20th-centuryist” gave a graduate student the finger; and the time when Batuman ended up living in Samarkand, Uzbekistan, for a summer; and the time that she convinced herself Tolstoy was murdered and spent the length of the Tolstoy Conference in Yasnaya Polyana considering clues and motives. Rich in historic detail about Russian authors and literature and thoughtfully constructed, each essay is an amalgam of critical analysis, cultural criticism, and serious contemplation of big ideas like that of identity, intellectual legacy, and authorship. With wit and a serpentine-like shape to her narratives, Batuman adopts a form reminiscent of a Socratic discourse, setting up questions at the beginning of her essays and then following digressions that more or less entreat the reader to synthesize the answer for herself. The digressions are always amusing and arguably the backbone of the collection, relaying absurd anecdotes with foreign scholars or awkward, surreal encounters with Eastern European strangers. Central also to the collection are Batuman’s intellectual asides where she entertains a theory—like the “problem of the person”: the inability to ever wholly capture one’s character—that ultimately layer the book’s themes. “You are certainly my most entertaining student,” a professor said to Batuman. But she is also curious and enthusiastic and reflective and so knowledgeable that she might even convince you (she has me!) that you too love Russian literature as much as she does. –Eleni Theodoropoulos, Editorial Fellow

Roxane Gay, Bad Feminist (2014)

Roxane Gay’s now-classic essay collection is a book that will make you laugh, think, cry, and then wonder, how can cultural criticism be this fun? My favorite essays in the book include Gay’s musings on competitive Scrabble, her stranded-in-academia dispatches, and her joyous film and television criticism, but given the breadth of topics Roxane Gay can discuss in an entertaining manner, there’s something for everyone in this one. This book is accessible because feminism itself should be accessible – Roxane Gay is as likely to draw inspiration from YA novels, or middle-brow shows about friendship, as she is to introduce concepts from the academic world, and if there’s anyone I trust to bridge the gap between high culture, low culture, and pop culture, it’s the Goddess of Twitter. I used to host a book club dedicated to radical reads, and this was one of the first picks for the club; a week after the book club met, I spied a few of the attendees meeting in the café of the bookstore, and found out that they had bonded so much over discussing  Bad Feminist  that they couldn’t wait for the next meeting of the book club to keep discussing politics and intersectionality, and that, in a nutshell, is the power of Roxane. –Molly Odintz, CrimeReads Associate Editor

Rivka Galchen, Little Labors (2016)

Generally, I find stories about the trials and tribulations of child-having to be of limited appeal—useful, maybe, insofar as they offer validation that other people have also endured the bizarre realities of living with a tiny human, but otherwise liable to drift into the musings of parents thrilled at the simple fact of their own fecundity, as if they were the first ones to figure the process out (or not). But Little Labors is not simply an essay collection about motherhood, perhaps because Galchen initially “didn’t want to write about” her new baby—mostly, she writes, “because I had never been interested in babies, or mothers; in fact, those subjects had seemed perfectly not interesting to me.” Like many new mothers, though, Galchen soon discovered her baby—which she refers to sometimes as “the puma”—to be a preoccupying thought, demanding to be written about. Galchen’s interest isn’t just in her own progeny, but in babies in literature (“Literature has more dogs than babies, and also more abortions”), The Pillow Book , the eleventh-century collection of musings by Sei Shōnagon, and writers who are mothers. There are sections that made me laugh out loud, like when Galchen continually finds herself in an elevator with a neighbor who never fails to remark on the puma’s size. There are also deeper, darker musings, like the realization that the baby means “that it’s not permissible to die. There are days when this does not feel good.” It is a slim collection that I happened to read at the perfect time, and it remains one of my favorites of the decade. –Emily Firetog, Deputy Editor

Charlie Fox, This Young Monster (2017)

On social media as in his writing, British art critic Charlie Fox rejects lucidity for allusion and doesn’t quite answer the Twitter textbox’s persistent question: “What’s happening?” These days, it’s hard to tell.  This Young Monster  (2017), Fox’s first book,was published a few months after Donald Trump’s election, and at one point Fox takes a swipe at a man he judges “direct from a nightmare and just a repulsive fucking goon.” Fox doesn’t linger on politics, though, since most of the monsters he looks at “embody otherness and make it into art, ripping any conventional idea of beauty to shreds and replacing it with something weird and troubling of their own invention.”

If clichés are loathed because they conform to what philosopher Georges Bataille called “the common measure,” then monsters are rebellious non-sequiturs, comedic or horrific derailments from a classical ideal. Perverts in the most literal sense, monsters have gone astray from some “proper” course. The book’s nine chapters, which are about a specific monster or type of monster, are full of callbacks to familiar and lesser-known media. Fox cites visual art, film, songs, and books with the screwy buoyancy of a savant. Take one of his essays, “Spook House,” framed as a stage play with two principal characters, Klaus (“an intoxicated young skinhead vampire”) and Hermione (“a teen sorceress with green skin and jet-black hair” who looks more like The Wicked Witch than her namesake). The chorus is a troupe of trick-or-treaters. Using the filmmaker Cameron Jamie as a starting point, the rest is free association on gothic decadence and Detroit and L.A. as cities of the dead. All the while, Klaus quotes from  Artforum ,  Dazed & Confused , and  Time Out. It’s a technical feat that makes fictionalized dialogue a conveyor belt for cultural criticism.

In Fox’s imagination, David Bowie and the Hydra coexist alongside Peter Pan, Dennis Hopper, and the maenads. Fox’s book reaches for the monster’s mask, not really to peel it off but to feel and smell the rubber schnoz, to know how it’s made before making sure it’s still snugly set. With a stylistic blend of arthouse suavity and B-movie chic,  This Young Monster considers how monsters in culture are made. Aren’t the scariest things made in post-production? Isn’t the creature just duplicity, like a looping choir or a dubbed scream? –Aaron Robertson, Assistant Editor

Elena Passarello, Animals Strike Curious Poses (2017)

Elena Passarello’s collection of essays Animals Strike Curious Poses picks out infamous animals and grants them the voice, narrative, and history they deserve. Not only is a collection like this relevant during the sixth extinction but it is an ambitious historical and anthropological undertaking, which Passarello has tackled with thorough research and a playful tone that rather than compromise her subject, complicates and humanizes it. Passarello’s intention is to investigate the role of animals across the span of human civilization and in doing so, to construct a timeline of humanity as told through people’s interactions with said animals. “Of all the images that make our world, animal images are particularly buried inside us,” Passarello writes in her first essay, to introduce us to the object of the book and also to the oldest of her chosen characters: Yuka, a 39,000-year-old mummified woolly mammoth discovered in the Siberian permafrost in 2010. It was an occasion so remarkable and so unfathomable given the span of human civilization that Passarello says of Yuka: “Since language is epically younger than both thought and experience, ‘woolly mammoth’ means, to a human brain, something more like time.” The essay ends with a character placing a hand on a cave drawing of a woolly mammoth, accompanied by a phrase which encapsulates the author’s vision for the book: “And he becomes the mammoth so he can envision the mammoth.” In Passarello’s hands the imagined boundaries between the animal, natural, and human world disintegrate and what emerges is a cohesive if baffling integrated history of life. With the accuracy and tenacity of a journalist and the spirit of a storyteller, Elena Passarello has assembled a modern bestiary worthy of contemplation and awe. –Eleni Theodoropoulos, Editorial Fellow

Esmé Weijun Wang, The Collected Schizophrenias (2019)

Esmé Weijun Wang’s collection of essays is a kaleidoscopic look at mental health and the lives affected by the schizophrenias. Each essay takes on a different aspect of the topic, but you’ll want to read them together for a holistic perspective. Esmé Weijun Wang generously begins The Collected Schizophrenias by acknowledging the stereotype, “Schizophrenia terrifies. It is the archetypal disorder of lunacy.” From there, she walks us through the technical language, breaks down the Diagnostic and Statistical Manual ( DSM-5 )’s clinical definition. And then she gets very personal, telling us about how she came to her own diagnosis and the way it’s touched her daily life (her relationships, her ideas about motherhood). Esmé Weijun Wang is uniquely situated to write about this topic. As a former lab researcher at Stanford, she turns a precise, analytical eye to her experience while simultaneously unfolding everything with great patience for her reader. Throughout, she brilliantly dissects the language around mental health. (On saying “a person living with bipolar disorder” instead of using “bipolar” as the sole subject: “…we are not our diseases. We are instead individuals with disorders and malfunctions. Our conditions lie over us like smallpox blankets; we are one thing and the illness is another.”) She pinpoints the ways she arms herself against anticipated reactions to the schizophrenias: high fashion, having attended an Ivy League institution. In a particularly piercing essay, she traces mental illness back through her family tree. She also places her story within more mainstream cultural contexts, calling on groundbreaking exposés about the dangerous of institutionalization and depictions of mental illness in television and film (like the infamous Slender Man case, in which two young girls stab their best friend because an invented Internet figure told them to). At once intimate and far-reaching, The Collected Schizophrenias is an informative and important (and let’s not forget artful) work. I’ve never read a collection quite so beautifully-written and laid-bare as this. –Katie Yee, Book Marks Assistant Editor

Ross Gay, The Book of Delights (2019)

When Ross Gay began writing what would become The Book of Delights, he envisioned it as a project of daily essays, each focused on a moment or point of delight in his day. This plan quickly disintegrated; on day four, he skipped his self-imposed assignment and decided to “in honor and love, delight in blowing it off.” (Clearly, “blowing it off” is a relative term here, as he still produced the book.) Ross Gay is a generous teacher of how to live, and this moment of reveling in self-compassion is one lesson among many in The Book of Delights , which wanders from moments of connection with strangers to a shade of “red I don’t think I actually have words for,” a text from a friend reading “I love you breadfruit,” and “the sun like a guiding hand on my back, saying everything is possible. Everything .”

