Start-up Funding | |
Start-up Expenses to Fund | $800 |
Start-up Assets to Fund | $14,600 |
Total Funding Required | $15,400 |
Assets | |
Non-cash Assets from Start-up | $500 |
Cash Requirements from Start-up | $14,100 |
Additional Cash Raised | $0 |
Cash Balance on Starting Date | $14,100 |
Total Assets | $14,600 |
Liabilities and Capital | |
Liabilities | |
Current Borrowing | $0 |
Long-term Liabilities | $0 |
Accounts Payable (Outstanding Bills) | $400 |
Other Current Liabilities (interest-free) | $0 |
Total Liabilities | $400 |
Capital | |
Planned Investment | |
Investor 1 | $15,000 |
Other | $0 |
Additional Investment Requirement | $0 |
Total Planned Investment | $15,000 |
Loss at Start-up (Start-up Expenses) | ($800) |
Total Capital | $14,200 |
Total Capital and Liabilities | $14,600 |
Total Funding | $15,400 |
As stated in the Company Summary section, Evergreen TV Productions is a company of three divisions, selling both products and services according to each division.
Services include:
Products include:
We stand apart from our competition in price and value.
Home Division: Currently, production companies are hesitant to offer video scrapbooks due to the amount of work necessary for a minimal return on revenue. They would much rather produce corporate productions with a high fee. Locally, a few companies will produce these scrapbooks, but they charge enormous fees. The reason for this is that they do not have a business system in place to allow them to produce these scrapbooks on a timely schedule with minimal cost. From an informal phone survey we gathered rates for a 10 minute video from $500 to $2,000. Additionally, this phone survey showed no true committment to the production elements of music and digital effects. Again, this is due to having no business system in place to provide these essential elements. It can be compared to a hamburger stand trying to become McDonald’s with no actual system in place to keep quality consistent.
Tour and Travel Division: We offer high value and quality to our customers, and treat every project as if it were the only project. Production companies in general have a reputation for sloppy and careless producing, for overbooking projects, and for inconsistent and exorbitant charges. Our referral acceptance program ensure we will not overbook, we will have a higher degree of responsibility with each customer who is referred, and we cannot charge one customer amount X, and another customer amount Y, as they will probably know each other. The referral program sets us apart, and reassures otherwise wary customers.
B2B Division: CONUS sells yearly subscriptions of regional news to tv stations nationwide for $20,000/year. Dr. Dean Edell sells yearly subscriptions of health news only, for nearly $30,000/year. MedStar sells yearly subscriptions of health news only, for $24,000/year. Mr. Food, Mrs. Fixit, TravelNet and many others all rank in the $20,000 and above category, and all offer only one topic, either health, food, travel, or how-to’s, but not something from each.
At our online website, EvergreenTV Productions offers a variety of topics to chose from, and stations can pick their own five stories each week to match their news or specific story trends, at a lower cost. They can customize their filler news, instead of throwing in whatever is available, making their newscasts flow smoothly, and eventually helping them generate viewers and thus sales, and all at a much more affordable cost.
EvergreenTV Productions will rely heavily on presentations to retirement villas, business clubs, and other social outlets for advertising the Home Division. The B2B Division will rely upon one on one sales calls to colleges/universities and tv stations, and upon the Internet for e-mails, faxes and advertising of products and services.
All end product supplies can be purchased locally from Office Depot, Sam’s Club, or Staples, or from a production company on the Internet at minimal cost. End product supplies include tape labels, and VHS/Beta/DVC video tape.
For the B2B Division, we do not buy our stories, but trade our marketing and resume services to students for their stories. A legally drawn-up contract is held between EvergreenTV Productions and each student, once his/her story is accepted. By agreeing, the student gives us the story for any commercial use, and he/she agrees to use that story only in job-searching. We then sell the story for profit and expenses (such as video tapes for dubbing purposes).
We also own over $12,000 worth of video and editing equipment, and can do our own stories, at no further cost to the company.
We use both Windows and Macintosh technology in our company. Windows and Office products are used mainly for all databases, word processing, and accounting needs. Macintosh products are used primarily for video editing, and loading video onto our website. We also have all the necessary components for a digital video production center, including cameras, mini-disc recorders, microphones, and lights. All other items can be rented per project at a low cost. Eventually, we would like to include DVD-R drives on our computers, to allow us to copy to DVD, rather than simply VHS tape (Home Division).
In addition to standard computers, scanner-copier-printer centers, we also use electronic faxing via the Internet, cell phone, DSL Internet subscriber line and several video tape recorders of various formats, including Beta SP, SVHS, DVC, and 3/4″. We are currently in communication with a media streaming Internet company regarding posting these news stories on the Internet to be downloaded directly to the tv stations who purchase the stories. This would eliminate the need for hard tape, and would give the stations instant access to stories they could download to their specific tape format.
Within the next five years, we will add storefronts statewide, all following consistent guidelines in our business system.
We would like to franchise this store nationwide.
Within the next three to five years, we will add production of our own brand of travel news to our product line.
Home Division: There are no production companies in the area which currently focus on video scrapbooks. Several smaller companies “can” and “will” produce this for a high cost to the customer. With the advertising by both Apple and Sony focused on home digital video production, the awareness of this type of production is growing within the community, but as yet, no company has stepped up to the plate to offer this product. Consumers are becoming more educated about what can be done, but they do not know how to do it themselves.
For several months, EvergreenTV Productions has promoted this concept via word of mouth to small businesses, consumers on the street, and educated professionals. All show a keen interest in buying the product.
Tour and Travel Division : Many production facilities exist in the Tampa Bay Area; and all are capable of producing professional projects. As this is a referral division only, we do not plan to compete regularly for business. Instead, we will build a web of quality prospects by maintaining high productions standards, and accepting only those clients who come highly recommended. This is not our main focus, but is a tool to generate business and reputation.
B2B Division: EvergreenTV Productions focuses on the bottom 115 (Nielsen) tv markets. These are the markets whose station budgets don’t easily allow an expense of $20,000+ per year for programming services. We will offer the affordable alternative.
EvergreenTV Productions conducted a mail-in survey of 113 stations in the bottom 65 markets. The majority of these do subscribe to CONUS, Dr. Dean Edell, MedStar, or Medical Breakthrough. Of the 10 responses received, four stations did not subscribe to any news provider, but did indicate an interest in “filler news” at a reasonable cost. The conclusion is that many stations need stories, but cannot stretch their budgets to accommodate the high cost of programming. At this time, no service exists like EvergreenTV Productions programming alternative. Numbers for projected growth are not possible without history.
Three loosely defined market segments are identified. The “Home Division” category is by far the largest potential segment and represents the consumer most likely to be our client.
Market Analysis | |||||||
Year 1 | Year 2 | Year 3 | Year 4 | Year 5 | |||
Potential Customers | Growth | CAGR | |||||
Home Division | 9% | 22,000 | 23,980 | 26,138 | 28,490 | 31,054 | 9.00% |
Tour and Travel Division | 4% | 756 | 786 | 817 | 850 | 884 | 3.99% |
B2B Division | 1% | 45 | 45 | 45 | 45 | 45 | 0.00% |
Other | 0% | 0 | 0 | 0 | 0 | 0 | 0.00% |
Total | 8.83% | 22,801 | 24,811 | 27,000 | 29,385 | 31,983 | 8.83% |
Home Division: Strategy for the home division is two-fold. First, we must find the appropriate means to communicate our product to potential customers. Because nearly everyone today has the ability to take photos and has a wide selection of photos at home, we must first narrow down our customer base by appealing to the emotions people attach to their photos. Older persons with larger families are more inclined to want to share their family histories. Newlyweds want their family and friends to share in their newfound happiness. By emphasizing these traits (nostalgia and euphoria) we can begin to gain a following for our product. Second, we must find a suitable location for our storefront, which enables us to find customers who share these traits. Malls and movie theaters appeal to “togetherness,” shopping together for gifts, weekend outings, brunch/lunch/dinner dates. The right location will give us access to our primary customers, those who will help us launch the product in the area by word of mouth.
Tour and Travel Division: This division’s strategy relies entirely on our referral program. Doctors’ offices and travel agencies give us a wider demographic schematic, as patients and families of patients are confined to a waiting room during a visit. Instead of watching afternoon televised programming, doctors will be able to provide their clients with informative, educational and entertaining programming as compared to many daytime talk shows.
B2B Division: Because EvergreenTV Productions utilizes the stories of university students, it is important to recognize the average age of a station’s reporters. A previous survey conducted by our company did confirm our experience, in that most small market tv stations hire only young “cub” reporters, as experienced reporters tend to move onward to larger markets and bigger stations. The quality of our product will match the quality of the station’s news. Therefore it is essential to target the bottom markets. This is also important to recognize from the service end of our business, as news directors will be interested in hiring reporters from our pool of news stories.
Home Division: We will be better able to track market growth in this division following the first two quarters of sales. At this time, with no active competition, we expect our growth rate to double and triple weekly. As Tampa Bay is a large retirement community, these numbers could be increasing for several quarters. We then expect to see a slight down curve as the product finds its niche within the community, with a more consistent level of sales.