Gay does not linger on any one subject for long, creating the sense that delight is a product not of extenuating circumstances, but of our attention; his attunement to the possibilities of a single day, and awareness of all the small moments that produce delight, are a model for life amid the warring factions of the attention economy. These small moments range from the physical–hugging a stranger, transplanting fig cuttings–to the spiritual and philosophical, giving the impression of sitting beside Gay in his garden as he thinks out loud in real time. It’s a privilege to listen. –Corinne Segal, Senior Editor

Honorable Mentions

A selection of other books that we seriously considered for both lists—just to be extra about it (and because decisions are hard).

Terry Castle, The Professor and Other Writings (2010) · Joyce Carol Oates, In Rough Country (2010) · Geoff Dyer, Otherwise Known as the Human Condition (2011) · Christopher Hitchens, Arguably (2011) ·  Roberto Bolaño, tr. Natasha Wimmer, Between Parentheses (2011) · Dubravka Ugresic, tr. David Williams, Karaoke Culture (2011) · Tom Bissell, Magic Hours (2012)  · Kevin Young, The Grey Album (2012) · William H. Gass, Life Sentences: Literary Judgments and Accounts (2012) · Mary Ruefle, Madness, Rack, and Honey (2012) · Herta Müller, tr. Geoffrey Mulligan, Cristina and Her Double (2013) · Leslie Jamison, The Empathy Exams (2014)  · Meghan Daum, The Unspeakable (2014)  · Daphne Merkin, The Fame Lunches (2014)  · Charles D’Ambrosio, Loitering (2015) · Wendy Walters, Multiply/Divide (2015) · Colm Tóibín, On Elizabeth Bishop (2015) ·  Renee Gladman, Calamities (2016)  · Jesmyn Ward, ed. The Fire This Time (2016)  · Lindy West, Shrill (2016)  · Mary Oliver, Upstream (2016)  · Emily Witt, Future Sex (2016)  · Olivia Laing, The Lonely City (2016)  · Mark Greif, Against Everything (2016)  · Durga Chew-Bose, Too Much and Not the Mood (2017)  · Sarah Gerard, Sunshine State (2017)  · Jim Harrison, A Really Big Lunch (2017)  · J.M. Coetzee, Late Essays: 2006-2017 (2017) · Melissa Febos, Abandon Me (2017)  · Louise Glück, American Originality (2017)  · Joan Didion, South and West (2017)  · Tom McCarthy, Typewriters, Bombs, Jellyfish (2017)  · Hanif Abdurraqib, They Can’t Kill Us Until they Kill Us (2017)  · Ta-Nehisi Coates, We Were Eight Years in Power (2017)  ·  Samantha Irby, We Are Never Meeting in Real Life (2017)  · Alexander Chee, How to Write an Autobiographical Novel (2018)  · Alice Bolin, Dead Girls (2018)  · Marilynne Robinson, What Are We Doing Here? (2018)  · Lorrie Moore, See What Can Be Done (2018)  · Maggie O’Farrell, I Am I Am I Am (2018)  · Ijeoma Oluo, So You Want to Talk About Race (2018)  · Rachel Cusk, Coventry (2019)  · Jia Tolentino, Trick Mirror (2019)  · Emily Bernard, Black is the Body (2019)  · Toni Morrison, The Source of Self-Regard (2019)  · Margaret Renkl, Late Migrations (2019)  ·  Rachel Munroe, Savage Appetites (2019)  · Robert A. Caro,  Working  (2019) · Arundhati Roy, My Seditious Heart (2019).

Emily Temple

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10 Best Books for Learning English Writing

Learning English writing is a complex process that takes time and practice. There are many ways to learn English writing, and each person has their own way of doing things. The important thing is that you find a way that works for you and stick with it. If you follow these books, you will be able to improve your English writing skills in no time.

There are many ways to learn English writing. The most popular way is to take English classes in school. However, many people find that learning English through books is more beneficial. Learning a new language can be difficult, but the process of learning one through books is much easier and more efficient. There are many books on learning English written by native English speakers, so you can be sure that you will get the best results if you use these books as your starting point.

If you want to learn how to write in English, be sure to check out these 10 best books. These books can help you improve your English writing skills, and will give you the knowledge and tools you need to write in a clear and concise way. Each book will take you by the hand and show you how to create effective and well-written essays, letters, and articles.

Table of Contents

10 Best Books for Learning English Writing:

If you want to learn English writing quickly and easily, these ten books are a great option. Each book covers a different aspect of the skill and will help you improve your written English.

1. The Oxford Essential Guide to Writing

This essential resource helps all writers organize, shape, and complete their work while expressing their ideas creatively and clearly. Rules of style and technique are covered, with examples of expert prose from the masters. An Appendix covers punctuation and grammar.

Whether you’re composing a letter, writing a school thesis, or starting a novel, this resource offers expert advice on how to think more creatively, how to conjure up ideas from scratch, and how to express those ideas clearly and elegantly. No matter where you find yourself in the writing process—from the daunting look of a blank page, to the rough draft that needs shaping, to the small but important questions of punctuation—you’ll find what you need in this one handy, all-inclusive volume.

2. Great Writing Foundations Student’s Book

Great Writing bridges the gap from ESL writers to mainstream writers! The Great Writing series uses clear explanations and extensive practical activities to help students write great sentences, paragraphs, and essays. Each book contains a wide variety of writing models in carefully selected rhetorical styles that provide practice in working with the writing process to develop a final piece of writing. * An all-new level, Great Writing Foundations introduces students to the basics of sentence structure, grammar, spelling, and vocabulary for writing. * Impactful National Geographic images open every unit and help to stimulate student writing. * Updated “Grammar for Writing” sections help students apply target structures to the writing goals. * “Building Better Vocabulary” activities highlight words from the Academic Word List and encourage students to use new words in their writing. * Student writing models help students focus on specific writing skills and multiple rhetorical structures

3. Writing Better English for ESL Learners

Write in English like a native speaker! Taking a developmental approach to improving writing skills, Writing Better English helps you increase your levels of proficiency in both grammar and vocabulary. Before tackling sentence structures, the book helps you reinforce those grammar elements you may have trouble with, like verb tenses and pronouns. You’ll then expand your written communication abilities through comprehensive explanations, skill-building exercises, and practical writing activities.

4. Writing Sentences – Structured Tasks for English Practice

Structured Tasks for English Practice is a series of programmed workbooks designed to assist deaf adults and young people in writing better English. The books in the series include Articles; Verbs: Past, Present, and Future; Nouns; Pronouns; Conjunctions; Adjectives and Linking Verbs; Adverb Clauses; Prepositional Phrases; Infinitives and Gerunds; and Writing Sentences. The workbooks are intended to be used in conjunction with classroom lectures or for independent study. The self-instructional format provides opportunities for frequent student response, immediate feedback, and self-pacing.

5. Better English Writing – Improve Your Writing Power

From writing emails to writing a thesis, CV or letter, this book will give you all the tools you need to improve your written English and make it more readable and interesting. In many situations, you must be able to put your ideas across as clearly and concisely as possible. This book will ensure that you come across in a memorable and professional way. Aimed at ages 12+, it will also suit those in higher education or as a tool of reference in the home, office, college, and school.

6. Writing Learn to Write Better Academic Essays

A step-by-step guide to writing better academic essays

Using this guide will teach students the skills and strategies needed to write well-structured essays, reports, and case studies, and achieve academic success at school. They will learn how to interpret the question; structure their work; paraphrase, quote, and reference sources; avoid plagiarism, and understand their reader. This guide includes a complete 2500-word model essay.

7. How to Write Effective Business English

How to Write Effective Business English teaches the non-native reader how to create clear, concise messages and avoid verbosity. Assuming an intermediate knowledge of English, this book provides guidelines for further development, deals with real-life scenarios, and gives readers answers that even their bosses might not know.

Focusing on emails, letters, resumes, or job applications, gives readers an easy system for writing clearly, quickly, and easily. It will also appeal to native English speakers who feel that their written business English needs practice.

8. A Practical Guide To Business Writing – Writing In English For Non-Native Speakers

This book provides a wealth of practical information for any person who aims to produce short, effective documents within the work environment. It offers sensible, valuable and helpful rules for producing effective short reports, memos, letters and e-mails that are clear, concise and easy to read for the busy manager or supervisor working in the demanding setting of modern industry or commerce.

9. So You Think You Can Write – The Definitive Guide to Successful Online Writing

So You Think You Can Write? is your ultimate guidebook to learning every skill it takes to write great copy for the web, from the fundamentals of using storytelling in online content all the way to knowing how to write for both search engines and people, what it takes to craft different forms of content on the web, and much more; plus, a bonus chapter revealing how to market yourself and make income as an online copywriter in a modern world. Written by Julia McCoy, who spent years of her life teaching herself the elements of successful online writing and launched a writing business that hit seven figures within five years, this book is your essential blueprint to learning what it takes to write great online copy, both as a freelancer and brand/business owner.

10. Creative Writing – How to unlock your imagination, develop your writing skills – and get published.

Intended for writers who are looking for ways to improve their output. This guide focuses on: fiction writing and the world of genre fiction; ways of drawing on personal experience in order to write non-fiction articles on a variety of topics in a number of different styles; and, writing for children. This book is a first-rate guide for writers who are looking for ways to improve their output.

In conclusion, these are the 10 best books for learning English writing. These books will give you the skills and knowledge you need to write in a proficient manner. If you are looking to improve your English writing skills, then these books are a great way to start.

If you want to download all of these Books for Learning English writing, just click the link below.

Have fun learning English Writing!

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• Example of a great essay | Explanations, tips & tricks

Example of a Great Essay | Explanations, Tips & Tricks

Published on February 9, 2015 by Shane Bryson . Revised on July 23, 2023 by Shona McCombes.