Home Division: With the advent of digital editing capabilities on home computer systems, more consumers are aware of the potential of creating video scrapbooks, but most are not familiar enough with the technology to accomplish a simple video. Apple and Sony are selling large numbers of these computers despite a recent turndown in the computer industry. Digital still cameras are a must have, with consumers expanding their vocabularies to include “Memory Stick,” “Pixels,” and “Jpegs.” Yet, in the Tampa Bay area, no production companies are actively marketing video scrapbooks. We can use the above product interest, and the continued success of photo processing centers, to create a gauge for interest in this product. However, as with any relatively new product, we will not know the market’s true needs until several quarters of sales.
B2B Division: A void currently exists in the area of news programming. Larger stations are able to budget tens of thousands of dollars per year to support their needs. Smaller stations often rely on extending the weather and sports segments, or sitting on credits at the end of cast to “eat up extra time.” This reduces the newscasts’ value, and thus reduces the price of selling advertising as commercials, which is where tv stations make money.
Other small markets may subscribe to one or two programming services, at the expense of hiring quality personnel. These services limit the news directors and producers, because they have to run whatever story comes down on the satellite link that day. It may have nothing to do with other stories in a cast, or interest to the local viewing audience.
EvergreenTV Productions allows the stations to pick their own stories and run them when needed. In addition, by ordering weekly, they can choose from a constantly upgraded catalogue and pick stories which relate to news they are already running or have run recently. In other words, on a slow news day, CONUS may offer a story from a station in another state about a family lawsuit which has no relevance to that station’s viewers. EvergreenTV Productions, however, may offer a story about “Buying a puppy for your five year old.” It is timeless, and applies to a greater percentage of the viewing audience than the distant family’s lawsuit.
Within the service branch of this division, there is a greater range of competition, but few meet student’s needs. Many news talent agencies and resume services exist. However, none of them offer posting of resumes, marketing of resume tapes, and especially an opportunity to earn professional experience while the student is still in college, at no cost to the student. By positioning themselves with EvergreenTV Productions, students can hone in on various stations who have purchased their stories. They can link directly to those stations for future jobs, rather than send out a multitude of resume tapes in a shotgun style to get a foot in the door. And, they will not have to pay our company 10% of their first salary!
Home Division: The advent of home computers capable of digital editing can certainly be considered a market trend, and one that is highly influential to our home division. As more consumers know of the technology, more interest is created in our product. While large corporations spend millions in advertising to promote these computers, we can take advantage of this advertising second-hand. The interest is created by the large corporations, and we use like advertising and terminology to increase interest in our particular product. A second major trend is with photo processing centers, such as those at Walgreens, offering pictures on CD-ROMS. These centers are already taking pictures to the next level, with the purpose of sharing these memories with family and friends. The logical next step is to put these pictures together in a creative and professional video scrapbook, then copy them to VHS tape or DVD.
B2B Division: One major trend in the television news industry is staffing cut-backs. Newsrooms are using fewer reporters and photographers and replacing them with bought programming. Instead of paying $18,000/year for a reporter and $16,000/year for a photographer, smaller markets are buying news programming services at $20,000/year and saving on salary and health care expenses, while increasing the number of stories running per day. On average, a reporter will turn out one or two stories per day, while CONUS offers the ability to run two or three stories per day.
Another trend focuses on freelancing opportunities for reporters. Many are now working on their own, producing stories bought by several different companies. As tv begins to reflect the magazine industry in freelancing opportunities, more and more reporters will make a living working for themselves. In a long-term analysis, EvergreenTV Productions will be able to utilize these freelancers to do specific stories which fit the mission of our company.
A third trend is greater reliance on the Internet for programming. With the advent of TIVO, viewers can choose what they want to watch when they want to watch it. An even further long-term analysis could lend EvergreenTV Productions the opportunity to provide news that viewers can access specifically without going through their local tv stations. In the short term, local news stations may soon be able to download news stories directly to their control centers, without needing a tape for playback. By initially locating on the Internet, EvergreenTV Productions is putting itself in the position to take advantage of the increasing opportunities of Internet business, while at the present time offering easy access to a catalog of stories for order.
Home Division: We are primarily a production company within the retail industry. Some industries are similar, but as this is new technology, it is a unique industry. At the current time, we know of only a few other production companies which consistently turn out video scrapbooks. The photography industry is similar in creating still pictures for retail.
Tour and Travel Division: We are limiting our production output in this division to a referral basis only. In general, the production company industry is very large, with companies specializing in corporate training videos, tour videos, advertising, etc. They rarely limit their productions to referral only, which means most often they will specialize in one area. To the customer, this means outsourcing to several production companies to meet his needs. A corporate president may have to hire two production companies to produce a training video and a travel video.
B2B Division: We are both a marketing service and news provider. Therefore, half of our business deals within the marketing industry, promoting students, while the other half deals within the news industry, selling news programming to news stations.
Home Division: Most production companies have a full plate with a wide assortment of projects. They are benefiting from the growing need for corporate advertising/projects, and prices on production equipment are continuing to fall.
B2B Division:
Student Services:
Station Services:
Home Division: Customers are accustomed to going into retail locations to make purchases or place orders. Having a storefront will provide them with this opportunity. Initially, we will host presentations to explain the product at various outlets such as retirement villas and apartment clubhouses.
B2B Division: TV Stations buy directly from the programming source. A sales representative may call or visit a station for a programming product, or the station may purchase directly via the Internet.
Initially, it will be vital for us to visit one-on-one with small market stations to obtain a base clientele. Those stations across the country will be targeted via telephone and direct mailing promotional kits. Those stations which responded to our initial marketing survey are prime first clients–those who have already defined their needs according to our questionnaire.
Home Division: As with any retail line, customers feel more comfortable and believe they are truly getting their money’s worth when they are given one-on-one attention. It is this attention we will give them in our 30-minute free consultations. Our customers will be more inclined to refer our business and product to friends and family if they believe we do not see them as simply a sale, but as people with needs being met. At the same time, it is essential we see the photos the customer is bringing in, and have the customer present to ask questions and verify the photo placement within the video. This initial attention to detail will also provide our customers with the knowledge that we will produce exactly the video they have in mind.
B2B Division: TV stations are prone to purchase news stories based on the bottom line. If one programming service becomes too expensive, the station will spin off to another programming service for a few thousand dollars less. Small market tv stations do not have this option, as most services are too expensive for their budgets.
EvergreenTV Productions will offer quality news stories at a very competitive price–in fact, half the cost of most other programming services–to gain access to those smaller markets. In addition, having a variety of news topics makes us a hot choice. Stations do not have to spend thousands for only one brand of news, i.e., health stories. They can choose from a wide variety, health, politics, financial, innovative, unusual, personalities, etc.
Home Division (Video Scrapbook Production Companies):
Family Tree Videos: Strengths: A franchise production company geared toward genealogy, but includes producing video scrapbooks. Good-looking productions revolving around family interviews, documentation, and photos. Weaknesses: The formula is too complex to generate quality products in quantity. Many smaller production companies learn this method first, then give up due to lost time and not enough revenue. Independent Companies: Strengths: Nationwide, dozens of independently owned production companies produce video scrapbooks. Most are your neighbors, businesses you want to trust. Weaknesses: Quality is inconsistent and depends entirely upon the owner’s ability. If you’re not a close friend or family member, you may not get the product you really want or thought you ordered. Due to time constraints and the need for revenue, many of these smaller companies will put video scrapbooks on the back burner for bigger projects, such as weddings.
B2B Division (Programming Services):
Dr. Dean Edell: Strengths: Well known after years of radio and tv broadcasting. Big service, using satellite feeds to get stories to stations. National image, high volume. Weaknesses: Very expensive. At the top of the scale at $24,000+ per year. Limited to one topic, health news. MedStar: Strengths: Competitive pricing, less expensive than Dr. Dean. Utilizes chain of universities for national syndication. Weaknesses: Still too high a cost for smaller markets. Limited to one topic, health news. TravelNet: Strengths: National syndication, high volume. Has satellite feeds to stations. Weaknesses: Generic writing for travel pieces. Limited to one topic, travel news. Too high a cost for smaller markets. Mrs. Fix It: Strengths: Appealing change of gender, national image, excellent writing and presentation. Weaknesses: Too high a cost for smaller markets, limited to one topic, do-it-yourself home/yard/car improvements.
Many other services fall within this category, too many to mention. Some are purely regional and do not appeal nationally. Most are of high cost to small market stations. None that we’ve found offers a variety of news topics.
Home Division: Our competitive edge in producing video scrapbooks is in our business system, which allows us a) to produce large numbers of videos while retaining quality, thus giving more customers a grade A product with a short turn-around time, b) to maintain consistency at every location, so customers can be assured they will get the same quality at one store that their friends/family received at another, and c) to train all employees using consistent customer service guidelines from initial consultation through any complaints/issues.
B2B Division: For TV stations, our competitive edge is having a variety of news topics to offer, and at a much more affordable cost to small market tv stations than larger programming services can offer.