This example guides you through the structure of an essay. It shows how to build an effective introduction , focused paragraphs , clear transitions between ideas, and a strong conclusion .

Each paragraph addresses a single central point, introduced by a topic sentence , and each point is directly related to the thesis statement .

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Other interesting articles, frequently asked questions about writing an essay, an appeal to the senses: the development of the braille system in nineteenth-century france.

The invention of Braille was a major turning point in the history of disability. The writing system of raised dots used by visually impaired people was developed by Louis Braille in nineteenth-century France. In a society that did not value disabled people in general, blindness was particularly stigmatized, and lack of access to reading and writing was a significant barrier to social participation. The idea of tactile reading was not entirely new, but existing methods based on sighted systems were difficult to learn and use. As the first writing system designed for blind people’s needs, Braille was a groundbreaking new accessibility tool. It not only provided practical benefits, but also helped change the cultural status of blindness. This essay begins by discussing the situation of blind people in nineteenth-century Europe. It then describes the invention of Braille and the gradual process of its acceptance within blind education. Subsequently, it explores the wide-ranging effects of this invention on blind people’s social and cultural lives.

Lack of access to reading and writing put blind people at a serious disadvantage in nineteenth-century society. Text was one of the primary methods through which people engaged with culture, communicated with others, and accessed information; without a well-developed reading system that did not rely on sight, blind people were excluded from social participation (Weygand, 2009). While disabled people in general suffered from discrimination, blindness was widely viewed as the worst disability, and it was commonly believed that blind people were incapable of pursuing a profession or improving themselves through culture (Weygand, 2009). This demonstrates the importance of reading and writing to social status at the time: without access to text, it was considered impossible to fully participate in society. Blind people were excluded from the sighted world, but also entirely dependent on sighted people for information and education.

In France, debates about how to deal with disability led to the adoption of different strategies over time. While people with temporary difficulties were able to access public welfare, the most common response to people with long-term disabilities, such as hearing or vision loss, was to group them together in institutions (Tombs, 1996). At first, a joint institute for the blind and deaf was created, and although the partnership was motivated more by financial considerations than by the well-being of the residents, the institute aimed to help people develop skills valuable to society (Weygand, 2009). Eventually blind institutions were separated from deaf institutions, and the focus shifted towards education of the blind, as was the case for the Royal Institute for Blind Youth, which Louis Braille attended (Jimenez et al, 2009). The growing acknowledgement of the uniqueness of different disabilities led to more targeted education strategies, fostering an environment in which the benefits of a specifically blind education could be more widely recognized.

Several different systems of tactile reading can be seen as forerunners to the method Louis Braille developed, but these systems were all developed based on the sighted system. The Royal Institute for Blind Youth in Paris taught the students to read embossed roman letters, a method created by the school’s founder, Valentin Hauy (Jimenez et al., 2009). Reading this way proved to be a rather arduous task, as the letters were difficult to distinguish by touch. The embossed letter method was based on the reading system of sighted people, with minimal adaptation for those with vision loss. As a result, this method did not gain significant success among blind students.

Louis Braille was bound to be influenced by his school’s founder, but the most influential pre-Braille tactile reading system was Charles Barbier’s night writing. A soldier in Napoleon’s army, Barbier developed a system in 1819 that used 12 dots with a five line musical staff (Kersten, 1997). His intention was to develop a system that would allow the military to communicate at night without the need for light (Herron, 2009). The code developed by Barbier was phonetic (Jimenez et al., 2009); in other words, the code was designed for sighted people and was based on the sounds of words, not on an actual alphabet. Barbier discovered that variants of raised dots within a square were the easiest method of reading by touch (Jimenez et al., 2009). This system proved effective for the transmission of short messages between military personnel, but the symbols were too large for the fingertip, greatly reducing the speed at which a message could be read (Herron, 2009). For this reason, it was unsuitable for daily use and was not widely adopted in the blind community.

Nevertheless, Barbier’s military dot system was more efficient than Hauy’s embossed letters, and it provided the framework within which Louis Braille developed his method. Barbier’s system, with its dashes and dots, could form over 4000 combinations (Jimenez et al., 2009). Compared to the 26 letters of the Latin alphabet, this was an absurdly high number. Braille kept the raised dot form, but developed a more manageable system that would reflect the sighted alphabet. He replaced Barbier’s dashes and dots with just six dots in a rectangular configuration (Jimenez et al., 2009). The result was that the blind population in France had a tactile reading system using dots (like Barbier’s) that was based on the structure of the sighted alphabet (like Hauy’s); crucially, this system was the first developed specifically for the purposes of the blind.

While the Braille system gained immediate popularity with the blind students at the Institute in Paris, it had to gain acceptance among the sighted before its adoption throughout France. This support was necessary because sighted teachers and leaders had ultimate control over the propagation of Braille resources. Many of the teachers at the Royal Institute for Blind Youth resisted learning Braille’s system because they found the tactile method of reading difficult to learn (Bullock & Galst, 2009). This resistance was symptomatic of the prevalent attitude that the blind population had to adapt to the sighted world rather than develop their own tools and methods. Over time, however, with the increasing impetus to make social contribution possible for all, teachers began to appreciate the usefulness of Braille’s system (Bullock & Galst, 2009), realizing that access to reading could help improve the productivity and integration of people with vision loss. It took approximately 30 years, but the French government eventually approved the Braille system, and it was established throughout the country (Bullock & Galst, 2009).

Although Blind people remained marginalized throughout the nineteenth century, the Braille system granted them growing opportunities for social participation. Most obviously, Braille allowed people with vision loss to read the same alphabet used by sighted people (Bullock & Galst, 2009), allowing them to participate in certain cultural experiences previously unavailable to them. Written works, such as books and poetry, had previously been inaccessible to the blind population without the aid of a reader, limiting their autonomy. As books began to be distributed in Braille, this barrier was reduced, enabling people with vision loss to access information autonomously. The closing of the gap between the abilities of blind and the sighted contributed to a gradual shift in blind people’s status, lessening the cultural perception of the blind as essentially different and facilitating greater social integration.

The Braille system also had important cultural effects beyond the sphere of written culture. Its invention later led to the development of a music notation system for the blind, although Louis Braille did not develop this system himself (Jimenez, et al., 2009). This development helped remove a cultural obstacle that had been introduced by the popularization of written musical notation in the early 1500s. While music had previously been an arena in which the blind could participate on equal footing, the transition from memory-based performance to notation-based performance meant that blind musicians were no longer able to compete with sighted musicians (Kersten, 1997). As a result, a tactile musical notation system became necessary for professional equality between blind and sighted musicians (Kersten, 1997).

Braille paved the way for dramatic cultural changes in the way blind people were treated and the opportunities available to them. Louis Braille’s innovation was to reimagine existing reading systems from a blind perspective, and the success of this invention required sighted teachers to adapt to their students’ reality instead of the other way around. In this sense, Braille helped drive broader social changes in the status of blindness. New accessibility tools provide practical advantages to those who need them, but they can also change the perspectives and attitudes of those who do not.

Bullock, J. D., & Galst, J. M. (2009). The Story of Louis Braille. Archives of Ophthalmology , 127(11), 1532. https://​doi.org/10.1001/​archophthalmol.2009.286.

Herron, M. (2009, May 6). Blind visionary. Retrieved from https://​eandt.theiet.org/​content/​articles/2009/05/​blind-visionary/.

Jiménez, J., Olea, J., Torres, J., Alonso, I., Harder, D., & Fischer, K. (2009). Biography of Louis Braille and Invention of the Braille Alphabet. Survey of Ophthalmology , 54(1), 142–149. https://​doi.org/10.1016/​j.survophthal.2008.10.006.

Kersten, F.G. (1997). The history and development of Braille music methodology. The Bulletin of Historical Research in Music Education , 18(2). Retrieved from https://​www.jstor.org/​stable/40214926.

Mellor, C.M. (2006). Louis Braille: A touch of genius . Boston: National Braille Press.

Tombs, R. (1996). France: 1814-1914 . London: Pearson Education Ltd.

Weygand, Z. (2009). The blind in French society from the Middle Ages to the century of Louis Braille . Stanford: Stanford University Press.

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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An essay is a focused piece of writing that explains, argues, describes, or narrates.

In high school, you may have to write many different types of essays to develop your writing skills.

Academic essays at college level are usually argumentative : you develop a clear thesis about your topic and make a case for your position using evidence, analysis and interpretation.

The structure of an essay is divided into an introduction that presents your topic and thesis statement , a body containing your in-depth analysis and arguments, and a conclusion wrapping up your ideas.

The structure of the body is flexible, but you should always spend some time thinking about how you can organize your essay to best serve your ideas.

Your essay introduction should include three main things, in this order:

• An opening hook to catch the reader’s attention.
• Relevant background information that the reader needs to know.
• A thesis statement that presents your main point or argument.

The length of each part depends on the length and complexity of your essay .

A thesis statement is a sentence that sums up the central point of your paper or essay . Everything else you write should relate to this key idea.

A topic sentence is a sentence that expresses the main point of a paragraph . Everything else in the paragraph should relate to the topic sentence.

At college level, you must properly cite your sources in all essays , research papers , and other academic texts (except exams and in-class exercises).

Add a citation whenever you quote , paraphrase , or summarize information or ideas from a source. You should also give full source details in a bibliography or reference list at the end of your text.

The exact format of your citations depends on which citation style you are instructed to use. The most common styles are APA , MLA , and Chicago .

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If you want to cite this source, you can copy and paste the citation or click the “Cite this Scribbr article” button to automatically add the citation to our free Citation Generator.