For students, our competitive edge is offering a FREE resume service, FREE marketing service for that first job out of school, and a DIRECT connection to news directors in markets known to hire graduating broadcasting students.
Yearly sales forecasts are shown below and the initial year’s monthly forecast is shown in the appendix.
Sales Forecast | |||
Year 1 | Year 2 | Year 3 | |
Unit Sales | |||
Photo Memories | 800 | 2,880 | 4,800 |
News Story Reels | 160 | 1,000 | 2,000 |
Tampa Bay Video | 48 | 50 | 50 |
Other Projects | 6 | 12 | 20 |
Total Unit Sales | 1,014 | 3,942 | 6,870 |
Unit Prices | Year 1 | Year 2 | Year 3 |
Photo Memories | $207.50 | $208.20 | $208.20 |
News Story Reels | $200.00 | $200.00 | $200.00 |
Tampa Bay Video | $47.92 | $50.00 | $50.00 |
Other Projects | $1,000.00 | $1,000.00 | $1,000.00 |
Sales | |||
Photo Memories | $166,000 | $599,616 | $999,360 |
News Story Reels | $32,000 | $200,000 | $400,000 |
Tampa Bay Video | $2,300 | $2,500 | $2,500 |
Other Projects | $6,000 | $12,000 | $20,000 |
Total Sales | $206,300 | $814,116 | $1,421,860 |
Direct Unit Costs | Year 1 | Year 2 | Year 3 |
Photo Memories | $3.00 | $4.00 | $4.00 |
News Story Reels | $15.00 | $15.00 | $15.00 |
Tampa Bay Video | $4.79 | $5.00 | $5.00 |
Other Projects | $354.17 | $500.00 | $500.00 |
Direct Cost of Sales | |||
Photo Memories | $2,400 | $11,520 | $19,200 |
News Story Reels | $2,400 | $15,000 | $30,000 |
Tampa Bay Video | $230 | $250 | $250 |
Other Projects | $2,125 | $6,000 | $10,000 |
Subtotal Direct Cost of Sales | $7,155 | $32,770 | $59,450 |
Home Division: Strategic alliances with photographers, photo processing centers and travel agents will be key to generating sales in the first few quarters. We plan to initiate a co-marketing campaign, by possibly adding on 30-second commercials at the end of each video, promoting a photographer or travel agency. These will be tasteful and placed at the end of the tape, but will also co-promote a like business. In the future, we could sell these spots to like businesses to generate revenue.
Additionally, our alliances with retirement villas will be instrumental from start-up. While these will not involve co-promotions, it will be necessary to build a strong relationship so the villa officials welcome us to their facilities.
B2B Division: We heavily depend upon building a strong alliance with schools to create a substantial inventory to generate sales. The greater the size of inventory, the greater the variety we have to offer stations. We need to concentrate on making as many contacts with schools as possible. If we cannot offer students a marketing position, i.e., a substantial time frame in which we market their stories and post their resumes, we will not have their interest and it would follow, their stories to add to our inventory.
After the first year, the inventory will grow at a consistent rate. However, the first year’s inventory size could well determine our company’s sales success.
Home/Travel Divisions:
Home Division: Initially, for people celebrating an event or recognizing a lifetime of memories who would like to share photos of those memories in a video scrapbook with friends and family, our videos provide a special and unique gift opportunity. Unlike standard production companies which produce video scrapbooks in a random and time-consuming fashion, our videos meet consistently professional standards in quality in a timely manner. (See Competitive Comparison section.)
B2B Division: For students about to graduate and seek their first job within the tv news industry, EvergreenTV Productions offers an incredible marketing and resume posting service. Unlike www.tvjobs.com and others, it offers these services for free, and for a longer period of time (i.e., three months as opposed to one month).
For small market tv stations which need news stories daily to fill their newscasts, EvergreenTV Productions offers an affordable programming service. Unlike larger programming services such as Dr. Dean Edell and TravelNet, it offers a variety of programming at half the cost.
Home Division: Our business system has helped define our pricing strategy. If our video scrapbooks are too time-consuming, the customer will be charged an exorbitant amount. If our video scrapbooks are even middle to low quality, we cannot charge the customer low enough. By making the productions both time-efficient and consistent in high quality, we can maximize our pricing to acceptable market levels. Our strategy is also based upon the fact that we are introducing video scrapbooks on a large scale into the market, with no previous history for this product. As our video style becomes more popular, we will be able to adjust the pricing accordingly. We are offering four package styles from which our customers may choose. By charting the most popular package, we will better determine the right price for our product.
B2B Division: Our pricing strategy is key to our offering. If we charge too much, or even 3/4 the price of larger programming services, we are undercutting our potential orders. The market of small market stations cannot bear the higher prices offered by larger programming services.
Likewise, by offering a free resume and marketing service to students, we are ensuring continued interest in our service in exchange for news stories. We need to be positioned to offer payment for these stories a few years down the road. As the popularity of EvergreenTV Productions grows, so will the number of programming services offering similar services.
Home Division: Initially, we will depend upon presentations and business relationships to reach new customers.
B2B Division: We depend on direct contact with communications deans and professors as our main way to reach students. That contact will be made to specific schools.
Home Division: Our primary distribution will be through our storefront, which will also be the order center, consultation location, and production office. To make it easier for our customers at retirement villas, we offer to accept orders at and deliver to these locations.
B2B Division: Our distribution will focus mainly around our website, taking orders and processing them through direct mailings. In the initial period, we will be distributing tapes during person-to-person presentations.
We are prepared to mail on order, via the USPS. Stations may order for regular three-day delivery, up to overnight shipments, depending upon their needs.
Part of the business’s success will be based on planned tasks and timely completion of those steps. The table below lists steps, timeline and estimated budgets.
Milestones | |||||
Milestone | Start Date | End Date | Budget | Manager | Department |
Build Website | 9/7/2000 | 5/31/2001 | $19,000 | LW | President |
Contact 30 Colleges/Universities | 11/1/2000 | 2/28/2001 | $20 | LW | President |
Brochures Photeo Memories | 3/15/2001 | 5/15/2001 | $220 | LW | President |
Write/Finalize Operations Manual | 5/31/2001 | 12/31/2001 | $0 | LW | President |
Store Location | 5/31/2001 | 7/15/2001 | $0 | LW | President |
Office Furniture | 5/31/2001 | 7/31/2001 | $2,000 | LW | President |
Open Photeo Memories Store #1 | 5/31/2001 | 7/15/2001 | $2,000 | LW | President |
Additional Office Equipment | 7/15/2001 | 8/15/2001 | $2,000 | LW | President |
Hire 1st Employee | 7/15/2001 | 8/15/2001 | $30 | LW | President |
Produce 1 Hr Tampa Bay Video | 6/1/2001 | 9/15/2001 | $5 | LW | President |
Sell Tampa Bay Video to Dr’s Offices | 9/15/2001 | 12/31/2001 | $100 | LW | President |
Build Inventory to 15 News Stories | 9/1/2001 | 12/15/2001 | $500 | LW | President |
Build Inventory to 50 News Stories | 12/15/2001 | 3/31/2002 | $500 | LW | President |
Obtain 30 Sales to TV Stations | 12/15/2001 | 4/1/2002 | $1,000 | LW/Sales Rp | B2B Sales |
Hire Employees per Personnel Forecast | 10/1/2001 | 12/31/2001 | $50 | Store Mgr | Home Div. |
Name me | 12/1/2001 | 6/30/2002 | $6,000 | LW | President |
Totals | $33,425 |
EvergreenTV Productions is owned and operated by its founders, Louanne Walters and Bobby Gene Walters. It is a small company with immediate plans for hiring one or two employees per store. Each employee’s responsibilities will be outlined in our business system “Operations Manual.”
As we grow into the Tour and Travel and B2B Divisions, we will evaluate which positions need to be filled first. Long term growth includes plans for an Operations Manager, who will report to the President and handle all accounting and marketing responsibilities. Three managers will answer to the Ops Mgr, one per division. Each manager will be primarily responsible for accounting and marketing within his/her division, and will handle all hiring/training needs.
We currently receive a great deal of advice from outside sources, such as our accountant and attorney; however, we follow the advice which meets our goals and needs.
As a start-up, our divisions and departments are inter-related and handled for the most part by Louanne Walters. With time and revenue, we will expand to accommodate several departments: sales & marketing, service and administration, product development, and finance. Each division manager will fill these departments according to specific needs and the company’s business system operations manual.
The following chart outlines the anticipated organizational set-up for the first three to five years of EvergreenTV Productions, Inc.
Louanne Walters, president: 33 years old, extensive experience in the radio and tv news industries. Formerly a tv news producer, reporter and anchor. Degree in broadcast communications, seven years with three NBC affiliates (KPOM, Ft. Smith, Arkansas – KRIS, Corpus Christ, Texas – KWQC, Davenport, Iowa) and one year as video programmer with Royal Caribbean International. Extensive public relations background as anchor and cruise director with Royal Caribbean International. Strong writing skills, strong story development and news sense. Attending courses at Small Business Development Center USF. Louanne also has strong sales skills, and is formerly a Toyota new car product specialist, and Voice Stream territory representative.