Bryson, S. (2023, July 23). Example of a Great Essay | Explanations, Tips & Tricks. Scribbr. Retrieved March 25, 2024, from https://www.scribbr.com/academic-essay/example-essay-structure/

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100 Must-Read Books on English: Essays, Writing, and Literary Criticism

1. How to Read Literature

2. how fiction works, 3. the elements of style, 4. illuminations, 6. seven types of ambiguity, 7. why i write, 8. kill all your darlings, 9. anatomy of criticism, 10. a room of one's own, 11. waiting for the barbarians, 12. orientalism, 13. stranger shores: essays 1986-1999, 14. axel's castle - a study in imaginative literature of 1870-1930, 15. how to read and why, 16. changing my mind: occasional essays, 17. the liberal imagination, 18. lectures on literature, 19. against interpretation, 20. the country and the city, 21. the possessed: adventures with russian books and the people who read them, 22. a literature of their own, 23. professor borges: a course on english literature, 24. on writing, 25. kafka: toward a minor literature, 26. the great tradition, 27. the great movies, 28. on writing well: the classic guide to writing nonfiction, 29. the uses of enchantment: the meaning and importance of fairy tales, 30. the political unconscious: narrative as a socially symbolic act, 31. aspects of the novel, 32. fowler's modern english usage, 33. the mirror and the lamp: romantic theory and the critical tradition, 34. theory of literature, 35. the rhetoric of fiction, 36. the great war and modern memory, 37. american sympathy, 38. the signifying monkey: a theory of african american literary criticism, 39. how to write a sentence: and how to read one, 40. dorkismo: the macho of the dork, 41. world elsewhere, 42. the poetics of space, 43. the madwoman in the attic, 44. studies in classic american literature, 45. united states: essays 1952-1992, 46. the case for literature, 47. principles of literary criticism, 48. the well wrought urn: studies in the structure of poetry, 49. moral imagination: essays, 50. a rulebook for arguments, 51. fairy tales and the art of subversion.

52. Decolonising the Mind: The Politics of Language in African Literature

53. michel de montaigne - the complete essays, 54. the new oxford guide to writing, 55. negotiating with the dead: a writer on writing, 56. masscult and midcult: essays against the american grain, 57. what ever happened to modernism, 58. forensic shakespeare, 59. the english language, 60. renaissance self-fashioning: from more to shakespeare, 61. stein on writing, 62. why read the classics, 63. air guitar: essays on art & democracy, 64. the world of odysseus, 65. politics and the novel, 66. death of a discipline, 67. what is art, 68. violence and the sacred, 69. the art of fiction, 70. the basic writings of bertrand russell, 71. the cambridge introduction to creative writing, 72. an experiment in criticism, 73. what is literature, 74. the tradition of the new, 75. writers on writing: collected essays from the new york times, 76. the art of the novel, 77. abc of reading, 78. a student's writing guide: how to plan and write successful essays, 79. mythologies, 80. the sense of an ending: studies in the theory of fiction, 81. playing in the dark: whiteness and the literary imagination, 82. equipment for living: the literary reviews of kenneth burke, 83. what is world literature, 84. the critical tradition, 85. theory of prose, 86. criticism in the wilderness, 87. the devil finds work, 88. how to write a thesis, 89. how to read a book, 90. three steps on the ladder of writing, 91. art as experience, 92. theory of the lyric, 93. the force of poetry, 94. the dialogic imagination, 95. the essential pritchett : selected writings, 96. the associated press stylebook, 97. esquire's big book of great writing: more than 70 years of celebrated journalism.

98. This Is Shakespeare: How to Read the World's Greatest Playwright

99. the age of movies, 100. notes to literature.

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9 Best Essay Writing Books for High School Students

By Med Kharbach, PhD | Published: June 18, 2023 | Updated: September 30, 2023

Essay writing books for high school students are the topic of our blog post today!

As an educator with years of experience under my belt, I’m acutely aware of the challenges that high school students face, especially when it comes to essay writing. It can often feel like an uphill battle, with complex prompts, intimidating page counts, and seemingly endless revisions. But don’t worry, I’ve got your back!

Over the years, I’ve come across countless books designed to guide students through this exact struggle. But, let’s be honest, not all of them hit the mark. So, I decided to do the heavy lifting for you, diving into the ocean of resources to curate a selection of the absolute best books on essay writing for high school students.

These books not only provide clear, concise advice but are also engaging enough to hold a teenager’s attention. Each one offers unique insights into the art of essay writing, covering everything from structure, grammar, and style, to argumentation, research, and even time management.

[Related: Best Writing Books for Middle and High School Students ]

No matter what level of essay-writing proficiency you’re at, these books are sure to elevate your skills, boost your confidence, and transform what may currently feel like a daunting task into an enjoyable, intellectual journey. Whether you’re a student looking to up your game or a parent searching for helpful resources for your child, I hope you find this list as helpful as I did when I first discovered these gems.

Essay Writing Books for High School Students

Here are some very good essay writing books for high school students

1. Essay Writing for High School Students: A Step-by-Step Guide , by Newsweek Education Program, Kaplan

Essay Writing for High School Students: A Step-by-Step Guide , by Newsweek Education Program, is an invaluable resource for high school students. It includes clear and concise instructions for constructing a well-written essay, as well as step-by-step guidance on how to craft strong and engaging arguments and supporting evidence.

It also features relevant examples of successful essays to further illustrate the key points it outlines. With this book, students will not only learn how to construct an effective essay, but also gain valuable perspective on the writer’s craft and become more confident in their writing ability.

2. Mastering the 5-Paragraph Essay , by Susan Van Zile

Mastering the 5-Paragraph Essay , by Susan Van Zile, is an essential guide for teachers looking to engage their students with meaningful lessons and activities. Covering informational, narrative and persuasive essay writing, the guide provides teachers with step-by-step instructions for teaching students to write according to national and state standards.

The book features Van Zile’s strategies for ensuring that student writing is meaningful and of high quality. Included are detailed models and rubrics that help teachers evaluate student writing, as well as teaching notes, outlines and tips on how to encourage students to write their best.

3. A Professor’s Guide to Writing Essays , by Dr. Jacob Neumann 

Dr. Jacob Neumann’s book, A Professor’s Guide to Writing Essays , is an invaluable resource for anyone looking to improve their writing skills. Focusing on the core components of essay composition, from understanding different types of essays and making an argument to presenting information effectively, Professor Neumann provides a step-by-step guide that will help you develop your writing ability regardless of the level or topic.

With worksheets and examples that walk you through each stage of the essay-writing process, Professor Neumann’s book is an essential tool for anyone who wants to become a better, more effective writer.

4. Student Voice: 100 Argument Essays by Teens on Issues That Matter to Them , by Katherine Schulten 

Student Voice is a collection of essays written by 13-18 year olds on a variety of issues. The essays, which were selected from The New York Times Learning Network 2014–2019 Student Editorial contests, are persuasive pieces that deal with topics such as social media, race, video games, lockdown drills, immigration, tackle football and the #MeToo movement. They have been chosen for their voice, style, and use of evidence in presenting a snapshot of adolescent issues.

5. The Elements of Style , by William Strunk Jr., E. B. White 

The Elements of Style , by William Strunk Jr., and E. B. White is a classic style manual that has been used by millions of readers to better understand the principles of English style. In this fourth edition, readers are treated to a new foreword by Roger Angell which reminds readers of the timeless nature of this book.

The Elements of Style is written in a unique tone and offers wit and charm that make its advice easy to understand and apply. Whether you’re a student, professor, or professional writer, this fourth edition of Strunk & White will help make a big impact on your writing.

6. Essay Writing for High School Students , by Alexander L. Terego 

Essay Writing for High School Students , by Alexander L. Terego, is a comprehensive guide to help high school students write better essays. It covers the fundamentals of essay writing, from finding a point of view to following instructions. It also encourages students to think outside the box in order to make their essays more creative.

7. Grammar Girl Presents the Ultimate Writing Guide for Students , by Mignon Fogarty

Grammar Girl , by Mignon Fogarty, is another great writing resource for students of all levels. Through her accessible and humorous writing style, Fogarty covers the most essential aspects of grammar from the basics such as parts of speech, sentences, and punctuation to more advanced topics like developing your own writing style.

She also provides fun and helpful memory tricks – her trademark “Quick and Dirty Tips” – to help readers remember and utilize the rules. Packed with exercises, quizzes, and helpful hints, this book is sure to become a student favorite. From grammar rules to writing style tips, this well-rounded guide will give readers the confidence and knowledge they need to take their writing to the next level.

8. How To Write Any High School Essay: The Essential Guide , by Jesse Liebman

How To Write Any High School Essay , by Jesse Liebman, is a comprehensive guide to help students of all levels and all backgrounds write high-quality essays. It provides step-by-step guidance on how to plan, structure, research, develop ideas, and craft essays that meet teachers’ expectations.

It also includes sample outlines and essays to help illustrate key points, as well as tips and tricks to help save time and focus. With the help of this book, students can learn how to write any essay for their high school classes, from English and History to Math and Science.

9. Burn After Writing Teen , by Rhiannon Shove 

Burn After Writing Teen , by Rhiannon Shove, is an interactive book that encourages readers to explore the big questions of life. It contains fun and fascinating questions about oneself and encourages readers to answer them with courage and creativity.

There are no wrong answers, so readers are free to take it seriously or just have fun with it. The book is a great way to capture the unique picture of oneself today and serves as practice for the “big interview exclusive” that will come in the future.

Final thoughts

In this post, I delve into the challenging landscape of essay writing for high school students, a subject close to my heart as a seasoned educator. After years of scouting resources, I’ve curated a top-notch list of books that tackle this subject with clarity and engagement. These books range from comprehensive guides that provide step-by-step instructions for essay construction, to more specialized ones that focus on grammar, style, and even time management.

My handpicked selection offers something for everyone—students, parents, and educators—aiming to make the task of essay writing less daunting and more enriching. With resources like these, students won’t just write essays; they’ll craft meaningful narratives that demonstrate their intellectual capabilities.

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Meet Med Kharbach, PhD

Dr. Med Kharbach is an influential voice in the global educational landscape, with an extensive background in educational studies and a decade-long experience as a K-12 teacher. Holding a Ph.D. from Mount Saint Vincent University in Halifax, Canada, he brings a unique perspective to the educational world by integrating his profound academic knowledge with his hands-on teaching experience. Dr. Kharbach's academic pursuits encompass curriculum studies, discourse analysis, language learning/teaching, language and identity, emerging literacies, educational technology, and research methodologies. His work has been presented at numerous national and international conferences and published in various esteemed academic journals.

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10 Best Essay Writing Books Every Student Needs to Read

The more you read, the more you will realize your ignorance and improve your writing and knowledge. Yes, reading books is the cheapest way of getting knowledge and improving lifestyles. When I was a student my teacher used to tell me to read books in order to gain satisfaction, exercise my brain, reduce stress, and improve my writing and communication skills. Especially for students besides reading school books, reading some other books, journals, magazines newspapers, will help them develop their minds and discover new things. When there isn’t any regret then why not read books? Check out the 10 best essay writing books below that will help you improve your writing and communication skills.

Why students are asked to write essays?

Indeed, students are asked to write essays so that they can learn how to write the collection of their thoughts and construct a written report that has elements like an introduction, body, and conclusion.

It’s said that a good reader is a good writer too. The reason students struggle in doing their essay assignments is that they don’t read essay books or magazine newspapers. Despite knowing the steps and techniques of writing an essay , if you don’t have much information and experience in reading books you can’t write a good essay.

The following 10 best essay writing books consist of the best essay samples that will give you a good clue and information about the common titles you might be asked to write an essay about.

10 Best Essay Writing Books

Though there are hundreds of essay books written by famous authors, the following essay-writing books were chosen after reading and voting by our team members. As ever, please feel free to add your favorite essay writing books and platforms that we have missed or disagree with us by commenting in the comment section below.

1. A Professor’s Guide to Writing Essays

If you are a college student, this book is extremely helpful for your all classes. Most books that help you to write essays are full of vocabulary that makes it difficult to understand, however, this book explains to you every step as if you had a tutor in front of you explaining in simple steps. Excellent book I really recommend it.

Moreover, this book has examples of different sections of a high-quality essay. The author provides a topic and walks the reader through all of the steps of the writing process.

Writer: Jacob Neumann

2. How To Write Any High School Essay: The Essential Guide

Author: Jesse Liebman

Jesse Liebman was born, raised, and lives in New York City. He attended the Columbia Grammar School, then the Collegiate School, from which he graduated in 1999. He majored in Classics at Princeton (Summa Cum Laude, induction into the Phi Beta Kappa Society), was Salutatorian of the class of 2003, and was awarded the Samuel D. Atkins prize for the best Senior Thesis in the Classics Department.

3. How to Write Like a College Student

Author: Martin Rojas

Martin Rojas has been a professor of English in Northern California for the past seven years. He earned his Master’s in English from California State University Stanislaus.

4. 240 Writing Topics: with Sample Essays

5. The Essential Guide to Writing History Essays

Author: Katherine Pickering Antonova is an Associate Professor of History at Queens College of the City University of New York and the author of An Ordinary Marriage: The World of a Gentry Family in Provincial Russia.

6. Great Writing 5: From Great Essays to Research

Author: Dr. Keith Folse

Dr. Keith Folse is a Professor of TESOL at the University of Central Florida. He is the author of 57 textbooks on a variety of subjects from grammar to vocabulary to composition, including five best-selling books in the Great Writing series by National Geographic Learning.

7. Mastering The 5-paragraph Essay (Best Practices in Action)

Author: Susan Van Zile

8. College Essay Essentials: A Step-by-Step Guide to Writing a Successful College Admissions Essay

Author: Ethan Sawyer

Ethan Sawyer is an essay expert and sought-after speaker. Each year he helps thousands of students and counselors through his online courses, workshops, articles, products, and books, and works privately with a small number of students.

9. On Writing Well: The Classic Guide to Writing Nonfiction

Author: William Zinsser

William Zinsser is a writer, editor, and teacher. He began his career on the New York Herald Tribune and has since written regularly for leading magazines. During the 1970s he was master of Branford College at Yale. His 17 books, ranging from baseball to music to American travel, include the influential Writing to Learn and Writing About Your Life. He teaches at the New School in New York.

10. Principles: Life and Work

In the second part of the book, the author gets into the stuff that’s incredibly important, but difficult to implement. In short, he provides a roadmap and tools (via algorithmic means) to accomplish anything you want in life. There’s a ton of substance, definition, & practicality on how to action your objectives. He has a five-step process to achieve what you want out of life, and it couldn’t be more understandable and reasonable.

Author: Jeremy Bobb

Ray Dalio is the founder and co-chairman of Bridgewater Associates, which, over the last forty years, has become the largest and best-performing hedge fund in the world. He is the author of #1 New York Times Bestseller and #1 Amazon Business Book of the Year.

If you are a college student, these books are extremely helpful for your all classes. Most books that help you to write essays are full of vocabulary that makes it difficult to understand, however, this book explains to you every step as if you had a tutor in front of you explaining in simple steps. Excellent book I really recommend it.

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Essay on Books for Students and Children

500 Words Essay on Books

Books are referred to as a man’s best friend . They are very beneficial for mankind and have helped it evolve. There is a powerhouse of information and knowledge. Books offer us so many things without asking for anything in return. Books leave a deep impact on us and are responsible for uplifting our mood.

This is why we suggest children read books from an early age to gain knowledge. The best part about books is that there are various types of books. One can read any type to gain different types of knowledge. Reading must be done by people of all ages. It not only widens our thinking but also enhances our vocabulary.

Different Genres of Books

There are different genres of books available for book readers. Every day, thousands of books are released in the market ranging from travel books to fictional books. We can pick any book of our interest to expand our knowledge and enjoy the reading experience.

Firstly, we have travel books, which tell us about the experience of various travelers. They introduce us to different places in the world without moving from our place. It gives us traveling tips which we can use in the future. Then, we have history books which state historical events. They teach about the eras and how people lived in times gone by.

Furthermore, we have technology books that teach us about technological developments and different equipment. You can also read fashion and lifestyle books to get up to date with the latest trends in the fashion industry.

Most importantly, there are self-help books and motivational books . These books help in the personality development of an individual. They inspire us to do well in life and also bring a positive change in ourselves. Finally, we have fictional books. They are based on the writer’s imagination and help us in enhancing our imagination too. They are very entertaining and keep us intrigued until the very end.

Get the huge list of more than 500 Essay Topics and Ideas

Benefits of Reading Books

There are not one but various advantages of reading books. To begin with, it improves our knowledge on a variety of subjects. Moreover, it makes us wiser. When we learn different things, we learn to deal with them differently too. Similarly, books also keep us entertained. They kill our boredom and give us great company when we are alone.

Furthermore, books help us to recognize our areas of interest. They also determine our career choice to a great extent. Most importantly, books improve our vocabulary . We learn new words from it and that widens our vocabulary. In addition, books boost our creativity. They help us discover a completely new side.

In other words, books make us more fluent in languages. They enhance our writing skills too. Plus, we become more confident after the knowledge of books. They help us in debating, public speaking , quizzes and more.

In short, books give us a newer perspective and gives us a deeper understanding of things. It impacts our personality positively as well. Thus, we see how books provide us with so many benefits. We should encourage everyone to read more books and useless phones.

FAQs on Books

Q.1 State the different genres of books.

A.1 Books come in different genres. Some of them are travel books, history books, technology books, fashion and lifestyle books, self-help books, motivational books, and fictional books.

Q.2 Why are books important?

A.2 Books are of great importance to mankind. They enhance our knowledge and vocabulary. They keep us entertained and also widen our perspective. This, in turn, makes us more confident and wise.

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The Cowardice of Guernica

The literary magazine Guernica ’s decision to retract an essay about the Israeli-Palestinian conflict reveals much about how the war is hardening human sentiment.

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Produced by ElevenLabs and News Over Audio (NOA) using AI narration.

In the days after October 7, the writer and translator Joanna Chen spoke with a neighbor in Israel whose children were frightened by the constant sound of warplanes. “I tell them these are good booms,” the neighbor said to Chen with a grimace. “I understood the subtext,” Chen wrote later in an essay published in Guernica magazine on March 4, titled “From the Edges of a Broken World.” The booms were, of course, the Israeli army bombing Gaza, part of a campaign that has left at least 30,000 civilians and combatants dead so far.

The moment is just one observation in a much longer meditative piece of writing in which Chen weighs her principles—for years she has volunteered at a charity providing transportation for Palestinian children needing medical care, and works on Arabic and Hebrew translations to bridge cultural divides—against the more turbulent feelings of fear, inadequacy, and split allegiances that have cropped up for her after October 7, when 1,200 people were killed and 250 taken hostage in Hamas’s assault on Israel. But the conversation with the neighbor is a sharp, novelistic, and telling moment. The mother, aware of the perversity of recasting bombs killing children mere miles away as “good booms,” does so anyway because she is a mother, and her children are frightened. The act, at once callous and caring, will stay with me.