Bobby G. Walters, vice-president: 61 years old, extensive management background during 33 years with USAF. Degree in business and management. Twelve years as manager with local Wal-Mart stores.
We believe we have strong leadership for developing the concept behind EvergreenTV Productions. At present, our weakest area is in accounting. We are currently taking an accounting course produced by “Great Courses on Tape,” focusing on finance and accounting. Additionally, we have hired Jim Wessman, CPA to advise and aid us in the development of EvergreenTV Productions. Jim is a qualified management counselor, and QuickBooks advisor.
We also need to hire division managers with a well-rounded management background, including human resources, accounting, benchmarking and goal-setting abilities.
Following the opening of stores for the Home Division, we will need to hire an operations manager, with an MBA and at least five years experience with a start-up organization.
Details of store staffing is presented in the Personnel Table, below and in the appendix.
We assume hiring employees on hourly pay the first year, and adding a few salaried management positions with benefits the second year. Our management salaries (marketing manager, president, operations manager) as shown below include taxable benefits. Payroll taxes for all employees are shown in the Profit and Loss.
Personnel Plan | |||
Year 1 | Year 2 | Year 3 | |
Production Personnel | |||
Photo Editor | $13,500 | $18,500 | $19,000 |
Photo Editor | $12,000 | $18,500 | $19,000 |
Photo Editor | $6,000 | $18,500 | $19,000 |
Photo Editor (2) | $1,500 | $18,500 | $19,000 |
Additional Employees (3 stores) | $0 | $92,500 | $100,000 |
Additional Employees (5 stores) | $0 | $0 | $209,000 |
Subtotal | $33,000 | $166,500 | $385,000 |
Sales and Marketing Personnel | |||
Marketing Manager (President) | $0 | $41,400 | $46,000 |
News Sales Representative | $4,998 | $22,000 | $24,000 |
News Sales Representative Commission | $3,000 | $15,000 | $15,000 |
Other | $0 | $0 | $0 |
Subtotal | $7,998 | $78,400 | $85,000 |
General and Administrative Personnel | |||
Store Manager | $17,600 | $20,000 | $20,000 |
Store Manager Commission | $4,200 | $5,000 | $5,000 |
Store Manager (2) | $3,200 | $20,000 | $20,000 |
Store Manager Commission (2) | $800 | $5,000 | $5,000 |
Store Mgr/Commission (3 & 5 stores) | $0 | $25,000 | $75,000 |
Subtotal | $25,800 | $75,000 | $125,000 |
Other Personnel | |||
President | $37,500 | $51,750 | $69,000 |
Operations Manager | $0 | $46,000 | $63,250 |
Home Division Manager | $0 | $0 | $40,000 |
B2B Division Manager | $0 | $0 | $45,000 |
Other | $0 | $0 | $0 |
Subtotal | $37,500 | $97,750 | $217,250 |
Total People | 8 | 16 | 26 |
Total Payroll | $104,298 | $417,650 | $812,250 |
The most important element in the financial plan is the critical need for additional capital to assist in business operations through the remaining start-up process, and to maintain a positive cash balance for the first fiscal quarters. We do not anticipate any changes to our financial plan through accounts receivables or inventory, as our company operates upon the “payment upon receipt” principal for all goods, and our inventory cycle does not meet the standard criteria.
Moving from a home office to a storefront with employees, introduces greater liabilities. During the past seven month start-up process, we have largely committed to EvergreenTV Productions through personal savings, cashed stocks, personal credit lines and personal long-term loan options.
The financial plan depends on important assumptions, most of which are shown in the following table. The key underlying assumptions are:
We assume access to equity capital and financing sufficient to follow and maintain our financial plan as shown in the tables. We anticipate our financing to hold higher long-term interest than our current loan against stock. We assume that as our company grows, we will be able to utilize a larger credit line, decreasing our expenses in cash. Likewise, our short-term credit line will be available with a lower short-term interest rate, making more cash available.
We assume opening and promoting three stores within the Tampa Bay area before reaching saturation. Likewise, we assume relatively quick initial growth within the Home Division, following our plan of two stores open within the first year, and 10 stores statewide within five years.
We assume many tv markets are, or will become, Internet proficient. We assume most colleges and universities are, or will become, Internet proficient. We assume slow initial growth within the B2B Division. However, the majority of our long-term payments are for one time, or long-term purchases which will not need to be replaced in the first five years.
General Assumptions | |||
Year 1 | Year 2 | Year 3 | |
Plan Month | 1 | 2 | 3 |
Current Interest Rate | 13.00% | 13.00% | 13.00% |
Long-term Interest Rate | 0.80% | 0.80% | 0.80% |
Tax Rate | 25.42% | 25.00% | 25.42% |
Other | 0 | 0 | 0 |
The benchmark chart shows the nature of our company. We estimate consistent turns on inventory, as our inventory is available for resale on a constant basis. In our Home Division, we do not keep inventory, but customers bring their photos to us. In our B2B Division, our inventory consists of news stories we will keep on hand for multiple sales. Several stations may purchase the same story, we simply make a copy of that story. Our blank tape inventory will be replenished monthly to avoid keeping a large inventory of tapes.
Our Gross Margin increases with increased sales, but as we have a very low direct cost of sales, this number will only increase fractionally compared to sales.
Sales and Operating Expenses are our closest measurements in this forecast. While sales increase dramatically, operating expenses increase with new stores, additional employees and taxes. However, by maximizing the number of employees within each store, we are also maximizing our location and limiting further expenses that additional storefronts would incur. We are also able to save drastically on advertising expenses, which would naturally increase with each new location.
We assume running costs which include rent, utilities, office expenses, and an average of travel, advertising and miscellaneous costs. Miscellaneous costs are equal to quarterly costs such as business cards, brochures, bulk tape supplies and occasional equipment rental. Payroll increases every other month as we add new employees.
Break-even Analysis | |
Monthly Units Break-even | 51 |
Monthly Revenue Break-even | $10,303 |
Assumptions: | |
Average Per-Unit Revenue | $203.45 |
Average Per-Unit Variable Cost | $7.06 |
Estimated Monthly Fixed Cost | $9,946 |
Profit and Loss projects look very good, with the usual start-up loss limited to the first two months. The monthly projections for the first year are included in the appendix.
Pro Forma Profit and Loss | |||
Year 1 | Year 2 | Year 3 | |
Sales | $206,300 | $814,116 | $1,421,860 |
Direct Cost of Sales | $7,155 | $32,770 | $59,450 |
Production Payroll | $33,000 | $166,500 | $385,000 |
Other | $0 | $0 | $0 |
Total Cost of Sales | $40,155 | $199,270 | $444,450 |
Gross Margin | $166,145 | $614,846 | $977,410 |
Gross Margin % | 80.54% | 75.52% | 68.74% |
Operating Expenses | |||
Sales and Marketing Expenses | |||
Sales and Marketing Payroll | $7,998 | $78,400 | $85,000 |
Advertising/Promotion | $20,000 | $20,000 | $30,000 |
Travel | $6,500 | $10,000 | $8,000 |
Miscellaneous | $9,500 | $7,500 | $10,000 |
Total Sales and Marketing Expenses | $43,998 | $115,900 | $133,000 |
Sales and Marketing % | 21.33% | 14.24% | 9.35% |
General and Administrative Expenses | |||
General and Administrative Payroll | $25,800 | $75,000 | $125,000 |
Sales and Marketing and Other Expenses | $0 | $0 | $0 |
Depreciation | $0 | $0 | $0 |
Leased Equipment | $0 | $0 | $0 |
Utilities | $1,260 | $3,600 | $6,000 |
Insurance | $1,040 | $2,880 | $4,800 |
Rent | $9,750 | $27,000 | $45,000 |
Payroll Taxes | $0 | $0 | $0 |
Other General and Administrative Expenses | $0 | $0 | $0 |
Total General and Administrative Expenses | $37,850 | $108,480 | $180,800 |
General and Administrative % | 18.35% | 13.32% | 12.72% |
Other Expenses: | |||
Other Payroll | $37,500 | $97,750 | $217,250 |
Consultants | $0 | $0 | $0 |
Contract/Consultants | $0 | $0 | $0 |
Total Other Expenses | $37,500 | $97,750 | $217,250 |
Other % | 18.18% | 12.01% | 15.28% |
Total Operating Expenses | $119,348 | $322,130 | $531,050 |
Profit Before Interest and Taxes | $46,797 | $292,716 | $446,360 |
EBITDA | $46,797 | $292,716 | $446,360 |
Interest Expense | $423 | $141 | $0 |
Taxes Incurred | $11,488 | $73,144 | $113,450 |
Net Profit | $34,886 | $219,431 | $332,910 |
Net Profit/Sales | 16.91% | 26.95% | 23.41% |
Cash flow projections are good, as shown in the annual table below, and the monthly table in the appendix. There are only two months of negative cash flow the foreseen the first year, and the all important cash balance shows steady increases.