Not with the readers of Guernica , though. The magazine , once a prominent publication for fiction, poetry, and literary nonfiction, with a focus on global art and politics, quickly found itself imploding as its all-volunteer staff revolted over the essay. One of the magazine’s nonfiction editors posted on social media that she was leaving over Chen’s publication. “Parts of the essay felt particularly harmful and disorienting to read, such as the line where a person is quoted saying ‘I tell them these are good booms.’” Soon a poetry editor resigned as well, calling Chen’s essay a “horrific settler normalization essay”— settler here seeming to refer to all Israelis, because Chen does not live in the occupied territories. More staff members followed, including the senior nonfiction editor and one of the co-publishers (who criticized the essay as “a hand-wringing apologia for Zionism”). Amid this flurry of cascading outrage, on March 10 Guernica pulled the essay from its website, with the note: “ Guernica regrets having published this piece, and has retracted it. A more fulsome explanation will follow.” As of today, this explanation is still pending, and my request for comment from the editor in chief, Jina Moore Ngarambe, has gone unanswered.

Read: Beware the language that erases reality

Blowups at literary journals are not the most pressing news of the day, but the incident at Guernica reveals the extent to which elite American literary outlets may now be beholden to the narrowest polemical and moralistic approaches to literature. After the publication of Chen’s essay, a parade of mutual incomprehension occurred across social media, with pro-Palestine writers announcing what they declared to be the self-evident awfulness of the essay (publishing the essay made Guernica “a pillar of eugenicist white colonialism masquerading as goodness,” wrote one of the now-former editors), while reader after reader who came to it because of the controversy—an archived version can still be accessed—commented that they didn’t understand what was objectionable. One reader seemed to have mistakenly assumed that Guernica had pulled the essay in response to pressure from pro-Israel critics. “Oh buddy you can’t have your civilian population empathizing with the people you’re ethnically cleansing,” he wrote, with obvious sarcasm. When another reader pointed out that he had it backwards, he responded, “This chain of events is bizarre.”

Some people saw anti-Semitism in the decision. James Palmer, a deputy editor of Foreign Policy , noted how absurd it was to suggest that the author approved of the “good bombs” sentiment, and wrote that the outcry was “one step toward trying to exclude Jews from discourse altogether.” And it is hard not to see some anti-Semitism at play. One of the resigning editors claimed that the essay “includes random untrue fantasies about Hamas and centers the suffering of oppressors” (Chen briefly mentions the well-documented atrocities of October 7; caring for an Israeli family that lost a daughter, son-in-law, and nephew; and her worries about the fate of Palestinians she knows who have links to Israel).

Madhuri Sastry, one of the co-publishers, notes in her resignation post that she’d earlier successfully insisted on barring a previous essay of Chen’s from the magazine’s Voices on Palestine compilation. In that same compilation, Guernica chose to include an interview with Alice Walker, the author of a poem that asks “Are Goyim (us) meant to be slaves of Jews,” and who once recommended to readers of The New York Times a book that claims that “a small Jewish clique” helped plan the Russian Revolution, World Wars I and II, and “coldly calculated” the Holocaust. No one at Guernica publicly resigned over the magazine’s association with Walker.

However, to merely dismiss all of the critics out of hand as insane or intolerant or anti-Semitic would ironically run counter to the spirit of Chen’s essay itself. She writes of her desire to reach out to those on the other side of the conflict, people she’s worked with or known and who would be angered or horrified by some of the other experiences she relates in the essay, such as the conversation about the “good booms.” Given the realities of the conflict, she knows this attempt to connect is just a first step, and an often-frustrating one. Writing to a Palestinian she’d once worked with as a reporter, she laments her failure to come up with something meaningful to say: “I also felt stupid—this was war, and whether I liked it or not, Nuha and I were standing at opposite ends of the very bridge I hoped to cross. I had been naive … I was inadequate.” In another scene, she notes how even before October 7, when groups of Palestinians and Israelis joined together to share their stories, their goodwill failed “to straddle the chasm that divided us.”

Read: Why activism leads to so much bad writing

After the publication of Chen’s essay, one writer after another pulled their work from the magazine. One wrote, “I will not allow my work to be curated alongside settler angst,” while another, the Texas-based Palestinian American poet Fady Joudah, wrote that Chen’s essay “is humiliating to Palestinians in any time let alone during a genocide. An essay as if a dispatch from a colonial century ago. Oh how good you are to the natives.” I find it hard to read the essay that way, but it would be a mistake, as Chen herself suggests, to ignore such sentiments. For those who more naturally sympathize with the Israeli mother than the Gazan hiding from the bombs, these responses exist across that chasm Chen describes, one that empathy alone is incapable of bridging.

That doesn’t mean empathy isn’t a start, though. Which is why the retraction of the article is more than an act of cowardice and a betrayal of a writer whose work the magazine shepherded to publication. It’s a betrayal of the task of literature, which cannot end wars but can help us see why people wage them, oppose them, or become complicit in them.

Empathy here does not justify or condemn. Empathy is just a tool. The writer needs it to accurately depict their subject; the peacemaker needs it to be able to trace the possibilities for negotiation; even the soldier needs it to understand his adversary. Before we act, we must see war’s human terrain in all its complexity, no matter how disorienting and painful that might be. Which means seeing Israelis as well as Palestinians—and not simply the mother comforting her children as the bombs fall and the essayist reaching out across the divide, but far harsher and more unsettling perspectives. Peace is not made between angels and demons but between human beings, and the real hell of life, as Jean Renoir once noted, is that everybody has their reasons. If your journal can’t publish work that deals with such messy realities, then your editors might as well resign, because you’ve turned your back on literature.

• Lorrie Moore wins prestigious National Book Critics Circle Award, continues to gather accolades for new novel

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Lorrie Moore , Gertrude Conaway Vanderbilt Professor of English, won a National Book Critics Circle Award for fiction for her novel I Am Homeless If This Is Not My Home. The award , considered to be among the most prestigious literary prizes in the country, adds to the lengthy list of accolades that her novel has received since it was published last fall.

“This extraordinary recognition is yet another example of Lorrie Moore’s unparalleled creativity, mastery of language and significant influence on contemporary fiction,” said Timothy P. McNamara, interim dean of the College of Arts and Science. “This well-deserved praise rightfully confirms her place among the most celebrated authors of our time.”

One of the judges praised the novel as “an unforgettable achievement from a landmark American author.” Other award winners included author Judy Blume.

At the end of 2023, Moore’s novel was honored with several impressive awards and acknowledgements, including by The New Yorker , People magazine, New York magazine and NPR. At that time, Vanderbilt reported that I Am Homeless If This Is Not My Home was named one of the best books of 2023 by  The New Yorker.  Before the novel’s release,  Time magazine  named  I Am Homeless  one of the most anticipated books of 2023.

Parul Sehgal of  The New Yorker  called the book “a work of determined strangeness and pain … an almost violent kind of achievement, slicing open the conventional notions of narrative itself.”

People magazine   asked, “Who else but Lorrie Moore could make, in razor-sharp, irresistible prose, a ghost story about death buoyant with life?”

Maureen Corrigan of NPR said, “Just the title of Lorrie Moore’s latest novel tells you how singular and strange her vision is.” In one  post-publication interview , Moore shared that this was the first time she’s written a book and not shown it to anyone during the process, precisely because of that “singular and strange” vision.

The book touches on a variety of significant topics and themes, including cancer, climate change, the Confederacy, Donald Trump and school shootings, just to name a few. But at its core, Moore said,  I Am Homeless  is about “grief and the weird forms it takes.”

Moore, who joined Vanderbilt’s faculty in 2013, worked on the book while in residence at the Dorothy and Lewis B. Cullman Center for Scholars and Writers in New York during the 2017–18 academic year. She admits to having done too much research while she was there.

“I found a lot of interesting things I could not include, and now I bore people with it all at parties,” she said.

Moore’s writing career spans four decades and includes four short story collections, four novels and dozens of essays, criticisms and commentaries on a wide variety of subjects, from race in America to prestige TV.

Her other novels include  Anagrams  (1986),  Who Will Run the Frog Hospital?  (1994) and  A Gate at the Stairs  (2009), which was a finalist for the PEN/Faulkner Award for Fiction and the Orange Prize for Fiction.

For her various works, she has won the O. Henry Award,  The Irish Times  International Fiction Prize, the Rea Award for the Short Story, the PEN/Malamud Award for short fiction and the Finn Zinklar Award for the Short Story.

“Lorrie is richly deserving of this recognition .  She is a lodestar in American fiction, and we are fortunate to count her among our colleagues,” said Jennifer Fay, Gertrude Conaway Vanderbilt Professor of Cinema and Media Arts, professor of English and chair of the English department. “She not only brings vast experience to our MFA program and the arts at Vanderbilt, but she also enlivens our language and expands our imagination with every sentence she writes.”

When asked to look back on her career to date, Moore declined: “That’s a terrible activity and will cause you to lie down on the floor and never get up.”

But then again, why look back when you can look ahead?

Recently, Moore was named a fiction fellow at the American Academy in Berlin. She spent the spring of 2023 in Berlin researching a narrative inspired by her own father’s childhood visit to Germany in 1935. That work is in progress.

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Critically acclaimed: Lorrie Moore’s new novel gathers year-end praise

Daring to Grow: The stories that shaped Vanderbilt in 2023

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Critic’s Notebook

Like My Book Title? Thanks, I Borrowed It.

Literary allusions are everywhere. What are they good for?

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By A.O. Scott

You see it everywhere, even if you don’t always recognize it: the literary allusion. Quick! Which two big novels of the past two years borrowed their titles from “Macbeth”? Nailing the answer — “ Birnam Wood ” and “ Tomorrow, and Tomorrow, and Tomorrow ” — might make you feel a little smug.

Perhaps the frisson of cleverness ( I know where that’s from!), or the flip-side cringe of ignorance ( I should know where that’s from! ), is enough to spur you to buy a book, the way a search-optimized headline compels you to click a link. After all, titles are especially fertile ground for allusion-mongering. The name of a book becomes more memorable when it echoes something you might have heard — or think you should have heard — before.