Pro Forma Cash Flow | |||
Year 1 | Year 2 | Year 3 | |
Cash Received | |||
Cash from Operations | |||
Cash Sales | $206,300 | $814,116 | $1,421,860 |
Subtotal Cash from Operations | $206,300 | $814,116 | $1,421,860 |
Additional Cash Received | |||
Sales Tax, VAT, HST/GST Received | $0 | $0 | $0 |
New Current Borrowing | $5,000 | $0 | $0 |
New Other Liabilities (interest-free) | $0 | $0 | $0 |
New Long-term Liabilities | $0 | $0 | $0 |
Sales of Other Current Assets | $0 | $0 | $0 |
Sales of Long-term Assets | $0 | $0 | $0 |
New Investment Received | $0 | $0 | $0 |
Subtotal Cash Received | $211,300 | $814,116 | $1,421,860 |
Expenditures | Year 1 | Year 2 | Year 3 |
Expenditures from Operations | |||
Cash Spending | $104,298 | $417,650 | $812,250 |
Bill Payments | $59,036 | $189,141 | $264,923 |
Subtotal Spent on Operations | $163,334 | $606,791 | $1,077,173 |
Additional Cash Spent | |||
Sales Tax, VAT, HST/GST Paid Out | $0 | $0 | $0 |
Principal Repayment of Current Borrowing | $2,830 | $2,170 | $0 |
Other Liabilities Principal Repayment | $0 | $0 | $0 |
Long-term Liabilities Principal Repayment | $0 | $0 | $0 |
Purchase Other Current Assets | $0 | $0 | $0 |
Purchase Long-term Assets | $0 | $0 | $0 |
Dividends | $0 | $0 | $0 |
Subtotal Cash Spent | $166,164 | $608,961 | $1,077,173 |
Net Cash Flow | $45,136 | $205,155 | $344,687 |
Cash Balance | $59,236 | $264,391 | $609,079 |
The balance sheet below and in the appendix show steady increase in net worth over the life of the plan.
Pro Forma Balance Sheet | |||
Year 1 | Year 2 | Year 3 | |
Assets | |||
Current Assets | |||
Cash | $59,236 | $264,391 | $609,079 |
Inventory | $1,480 | $19,672 | $14,136 |
Other Current Assets | $500 | $500 | $500 |
Total Current Assets | $61,216 | $284,563 | $623,715 |
Long-term Assets | |||
Long-term Assets | $0 | $0 | $0 |
Accumulated Depreciation | $0 | $0 | $0 |
Total Long-term Assets | $0 | $0 | $0 |
Total Assets | $61,216 | $284,563 | $623,715 |
Liabilities and Capital | Year 1 | Year 2 | Year 3 |
Current Liabilities | |||
Accounts Payable | $9,960 | $16,046 | $22,287 |
Current Borrowing | $2,170 | $0 | $0 |
Other Current Liabilities | $0 | $0 | $0 |
Subtotal Current Liabilities | $12,130 | $16,046 | $22,287 |
Long-term Liabilities | $0 | $0 | $0 |
Total Liabilities | $12,130 | $16,046 | $22,287 |
Paid-in Capital | $15,000 | $15,000 | $15,000 |
Retained Earnings | ($800) | $34,086 | $253,517 |
Earnings | $34,886 | $219,431 | $332,910 |
Total Capital | $49,086 | $268,517 | $601,427 |
Total Liabilities and Capital | $61,216 | $284,563 | $623,715 |
Net Worth | $49,086 | $268,517 | $601,427 |
Business ratios for the years of this plan are shown below. Industry profile ratios based on the Standard Industrial Classification (SIC) code 7812, Motion Picture and Video Production, are shown for comparison.
Ratio Analysis | ||||
Year 1 | Year 2 | Year 3 | Industry Profile | |
Sales Growth | n.a. | 294.63% | 74.65% | 14.20% |
Percent of Total Assets | ||||
Inventory | 2.42% | 6.91% | 2.27% | 3.40% |
Other Current Assets | 0.82% | 0.18% | 0.08% | 46.90% |
Total Current Assets | 100.00% | 100.00% | 100.00% | 68.40% |
Long-term Assets | 0.00% | 0.00% | 0.00% | 31.60% |
Total Assets | 100.00% | 100.00% | 100.00% | 100.00% |
Current Liabilities | 19.82% | 5.64% | 3.57% | 41.60% |
Long-term Liabilities | 0.00% | 0.00% | 0.00% | 17.20% |
Total Liabilities | 19.82% | 5.64% | 3.57% | 58.80% |
Net Worth | 80.18% | 94.36% | 96.43% | 41.20% |
Percent of Sales | ||||
Sales | 100.00% | 100.00% | 100.00% | 100.00% |
Gross Margin | 80.54% | 75.52% | 68.74% | 0.00% |
Selling, General & Administrative Expenses | 63.71% | 46.92% | 43.99% | 74.80% |
Advertising Expenses | 9.69% | 2.46% | 2.11% | 1.60% |
Profit Before Interest and Taxes | 22.68% | 35.96% | 31.39% | 1.60% |
Main Ratios | ||||
Current | 5.05 | 17.73 | 27.98 | 1.67 |
Quick | 4.92 | 16.51 | 27.35 | 1.12 |
Total Debt to Total Assets | 19.82% | 5.64% | 3.57% | 58.80% |
Pre-tax Return on Net Worth | 94.48% | 108.96% | 74.22% | 1.80% |
Pre-tax Return on Assets | 75.76% | 102.82% | 71.56% | 4.50% |
Additional Ratios | Year 1 | Year 2 | Year 3 | |
Net Profit Margin | 16.91% | 26.95% | 23.41% | n.a |
Return on Equity | 71.07% | 81.72% | 55.35% | n.a |
Activity Ratios | ||||
Inventory Turnover | 7.63 | 3.10 | 3.52 | n.a |
Accounts Payable Turnover | 6.89 | 12.17 | 12.17 | n.a |
Payment Days | 27 | 24 | 26 | n.a |
Total Asset Turnover | 3.37 | 2.86 | 2.28 | n.a |
Debt Ratios | ||||
Debt to Net Worth | 0.25 | 0.06 | 0.04 | n.a |
Current Liab. to Liab. | 1.00 | 1.00 | 1.00 | n.a |
Liquidity Ratios | ||||
Net Working Capital | $49,086 | $268,517 | $601,427 | n.a |
Interest Coverage | 110.63 | 2,075.26 | 0.00 | n.a |
Additional Ratios | ||||
Assets to Sales | 0.30 | 0.35 | 0.44 | n.a |
Current Debt/Total Assets | 20% | 6% | 4% | n.a |
Acid Test | 4.92 | 16.51 | 27.35 | n.a |
Sales/Net Worth | 4.20 | 3.03 | 2.36 | n.a |
Dividend Payout | 0.00 | 0.00 | 0.00 | n.a |
Sales Forecast | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Unit Sales | |||||||||||||
Photo Memories | 0% | 15 | 20 | 40 | 50 | 60 | 60 | 70 | 80 | 95 | 90 | 100 | 120 |
News Story Reels | 0% | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 10 | 16 | 25 | 40 | 65 |
Tampa Bay Video | 0% | 0 | 0 | 0 | 2 | 3 | 5 | 12 | 2 | 2 | 18 | 2 | 2 |
Other Projects | 0% | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 |
Total Unit Sales | 16 | 20 | 41 | 52 | 64 | 65 | 87 | 92 | 114 | 133 | 143 | 187 | |
Unit Prices | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Photo Memories | $200.00 | $200.00 | $200.00 | $200.00 | $250.00 | $250.00 | $200.00 | $200.00 | $200.00 | $200.00 | $200.00 | $200.00 | |
News Story Reels | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $200.00 | $200.00 | $200.00 | $200.00 | $200.00 | $200.00 | |
Tampa Bay Video | $0.00 | $0.00 | $0.00 | $0.00 | $50.00 | $50.00 | $50.00 | $50.00 | $50.00 | $50.00 | $50.00 | $50.00 | |
Other Projects | $1,000.00 | $0.00 | $1,000.00 | $0.00 | $1,000.00 | $0.00 | $1,000.00 | $1,000.00 | $1,000.00 | $1,000.00 | $1,000.00 | $1,000.00 | |
Sales | |||||||||||||
Photo Memories | $3,000 | $4,000 | $8,000 | $10,000 | $15,000 | $15,000 | $14,000 | $16,000 | $19,000 | $18,000 | $20,000 | $24,000 | |
News Story Reels | $0 | $0 | $0 | $0 | $0 | $0 | $800 | $2,000 | $3,200 | $5,000 | $8,000 | $13,000 | |
Tampa Bay Video | $0 | $0 | $0 | $0 | $150 | $250 | $600 | $100 | $100 | $900 | $100 | $100 | |
Other Projects | $1,000 | $0 | $1,000 | $0 | $1,000 | $0 | $1,000 | $0 | $1,000 | $0 | $1,000 | $0 | |
Total Sales | $4,000 | $4,000 | $9,000 | $10,000 | $16,150 | $15,250 | $16,400 | $18,100 | $23,300 | $23,900 | $29,100 | $37,100 | |
Direct Unit Costs | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Photo Memories | 0.00% | $3.00 | $3.00 | $3.00 | $3.00 | $3.00 | $3.00 | $3.00 | $3.00 | $3.00 | $3.00 | $3.00 | $3.00 |
News Story Reels | 0.00% | $15.00 | $15.00 | $15.00 | $15.00 | $15.00 | $15.00 | $15.00 | $15.00 | $15.00 | $15.00 | $15.00 | $15.00 |
Tampa Bay Video | 0.00% | $0.00 | $0.00 | $0.00 | $0.00 | $5.00 | $5.00 | $5.00 | $5.00 | $5.00 | $5.00 | $5.00 | $5.00 |
Other Projects | 0.00% | $75.00 | $0.00 | $50.00 | $0.00 | $500.00 | $0.00 | $500.00 | $0.00 | $500.00 | $0.00 | $500.00 | $0.00 |
Direct Cost of Sales | |||||||||||||
Photo Memories | $45 | $60 | $120 | $150 | $180 | $180 | $210 | $240 | $285 | $270 | $300 | $360 | |
News Story Reels | $0 | $0 | $0 | $0 | $0 | $0 | $60 | $150 | $240 | $375 | $600 | $975 | |
Tampa Bay Video | $0 | $0 | $0 | $0 | $15 | $25 | $60 | $10 | $10 | $90 | $10 | $10 | |
Other Projects | $75 | $0 | $50 | $0 | $500 | $0 | $500 | $0 | $500 | $0 | $500 | $0 | |
Subtotal Direct Cost of Sales | $120 | $60 | $170 | $150 | $695 | $205 | $830 | $400 | $1,035 | $735 | $1,410 | $1,345 |
By: Author Tony Martins Ajaero
Home » Business Plans » Entertainment Sector » Music Sector
Are you about starting a music production business ? If YES, here’s a complete sample music production business plan template & feasibility report you can use for FREE to raise money .
If you are conversant with the trend on how people become celebrities overnight, you will realize that releasing a music album that is widely accepted, is one of the ways youths and young adults carve a niche in the world today. Of course, good music recording and production companies always play a part in making celebrities and super stars out of ordinary folks who are gifted with singing.
If you have ears for good music and you have what it takes to mix sounds to produce music that can be widely accepted, then you should consider starting your own music recording and production company.
Although starting a music and production company requires moderate start – up capital, but it is indeed a very profitable venture to go into especially if you live in an urban area, where the demographic composition has enough young adults within the age range of 16 – 35 years.
These set of people are ready to do anything to hit the limelight; and music is one of the avenues for them to make their millions and by extension become famous.
Much more than being skilled in mixing sounds, and also having the required capital to set up a music recording studio, you would also need to be socially inclined if you must truly do well in this kind of industry. You should be able to go all the way to promote artiste that signs under your recording label.
The truth is that, once you are able to raise one celebrated music superstar under your label, you will struggle less to have artiste to work with. As a matter of fact, you will be screening artiste so that you can work with only the best.
Now that you have made up your mind to start a music recording and production company, you are expected to sit down and map out strategies on how to a raise startup capital, how to run the business, as well as how to make profits. That is basically what your business plan document should contain.
1. industry overview.
Music production business is without a doubt a thriving business that has loads of players making huge profits from the industry.
One thing is certain, if a music production company can successfully produce a major hit song / album, it wouldn’t be too long before musicians and corporate organizations (for commercials and jingles) come calling from all over the united states and beyond.
Statistics has it that the global revenue of the music industry is estimated at 15 billion U.S. dollars in 2013, and that is about the lowest revenue recorded since 2002; of course it is an indication that the record label industry need to become more creative and leverage on the changing tides in the world of technology.
Even the strong growth in streaming revenues was not enough to stop the music industry globally from experiencing income dropping below US $15bn for the first time in recent years in 2014.
Statistics also has it that in 2013 the three largest markets in the music industry, measured by the revenue they generated were the United States of America, Japan and Germany. Hence it is no surprise that the most of the leading music production company who dominate the music industry in the globe are all headquartered in The United States of America.
Recent statistics from the IFPI revealed that overall global music production industry revenues dipped by just 0.4% last year – but that was enough to pull the annual tally down from $15.03bn to $14.97bn.
The biggest offenders for the fall were an 8.1% decline in revenues from physical format sales (to around $6.89bn, according to MBW calculations) and an 8.0% decline in download sales (to around $3.56bn).Single track downloads declined by 10.9% in the year, while digital albums sales saw revenues drop by 4.2%.
The Music production industry is indeed witnessing a steady growth over the years especially in developed countries such as the United States. Though for some underdeveloped countries where piracy is still on rampage, the growth is a bit redundant.
One good thing about starting a music production business is that even if you decided to start it in the United States of America, your market will not be restricted to artists in the U.S.; the world will be your target market. Many thanks to the internet that has made the world a global village.
All you need to do is to strategically position your music production brand on the internet and you will be amazed at the rate people interested in producing their music will be calling you from all parts of the world.
Clarkson Magic Finger® Music Production Company is a new player in the music industry that will be based in Los Angeles – California, U.S.
Our aim of starting this business is to work in tandem with both established and upcoming music artist and record labels in the United States of America and other countries of the world to help them produce good music that can compete with the best in the industry.
Although we intend starting out in Los Angeles – California, but we plans to have active presence in major cities both in the East Coast and the West Coast; we will position our agents to in strategic cities in the United States to help us source for music production deals.
Clarkson Magic Finger® Music Production Company is not just going engage in music production, but we will ensure that we play our part in marketing and promoting any musical album that we produced.
Part of our plans is to work towards becoming one of the leading music production companies in the whole of Los Angeles and in the nearest future compete with the leaders in the music production line of business not only in the United States but also in the global stage.
We are quite aware that starting a standard music production business from the scratch requires huge capital base especially for the purchase of world – class studio equipment (music production gadgets), which is why we have perfect plans for steady flow of cash from private investors who are interested in working with us.
We can confidently say that we have a robust financial standing and we are ready to take on any challenge that we encounter in the industry. Our workforce is going to be selected from a pool of talented and highly creative people with ears for good music in and around Los Angeles – California and also from any part of the United States.
We will make sure that we take all the members of our workforce through the required trainings that will position them to meet the expectation of the company and to compete with other players in the United States and throughout the globe.
At Clarkson Magic Finger® Music Production Company our client’s best interest come first and everything we do will be guided by our values and professional ethics. We will ensure that we hold ourselves accountable to the highest standards by meeting our client’s needs precisely and completely.
We will cultivate a working environment that provides a human, sustainable approach to earning a living, and living in our world, for our partners, employees and for our clients.
Clarkson Magic Finger® Music Production Company will be owned majorly by Clarkson Dempsey and Bradley Jacksons. Clarkson Dempsey has an MBA from University of California while Bradley Jackson is a certified SOUND engineer.
This duo has been able to cut their teeth in the musical industry both at national level and international level. They have appreciable year of experience working with some of the leading international music production companies in the United States of America prior to start their own music production company.
Clarkson Magic Finger® Music Production Company is going to offer varieties of services within the scope of the music industry in the United States of America. Our intention of starting our music production company is to make profits from the music industry and we will do all that is permitted by the law in the US to achieve our aim and ambition. Our business offering are listed below:
Our Business Structure
The fact that we are set to compete with other leading music production companies in the United States of America means that we must build a business structure that can support our business goal. We will ensure that we hire people that are qualified, hardworking, creative, customer centric and are ready to work to help us build a prosperous business that will benefit all the stakeholders (the owners, workforce, and customers).
As a matter of fact, profit-sharing arrangement will be made available to all our senior management staff and it will be based on their performance for a period of five years or more as agreed by the board of trustees of the company. Below is the business structure that we will build Clarkson Magic Finger® Music Production Company;
Entertainment Lawyer / Legal Secretary
Studio Manager
Music / Record Producer
Sound / Recording Engineer
Admin and HR Manager
Marketing and Sales Executive
Front Desk Officer
Chief Executive Office:
Client Service Executive
Clarkson Magic Finger® Music Production Company engaged the services of a core professional in the area of music consulting and business structuring to assist the organization in building a standard music production company that can favorably compete with other leading music production companies in the United States of America.
Part of what the business consultant did was to work with the management of the company in conducting a SWOT analysis for Clarkson Magic Finger® Music Production Company. Here is a summary from the result of the SWOT analysis that was conducted on behalf of Clarkson Magic Finger® Music Production Company;
Our core strength lies in the power of our team and the state of the art music studio equipment that we have. We have a team that can go all the way to give our clients value for their money; a team that can make produce world class musical sounds.
We are well positioned and we know we will attract loads of clients from the first day we open our music production studio for business.
As a new music production company, it might take some time for our organization to break into the market and attract some well – established music artists to sign under our label; that is perhaps our major weakness. Another weakness is that we may not have the required cash to promote our business the way we would want to.