This kind of appropriation seems to be a relatively modern phenomenon. Before the turn of the 20th century, titles were more descriptive than allusive. The books themselves may have been stuffed with learning, but the words on the covers were largely content to give the prospective reader the who (“Pamela,” “Robinson Crusoe,” “Frankenstein”), where (“Wuthering Heights,” “The Mill on the Floss,” “Treasure Island”) or what (“The Scarlet Letter,” “War and Peace,” “The Way We Live Now”) of the book.

Somehow, by the middle of the 20th century, literature had become an echo chamber. Look homeward, angel! Ask not for whom the sound and the fury slouches toward Bethlehem in dubious battle. When Marcel Proust was first translated into English, he was made to quote Shakespeare, and “In Search of Lost Time” (the literal, plainly descriptive French title) became “Remembrance of Things Past,” a line from Sonnet 30 .

Recent Proust translators have erased the Shakespearean reference in fidelity to the original, but the habit of dressing up new books in secondhand clothing persists, in fiction and nonfiction alike. Last year, in addition to “Birnam Wood,” there were Jonathan Rosen’s “ The Best Minds ,” with its whisper of Allen Ginsberg’s “ Howl ,” Paul Harding’s “ This Other Eden ” (“ Richard II ”), and William Egginton’s “ The Rigor of Angels ” (Borges). The best-seller lists and publishers’ catalogs contain multitudes ( Walt Whitman ). Here comes everybody! (James Joyce).

If you must write prose and poems, the words you use should be your own. I didn’t say that: Morrissey did, in a deepish Smiths cut (“ Cemetry Gates , ” from 1986), which misquotes Shakespeare and name-checks John Keats, William Butler Yeats and Oscar Wilde — possibly the most reliably recycled writers (along with John Milton and the authors of the King James Bible) in the English language.

Not that any of them would have minded. When Keats wrote that “ a thing of beauty is a joy forever ,” he surely hoped that at least that much of “ Endymion ” would outlive him. It’s a beautiful sentiment! And he may have been right. Does anyone read his four-part, 4,000-line elegy for Thomas Chatterton outside a college English class, or even for that matter inside one? Nonetheless, that opening line may ring a bell if you remember it from the movies “ Mary Poppins ,” “Yellow Submarine” or “ White Men Can’t Jump .”

Wilde’s witticism and bons mots have survived even as some of his longer works have languished. If it’s true (as he said) that only superficial people do not judge by appearances, maybe it follows that shallow gleaning is the deepest kind of reading. Or maybe, to paraphrase Yeats, devoted readers of poetry lack all conviction , while reckless quoters are full of passionate intensity .

Like everything else, this is the fault of the internet, which has cannibalized our reading time while offering facile, often spurious, pseudo-erudition to anyone with the wit to conduct a search. As Mark Twain once said to Winston Churchill, if you Google, you don’t have to remember anything.

Seriously though: I come not to bury the practice of allusion, but to praise it. (“ Julius Caesar ”) And also to ask, in all earnestness and with due credit to Edwin Starr , “ Seinfeld” and Leo Tolstoy : What is it good for?

The language centers of our brains are dynamos of originality. A competent speaker of any language is capable of generating intelligible, coherent sentences that nobody has uttered before. That central insight of modern linguistics, advanced by Noam Chomsky in the 1950s and ’60s, is wonderfully democratic. Every one of us is a poet in our daily speech, an inglorious Milton ( Thomas Gray ), a Shakespeare minting new coins of eloquence.

Of course, actual poets are congenital thieves (as T.S. Eliot or someone like him may have said), plucking words and phrases from the pages of their peers and precursors. The rest of us are poets in that sense, too. If our brains are foundries, they are also warehouses, crammed full of clichés, advertising slogans, movie catchphrases, song lyrics, garbled proverbs and jokes we heard on the playground at recess in third grade. Also great works of literature.

There are those who sift through this profusion with the fanatical care of mushroom hunters, collecting only the most palatable and succulent specimens. Others crash through the thickets, words latching onto us like burrs on a sweater. If we tried to remove them, the whole garment — our consciousness, in this unruly metaphor — might come unraveled.

That may also be true collectively. If we were somehow able to purge our language of its hand-me-down elements, we might lose language itself. What happens if nobody reads anymore, or if everyone reads different things? Does the practice of literary quotation depend on a stable set of common references? Or does it function as a kind of substitute for a shared body of knowledge that may never have existed at all?

The old literary canon — that dead white men’s club of star-bellied sneetches ( Dr. Seuss ) — may have lost some of its luster in recent decades, but it has shown impressive staying power as a cornucopia of quotes. Not the only one, by any means (or memes). Television, popular music, advertising and social media all provide abundant fodder, and the way we read now (or don’t) has a way of rendering it all equivalent. The soul selects her own society ( Emily Dickinson ).

When I was young, my parents had a fat anthology of mid-20th-century New Yorker cartoons , a book I pored over with obsessive zeal. One drawing that baffled me enough to stick in my head featured a caption with the following words: “It’s quips and cranks and wanton wiles, nods and becks and wreathed smiles.” What on earth was that? It wasn’t until I was in graduate school, cramming for an oral exam in Renaissance literature, that I found the answer in “ L’Allegro, ” an early poem by Milton, more often quoted as the author of “Paradise Lost.”

Not that having the citation necessarily helps. The cartoon, by George Booth, depicts a woman in her living room, addressing members of a multigenerational, multispecies household. There are cats, codgers, a child with a yo-yo, a bird in a cage and a dog chained to the sofa. Through the front window, the family patriarch can be seen coming up the walk, a fedora on his head and a briefcase in his right hand. His arrival — “Here comes Poppa” — is the occasion for the woman’s Miltonic pep talk.

Who is she? Why is she quoting “L’Allegro”? Part of the charm, I now suspect, lies in the absurdity of those questions. But I also find myself wondering: Were New Yorker readers in the early 1970s, when the cartoon was first published, expected to get the allusion right off the bat? They couldn’t Google it. Or would they have laughed at the incongruous eruption of an old piece of poetry they couldn’t quite place?

Maybe what’s funny is that most people wouldn’t know what that lady was talking about. And maybe the same comic conceit animates an earlier James Thurber drawing reprinted in the same book. In this one, a wild-eyed woman bursts into a room, wearing a floppy hat and wielding a basket of meadow flowers. “I come from haunts of coot and hern!” she exclaims to the baffled company, disturbing their cocktail party.

That’s it. That’s the gag.

Were readers also baffled? It turns out that Thurber’s would-be nature goddess is quoting “ The Brook ,” by Alfred, Lord Tennyson. (I’ve never read it either.) Is it necessary to get the reference to get the joke? If you chuckle in recognition, and complete the stanza without missing a beat — “I make a sudden sally/And sparkle out among the fern,/To bicker down a valley” — is the joke on you?

It’s possible, from the standpoint of the present, to assimilate these old pictures to the familiar story about the decline of a civilization based in part on common cultural knowledge. Sure. Whatever. Things fall apart ( Yeats ). In the cartoons’ own terms, though, spouting snippets of poetry is an unmistakable sign of eccentricity — the pastime of kooky women and the male illustrators who commit them to paper. This is less a civilization than a sodality of weirdos, a visionary company ( Hart Crane ) of misfits. But don’t quote me on that.

A.O. Scott is a critic at large for The Times’s Book Review, writing about literature and ideas. He joined The Times in 2000 and was a film critic until early 2023. More about A.O. Scott

Explore More in Books

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When the author Tommy Orange received an impassioned email from a teacher in the Bronx, he dropped everything to visit the students  who inspired it.

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These 5 Books Can Give You More Than a College Degree

I n the midst of late-night study sessions, essay reviews for that upcoming paper, and pondering " write papers for me " solutions, have you ever wondered if there’s more to learning than what’s found in college textbooks? Well, you’re onto something.

Books, especially those outside academic curriculums, can offer a wealth of knowledge, insights, and life lessons that often surpass what you learn in a lecture hall. Let’s explore some groundbreaking books that can give you more than a college degree.

“Thinking, Fast and Slow” by Daniel Kahneman

Daniel Kahneman’s “Thinking, Fast and Slow” offers a journey into the depths of the human mind. Kahneman, a renowned psychologist and Nobel Prize winner in Economic Sciences, introduces us to the two thinking systems: fast/emotional and slow/logical. 

Throughout the book, Kahneman engages readers with compelling examples and insightful experiments that reveal how our thinking can often be flawed and biased, even when we feel we are being rational. 

This book lays bare the inner workings of decision-making. It illuminates how we make choices in our daily lives, from the mundane to the significant. It’s a transformative read that reshapes your understanding of logic, reason, and human error.

“Sapiens: A Brief History of Humankind” by Yuval Noah Harari

“Sapiens” is a grand narrative of human history. It takes readers on an epic journey through the annals of human evolution, from the emergence of Homo sapiens in Africa to the rise of empires and the complexities of modern life. 

In this sweeping narrative, Harari sheds light on:

• The cognitive revolution ‒ how Homo sapiens came to dominate the Earth, thanks to our unique ability to believe in shared myths;
• The agricultural revolution ‒ the transformation from foraging to farming, which changed our societies and lifestyles irrevocably;
• The unification of humankind ‒ the formation of larger and more complex civilizations.
• The scientific revolution ‒ a recent development that has given humans god-like powers but also the responsibility for the future of life on Earth.

“Sapiens” prompts us to ponder over our origins, our future, and our place in the world.

“The 7 Habits of Highly Effective People” by Stephen R. Covey

The self-help book is a guide for personal and professional transformation. Covey introduces seven habits that promise to change not only the way you work but also the way you live. 

The book goes beyond traditional productivity tips and delves into character development and intrinsic values. Covey emphasizes that real change starts from within and radiates outward. 

Covey’s book is especially relevant in a world where success is often superficially defined. It encourages students to build a foundation of effective habits that lead to lasting and meaningful achievements.

Source: https://www.pexels.com/photo/123-let-s-go-imaginary-text-704767/  

“Outliers: The Story of Success” by Malcolm Gladwell

Gladwell challenges the traditional narrative of success that focuses solely on individual talent and ambition. Instead, he introduces us to a world where success is also a product of historical and cultural circumstances, unexpected opportunities, and the amount of time spent practicing one’s craft. 

He uses compelling stories and research to illustrate how factors like birth month, cultural heritage, and even the 10,000-hour rule play a significant role in shaping high achievers.

Gladwell’s book is a revelation, especially for students who are often fed the narrative that success is only about hard work and talent. “Outliers” encourages students to consider their background, opportunities, and the sheer amount of practice in their pursuits. Gladwell’s insightful analysis shows that success is not just about what you do but also where, when, and how you do it.

“How to Win Friends and Influence People” by Dale Carnegie

First published in the 1930s, the principles discussed in this book are still relevant today. Carnegie’s book delves into the psychology behind everyday interactions and provides practical advice for enhancing communication and influence. The core of his teachings revolves around the idea that understanding and empathizing with others’ perspectives is the key to building meaningful connections.

The book breaks down essential interpersonal skills and presents them in a manner that is easy to understand and apply. Carnegie also touches upon how to handle disagreements and criticisms constructively.

The lessons in “How to Win Friends and Influence People” extend beyond just making friends; they are about developing a charismatic and considerate persona that can lead to success in various aspects of life. In a world where networking is often key to opportunities, Carnegie’s teachings offer timeless wisdom for building a network with authenticity and integrity.

The Bottom Line

From understanding the complexities of human behavior and history to mastering interpersonal skills and redefining success, these reads provide a well-rounded education. 

Some of the most valuable lessons come from outside the classroom. So, immerse yourself in these books and complement your college education with insights and wisdom that will last a lifetime.

Is a robot writing your kids’ essays? We asked educators to weigh in on the growing role of AI in classrooms.

Educators weigh in on the growing role of ai and chatgpt in classrooms..

Remember writing essays in high school? Chances are you had to look up stuff in an encyclopedia — an actual one, not Wikipedia — or else connect to AOL via a modem bigger than your parents’ Taurus station wagon.

Now, of course, there’s artificial intelligence. According to new research from Pew, about 1 in 5 US teens who’ve heard of ChatGPT have used it for schoolwork. Kids in upper grades are more apt to have used the chatbot: About a quarter of 11th- and 12th-graders who know about ChatGPT have tried it.

For the uninitiated, ChatGPT arrived on the scene in late 2022, and educators continue to grapple with the ethics surrounding its growing popularity. Essentially, it generates free, human-like responses based on commands. (I’m sure this sentence will look antiquated in about six months, like when people described the internet as the “information superhighway.”)

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I used ChatGPT to plug in this prompt: “Write an essay on ‘The Scarlet Letter.’” Within moments, ChatGPT created an essay as thorough as anything I’d labored over in AP English.

Is this cheating? Is it just part of our strange new world? I talked to several educators about what they’re seeing in classrooms and how they’re monitoring it. Before you berate your child over how you wrote essays with a No. 2 pencil, here are some things to consider.

Adapting to new technology isn’t immoral. “We have to recalibrate our sense of what’s acceptable. There was a time when every teacher said: ‘Oh, it’s cheating to use Wikipedia.’ And guess what? We got used to it, we decided it’s reputable enough, and we cite Wikipedia all the time,” says Noah Giansiracusa, an associate math professor at Bentley University who hosts the podcast “ AI in Academia: Navigating the Future .”

“There’s a calibration period where a technology is new and untested. It’s good to be cautious and to treat it with trepidation. Then, over time, the norms kind of adapt,” he says — just like new-fangled graphing calculators or the internet in days of yore.

“I think the current conversation around AI should not be centered on an issue with plagiarism. It should be centered on how AI will alter methods for learning and expressing oneself. ‘Catching’ students who use fully AI-generated products ... implies a ‘gotcha’ atmosphere,” says Jim Nagle, a history teacher at Bedford High School. “Since AI is already a huge part of our day-to-day lives, it’s no surprise our students are making it a part of their academic tool kit. Teachers and students should be at the forefront of discussions about responsible and ethical use.”

Teachers and parents could use AI to think about education at a higher level. Really, learning is about more than regurgitating information — or it should be, anyway. But regurgitation is what AI does best.

“If our system is just for students to write a bunch of essays and then grade the results? Something’s missing. We need to really talk about their purpose and what they’re getting out of this, and maybe think about different forms of assignments and grading,” Giansiracusa says.

After all, while AI aggregates and organizes ideas, the quality of its responses depends on the users’ prompts. Instead of recoiling from it, use it as a conversation-starter.

“What parents and teachers can do is to start the conversation with kids: ‘What are we trying to learn here? Is it even something that ChatGPT could answer? Why did your assignment not convince you that you need to do this thinking on your own when a tool can do it for you?’” says Houman Harouni , a lecturer on education at the Harvard Graduate School of Education.

Harouni urges parents to read an essay written by ChatGPT alongside their student. Was it good? What could be done better? Did it feel like a short cut?

“What they’re going to remember is that you had that conversation with them; that someone thought, at some point in their lives, that taking a shortcut is not the best way ... especially if you do it with the tool right in front of you, because you have something real to talk about,” he says.

Harouni hopes teachers think about its implications, too. Consider math: So much grunt work has been eliminated by calculators and computers. Yet kids are still tested as in days of old, when perhaps they could expand their learning to be assessed in ways that are more personal and human-centric, leaving the rote stuff to AI.

“We could take this moment of confusion and loss of certainty seriously, at least in some small pockets, and start thinking about what a different kind of school would look like. Five years from now, we might have the beginnings of some very interesting exploration. Five years from now, you and I might be talking about schools wherein teaching and learning is happening in a very self-directed way, in a way that’s more based on … igniting the kid’s interest and seeing where they go and supporting them to go deeper and to go wider,” Harouni says.

Teachers have the chance to offer assignments with more intentionality.

“Really think about the purpose of the assignments. Don’t just think of the outcome and the deliverable: ‘I need a student to produce a document.’ Why are we getting students to write? Why are we doing all these things in the first place? If teachers are more mindful, and maybe parents can also be more mindful, I think it pushes us away from this dangerous trap of thinking about in terms of ‘cheating,’ which, to me, is a really slippery path,” Giansiracusa says.

AI can boost confidence and reduce procrastination. Sometimes, a robot can do something better than a human, such as writing a dreaded resume and cover letter. And that’s OK; it’s useful, even.

“Often, students avoid applying to internships because they’re just overwhelmed at the thought of writing a cover letter, or they’re afraid their resume isn’t good enough. I think that tools like this can help them feel more confident. They may be more likely to do it sooner and have more organized and better applications,” says Kristin Casasanto, director of post-graduate planning at Olin College of Engineering.

Casasanto says that AI is also useful for de-stressing during interview prep.

“Students can use generative AI to plug in a job description and say, ‘Come up with a list of interview questions based on the job description,’ which will give them an idea of what may be asked, and they can even then say, ‘Here’s my resume. Give me answers to these questions based on my skills and experience.’ They’re going to really build their confidence around that,” Casasanto says.

Plus, when students use AI for basics, it frees up more time to meet with career counselors about substantive issues.

“It will help us as far as scalability. … Career services staff can then utilize our personal time in much more meaningful ways with students,” Casasanto says.

We need to remember: These kids grew up during a pandemic. We can’t expect kids to resist technology when they’ve been forced to learn in new ways since COVID hit.

“Now we’re seeing pandemic-era high school students come into college. They’ve been channeled through Google Classroom their whole career,” says Katherine Jewell, a history professor at Fitchburg State University.

“They need to have technology management and information literacy built into the curriculum,” Jewell says.

Jewell recently graded a paper on the history of college sports. It was obvious which papers were written by AI: They didn’t address the question. In her syllabus, Jewell defines plagiarism as “any attempt by a student to represent the work of another, including computers, as their own.”

This means that AI qualifies, but she also has an open mind, given students’ circumstances.

“My students want to do the right thing, for the most part. They don’t want to get away with stuff. I understand why they turned to these tools; I really do. I try to reassure them that I’m here to help them learn systems. I’m focusing much more on the learning process. I incentivize them to improve, and I acknowledge: ‘You don’t know how to do this the first time out of the gate,’” Jewell says. “I try to incentivize them so that they’re improving their confidence in their abilities, so they don’t feel the need to turn to these tools.”

Understand the forces that make kids resort to AI in the first place . Clubs, sports, homework: Kids are busy and under pressure. Why not do what’s easy?

“Kids are so overscheduled in their day-to-day lives. I think there’s so much enormous pressure on these kids, whether it’s self-inflicted, parent-inflicted, or school-culture inflicted. It’s on them to maximize their schedule. They’ve learned that AI can be a way to take an assignment that would take five hours and cut it down to one,” says a teacher at a competitive high school outside Boston who asked to remain anonymous.

Recently, this teacher says, “I got papers back that were just so robotic and so cold. I had to tell [students]: ‘I understand that you tried to use a tool to help you. I’m not going to penalize you, but what I am going to penalize you for is that you didn’t actually answer the prompt.”

Afterward, more students felt safe to come forward to say they’d used AI. This teacher hopes that age restrictions become implemented for these programs, similar to apps such as Snapchat. Educationally and developmentally, they say, high-schoolers are still finding their voice — a voice that could be easily thwarted by a robot.

“Part of high school writing is to figure out who you are, and what is your voice as a writer. And I think, developmentally, that takes all of high school to figure out,” they say.

And AI can’t replicate voice and personality — for now, at least.

Kara Baskin can be reached at [email protected] . Follow her @kcbaskin .