The opportunities in the music industry are massive and we are ready to take advantage of any opportunity that comes our way.
Technology and the internet which of course is a major tool for the advancement and gains achieved in the music industry can also poses a threat to the industry. The truth is that with the advancement of technology, it is now easier for individuals to mix up their sounds and even form soundtrack with the help of music production software applications.
So also, just like any other business, one of the major threats that we are likely going to face is economic downturn. It is a fact that economic downturn affects purchasing / spending power. Another threat that may likely confront us is the arrival of a new music production company in same location where our target market exist and who may want to adopt same Business model like us.
Entrepreneurs that are venturing into the music industry are coming in with creativity and good business skills. The fact that revenue is nose – diving in the industry does not in a way stop some music production companies from declaring profits year in year out.
The trend in the music production industry is that most music production companies are trying as much as possible to recreate themselves on a regular basis and also to be on top of their game. This is so because it is easier to find music mixer or music production software applications that a rookie can make use of to produce good sound.
When it comes to music production, there are no exemptions to who you can market your services to. There are loads of people out there we are interested in releasing a single or a full musical album. There are corporate organizations that would need to services of a standard music production companies to help them produce jingles or soundtrack for advertisement and promotion purpose.
There are authors who would need the services of music Production Company to help the produce audio books and the list goes on. Over and above, our target market as a music production company cuts across people of different class and people from all walks of life and corporate organizations.
In view of that, we have created strategies that will enable us reach out to various corporate organizations and individual who we know will our services.
We have conducted our market research and survey and we will ensure that all our music production company is well accepted in the marketplace. Below is a list of the people and organizations that we have specifically market our services to;
Our Competitive Advantage
We not unaware of the point that there are stiffer competition in the music production industry in the United States of America, hence we have been able to hire some of the best business developer to handle our sales and marketing.
Clarkson Magic Finger® Music Production Company might be a new entrant into the music industry in the United States of America, but we are coming into the industry with core professionals and of course a standard world – class recording studio with the best equipment in the industry.
Lastly, our employees will be well taken care of, and their welfare package will be among the best within our category (startups music production companies) in the industry meaning that they will be more than willing to build the business with us and help deliver our set goals and achieve all our aims and objectives.
Clarkson Magic Finger® Music Production Company is established with the aim of maximizing profits in the music industry and we are going to go all the way to ensure that we do all it takes to attract music artists that will sign under our record label. Clarkson Magic Finger® Music Production Company will generate income by offering the following services;
One thing is certain when it comes to music; music never dies and the demand for good music will continue to grow. This goes to show that any music production company that is known to always produce good music will continue to attract talented music artists and that will sure translate to increase in revenue generation for the business.
We are well positioned to take on the available market in the U.S. and we are quite optimistic that we will meet our set target of generating enough income / profits from the first six month of operations and grow the business and our clientele base beyond Los Angeles – California to other cities in the U.S. and even the global market.
We have been able to critically examine the music production market and we have analyzed our chances in the industry and we have been able to come up with the following sales forecast. The sales projection is based on information gathered on the field and some assumptions that are peculiar to startups in Los Angeles – CA.
Below is the sales projection for Clarkson Magic Finger® Music Production Company, it is based on the location of our business and other factors as it relates to record label start – ups in the United States;
N.B: This projection is done based on what is obtainable in the industry and with the assumption that there won’t be any major economic meltdown and there won’t be any major competitor offering same music production services as we do within same location. Please note that the above projection might be lower and at the same time it might be higher.
Music production business is not a business that you have to retail products, which is why we must do all we can to maximize any opportunity that comes our way. Our sales and marketing team will be recruited based on their vast experience in the music industry and they will be trained on a regular basis, so as to be well equipped to meet their targets and the overall goal of the organization.
We will also ensure that our excellent music production / top class music speaks for us in the market place; we want to build a standard music production company that will leverage on word of mouth advertisement from satisfied clients / artists.
Our business goal is to grow our music production company to become one of the top 10 music production companies in the United States of America, which is why we have mapped out strategies that will help us take advantage of the available market and grow to become a major force to reckon with not only in the U.S but in the world stage as well.
Clarkson Magic Finger® Music Production Company is set to make use of the following marketing and sales strategies to attract clients;
We have been able to work with brand and publicity specialist to help us map out publicity and advertising strategies that will help us walk our way into the heart of our target market.
We are set to take the music industry by storm which is why we have made provisions for effective publicity and advertisement of our music production company. Below are the platforms we intend to leverage on to promote and advertise our music production company;
It is important to point out that, though, music studio charge by the hour so it is the responsibility of the music producer to ensure that set target are met within the stipulated time. The more time you spend on the studio, the more money you would have to pay.
No doubt, hourly billing for music studios is a long – time tradition in the industry. However, for some types of music / record contracts, flat fees are adopted.
As a result of this, Clarkson Magic Finger® Music Production Company will charge our old clients (artists) a flat fee and charge new clients (new music artists) hourly when they make use of our music studio to record their music or produce music beats for their albums.
At Clarkson Magic Finger® Music Production Company we will keep our fees below the average market rate for all of our clients by keeping our overhead low and by collecting payment in advance. In addition, we will also offer special discounted rates to start – ups, nonprofits, cooperatives, and small social enterprises who engage our services to help to produce musical jingles for advert purposes.
At Clarkson Magic Finger® Music Production Company, our payment policy will be all inclusive because we are quite aware that different people prefer different payment options as it suits them. Here are the payment options that we will make available to our clients;
In view of the above, we have chosen banking platforms that will help us achieve our plans with little or no itches.
The cost of setting up a music production business to a larger extent has reduced from what it used to be; many thanks to the advancement of technology and perhaps the internet. These days it is now easier to see people set up a music production studios in their house. All they need to do is to register a business and set up a mini studio is their apartment!
Basically, it is not expensive starting a music production company in the United States of America except for the prices of setting up a standard studio. The amount required to start a music production company may vary slightly from country to country and from states to states.
Part of the factors that can influence the start – up cost of a music production company is the amount needed to rent or lease a facility, the cost of the equipment you would need and the money needed to brand your business et al.
When it comes to purchasing microphones and headphones, we will go for Neumann u87; it will cost us about $2000 or more. For mixer, we will go with Euphonix or any other brand of our choice. But Euphonix is great (especially with is sweet sounding preamp and on board compressors).
It will cost us about $30,000 or more. On the alternative, we can choose to go for purely digital and skip the mixer altogether. This means that we will need a good audio interface with multiple inputs. 12 stereo pairs minimum. The emu 1820m is a good one.
Then cables (nothing else but mogami cables. these are the best audio cable in the market for now; although we may explore other options). We would need to create budget for pre amp. Avalon is perhaps our best bet and we can get it for about $2500 or less.
We have also prepared a good budget for monitor; monitor is one of the most important gadgets we would need in starting our own record label and record studio. We have made provision for a Yamaha monitor; it is simply one of the best we can get in the market.
When it comes to acquiring a computer, we just have to budget for high end computer designed for such purpose. It is important for computer to have a very large memory, high end graphic card, and 2.6 GHz quad core processor and we will search for a good software to work with. Essentially, this is the area we are looking towards spending our start – up capital on;
Going by the report from the research and feasibility studies, we will need about $300,000 to set up a medium scale but standard music production company in the United States of America. Here are some of the key equipment and musical gadgets that we would need to set up our record label company;
Generating Funding / Startup Capital for Clarkson Magic Finger® Music Production Company
Clarkson Magic Finger® Music Production Company is going to start as a private business that will be solely owned by Clarkson Dempsey and Bradley Jacksons.
Both of them will be the financial of the business, but may likely welcome other partners later which is why they have decided to restrict the sourcing of his start – up capital to 3 major sources. These are the areas we intend generating our start – up capital;
N.B: We have been able to generate about $100,000 (Personal savings $60,000 and soft loan from family members $40,000) and we are at the final stages of obtaining a loan facility of $200,000 from our bank. All the papers and document has been duly signed and submitted, the loan has been approved and any moment from now our account will be credited.
It is easier for businesses to survive when they have steady flow of business deals / customers patronizing their products and services. We are aware of this which is why we have decided to offer a wide range of music production related services and also to work with music artists, corporate organizations and authors.
We know that if we continue to produce hit songs, albums, audio books, soundtrack and jingles, there will be steady flow of income for the organization. Our key sustainability and expansion strategy is to ensure that we only hire competent employees, create a conducive working environment and employee benefits for our staff members.
We know that if we implement our business strategies, we will grow our music business production business beyond Los Angeles – California to other states in the U.S in record time.
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In November, Denver residents will cast their vote on a plan to ban slaughterhouses in the city. Denver, a hub of lamb processing for the state and nation, represents 15% to 20% of U.S. lamb harvest capacity.
The slaughterhouse provides many jobs in one of the city's poorest neighborhoods. This ban puts 160 jobs at stake and according to one study, at least $215 million in economic benefits, which could be as high as $860 million, counting indirect factors, Channel 9 reports .
In addition, the ban also threatens more than 2,700 jobs including independent ranchers, truckers, distributors, retailers, butchers, and restaurant owners and employees, according to a Colorado State University study .
The measure titled “ Prohibition of Slaughterhouses ” would outlaw “the construction, maintenance, or use of” any meat processing facilities in Denver beginning Jan. 1, 2026, as well as “require the city to prioritize residents whose employment is affected by the ordinance in workforce training or employment assistance programs.”
Pro-Animal Future announced it had collected enough signatures from residents to add this proposal to the fall ballot, threatening Superior Farms, the last remaining slaughterhouse in the city. According to Pro-Animal Future’s website, the organization is a “citizen-led movement away from the exploitation, animal cruelty, and environmental pollution of factory farming, and towards a brighter future based on a more just, sustainable, and compassionate food system.”
Organizations, restaurants and people coming together to stop the ban , say the ban is wrong for working families, wrong for animal welfare and the cost of a ban will be passed on to consumers. The additional cost of shipping more of Denver’s food supply from further away will increase carbon emissions and make the food supply chain less sustainable. Read more here.
In the Proposed Denver Ordinance Banning Animal Slaughter: Implications for the Animal Sector and Economy study by Colorado State University's Regional Economic Development Institute, analysts shared these additional concerns beyond the economic impact.
1. Some local businesses will suffer significantly. While the focus of the ordinance appears to be a single facility, economic spillovers will reverberate throughout the regional economy, because of the transport of goods and services to and from the Denver location. The meat slaughter and processing sector in Denver County is intertwined with other value-added food businesses who rely on the meat slaughter and processing sector for inputs.
2. The ordinance runs counter to demonstrated consumer preferences and choices.
Evidence suggests that consumers increasingly prefer local sourcing of food or products certifying sustainability and animal welfare innovations. The ordinance will eliminate the only substantive, local source of meat slaughter and processing for producers engaged in direct marketing of food products. Sales of domestic products are likely to be replaced by imported products.
3. The ordinance reduces the resilience of the meat supply chain.
Recent federal initiatives encourage investments enhancing the resilience of the food system including developing small and medium sized slaughter facilities. The purpose is two-fold: improving food security in times of disruption and enhancing the competitiveness of small and medium-sized livestock operations. The proposed Denver ordinance reduces the resilience of the meat supply chain and increases costs for small and medium sized livestock producers who are unlikely to find alternatives.
Chefs Join the Fight
Now, two new, high-profile stakeholders are joining the fight against the referendum, reports a Denver news source .
La Diabla Pozole y Mezcal Chef Jose Avila and II Posto Chef Andrea Frizzi are teaming up with president and CEO of the National Western Stock Show and Complex Paul Andrews, operations manager/employee owner of Superior Farms Isabel Bautista, president of the Colorado Livestock Association Kenny Rogers along with other Superior Farms employee/owners to oppose this citizen-initiated measure.
According to Complete Colorado, the Denver election website reports that issue committees have been formed both for and against the measure.
In November, Denver residents will cast their vote on a plan to ban slaughterhouses in the city.
If predictions hold true, this fall could be a hotter and drier season across much of the U.S.
Iowa State sophomore running back Abu Sama III and freshman offensive lineman Isaiah Seymour participate in tryouts to join the popular ‘Purchase Moore Hamann Bacon’ initiative.
China's soybean imports reached a record high in August 2024, reflecting significant growth in the country's demand for the oilseed, but meat imports declined.
African swine fever continues to ravage pig farms in Italy, with at least 24 separate outbreaks and hundreds of farms affected.
Highly pathogenic avian influenza and African swine fever are two high-priority research areas that will be funded through a $17.6-million investment by USDA's National Institute of Food and Agriculture to protect the health and welfare of agricultural animals.
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Film Production Company Business Plan: The Complete Guide. Matt Crawford 4. The process of film production is a long and arduous one. It starts with the writing stage, where screenplays are written by a writer or multiple writers. The screenplay typically has at least three acts that have to be edited for pacing and story development purposes.
This is a business plan for a production company. What opportunities exist for that? Most of all, try and tailor this production house business plan to specific needs. Here are a few methods of company self-analysis: PEST . This is a way to identify changes in your industry, to target potential growth opportunities. The acronym stands for:
This is the standard production company business plan outline, which will cover all important sections that you should include in your business plan. Executive summary. Market Validation. Objectives. Short-Term (1 -3 Years) Long Term (3-5 years) Mission statement. Unique Selling Proposition.
Starting a film production company. 2. Determine your niche. When starting a production company, you may find that a specific niche excites you the most. For indie film companies, this may be a certain genre such as horror or science-fiction. In commercial production, companies this may be a focus on weddings, restaurants, start-ups, or even gyms.
When we designed our business plan for a production company, we ensured it was properly organized. The document consists of 5 sections (Opportunity, Project, Market Research, Strategy and Finances). 1. Market Opportunity. The first section is named "Market Opportunity".
Funding will also be dedicated towards three months of overhead costs to include payroll of the staff and marketing expenses. The breakout of the funding is below: Facility build-out: $340,000. Production equipment, supplies, and materials: $280,000. Three months of overhead expenses (payroll, utilities): $160,000.
Calculate how much you need to start. On average, the initial capital needed to open a production company can vary significantly, ranging from $50,000 to $200,000 for a small-scale operation to $500,000 to over $1,000,000 for a more comprehensive setup with high-quality equipment and a prime location.
Create a Business Plan. When starting a production company, developing a comprehensive business plan is crucial. A solid business plan will guide your company's future, helping you secure investors and achieve your goals. Here, we'll explore some key sections to include in your plan. Market Analysis. Begin by conducting a thorough market ...
A business plan has 2 main parts: a financial forecast outlining the funding requirements of your film production company and the expected growth, profits and cash flows for the next 3 to 5 years; and a written part which gives the reader the information needed to decide if they believe the forecast is achievable.
This business plan is a road map for you in the early stages, and it can be used to get financing and attract partners. Essentials for a production company business plan: Executive summary. Industry overview. Market analysis. Sales and marketing plan. Ownership and management plan. Operating plan. Financial plan.
A good tip for staying organized is to get used to production management software. Oh, yeah, and making films How to start a production company, step-by-step. Aside from making a proper business plan before starting your production company, here are some steps that will make your life easier and ensure your business has a solid foundation. Research
Production Company Business Plan. Over the past 20+ years, we have helped over 500 entrepreneurs and business owners create business plans to start and grow their production companies. If you're unfamiliar with creating a production company business plan, you may think creating one will be a time-consuming and frustrating process.
A business plan has 2 main parts: a financial forecast outlining the funding requirements of your video production company and the expected growth, profits and cash flows for the next 3 to 5 years; and a written part which gives the reader the information needed to decide if they believe the forecast is achievable.
Build-out and Startup costs: $150,000. Video production equipment: $180,000. Working capital: $50,000 to pay for marketing, salaries, and lease costs until [Company Name] reaches break-even. Top line projections over the next five years are as follows: Year 1.
Establish a realistic budget and timeline for your project. Attract potential investors and secure funding. Create a marketing and distribution strategy that maximizes your film's reach and revenue. Assemble a talented and experienced management team. Manage the risks and challenges associated with the film industry.
8. Register Your Film Production Business With the IRS. Next, you need to register your business with the Internal Revenue Service (IRS) which will result in the IRS issuing you an Employer Identification Number (EIN). Most banks will require you to have an EIN in order to open up an account.
How to Start a Production Company in 12 Steps. Starting your own production company grants you control over the TV and film projects you wish to develop and produce. As you explore this career path, consider these twelve key tips on how to start a production company.
Additional Expenditure (Business cards, Signage, Adverts and Promotions et al) - $2,500. Miscellaneous - $20,000. Going by the report from the research and feasibility studies, we will need about $1 million to set up a medium scale but standard film and video production company in the United States of America.
The Relevance of a Business Plan for a Production House. A business plan serves as the roadmap for your production house's success. It outlines your goals, strategies, and the steps to achieve them. Without it, navigating the competitive entertainment industry can feel like driving without a map. Investors and stakeholders often require a ...
Black Screen Productions Inc (BSP) is a US-based media production and distribution company headed by star producer and director Mr. Alan Woods. The company has three distinct business divisions. Initial operations of the company will include media production and media. To unlock help try Upmetrics! .
From an informal phone survey we gathered rates for a 10 minute video from $500 to $2,000. Additionally, this phone survey showed no true committment to the production elements of music and digital effects. Again, this is due to having no business system in place to provide these essential elements.
The cost for equipping the music studio with the required gadgets - $100,000. The Cost of Launching your official Website - $600. Budget for paying at least 5 employees for 3 months and utility bills - $100,000. Additional Expenditure (Business cards, Signage, Adverts and Promotions et al) - $2,500.
The measure titled "Prohibition of Slaughterhouses" would outlaw "the construction, maintenance, or use of" any meat processing facilities in Denver beginning Jan. 1, 2026, as well as "require the city to prioritize residents whose employment is affected by the ordinance in workforce training or employment assistance programs." Pro-Animal Future announced it had collected enough ...